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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • hailboognish
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    M.I.A.

    Am I the only person who still has yet to receive this? Got an email last week with a tracking number that as of a few minutes ago still goes nowhere. I guess I'll just search for some links to download this, I'd rather wait for the discs to arrive, but I'm really eager to hear this.

  • bob t
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    Disc #3 always seems to be a favorite...

    Dave's 30 keeps the streak alive...... but i have to say, I really really like Disc 2... It's because of the "filler" songs from the end of 1/3/70.... the last 3 songs, Dancing in the Street, St. Stephen>In The Midnight Hour are just so good..... And so are the Morning Dew and Big Boss Man.... "filler" is a joke by the way.... those 5 songs from 1/3/70 on disc 2 are smoking hot.... So you listen to those 5 songs and then head to Disc 3 !!! It is like two Disc 3's in one CD!!!! and Disc 1 is awesome also... Bob t

  • Cousins Of The…
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    Early/Late shows

    It makes sense; take for example 1/2/70, there's three bands on the bill, the Dead, Lighthouse and Coldblood. It wasn't just a GD show.

  • icecrmcnkd
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    Early/late = Set 1 and 2

    But this way you got to exit the venue during ‘intermission’ and restock your supplies if needed.

    Maybe both shows combined equaled the ticket price of a 2-set show.
    But hey, it’s NY and SF, they’re used to being charged more for everything.

  • JimInMD
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    First Listen

    I had some free time this morning and the weather was great.. so I took in a nice bike ride and finished my first listen.

    I have to say.. this Dark Star is fantastic. So moody and emotive. Disc three is a stunner and for me, moves this one into the top shelf of keeper shows.

    I, too, noticed the vocals are panned to one side. Not sure if it's left or right because I used headphones and I have no idea if I had them on the right ear or not. I did notice during I think Masons?? perhaps Dark Star?? mid song Bear moved Jerry's voice to center for a bit and then moved it back at some point. I think it was Mason's because he did the same thing on both versions.. but I could be wrong, I need to re-listen.

    Also, I really get a kick out of the embryonic versions of the new songs. So rough and Jerry's tone on some of them gives it a grungy quality. Raw and unpolished. I get and agree with some of the criticism these tunes get, but for me it is an added bonus. I especially like the early versions of China > Rider. Knowing where this duo winds up only adds to the excitement of hearing them work through the changes and transitions on these early versions.

    That's my take. A top shelf release, warts and all.. and that Dark Star, Special!

  • stoltzfus
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    early and late shows

    I think it's on 10/30/70

    Jerry says something like this to a fan complaining about the short early show: "yeah, it's a bummer, but its the first show....how long do we have to do this?"

    in essence, Jerry didn't like the early/late split, either.

    I would have bought a ticket for each, regardless.

  • CaseyJanes
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    Tele Custom

    DaveRock...the guitar I am building is not exactly a Tele, but is very similar. It has a Tele body, but a custom neck. I went with 5A Birdseye Maple which will be roasted at high temperatures for enhanced playability and tone. I wanted a reliced guitar without the fender custom shop price tag. My guitar instructor here in KC recommended a company called MJT out of Carthage, MO. Very small town about 2 hours south of here. I had never heard of them, but they have hundreds of Grate reviews, and ship guitars all over the world. Their specialty is aged finishing. Check em out http://www.mjtagedfinishes.com/ I ordered one about 5 weeks ago, and takes approximately 14 weeks. I went with a faded/yellowed Taos Turquoise over vintage Sunburst, with some checking and med-heavy wear....... Can't wait!

  • daverock
    Joined:
    Roy Buchanan- Danny Gatton-telecasters on fire!

    Yes, he was an incredible guitarist. He cropped up on here when we were talking about those Rockpalast shows. When I think of him, I always go on to consider Danny Gatton-another phenomenal telecaster player. He was more rockabilly/jazz than Roy, but, man, he could play. I think he was in a band with Jack Cassady in the early 1960s, although I don't think they recorded together. Tragically, like Roy, he also died by hanging himself.

    There's something about a telecaster that inspires truly spectacular playing. Hope you manage to get a picture of your tele custom on here KCJ. My most played electric guitars are the three pickup James Burton and the Japanese made pink paisley tele. You could crack glass with the tone on that one.

  • estimated-eyes
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    late and early

    I have only gotten through disc 1, plan on the rest tonight, though the Milwaukee Bucks game is calling me (lifetime fan here), so it may have to wait. I received my lowest number yet-- #864. Not that it makes any difference... I like the tunes so far-- nice UJB and High Time (TC's contributions to High Time are immense).

    So, better than any other release, this show's liner notes put in perspective the Early and Late show phenomenon of Bill Graham's venues. Which makes me think that folks who saw the Grateful Dead at Bill's venues in the late 60s and early 70s (Fillmore Auditorium, Fillmore West, Fillmore East and Winterland) were getting a vastly different experience than those seeing them in other parts of the country.

    And I will say this in a rough way, but don't mean to disparage Mr. Graham because I have great respect for his work and what he did for the music industry in his lifetime. But, folks who saw the Dead at his venues during this time frame got screwed. While folks at other venues across the country were likely paying one admission price to see two sets of Good Old Grateful Dead, at Bill Graham's haunts, one had to pay for an early show or a late show-- to see both sets they had to buy two tickets. For the 1/2/70 show, the folks who only saw the early show got about one hour of music with only one serious jam in The Other One. The late show was clearly where it was at.

    Maybe some folks who were seeing the boys in this time period can share stories about this. I didn't see a show until 1988, born in 1970-- it was a different world by my time. If you saw them at the one of the Fillmore venues, did you buy tickets to early and late to see both sets? If you saw them elsewhere, was it one admission for two sets or did they follow Graham's format, too?

    This has me very intrigued. Based upon this release, I am not certain I would have become a DeadHead if my first show was the early show on 1/2. While I like it fine, I know there is more music to follow-- at least 90 minutes. But if that was the entire show, not sure I would go back often. My reaction might have been, "That's it?" In two years, three hours is the norm for a GD show-- no late or early show.

    I also wonder how the band felt about it-- might have to re-read Phil and/or Bill's books to see if they touch on it. Bill Graham is making out nicely here with two sets of house tickets sold for the same amount of music as other venues got for one house. Did the band get two cuts from Bill for two sets to two separate audiences? Or did they get paid a percentage of the house regardless of where they played, in which case they came out all right too. Just curious about this after receiving this set.

  • bigbrownie
    Joined:
    Re: Shipping Issues and Woodstock

    I, too, had a concern about tracking, and then #19377 showed up yesterday. Moral of the story: Take a deep breath 'cause it's coming.
    Thanks lovemygirl for the Woodstock heads up. I'm in for the 10 cd audio only (about $175 with shipping and tax).
    The complete box set is overkill for me, as I already have an original concert poster, director's cut dvd, Woodstock and Woodstock II LPs, and a 90 minute cassette of the GD and all the delays and ramblings (Jellystone Park etc.).
    Resellers and uber completists will like it, though.
    I had the privilege, as an 11 year old, to see the movie "Woodstock" in 1970 and, needless to say, that experience "opened my eyes".

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

The chords for One of These Days are B and A, and the main chords for The Other One are E and D, so they are similar in being based on just two chords and strong, propulsive basslines (One of These Days featuring two basses, one played by Waters, the other one by Gilmour), but OoTD is just 4/4, where TOO is a weird 6/8 and 4/4 mix; Billy describes it as a 6/8 on top of a 4/4 in Long Strange Trip. Two of my favorite songs by two of my favorite bands. Was super pumped to have seen Waters do OoTD a couple years ago. The BBC one was what first got me into that song, as well as Embryo, which somebody brought up recently as well, and of course, Echoes.

Fall '72 box sounds grate to me!

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Do you have a good copy of San Antonio 11 26 72? My dark star is a decent audience recording but certainly not soundboard quality. That request is good for anyone :D

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Meddle is a great album.

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Thanks Dennis I'll check this one out!

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Have you heard of the live pink floyd tape 'Crackers'?? I have it in my tape collection somewhere. It's good but I forgot what songs are on it. Lost the list. Hollywood bowl bootleg.

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Not ringing a bell. I used to download a bunch of liberated boots on Dimeadozen and Trader's Den, and ended up with a good number of Floyd shows (along with a good sized collection of Who, Tom Waits, Queen, and other less taper friendly bands), but don't remember that particular one. I found a page for it at discogs:
https://www.discogs.com/Pink-Floyd-Crackers-Damn-Braces-Bless-Relaxes-T…
Here's a youtube video of the album playing:
https://youtu.be/B0Qw2eidPaY
I know I had some from '72 with the Dark Side performances that usually had an Echoes and OoTD as well, not recalling Hollywood Bowl. I can only imagine what people thought as they got the as yet unreleased full album that would stay on the charts for 16 straight years. The Dead got that privilege as they saw Floyd at Radio City in Spring '73.

Wonder when the next part of the Floyd story comes out in another mammoth box after The Early Years (which I still don't have, but want, just need an extra 500 bucks). My wife didn't kill me over 30 Trips, but I may have to scream careful with that axe if I got that Floyd box, too.

Speaking of box sets: wonder if they really are waiting until MUATM to announce, not just preview the box this year, allowing them more production time without people anxiously waiting on it and awaiting visual evidence of it.

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500 clams? I'll have to check that one out.

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Alvarhanso, check the prices of the individual year sets for the PF Early Years box, most of the six individual sets go for about $35-$40 on amazon, so you can get all of the music content of the Early Years box for about $240 if you buy it that way. I think that you miss out on some ephemera, but I picked up the '69 Dramatis/ation and '72 Obsfuc/ation portions and may pick up a couple more later. I was also wondering what the next box set would be to follow the Early Years one.

Why is it that my access to this dead.net store is denied about half the times I try to get into this dead.net store?
I can easily get dead.net any and all times but have difficulty accessing the store. I wonder if its a bug in my desktop computer as I can access store.dead.net via my phone, but have yet to post comments via my phone or try to post.

Which is basically the reason why I don't post comments as much.
I may not be able to read any replies to this comment anytime soon, but I'll keep on tryin' to log into this store.dead.net.
I still like the old desktop computers versus tablets and "smart" phones, but don't separate me from my phone.

Dave's Picks 31?
Hmmm.
I not going to guess here, but I know for sure that I will love whatever has been selected.

Meddle seemed to me to be the last of their experimental albums, and the last really spacy one. After that, they sounded like they knew what they were doing ! I think Dark Side is a great album, but I hardly ever play it now, and it seems to be coming from a completely different place than the music chronicled on the Early Years. In the mid 70s, everyone seemed to have it, and it marked the beginning of them being a bit more middle of the road. I used to like Wish You Were Here and Animals, but again, I very rarely play them now. And I have never even heard any of the later albums-apart from back ground music at other peoples houses.

The gateway Floyd album for me was Relics, a budget album that came out in the early 70s, comprising of a rag bag of 1960s singles, B sides and oddities. Then I got the current album of the time-Meddle and worked backwards.

Going back to the Dead and this box set-has there been any stated indication that there is even going to be one this year ? I notice last years is still available. They don't exactly fly off the shelves, do they ! They seem eagerly anticipated, looking on here, but only a handful of people actually contribute, so the extent of their appeal may be less wide than we on here would like to think.

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I like the way you think, my gateway Pink Floyd lp was Ummagumma, which got me into the pre Dark Side lp's, I love More and Obscured by Clouds too, but it was Relics that got me into the Piper and Saucer lps that are still two of my favorites. I really like the fact that Nick Mason's new band is playing the pre Dark Side stuff live, how good is that, I know you mentioned you went to one of those shows, how was it?
I agree, Dark Side is great, loved it when it first came out and saw them in concert in 73 and they played it in it's entirety that show, just awesome. But I don't play it anymore either, nor do I listen to those post Dark side lps either, but the pre Dark side, yes, I listen to them still. Good stuff and I guess I will always be a slave to the trippy experimental stuff, just gets me where I want to be.
Had some bootleg Pink Floyd cd's/lp's back in the day, I remember one called "Rhapsody in Pink" that had an awesome Echo's on it and an Embryo, but the sound quality was sub par, which seemed to be a reoccurring theme with Pink Floyd boots. I wish back then they had recorded their shows like the Dead did, wow, to have some 67>72 Floyd live in pristine sound quality would be so nice, especially some early shows with Syd at the helm.
I think we will get a rumor or a leak before the meet up at the movies i.e. the next box, hey Bolo, got any totally ambiguous clues for us? Have never been able to figure any of them out, but it's fun to try.
That's a strange glitch there Born cross-eyed, just weird. The captcha thing is totally out of hand though, so many crosswalks, so many fire hydrants lol.

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check your pm

BTW - JRF check yours also

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Had a great audience tape of this show back in the day. I overlook this show for some reason along with 6/8/74 and I just don't know why!!! Bob t

Happy Anniversary to me!...40 years ago I went to the Portland Speedway to catch the boys play with David Bromberg & McGuinn, Clark & Hillman opening...it was the day after Lowell George died and the 2nd Set was dedicated to him...hot humid light rainy kind of day...the worse part was trying to find my gray VW bug in the mess that was the parking lot after the show and then drive back up into the Cascades where I was living up on Mt Hood...some fun...also I do believe it was my first Brent show...

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In reply to by Charlie3

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Charlie3, I've thought about that, but would miss out on the 45s, and the collector (hoarder, as my wife would say) in me is horrified at the prospect. Same reason I missed out on Europe '72 piecemeal or all music edition. I want the trunk, damnit! I picked up I think 4 of the individual Europe '72 shows. I have all the music for both these boxes, don't have the blu-ray stuff on the Floyd or the 45s, and it's high quality mp3, but, again, I would like the boxes at some point. I also want to grab DaP 1-4. I still have no idea why I didn't subscribe back then, I remember the email announcing it. And I remember the Europe '72 announcement and do know why I didn't get that at the time: by the time I got paid, it had sold out, which I think surprised everyone.

Someday, all these things will be in my collection, along with physical copies of Winterland '77 and Fillmore West '69. Just hope it's not contingent on me winning the lottery. Though, I am going to have the Fillmore run on vinyl for sure, and the next installment comes out in a little over a week...

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In reply to by stoltzfus

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Saucerful 4.5 stars
More 4 stars
Obscured 3.75 stars
Europe 71 (labeled as such) 5 stars
Meddle 4.75 stars
Atom Heart 5 stars
Ummagumma 5 stars
Embryo 5 stars
Animals 5 stars

Anything with fewer than five stars has 5 star material on it

So

5 stars for everyone

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In reply to by Dennis

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Thank you so much.
Check your PM...
:O)

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In reply to by unkle sam

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Ummagumma was the third Floyd album I bought. The first two sides, together with Echoes, One of These Days and Interstellar Overdrive formed the basis of my high regard for Pink Floyd back in the day. I have also always loved See Emily Play and Julia Dream. Its a real shame that there aren't more better recordings of Floyd with Syd. Even the ones in the Early Years box set are poor quality sound wise-especially the live show at Stockholm, with Syds vocals completely inaudible.

Maybe the best live recording with Syd is that film clip on television, where there is a snippet of them playing Pow R. Toc H. and then a complete Astronomy Domine. The following interview between the German presenter and Syd and Roger is also unmissable. Especially when he asks why it has to be so loud.

Nick Mason's Saucerful of Secrets were reassuring loud when I saw them-opening with Interstellar Overdrive, then Astronomy Domine and Lucifer Sam-an incredible adrenalin rush. From then on it was an inspired trip through the early years. The encore was Saucerful of Secrets which went into Point Me At The Sky. Amazing to see a gig like this, in times like these.

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I think Relics was one of the first Pink Floyd albums I ever got, picked it up for See Emily Play which I had heard on the radio. Julia Dream is also cool, but Remember a Day and Paintbox really hit the spot for me. Still sparks a certain mood and series of recollections for me. Still have the record. Really didn't get too curious about other PF stuff till I heard someone playing If from Atom Heart Mother and I was like, what is that. Atom Heart Mother and Obscured by Clouds would be among my favorite PF albums, although I like just about all of them. Might give a different answer as to favorites depending on which I listened to more recently ...

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In reply to by Charlie3

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See live band Greensky Bluegrass

Never heard of em before but wife got tickets to Zootumes this evening

Jammy stuff

GD n Phish flavored bluegrass

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Was thinking about the upcoming 50th anniversary of the Apollo 11 landing and remembered Floyd jammed to it live for the BBC. The footage doesn't seem to exist, but luckily the music was recorded. This was the best sounding source I could find, also, the longest version.

https://youtu.be/_9bx5h0FpCg

Also, I love the early stuff with Syd, the Gilmour early stuff and up to The Wall. Final Cut is where they lost me, and wasn't a huge fan of Division Bell or Momentary Lapse, though Endless River which came out a few years ago was pretty good, almost all instrumental and really showcasing Rick Wright's enormous talent as a keyboardist. He really was the unsung hero in the band. Waters, Gilmour, and Barrett are all brilliant, but they all get their credit for it as well, Wright just played some fantastic keyboards and was a synth pioneer and seems to usually be lost in the conversation. Pretty good singer, too. I love his song Summer '68, it has a delicious groove, and the horns are just fantastic.

I wish the Dead and Floyd had had an opportunity to do a co-bill as they did with The Who. Can you imagine a Dark Star with Gilmour and Wright?

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In reply to by alvarhanso

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Definitely agree that Rick Wright tends to get overlooked when talking about Pink Floyd. His playing was essential in creating an atmosphere-especially on their 1960s recordings, it seems to me, but also on the key tracks on Meddle. I didn't realise that he made a significant contribution to Endless River-or that it was primarily instrumental. Sounds quite interesting.

I inadvertently saw Dave Gilmour play at the end of last year, when he joined The Pretty Things on stage for a couple of numbers. I can't remember what songs he played on now, but he was really, really good. I tend to associate him with a mellow, laid back style-and somewhat well rehearsed. But he really kicked out the jams last December.

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...a grateful day to everyone! I started my Monday morning with the 30-minute version of "Caution (Do Not Stop On Tracks)" that was recorded on June 14, 1968 during the band's debut run of shows at Bill Graham's newly opened Fillmore East in New York, which had the Grateful Dead headlining over the Jeff Beck Group. Many of the band's recordings from 1968 have been lost and what remains is often incorrectly labeled. This performance was included on the ‘Bonus CD’ from the ‘Fillmore West - 1969’ Box Set. Primo! 😉🤠
Playing it loud! I love the mix for this boxset, even after all theses years, the Set , Audio Quality is beautiful ! Just pure beauty...🙏❤️

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Seems like we all bought it for a different song. I got it for Arnold Lane. Someone told me I just had to hear it.

In high school I thought I knew all of the good stuff from Floyd. I had dark side of the moon through the Wall only. I also had heard One of these Days plenty of times on the radio. I assumed everything else was Acid Rock . Then I heard Fearless. That song sounds like classic Floyd to me.

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It's been years since I listened to this one. How did I ever miss this Midnight Hour? This is better than Wilson Pickett, in a Van Halen You Really Got Me is better than the original sort of way.

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What better way to bring in July then with July 1978 the Complete Recordings?

Did this sell out yet? I know people were surprised it took a while to get to that only 1,000 left sign or whatever. But I was thinking that the June Winterland box set from 1977 was available for 5 years. How many of those did they print?

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In reply to by stoltzfus

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Truckin ->
Drums ->
The Other One ->
Wharf Rat ->
Me and Bobby McGhee

firing it up today

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In reply to by mbarilla

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a few months ago was playing some 1985 shows, Mr Charlie was lovin it, boppin his head and lickin his lips

Big Railroad BLues
THey LOve Each Other
Sugaree
Cassidy

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Where are we going for 31?
I say 9/6/80

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I'd like to see 12/18/73. Or is it it 12/19? Whichever one isn't DP 1.

All in for 1972 box set

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In reply to by wissinomingdeadhead

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Phew, what a weekend...
FRIDAY
- 6/27/85 @
- 6/28/85 @
SATURDAY
- 6/26/73
- 6/25/88 1st set plus @
- 6/27/87 @
SUNDAY
6/30/86 2nd @
6/30/85 2nd Boo-yah! @
6/30/88 @
6/30 is personally perhaps one of my biggest days in Deadhistory as I believe I saw more shows on this date than any other; 4; 85, 86, 88, and 95. Not a bad one in the bunch, even 95 was good, at least as far as that tour etc...and 85 and 86 were Awesome!
Bunch of good ones coming up in July...

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I love the Pink Floyd discussion. I several questions/comments on that:

First the Early years- I have been back and forth on picking up a few of the individual boxes. The 1972 box has the live at Pompeii CD which I think is a good one to have so I have considered that box set. I already have the DVD for live at Pompeii but the CD and other material in that ox looks cool. I guess I need some recommendations as to other that may good to get. Someone also mentioned the 1969 box as being a good one. I can’t remember the titles each box was given so I am just going by the years.

Second, just in case anyone didn’t know already, but Pink Floyd also reissued a few albums with extra tracks (experience editions). Dark Side of the Moon has a second CD with a live performance of Dark Side from Wembley November 1974. Wish You Were Here has Shine on You Crazy Diamond, Raving and Drooling (early version of Sheep) and You've Got to Be Crazy (early version of Dogs) as extra tracks on a second CD. They are also from the Wembley November 1974 run of shows. I am not sure if these are all from the same show, but I have seen all tracks being attributed to the 11/16/74 show. In any case they are nice additions to have.

Third, although I was somewhat late getting on the bus for Dead, in 1994 I went to my first Dead show and preceding that about month and half earlier, I saw Pink Floyd for the first time as well (obviously sans Roger Waters). I always felt like that was a nice 1-2 punch to begin my concert going and traveling experience with those two shows. Now regarding the Floyd show, I was familiar mostly with Dark Side of the Moon, The Wall and Wish You Were Here material and they played a lot of that, basically a greatest hits type of deal. However Momentary Lapse of Reason and The Division Bell stuff was cool too. They had one hell of stage show set up as everyone can imagine, lasers, giant pigs and the like. During Comfortably Numb, a gigantic crystal ball came out of the center of the floor and it started spinning, reflecting all of the lights so it looked like the whole Three Rivers Stadium was rotating and about to achieve liftoff. Fortunately I wasn’t too twisted myself but I was impressed. Of course in that very same stadium a little over a year later, Jerry and the boys willed rain to fall on command as they started playing. They managed to drench that stadium and all of us in the audience in a pure energetic deluge of joy. I know this was not the first time something like that happened. Now I will admit, I was twisted at that show, but many other more grounded people corroborated the experience. At that show the stadium did not achieve liftoff, but I do think that just about everyone in the audience did. I know I sure as hell went somewhere…

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In reply to by wissinomingdeadhead

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Hey Now!
So it's July now, and we are soon to learn about DaP31. Very exciting time... like moments before a set opener, wondering what it might be... Good times! I was also thinking, shouldn't we be hearing about a Fall Box release? Usually they provide a preview of the "Box" during the Meet Up At The Movies... any word ? Did I miss something? Prediction for DaP 31 is a 93 show... just a hunch not a wish, but I heard a great sequence on Sirius a few weeks back that made me think this period. As for a Box Set... I am hoping it includes PigPen in a big way. There's gotta be some killer Smokestack Lightening and others that I haven't heard yet...
And finally, anyone else going to Lockn? Hope to see you at the Bob & Wolf Bros set ... PM me.
iGrateful

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In reply to by Gratefulhan

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Always thought they some what choreographed that.....
A) in those days they literally had thier own weather station so they could track storms with radar....
B) they seemed to be sort of waiting, like for someone outside with a radio to que them....”here comes the front”
or perhaps just more of the that old GD X factor madness?
Either way, it was impressive and a hell of a storm. Totally took that show to another level!

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GratefulHan, you are spot on with the recommendation for the Dark Side of the Moon and Wish You Were Here experience editions, the extra material on those is well worth it. I find I listen to that live performance of Dark Side of the Moon as much as the original album, and the live stuff on the 2d disc of Wish You Were Here is definitely cool to have. I don't think that I saw experience editions for any of the other albums. Also, I have both the '72 and '69 portions of the Early Years box, both cool, the '69 set has a bunch of cool live stuff that makes it well worth it.

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I hope either DAP31 or the box is from ‘79.
They could scratch that early Brent itch without going to subpar ‘80’ s tapes.

We used to blast Umma Gumma with the lights out while we were tripping our sox off!
Great times

Rock on

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Hope it's 7-1-73. I had just turned five years old.

hbob1995: "We used to blast Umma Gumma with the lights out while we were tripping our sox off!"

You're my kind of people.

Years ago I did this with people who were not Deadheads and Attics came on I thought it was great! They all thought I was nuts.

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Another one of the San Francisco greats has left us, Happy Trails is one of my favorite post show lp's, both sides are just soooo good. Say hello to everyone for us up there in the Heart of Gold band.

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Even though some people did not like this album, I liked it better then what followed.

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