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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Exile On Main St.
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    LMAO

    Keithfan I swear you come up with some of the funniest posts. I was listening to this box set with the family over for Memorial Day, and out comes this song. Everyone thought it was Jerry sounding like an amateur and I'm like no no! Listen to Jerry play slide here, and I put on LLR from 4/11/72!

  • Charlie3
    Joined:
    Anniversary-ish Listening

    Had the house to myself this afternoon so I gave the 6/26/73 show from the PNW box a spin and had a chance to soak it all in from start to finish. Good stuff, '73 was really a peak year from my point of view. The Other One goes to all kinds of jazzy places in that show and the Brown Eyed Women and Deal really jumped out at me early in the show. But yeah, another release where disc 3 just smokes from start to finish. Kind of riding a wave of nostalgia and melancholia after an unexpected death in the extended family, someone I haven't seen or talked to in years but was close in age and with whom I had regular contact as a child. Seemed like a good afternoon for some dead.

  • LedDed
    Joined:
    "But, I was only joking!"

    Keith of course you were. I haven't seen Bob breaking out the Coricidin bottle (slide, for those not in the know) on any Dead & Co. tours yet. Or playing "Looks Like Rain, Lazy Lightnin', Supplication," etc.

    Correct me if I'm wrong, I haven't catalogued every D&C show, but, I think we've been spared the agony so far.

    It seems like he kind of knows not to revisit certain things. Thank God.

    Still, this was always a band that went on, rain or shine, hungover, jonesing, tripping, whatever the malaise may be.

    They soldiered on bravely always, one with their audience. If ever a rock and roll band earned "the show must go on," with a gold star, it was the Grateful Dead.

    I try to explain to my friends how I got so deep into the Dead. I grew up on classic rock but got into metal and hard rock, and my best pals who were all with me in my formative years have largely not followed me into this music. It's Owsley's fault.

    I was at Alpine Valley, dosed on Gooney Bird, at Monsters of Rock. Kingdom Come, Dokken, Metallica, Scorpions and Van Halen/Hagar. Jesus Christ, if you're going to dose at a hard rock festival you're taking your sanity into your own hands. It all ended well, but the all kinds of crazy I witnessed and experienced that day will never leave me. Wonderful memories, to be sure, but nothing that needs repeating.

    So back to Owsley - first, with the acid. Although the 'Bird wasn't his, it was nice. It was his other habit - recording. Every Dead show, thousands, since the beginning. What we all pant and drool over daily on this forum waiting for the next Dick's - excuse me, Dave's - and box set, etc.

    Normal rock music, as much as I love the Stones, Beatles, Priest etc., I just know where it's going every time. With the Grateful Dead, and, I'll give them a little piece of this, Dead & Co., you never quite never know where it's going. It may be sloppy, it may be tight, certain bandmembers may be off or supremely on - different instruments and amps, effects, miking, etc. across the eras.

    It's always fresh. It's always about the Adventure of the Listen. Like jazz, but not. The Grateful Dead. Amen.

    \m/

  • KeithFan2112
    Joined:
    For my part

    Was just being tongue and cheek

  • daverock
    Joined:
    Bob Weir and his fans

    Seems Bob wasn't always as patient with his fans as they were with him.

  • Thats_Otis
    Joined:
    Great time last night...

    Thanks for the well-wishes! Overall a solid, rocking show! I thought Set 1 was a bit stronger than set 2, but they brought the goods throughout. Prepping now for another go, and you know what they say... never miss a Sunday show, especially at Jerryweather!

    Happy summer weekend everyone!

    Peace

  • KeithFan2112
    Joined:
    WANTED

    Robert H Weir, for the murder of Iko Iko with a slide guitar on July 5, 1978. On this day Mr. Weir did purposefully attack Iko with his unpolished blues style. Still brandishing the bottleneck slide device on his middle finger after the event, Weir surveyed it with a puzzled countenance and spoke aloud the conclusion that had already dawned on most witnesses that day: "This thing can be absolutely lethal in the wrong hands."

    It is a fact that Weir employs the unorthodox style of placing the slider on his middle finger instead of ring, a technique most commonly attributed to Joe Walsh. When asked to remark on a common asertion from fans that he shouldn't be "honing his craft" on a live stage, Weir smiled and displayed the device prominently on his extended middle finger: "f@#k the fans".

  • alvarhanso
    Joined:
    The Phish in Charlotte

    Was indeed an amazing show. One of the top three I've seen by them, one of the other two was at the same venue in 2012, the other was at Merriweather back in 2000. The bass bombs were plentiful and penetrating, particularly one in the newer song Passing Through, which I actually heard earlier in the day and thought it sounded like The Bangles's Walk Like an Egyptian in the "we oh we oh"s, but live they ripped it. Phantastic night and Trey was really playing extremely well, hitting the notes he wanted, killer effects sounds, and he was having a blast. Jim, try to go to the Su day show, you can get tix in the lot for a decent price, you just have to poke around.

    Thanks to whoever posted that GQ article on sobriety recently. Trey was one of the interviewees, and, if any of you know Phish, you know he's got the gift of gab, but is not just a talker, but a thoughtful one, and his story is profound. I had given up on them in 2003 due to his sloppiness, which Rolling Stone had actually praised in their ranking of him around 75 on the greatest guiatrist list, saying he's even better when sloppy. I always found the 80s and early 90s stuff, particularly 1994, to be more engaging and mindblowing because he was so clean and precise in his solos and in jams. Well, we came to find out the root cause of the sloppiness was opioid dependency when he got busted. But as he said it changed his life, and the reason they've been so fruitful since the return in 2009 is his clearheadedness. Last night was an impressive display of an artist in full control of his medium, and it leads to better band cohesion. Well impressed, but seeing him like that after reading that article days before shed a different light on it.

    No real Dead content to add as I've been listening back to Phish to get into the right mindset, so last 5 is all Phish. Hoping Monday brings us exciting box news.

  • Vguy72
    Joined:
    ....phish

    Acquired Taste indeed. I prefer mine....smoked.

  • JimInMD
    Joined:
    Marine Animals Amass At Merriweather

    I tried really hard to go to these shows.. one of my business partners and friends (from Pitt) is there.. but alas.. ticket prices were not advantageous and I haven't hopped that fence since I was in high school. (not that I am proud of that).. Well.. there was that one time in undergrad, but I cut the hell out of my hand. ..tale for another day perhaps..

    They would have been my first Phish shows. ..and the weather is spectacular for a weekend of music.

    Have fun Otis and GHan!!! So jealous.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I know this might be a reach, but maybe it is a Chicago run. He referenced High Fidelity which was a movie based in Chicago, and Til the morning comes was not only a Dead song but a Peter Cetera song and as we all know he is was in Chicago. Now what Chicago run could it be?

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I’m going on record and say it is 3 last shows Brent played. 07/21/90, 07/22/90, and 07/23/90. Played at Tinsley Park (Chicago) with a Queen Jane on night one.

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In reply to by Duece

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I’m currently listening to 7-21-90 and He’s Gone is just finishing.

Sadly, no hula hoops.

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In reply to by icecrmcnkd

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Fuck that reCRAPTCHA shit.

My previous post required around 20 reCRAPTCHA screens.
This past weekend I ended up just deleting a post because the reCRAPTCHA wouldn’t end.

If TPTB are trying to dissuade us from posting on this site, they may end up getting their wish.

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A while back I was thinking it might a box of Uptown Theater shows.

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I was thinking it might be a 69 show but I don't think TPTB would release a 69 show right after releasing a 70 show. Now if it's a Chicago show I'd go with 1/30/78, 1/31/78 or 2/1/78 the reason being that it's been awhile since we had an official release from 1978.

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In reply to by stoltzfus

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Hit me like a diamond bullet in the brain-its 1976, surely. The reference to putting the Dead cds away for a while, to take them out when the morning comes could be a reference to their sabbatical at the end of 1974, and subsequent re-emergence in 76. Taking into account the fact that there hasn't been proper 76 box yet-a couple of Dicks Picks were 4 cd 2 show sets - then this seems most likely. I would prefer Fall 1972-but I can't see it myself.

For all fans of the post Syd, pre Dark Side Floyd, I would recommend the new remaster of Phaedra by Tangerine Dream. Its part of the new box set, but all the studio albums have been released individually. They are as cheap as chips and this one, the best of the bunch, sounds amazing. They seemed to me to take the space music Pink Floyd played as a basis for their own development. Mainly electronic keyboards, but you can't dance to it.

Whoops, I've got that "I'm not a robot thing" to do now. Maybe they think my post is potentially subversive.

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I think you might be onto something Daverock. Also, from the first Bolo clue:
"Trapped....from earth......for what seemed like a decade......." "grace of God" "good to be back although my soul is still drained and weakened"

the decade= 65-75, grace of God = Blues for Allah

I'd love a 76 box. I've been listening to a lot of 76 lately. The instrumental blend is so perfect, really as good as pre-hiatus.

Happy 4th folks! I'd love to tag along with you, in spirit, HF on the Yampa! I'll be quiet, (in spirit), and you won't even notice I'm there.... it looks wonderful!

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...good morning my brothers & sisters out there in DeadLand...concerning Bolo’s last post/clue, it’s the next Daves Pick, #31, if I read it correctly?!
Have a grateful day everyone, and have a Happy Holiday 4th July, be safe be alive and rock on !!! God bless.
🙏❤️🤠

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...I’d like More 1979 please, Ill take my 3 sugars and cream with coffee,lol!
Also some 70’-72’, 76’, 82’-89’ or 90’-94’ would be welcomed as well, as long as the “Audio Quality” is Primo! 😉 which is my top priority for a Full Performance vs a Compilation Piece like the ‘Road Trip Series’...who am I kid’n, I love it all, “feed me Seymour!” Lol ha ha...

Been listen’n & enjoying my, ‘Fillmore West 1969’ boxset, my favorite boxset Release to date, for now...
peace be with you all my fellow brothers & sisters. Long live the Grateful Dead! 🙏❤️💀

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high fidelity would mean that the shows were recorded to reel to reel.

2-track or multi-track recordings or both. That should narrow it down a bit.

Edit:

Looks like it's Betty Boards from '76 along with 7/18/76.

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First off, let the guy hang here without projecting his comments as clues. Okay, but because his subject line was about our patiently waiting -- a kind but total mis-read, this place is getting hot -- I put my naivete aside and join the speculation.

I don't have much, and he leaves us wondering if he's taunting about DaP 31 or the new box, but...

"every once in a while" could be completed as "get shown the light," a reference to Scarlet Begonias? "Under the bed" (no one puts their GD CDs on the floor under the bed, Bolo has book and CD shelves) ... probably means something. And "til the morning comes" could be a reference to when Morning Dew arrives. (Any shows with Scarlet and Dew?) Also, his line breaks are suspicious -- inviting a naive idjit like me to seek a pattern.

Goddammit Bolo, ya got me going again. Well played!

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In reply to by hendrixfreak

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from underneath a bedroom cabinet and it has my Download series CD's ...I had lost the files due to an HD crash so yes yes and yes...threw Vol 12 disc 2 in and had a great listen to St Louis '69...cracked up hearing Jerry say "Ok we have to stop playing or the police will take our road manager to jail..." at the end of an aborted "Caution"...also the bonus stuff at the end of the show is a rehearsal of The Eleven & Duprees recorded at the Avalon...have to star ripping these discs back to a couple of externals I use now, 8 TB both...some fun

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Never in a million years would I have thought that some folks might construe my latest post to be some sort of clue regarding the identity of a box set or DaP31. My apologies, as I'd NEVER want to mislead, confuse or otherwise discombobulate any of the kind souls here on this forum (cough...cough).

But, of course, the post was a clue. Not for the aforementioned products people are breathlessly anticipating, but for a "What's Taking So Dang Long?" contest. Something to do as we all mill aimlessly around while DL casually looks at his watch and ponders the summertime flora and fauna of Vancouver Island.

A careful read of my last entry will reveal a specific venue and associated concert(s). The first person to post the correct answer will receive an assortment of GD-related goodies valued at more than $100, but less than $1 million. As a bonus, if you can name the song that was played for the first time at said show(s), I'll throw in some extra ephemera.

Only one guess per screen name (no screen names created after July 1, 2019). Just post your conjecture here, and the earliest correct answer will get the goods.

Cheers and good luck!

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14 years 1 month

In reply to by bolo24

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Oooh...

I think it's Harding Theater, November 7, 1971 (and the previous night).

I wish I could hide away!

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Long time listener. First Time caller.

Going with:

06/03-04/76

Oregon - Paramount Theater

Mission in The Rain on 06/04

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I’m going to say the same answer as RoosSQ
However you’ll notice that my screen name was created before July 1st .
( happy to share my winnings though )

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I'm guessing the full Fillmore East run from 9/17/70-9/20/70, since "Till the Morning Comes" was first played on 9/18.
Though I could be wrong.
I mean, I usually am.
Until I'm not.
But even then just barely.
I'd dig a '76 box, but "September 70: Fillmore East the Complete Recordings" is my official guess.
Officially.

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12/26/70
12/27/70
12/28/70
Till the Morning Comes
1st time played
09/18/70
Last time played
12/26/70

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Everyone is guessing dates from 1970 for DaP #31 with the "Til the Morning Comes Line"....I seriously doubt it is from 1970, that's what DaP #30 was from!!?!!

Perhaps it's the Harding Theatre..

The Felt Forum is tucked away under MSG and sort of hidden in the bowels of the NY Subway. Not that I have ever gotten a single one of the bolo riddles so far...….

If we can believe Bolo.. this is not a clue to the next release, which probably means it will be Dave's Picks 31.

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It will be announced tomorrow and will be one of the 4th of July shows.

In my best Colbert voice,,,,, send me award!

Are they for the Box Set or DaP31? Or both?

Predictions:
DaP31 - 6/3/76 Paramount Theater - Portland, Or.
5 songs make their debut/1st performance:
1. Might As Well (opener)
2. Lazy Lightnin' >
3. Supplication (both middle of 1st set)
4. Samson And Delilah (2nd set opener)
5. The Wheel (encore)

I know it's not a favorite but I think this show has my favorite version of 'Looks Like Rain'…BW and DJG are spot-on with vocals and harmonies as JG 'rains' notes around them.

Box Set:
Texas '72 - 11/19, 11/22, 11/24, 11/26. Rhino needs to hit a home run with this one…the last thing they need is another box set sitting in their warehouse. If that happens we may only see box sets every 2 years?

Box Set Dark Horse:
December '69: 12/20, 12/21, 12/26, 12/28-12/31. Includes the legendary Ark run. It would also be the 1st time Rhino tied a Box Set and a DaP together: last shows of '69 and the 1st shows of '70.

I have no idea if the shows are in the vault but it would be a win-win either way!

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He said "under the bed" and what is under the bed? Box spring and flip it would mean a spring box (set). Or mabey not. I had to guess something. Talk about a shot in the dark.

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17 years 6 months

In reply to by DaveStrang

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Why the fuggazi isn’t this show released?
Have never heard the Bob set, but if it’s Half as good as the JGB one with none other than Billy the K on the skins......

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Harding

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Sheesh. This contest was over almost before it started!

Congrats to Richard Torres, correctly guessing the Harding Theatre, two 1971 shows, Hide Away made its GD debut.

Send me your address via PM and I'll get you your box o' goodies. Unless you're the same Richard Torres from the NSA who oversaw the implantation of an evil minibot on my cerebral cortex during my first alien abduction. If you're that guy, forget I was even on here.

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Also i predict new box is portchester nov70 with pristine complete 48 track recording

And bonus show 11 20 70

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FYI all the nov 7th 1971 Harding show has been available on amazon now quite a while now ( in the uk anyway ) . Pleeeeaaaasssseeee can we have a uk/Europe distribution centre , otherwise any large box is a no no on account of getting absolutely stuffed with import tax . 🙀

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In reply to by perithecat

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. . ..I can hear your voice.
It's cool shit like that that keeps me coming back...n

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081227923761
Product Magento URL
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