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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • fourwindsblow
    Joined:
    bonus disc snafu?

    Since this release is a numbered limited edition and has sold-out this must mean that they sent you someone else's (non-subscribers) numbered Dave's Picks Vol. 30.

  • MinasMorgul
    Joined:
    Quacking duck Scarlet-Fire

    Keith fan I copied this a few years ago, look familiar?

    QUACK....QUACK.....QUACK. QUACK, QUACK-QUACK-QUACK. What was that!? Oh..Quacking Duck Fire on the Mountain, Tuscaloosa, 5/17. That's right - the immortal Scarlet / Fire that was so good even Jerry regretted it. Recalling that performance years later, Jerry reflects....

    "I was chilling out, taking it easy up there after the transition into Fire on the Mountain, and... a nice buzz started creeping in after a fan passed a joint our way...that happened all the time in those days, where they'd spark one up and hand it off to one of our security guys; and then Ramrod or Bear or one of those guys would get a hold of it for "testing" - their words, not mine - and it eventually made its way to us."

    "After the intense Scarlet performance, I thought it would be a hoot to ease back and play to this great buzz I was feeling, which was really not an unusual thing for us...and you have to understand, I use the Mu-tron on tunes like Fire on the Mountain and Estimated Prophet, you know, to get a little bit more of a snarky sound than just a traditional wah wah pedal. On that particular night, in the light haze of a cool buzz, the Mu-Tron ended up sounding like a duck-call of sorts."

    "I didn't think much of it at the time....but as it turned out, within the tape trading circles (which had blossomed into full swing that Spring), it simply came to be known as 'Quacking Duck' Mountain. After that show in Tuscaloosa, people would start hollering 'Duck! Duck!' every time we grooved our way into Fire on the Mountain...and it was really just...I mean what else can I do? Bring a monkey onstage? It came to be expected, like Townshend and the guitar smashing; and people got upset when I wouldn't do it. I know how he felt - 'Smash your guitar Pete, smash your guitar!' Well, what you have to realize, is that it's the spontaneity of a moment like that which makes it special; and you can't just REPRODUCE spontaneity man - it's a paradox, you dig? 'Play Quacking Duck Jerry, play Quacking Duck!' I'm sorry, I can't do it. It got to be a weight around our necks, but eventually we moved on."

    "Tuscaloosa was the only time I ever did it, and to be sure, I did see a line of fuzzy little yellow ducks marching across stage...It was weird man, really really weird...beyond the pale..."

  • hbob1995
    Joined:
    Zack

    I did forget to mention Zack. He is unbelievable! He has now been their drummer for over 20 years. With Ringo as his dad, and Keith Moon as his godfather, what do you expect? Keith gave him his first drum kit. Check our Amazing Journey / Sparks to see him at his best.
    Pino left the band years ago.
    Rock on

  • LedDed
    Joined:
    "Not trying to harsh your buzz..."

    I love that phrase.

    https://ultimateclassicrock.com/roger-daltrey-pot-allergy/

    \m/

  • Thin
    Joined:
    got my bonus disc

    So My DaP30 came without the bonus disc (subscriber). I sent a nice email to Dead.net about the snafu, and today I got my bonus disc, attached to yet another copy of DaP30. Thanks Dead.net. My only miscue EVER by dead.net and they went above and beyond in correcting. Thanks y'all.

  • KeithFan2112
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    Afternoon Rockers!

    Started off on the drive in with the "quacking duck" Scarlet / Fire, which resides in this fine anniversary date of Tuscaloosa 5/17/77. After literally years of comparing, I've settled on this as my favorite Scarlet / Fire. It's long (25 minutes), and Garcia is on top of the solos. Donna's purring and moaning is good but not overdone 5/25 is overdone IMHO). Transition is great. Mutron ducks. Keith does play that psuedo organ that drives me nuts at Cornell. The '78 versions are almost all marred by a certain slide guitar padawan. Yeah, this is it. 5/11 is my 2nd fav, and 2/3/78 from DP18 is probably my 3rd. Believe it or not, I really like The Closing Of Winterland version. And I'm a sucker for Return To Normal, aka DaP 7 - Let It Burn Let It Burn Let It Burn. 5/13/77 would have me if the Scarlet wasn't castrated at 7 minutes.

    Big Who fan here. I saw them as close as one could see the original band. I got into them at 10 yrs old, right after they broke up in '82. Finally got to see them in '89 as a 17 year old, and as cool as it was to see them live, Townshend was playing acoustic guitar only, and there was a whole orchestra and backup singers - not cool in hindsight, and doesn't sound cool on record - but it was better than nothing at the time. Next saw them play Quadrophenia which was my favorite album, and it was bonkers. Townshend still on acoustic guitar, but Zak had joined the band. Getting there. In 2000 I saw them from the 4th row. Townshend on electric guitar finally. Entwistle still alive, Daltrey sounding great, and Zak still on the drums - a little Keith Moon behind the kit - I mean it's unbelievable how much he drums like Moon, though make no mistake, Zak is a calculated time keeper, and Moon was the Tasmanian Devil. And Rabbit Bundrick was on keyboards, which is just fine, as any Who fan will attest. But the best part was the set list. The Who revisits their past in phases - first Tommy in '89, then Quadrophenia in '96. In 2000, they were very heavy on the Who's Next / Lifehouse material, so we're talking deep cuts. And Townshend looked more excited to be wielding those electric guitars more than the fans; it's like he finally said "fuck my hearing, I miss this too much". Sorry for the long post, but you have to check out this set list:

    1) I Can't Explain
    2) Substitute
    3) Anyway, Anyhow, Anywhere *
    4) I Don't Even Know Myself *
    5) My Wife
    6) Baba O'Riley
    7) Relay *
    8) Bargain *
    9) I'm One
    10) Pinball Wizard
    11) The Real Me
    12) Who Are You
    13) Magic Bus
    14) Behind Blue Eyes
    15) You Better You Bet
    16) 5:15
    17) Won't Get Fooled Again

    Encore:

    18) The Kids Are Alright *
    19) Let's See Action *
    20) My Generation

    If there's an asterisk, it means there was no way in hell you would have thought they would have played these tunes - it had been THAT long since they went there.

  • JeffSmith
    Joined:
    All the Dark Stars from '72

    . . . 30 of the 31 Dark Stars from '72 are at https://archive.org/details/DarkStar_1972. They've been joined into a single, chronological recording (10/23 was omitted due to poor sound quality). Total length: 11 hours, 42 minutes, 37 seconds. The 11 Dark Stars from Europe '72 take up a little over 4 hours. The list of Dark Stars now includes timestamps to help locate each performance. SonicWallpaper, who deftly cobbled this together, apparently is close to uploading a similar treatment of all 1973 DarkStars. To paraphrase Oroborous: get your space suit on and fire up some monster DSs from '72!

    Kramer NOT a Deadhead? What!?

    Padawan? . . . oh, as in Jedi Padawan. Lot nicer than wannabe. (prescient, huh?)

  • hbob1995
    Joined:
    The Who

    I also caught The Who Monday night at MSG, and let me say, anyone who thinks they are "hacks" or "over the hill" is wrong. They were spot on! Since Roger had his throat surgery, and continues to have that situation monitored closely, he sounds very strong. Hard to believe he is 75 years old.
    This time around they have a full orchestra with them, and Tommy & Quadraphenia never sounded better! After all, these tunes were written for an orchestra and they were absolutely moving. And when they finished off with Baba O'Riley, the young lady in the first violinist's chair was able to do justice to that manic, gypsy fiddle part!
    As far as the pot issue, Roger had asked nicely early on for the folks to desist, or to take it elsewhere, less they threaten his voice and therefore the show. So cut him some slack for that. He is just trying to give the best performance possible for the crowd. There has to be something said for that.
    Rock on

  • KeithFan2112
    Joined:
    The Guessing Game

    I love the Grateful Dead guessing game. Give me 5 minutes of any E72 Dark Star, and I'll nail it.....maybe :D

    I go to my cousin's for 4th of July and NYE and there's always a mix that includes the Sirious Radio Dead. I am about 15 / 16 on getting the correct song version for anything before 1979. The only one I missed was Scarlet / Fire. I mixed up the two from the July 1978 Box Set. I guessed 7/7 Red Rocks but they were playing 7/3 St. Paul. I knew it was St. Paul too, but I started second guessing myself. I started thinking, well what would Dave play? He'd go with Red Rocks....grrrrrr.

    Of course I'm like a circus clown to half the crowd there. "Thanks, yes, quite a talent? oh well, believe it or not it's kind of easy - there are a lot of context clues to listen fo.....what? yes, yes, I have a job. See, if I don't hear Pigpen, but I do hear two drummers, I know it's somewh....huh? yes it's a real job, it pays the mortgage, puts food on the table......"

  • Sixtus_
    Joined:
    re: Seinfeld Redux: SYF Edition

    Estimated Eyes....you piqued my interest here - this was a new one for me. Very Cool.

    And just to share: https://seincast.tumblr.com/post/121694483236/a-somewhat-better-look-at…

    Long Live the Steal Your Face.
    Sixtus

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by stoltzfus

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Ha. I bet Phil is pissed at the "Their Lead Vocalist" comment.

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Fries, Nachos, “I need a hook”, “Wow, good for them”.

No you didn’t get dosed, but you should consider it!

Edit: I got buses & Fire Hydrants , but still not Kesey's bus...

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In reply to by CaseyJanes

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I think that she did get dosed by the blue Jell-O shot.

She’ll be back next tour and will know all the songs.

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In reply to by Vguy72

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The Victm>Foolish transition seemed quite interesting at the time.

Was in the front row the next night (my friend got them from mail order - thanks GDTS). The first night we were 2nd row off the floor in the back with my GDTS tix.

I’m curious why the SBDs from those shows aren’t in circulation.

Doubtful.. more likely select lines from Friend of the Devil, Touch of Grey and Truckin' which she will know doubt try to impress us with by staggering back and forth while standing on her chair, flicking a lighter and singly quite loudly, out of key, and one step out of time to two thirds of the lyrics of Friend of the Devil and Casey Jones.

I don't know.. Perhaps this sounds cranky.. but why do people with such limited exposure and understanding feel the need to write about it on a large platform and describe exactly what it's all about. On the bright side.. at least she wasn't talking the entire show while overconsuming makers mark and beer after beer while yelling JJERRRRYYYYYYY during each and every solo.

Ok.. I will get back to kicking hippies off my lawn. As you were. Deep breath, exhale, all better now. Anyone is welcome to walk across my front lawn.

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I don't know, seems like a sterile version of the original parking lot. It may be that my last show was 95'. She was brave though, taking some pill in this era. I'd rather keep the memories of old then take a chance at disappointment. At least that's my opinion.

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What year was that first Corrina. Curious.

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In reply to by carlo13

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....not entirely sure. Wanna say Vegas '92? That song was hit or miss for me. Better than Easy answers for sure. About tied with Eternity, which, when they did it right, was a pretty damn good time.

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That was the same kind of feeling I had with Corrina. Hit or miss.

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Check Your PM

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In reply to by Vguy72

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Could have been a decent song if it didn’t have any words.

Easy Answers = bathroom trip
Wave to the wind = bathroom trip
Vince = bathroom trip

If 2 or more of those came up in a show you were stuck listening to the one(s) that came after the bathroom trip.

Corinna could evolve into a good jam sometimes, but I was always disappointed to hear the opening chords.
First Corinna was 2-23-92.

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David Crosby - guitar, vocals
Jerry Garcia - lead guitar, vocals
Phil Lesh - bass
Mickey Hart - drums

This is a trip. Originally broadcast on KSAN, 12/15/70 from The Matrix, SF.

It really feels like a bootleg. Maybe some of you are familiar. It's loose and sloppy and I'm loving it.

Jerry is pretty "on."

From the five-disc box, "The 1970 Broadcasts."

Also a hoot, is the current Rolling Stone feature which has David Crosby answering readers questions about life, etc.

Crosby was a mess for decades, but as it goes, has become a wise old sage. God bless him.

\m/

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Oh yeah! What show are you jamming?

I was always a fan of their cover of the Stones' No Expectations.

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In reply to by Slow Dog Noodle

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....that's the name.
Mrs. Vguy likes them. A definite plus

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In reply to by Vguy72

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Eternity always fine by me

Wave to the Wind is an abomination

Easy answers....love ya Bob, but...

Vince tunes ok

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The itch for DaP 31 approaches.....currently listening to 11 26 72 DARK STAR. San Antonio! Anyone feeling a hint for what year DaP 31 will bring us? 1968, 1972...in the strangest of places....

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In reply to by stoltzfus

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Pink Floyd 71....insane and masterful

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I've always loved this tune. Ratdog has some very good renditions. Same with easy answers, I like the way Bob has been blending Easy answer with music never stopped.

Again, hard to believe we will looking at another seaside chat for Dave's 31 before we get the news on this year's box, but that appears to be the case.

Might be time for the first 79 release. Last 79 release was RT.3.1, which is outstanding!

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...a raise of hands please, who wants a 1969 box set?!
🙏❤️😎

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I sure hope you're not talking about the Woodstock box.

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Would love to see a Fall ‘91 Box. Mix of the MSG and Boston Garden runs. Have not had a Bruce/Vince box set yet.

The can name it “In and out of the Garden we go!”

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In reply to by Duece

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or 9/4,5,6/91 wpould make a nice 91....
Or
Something from 69, 79, and 89, number 9, number 9, number 9........
Didn’t Bolo say something about different years combined?

Edit: 79 you say? ....how’s bout 1/10/79 and 1/20/79? ......probably no tapes??

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The box will not be '66, '67 or '68; agreed? All short shows, not many in the vault, questionable sales appeal. Edit:(Okay, I'd personally dive on any such releases, esp. '67 and '68. Killing my own arguments at the get-go.)

They just handed us two excellent '70 shows and have to hold the few remaining '70 shows for the 50th pairings with Workingman's and American Beauty and some for future DaPs. The box will not be '73-'74; they did that last year. That leaves '69, '71, '72 and '89 and '91.

To me the decision has to be tied to the music, the vault and sales.

The music: what will broadly appeal to the die-hards AND general public?

The vault: what year is well-supplied with useful tapes, so that a box will not deplete it?

The sales: shows with broad appeal, and affordable. Affordable is pretty much an issue of how many shows/discs. (Answer: 4-6 shows, 10-20 discs.) I think they'll lean slimmer than last year's 6 shows/19 discs to make it more affordable. On the other hand, these ARE limited edition boxes, so maybe "broad appeal" only applies within the tuned-in Dead market -- meaning, at many post '95 shows by later incarnations of the GD, I tried talking to people about the vault output and they had NO IDEA about Dave's Picks, etc. A huge # of people are into the concert scene and not the archival releases, bless their pointy little heads.

1969 passes all these tests and has the anniversary thing going for it. Yet they just put out Aoxomoxoa with a January '69 live disc. (Get Shown the Light in 2017 was synched to an anniversary, but that's the exception so far. )

1971 passes all these tests for me, yet I'm not sure -- forensic doc's efforts not withstanding -- how broadly appealing '71 is to die-hard fans. Same question might be applied to '69.

Okay, now we come to my favorite dead horse, which I have flogged mercilessly: 1972. Consistently hot shows. Tons of fall '72 in the vault ("tons" = ~25-30?). Broad appeal, good buzz factor (same year as Euro '72). Surefire sales: who's going to turn down a '72 box? Who??

Finally, I think '89 and '91 are a bit obscure performance-wise and may divide the market; older heads might pass, and those who caught that era are now in their 50s (mere kids, "heh heh heh," in a creepy voice).

Yet, I have to wonder how sales would go with The Ark three-show box, Capitol Theater '71 or even my favored fall '72 (c'mon, that'd sell like laced hotcakes).

To re-formulate my usual lackluster quip: I'm usually wrong. And I'll be fascinated to see what they've got in the works. Now that I think of it, 1979 is precisely 40 years ago and holds many tapes (I choose to believe, with no knowledge whatsoever) and hot shows. Who knows? As with PNW, perhaps they choose a venue like Red Rocks for '79; only, just one of three August '79 shows was at the Rocks, the other two at McNichols, the old Denver shed.

Okay, now I'm rambling badly and posting it. I say a week from Monday (July 8) we'll know. Dead & Co. will be back home, patching their bones. GarciaLive v. 11 shipping notices will be out and DaP 31 not yet announced.

I'm calling fall '72 box, with a '91 or '79 for DaP 31...

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Only two shows in the vault from the first two months of the year... One is the Feb 17, 1979 Rock for Life Show, and I believe the other is 2/7/79 Carbondale..... I wonder what happened to those tapes??? Have a good weekend everyone.... Bob t

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Richfield 9/4-6/91

I was there. all three shows smoked. Highly recomended. The 1st and 3rd nights were A+ top grade perfromances. One of the best Scarlet>Fires, a Birdsong for the ages, the secondset sequence of 9/6 is executed with perfection.

The Giants Stadium shows recorded onto 48 track analogue would be an obvious 2 show box to coincide with the Meet Up.

I have to have this when it comes out. My life would not be complete without it.

Arc would be cool too. Anything '89 2 thumbs up.

These verify pics are hard to see. Hate that. Hassle.

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I remember in the 80's shows wishing jerry would whip out his banjo, even just for a few minutes to put my trip back in line.

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I only hear crickets.

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Crankin' TIFTOO. To bad we couldn't have a keg party over the net. That would be the greatest app. In the world.

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Carlo13 you cracked me up a bit with your Jerry banjo comment! Kinda brings me back to "them daze".

BTW, did anyone grab the vinyl AND cd of the Warfield? I have the cd and I think I'm digging it the most out of the latest releases, but wondered if the vinyl differed in any way from the cd (which has a complete dearth of liner notes, accompanying booklet, or photos of the band, etc.)

P.S. I finally picked up the Shrine '67 vinyl (mainly for the cover art which I like on my wall.

P.S.S. Great Calls on something from Brent Fall 1979 some of those tapes are really well recorded!

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Kind of strange that the interviewer called John belushi a nutball. Seemed like bill thought the same.

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Streaming tonight and tomorrow. I’m behind and just started the 2nd set.....strong show so far!

My daughter came down earlier to say goodnight, looked up at the TV and said that’s Bob Ross......Yes!!! I’m half-way to making her a Deadhead!!!

Happy Trees 🌲

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In reply to by CaseyJanes

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“Roll right through the night...”
SPACEBRO: “so glad you made it”...ditto Wilfred.....yasss, those Richfield shows go under the radar but where mighty tasty....believe that was the last or near last time I hung with my old amigo Lee Esdee...remember camping nearby sea world with previously mentioned, now 21 year old girl friend, me 28, and tent loving all night to the unbelievable sound of the whales.....whoooaaaa...

CARLO: yassss, use to space about why/what if JG threw down some badass BG....though not in the GD context but alas, perhaps lack of due to another side affect of the Jones etc? Fortunately we got at least the 90 Grisman et el stuff!
Virtual, cyber? Kegger, pssstttttt, that’s me opening the last growler of that tasty strawberry daze ale.....till next year!

JIMMD: “Ark You!”.......and of course I mean that in a good way 😀

LEDEAD: thanks for the awesome article! Had not seen that one! Nice long, candid one too. Love Billy K but sometimes.....not here though!
EDIT: interesting AB comments considering recent related posts here.....

DAVEROCK: will have to listen/analyze for the River/fingers correlation.....personally also thought L.R.R. and many of late era JG ballads were favs, if maybe a bit too many? Seemed to fit the vibe near the end days...perhaps just projecting my maturing? Moving on feelings/“growing up”.....ok, that’s too much thinking for this time and space???

C.J: and so it begins....! ; )

BobT: thanks! Glad to see ya...sorry, believe you told me/us this already....sorry for repeats Uncle! ; )

HF: eh, who you calling a kid ; )
and, ....ramble on baby!....I can’t speak for the rest of this ship of fools, but I dig your rambles!
I Like most of what you postulate, yasss, know I would truly dig any primal Dead, but your probably right about marketing/economics here....very interesting about your post GD observations vis a vis releases versus live. Perhaps a correlation with the younger gen/no stuff thing? Cool that kids are still pro live versuses memorex....perhaps we’re so rabid about releases due to the age/nostalgia bug and trying to relive etc, while the youngins are trying to actually live their own legacy, which is nice!
Think 69 might get more traction than you think? I know I’d dig that shite, ark, ark, ark! Woof! ......perhaps those that are neophytes would just bye and end up blown away?....
71? Know many here would love that spring stuff, not sure that would sell well with the casuals? (No offense to the Doc if yee lurkith?...miss ya boss!) Personally late 70 through pre Kieth 71 is not on my top wish lists, which is ironic cause skull fuck was sorta the final indoctrinating straw for moi. Sure I’d learn to love it like a red headed step child 😉
Your thoughts on fall 72 are not wrong....know I’d dig some big ass meaty Dark Stars etc ala previous releases....and agree 72 is pretty much money with this crowd. Also, been about time since 8/25 which was great in my minds eye, but perhaps not equal to some fall deep space 9 mojo? Imho.
Not disagreeing with your logic per 89-91, but perhaps the music is strong enough, and maybe overlooked enough, while having enough fans, especially with lack of inventory so far, that a small but solid 91 outing would trend well enough? Getting a 69 vibe myself, perhaps only in a dog sense kinda way, but hey, that shit has worked as much as logic and empiricism!

And in these days in GD history......spinning 6/27/85, which has a bit of slop/ occasional JG vocal mishaps, but imo is more than made up for with chutzpah, and shining diamond moments of psychedelic golden yummies, and a neat set list! Oye, the energy! Followed by 6/28/85 which is one of my favs; both @ and recording....again a bit of the first set “slop” but grows into a beast....remeber it was not a pleasant day. But the set up was awesome; like high school stadium, not too crowded, with PA in true stereo imaging set up, small delay towers on the ground behind the board, no cranes needed! But because of the elements they had plastic protection over everything; PA, stage gear etc until sometime in the 2nd...believe Estinmated into Terrapin? Eventually it cleared up with the stars out and they peeled off that plastic protection off, Healy started to crank it (which we were truanting him to do as we were hanging in front of soundboard per usual), and things started getting progressively better from there...started to warm up a bit too, which eventually led to moi overheating, but that’s another story that I shall only replay upon request.
Anywho, interesting first, followed by “continued singing in the rain” one of my fav Music Never Stopped”, my first Tom Thumbs, a solid Estimated, good Terrapin, great experientially, followed by one of my favorite spaces, complete with some serious 3D holographic, moving, Healy shit, woooooooooo, (recordings do not begin to capture this phenomena!), into a slamming Miracle, and perhaps my all time favorite Dew (very influenced by passing grandfather,) psychedelic, personal, cathartic variables, but to me still transcend all that even today....with a strong Stones/NFA, but unfortunately a bit of a let down with the Day Job encore....by then to my gang that one had kinda run its course. Dug it in like 83 etc, but eventually wore itself out...?
Followed all this off with first set of of 6/27/87 which is decent, tight 87ish, and now into the wee hours we’re bringing it all home with 6/25/88 mix of all of the first (“we don’t just let anyone sit in on accordion”) and the second first half mix of Victum, Blow Away, and Foolish, which were firsts for our gang...kinda of shitty conditions there though at the time..recall not feeling it so much then, but recording has remained a nice summer time fav.....
Tomorrow hopefully, finally, get to dig into PNW 6/24&26/73 shows....boo-yah!
So much Dead, so little time!....
And too all a goodnight!
Have a greatful weekend mi amigos!

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Thanks for tormenting me on the strawberry beer bro!! Now I am going out first thing tomorrow and find me some S. B. To quench my beer jones. I'll see if they have strawberry daze ale, if not I'll get any kind they have. I will let you know the results. It is funny that I have not bought a growler in ages. I think it's high time I start growling again. Peace!

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Had a wonderful evening with Bruce Hornsby and the Noisemakers in the mountains of North Carolina last Wednesday at the Salvage Station. Set list:
Great Divide
Stander on the Mountain
Fractals
I'll take you there
The way it is
Tango King
Pastures of Plenty
Up with People
Celestial Railroad
Green, Green rocky road
Every Little Kiss
Echolocation
Defenders of the Flag
Big Rock Candy Mountain>Candy Mountain Run
Little Sadie>White Wheeled Limo>Liberty Valance
Great jams especially the Candy Mountain Run, had the audience rocking and we all danced all night. 2.5 hr show with no breaks. Great Grateful Dead cover band on after the Bruce show who's opening song was Estimated Prophet, and they did an excellent job. Phunkle Sam is the name of the band and they are very well versed in Grateful Dead tunes.
If you get a chance, catch Bruce this time around, had a good time with some excellent tunes played along the river with fireflies dancing around us most of the evening, awesome. Check out Bruce's new lp also, it's worth a listen.
Box set, I'll take some 91 Bruce and Vince this time around, it's time to break these shows out, they were great.
Last 6:
Jules and the Polar Bears, Phonetics
Steppenwolf, Live
Cheech and Chong, Big Bambu
Mahogany Rush, Child of the Novelity
Bruce Hornsby, Absolute Zero
Stomu Yamashta, Go (with Steve Winwood and Michael Shrieve)

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...a show of hands please for a “Warfield Anniversary Boxset, October 1980, celebrating the Grateful Dead's 15th Anniversary.” A perfect blending of older cuts from the Dead's extensive repertoire with performances of the Dead’s acoustic sets & Electric ...🙏❤️😎

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