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    clayv
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    Hold on to your hat, we're coming in strong with one from the Windy City that'll have you movin' and shakin' from start to finish. DAVE'S PICKS VOLUME 31: UPTOWN THEATRE, CHICAGO, IL 12/3/79 signals a true rebirth of the Grateful Dead, reimagining classics and foreshadowing their 80s sound. This is as much in part due to freshly-minted member Brent Mydland bringing the organ back in as it is to Jerry finding new vivacity with his custom Wolf guitar. New guy, new guitar - it all makes for a heck of a good time!

    Set One rolls like never-ending thunder with one standout after another - truly epic versions of "Brown-Eyed Women," "Ramble On Rose," "It's All Over Now," "Althea," and "The Music Never Stopped." Set Two hits with a crack of not-so-lazy lightning, barreling through an outrageous 28-minute "Scarlet>Fire" to a unique “Lost Sailor>Saint of Circumstance” and wrapping with a "blow the roof off the place" version of "Truckin'" and a rippin' "Johnny B. Goode." Ready for some quiet after the storm? You'll have to wait a just a little bit longer - we've filled in the gap on Disc 3 with a sprinkle of 12/4/79 - "Estimated>Franklin's Tower>" and an incredibly improvised “Jam.”

    Limited to 20,000 numbered copies, DAVE'S PICKS VOLUME 31: UPTOWN THEATRE, CHICAGO, IL 12/3/79 has been mastered from Dan Healy's cassette recordings to HDCD specs by David Glasser at Airshow Mastering.

    GET IT WHILE YOU CAN

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  • 80sfan
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    box

    hoping it's something in the 4-6 show range. Those are always fun and (relatively) affordable for what you're getting. As cool as it would be to get a set from the 60s, I would prefer something from when the band was more evolved. I'd love a box set from the late 80s but I'm guessing there isn't a chance in hell that's happening. Regardless, I'll love it like I do all the shows in my collection - c'mon Dave, the anticipation is killing me!

    have a great weekend everyone, and if you're an east-coaster like me, stay cool!

  • daverock
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    Festivals then and now

    The biggest difference I felt between the free festivals of the mid-late 70s and the festivals of today, as experienced by me in 1999 ( which is almost today to me) is that there was a frisson of danger at the free festivals in the 70s. They were staged by seemingly fully unpaid up members of the anti establishment, and the crowd was made up of people who appeared to live in tents all the year round. They hadn't really "dropped out"-they had never been "in" in the first place Add to that various biker gangs, and latterly punks, and you had quite an interesting combination of people. Add all sorts of psychedelics, space cakes, speed, strong cider.. and see what happens. This is what Glastonbury was like when I went in 1978-about 500 people were there, I think. I really felt as though I had left civilisation behind for a few days.

    Nowadays Glastonbury Festival is screened live on mainstream television, and is as much a part of the establishment entertainment industry as the Wimbledon tennis competition. In short, the festival scene was taken over by the establishment and sold back at an exorbitant price.

  • hendrixfreak
    Joined:
    Watkins Glen and festivals

    Someone mentioned the difference between the barbarity of early festivals (my choice of words) and today's festivals.

    Here's a contrast for ya. 9 June 73, RFK, probably 100+ degrees, a couple of hard to find water fountains for every 10,000 people, maybe 25,000-30,000 people in the crowd. No idea if any food was sold because we had like $2 in our pockets. T-shirt, jeans, sneakers, blotter and aviator shades was it, if I recall.

    Between RFK and Watkins Glen 6-7 weeks later, Bill Graham apparently realized that 10s of 1000s of badly dehydrated fans, with expiration dates tatooed on their foreheads, was bad for business. Maybe he even felt a twinge of responsibility. But he upgraded the, um, concert experience....

    So when we streamed into the Watkins Glen concert site (they waved me through with my ticket, which I promptly handed through the fence to someone trying to get in) Bill had giant palettes of gallon jugs of water waiting for us. The jugs were cool to the touch! We each grabbed one and literally that's how we stayed alive for the next two days. On Friday evening we were laying out on our sleeping bags, using the jugs as pillows, when the ABB, then the Band, then the GD did soundchecks. Cool evening, laying on a sleeping bag within 50-60 feet of the stage on Jer's side, passing the pipe, while the GD unloaded a 2-hour soundcheck on us. Good times.

    When we woke up, someone was passing around one of those mini-cereal boxes piled high with brown mescaline and we all had a good snort for breakfast. Topped it off with a half of a four-way blotter and at freakin' NOON the GD were on the stage, looking as bewildered as we were. to be there, then. I tried not to look back much, because it was people in every direction as far as the eye could see. Easier on the brain just to watch the bands.

    To return to my now obscure point, Bill Graham upgraded the festival experience with ... jugs of water. To my knowledge, there was no food for sale except the enterprising hippies themselves. (Think refried beans on a tortilla -- the original veggie burrito.) Oh, one clear memory: a food truck in the parking area, with side window open and scale in sight, selling multiple types of dope like a freakin' ice cream truck. We hung out for a while (didn't need supplies) just because it was so fun to see it all out in the open. I do not recall seeing any cops for days. Everyone seemed to realize that putting those three bands together was a major event and all were so pleased that, in fact, strangers were stopping strangers just to shake their hand. That was new.

    Today, food, drink, bathrooms, chairs... and I STILL WOULD NOT GO EVEN IF PAID!!

    Glad I went when I did as a 15-year-old with 3-4 buddies, we hitchhiked hundreds of miles to get there and back. Enjoyed it all then, but never again. Red Rocks and 9,999 of my friends is the best I can do, maybe twice each year.

  • Gratefulhan
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    DaP 31 and the box

    Well, I am super happy about this latest installment of Dave's Picks. I was definitely on board with a 1979 show as I was calling for ti like many others. I too was hoping for 12/1, but I would lime to see that released with 11/30 as they are both from the Stanley Theater. The format fits the second Dave's PIcks in the year when we get the bonus disc which would have to be next year's subscription. I don't see that happening, however I could be wrong. Hopefully they both will see an official release one day in some format.

    However I am still excited for this show -12/3. I am not familiar with it, so that makes it better. As Dave stated in his seaside chat, the fall of 1979 has many great shows. I love the New Year's Eve run, and every other show I have heard has been good. And as Dave also stated, they really were stretching songs out. Brent really brought so much to the band and it is evident in this tour. I haven't listened to too many 1980 shows, but I do think there was a slight drop off (I am not speaking of acoustic sets) when compared to the The fall of 1979. Certainly 1980 is not a bad year in my opinion it just seems like they didn't stretch things out as much as they did in the fall of 1979. Again I might be wrong and I am happy if I am. Its all good.

    As for the box, I am buying it - don't care what it is. As a carry over from the DaP 30 comments section, I just got my July 1978 box so I am working through that. That along with DaP 31 will keep me busy until I get the new box. Now with the possibility of video, if that is indeed the case, I am inclined to think it would be in the 87-95 time frame as others have said. . However it could be any old available footage from older shows and the then CDs of the shows themselves. A few of you mentioned 6/21/71- which would be cool. That show has really cool Hard to Handle. Also they did film stuff for the closing of the Fillmore West (7/2/71) so there is that as a possibility. My other long shot would be more film from the Festival Express in 1970. Sam Cutler has uploaded footage from that trip that has Lovelight from one of the stadium shows. There is also film from the free show the boys did to avoid the riots to get in the main event. Maybe there is a stash of this footage that is going to be released. It is certainly fun to speculate.

  • NCDead
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    MUATM

    The Eyes of the World from this show was just posted on youtube on the grateful dead channel. If anyone is interested

  • Infinitejest3
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    JimImMd you are spot on!I…

    JimImMd you are spot on!

    I’ve been listening to DiP31 ( “shoes suede shoes “ 😂!)the past couple of days, on Spotify but I’ve been doing some digging looking for a reasonable price for me and no luck...:( but on the upside it’s box release day for me hopefully and my July 78 box set will be waiting for me!

  • DeadVikes
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    Box/MUATM

    There are a few people on this site that know what the box is ..
    I bought my tickets last night, $16 a piece for me and a buddy.
    If you are looking for examples of 91 Dead check out View from the Vault 2, June 14, 1991. Good bonus material from 1990. Close to the date of this year's MUATM release. Do you like accordions?
    And Dick's 17, from 91. This one doesn't get a lot of play at my house.

  • stoltzfus
    Joined:
    listened to an old friend recently

    7/13/76

    Orpheum box?

    prolly not (we've already got 7/17/76)

    Greek. It's gotta be Greek to me.

    Greek box! Greek box! Greek box!

    or

    Ark box! Ark box! Ark box!

    My own versions of Yellow Dog story:

    what does a dosed frog say?

    "Greeeeeek.....Greeeeeeeek.......Greeeeeeeeek...."

    what does a dosed dog say?

    "ARK!!! ARK!!! ARK!!!"

  • stoltzfus
    Joined:
    NY interest drop?

    Wha'...?

    12/31/69
    12/31/72
    12/31/76 (luckily, I've already got one)
    12/31/77
    12/31/78 (luckily, I've already got one)
    12/31/81
    12/31...well, still...

  • JimInMD
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    Box & My new favorite chop job, Dicks Picks 31

    I am not sure but suspect most of the fall 91 shows were likely recorded as two track DAT's. Does anyone have any better info on this? If so, it might make more sense to test the 91 waters by adding a show or two to the Dave's Picks series.

    I get the feeling this years box might be hard for us to guess, it doesn't sound like it fits the mold for previous boxes.

    I delved into the oft overlooked Dicks Picks 31, August 4 and 5, 1974 (Philly and NJ). What an underrated release.. I have always loved it. I was just rolling off a relisten to Dicks Picks 12 recorded a little more than month earlier which gave me a great opportunity to compare and contrast. I really dig these shows and since it's the last listened to, it's clearly the better of the two. :D

    Anyway, great pick and a very good recording. That opening PITB at just under 26 minutes is sublime.

    Have a great weekend all. Don't forget to hydrate.

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Hold on to your hat, we're coming in strong with one from the Windy City that'll have you movin' and shakin' from start to finish. DAVE'S PICKS VOLUME 31: UPTOWN THEATRE, CHICAGO, IL 12/3/79 signals a true rebirth of the Grateful Dead, reimagining classics and foreshadowing their 80s sound. This is as much in part due to freshly-minted member Brent Mydland bringing the organ back in as it is to Jerry finding new vivacity with his custom Wolf guitar. New guy, new guitar - it all makes for a heck of a good time!

Set One rolls like never-ending thunder with one standout after another - truly epic versions of "Brown-Eyed Women," "Ramble On Rose," "It's All Over Now," "Althea," and "The Music Never Stopped." Set Two hits with a crack of not-so-lazy lightning, barreling through an outrageous 28-minute "Scarlet>Fire" to a unique “Lost Sailor>Saint of Circumstance” and wrapping with a "blow the roof off the place" version of "Truckin'" and a rippin' "Johnny B. Goode." Ready for some quiet after the storm? You'll have to wait a just a little bit longer - we've filled in the gap on Disc 3 with a sprinkle of 12/4/79 - "Estimated>Franklin's Tower>" and an incredibly improvised “Jam.”

Limited to 20,000 numbered copies, DAVE'S PICKS VOLUME 31: UPTOWN THEATRE, CHICAGO, IL 12/3/79 has been mastered from Dan Healy's cassette recordings to HDCD specs by David Glasser at Airshow Mastering.

GET IT WHILE YOU CAN

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From what I can see UPS have not delivered any of the orders yet in the UK and now say they will arrive Monday. Whether they will still try and get the £76 of shipping charges is another matter. You should note that the customer is liable for customs charges, duties and taxes but not for additional shipping charges above what has been billed by the supplier. Hopefully the new delivery schedule is the result of the problem having been sorted at the despatch end. If not then I would still advise not paying the charge and refusing the order as a result before contacting Rhino to get it sorted.

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Shit, I was working at bradleys when RTL came out. Ol Cliff burton!!!!

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Rutger hauer rip!!!!

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.

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....It's kinda like that.
Roy Batty died in 2020.
Love Blade Runner.
Purchased Ride The Lightning at my local record store. Back then, they were plentiful.
Metallica. You know, Cliff Burton's Dad gives hard to charities. Cliff had so much to give, yet was taken too soon. Kinda like Randy Rhodes.

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...mine was sent UPS first and then handed of to the USPS to be delievered.
Anyone who couldn’t get a copy and looking for a copy, pm...
Ride the lighting, my favorite Metallica album, still have the original Record somewhere...

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As far as the DaP 18 vs DP 33 question, I am apparently in the minority, but I prefer DaP18 without hesitation. Look at the sequence on Disc 2 of DaP 18 - it is essentially one long sequence - Comes a Time>Drums>the Other One>Space>Eyes of the World>Jam>the Other One>Goin' Down the Road Feeling Bad>One More Saturday Night. Personally when one of the tracks on a dead release is labelled "Jam" it piques my curiousity and rarely leaves me disappointed. As I recall that the7/16-17/76 DaP 18 is one of those slow '76 shows, which really hits the spot for me, but is not everyone's cup of tea. The bonus disc is one of the better ones for my tastes also. I could go on more about DaP 18, but suffice it to say that one hits the spot for me. I just haven't really clicked with DP 33 the same way.

Currently spinning the first disc of DaP 31, which arrived today. Sounds pretty good to me at the moment on Brown Eyed Women.

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The event feel of that pick is palpable and it shines right through on tape. Kind of like Lindley Meadows '75 or Englishtown '77 I think.

The real story is DP33 for 90 bones? That one was announced in the Almanac way back when for a paltry 25 bucks or something, no?

P.S. Apparently, I am not a robot. whew. close one.

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"Truckin'" vid from Grateful Dead Meet-Up At The Movies 2019:

https://nypost.com/2019/07/26/grateful-dead-truckin-into-movie-theaters…

The article also includes some words from David Lemieux and another mention of the 2019 boxed set. "The archival releases, which Lemieux oversees, include a new box set he’ll be unveiling during next week’s screening."

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Just digging in, but I wanted to flag one thing. This is the nicest art work I’ve seen on one of these by a good margin. I like how the interior of the sleeve matches the color scheme of the cover. I know you do that normally but this works better for me than usual. And I particularly like the inclusion of the photo of the tapes. Would appreciate that on all future picks.

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Still waiting on DaP 31 in OKC. Looking like Monday will be the day. In the meantime, I get to check out Alice Cooper at the Zoo Amphitheatre tomorrow night. Should be interesting and it’s always fun at the Zoo! Incidentally some pretty decent Dead shows were held there in the 80’s.

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Love them both. Dick's 33 with the two shows, the day on the green. Great performances and the sound quality is really good. Love Dave's 18 and Charlie is right the sequence on Disc 2 is wild. I still remember the first time I heard it thinking, I have never heard anything like this before. The Comes a Time and Eyes are awesome!. From a sound quality perspective it is not as good as the other 76 releases, but still great. I think about how good the sound quality is on Dave's 28 and I just think Norman continues to get better at this.

No 31 in sight for me until Wednesday 😭
Not sure why. Would love to hear more about how this one turned out.

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I just walked in. Well, not just, I did pour a tall Grey Goose, heel it on out to the mailbox, etc. But I have arrived stale, not fresh from a four hour flight from Logan to Denver. Spent the week in Southern Maine getting tanned and drunk. The best time, always, with family baseball and football games thrown in both on the beach as well as the in-laws palatial lawn.

Dave's 31 unwrapped but not burned nor played yet, #5093. A low enough random number to satisfy. Nugs also nestled in there amongst the fish wrap, Dead & Co. 7/5 and 7/6. Shows I attended. Also knocking on the door freshly arrived Winterland NYE 1972 Dead, New Riders, something called Sons of Champlin.

All this new music, where to start? Dead & Co. 7/6, natch. Let's work backwards, Sherman.

\m/

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Like others in Europe, I’ve been asked to pay £84 to receive my double subscription. I’ve refused to do this as (I) I’ve already paid for shipping and (II) there is no way the customs charges on $60 worth of discs would be anywhere near £80. My guess is that USPS is making at least £50 per shipment on top of what Rhino are paying them, possibly the full whack of what they’re charging.

I’ve emailed Dr Rhino via the website (is that the right way to go? and asked them to confirm when I’ll be able to collect my package without incurring charges. I have up until 5th of August after when I guess they returned to sender. What happens then, reshipment? Refund? I have no idea. For those of you faced with paying £73 for a single disc, you’re better off buying on eBay.

Re DiP 33 and DaP 18; for me DiP 33 is up there with the very best. I probably need to revisit it but was slightly disappointed with the 7/17 show at the time, although this goes against what some others have said. The 16/7 material, particularly the bonus disc, sounded better to these ears. If you do go for DaP 18, make sure you get the bonus disc.

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I'm also a fan of DaP 18. The sound is different, no doubt. I wonder what accounted for that. I kind of like it in a weird way. Jerry sounds real clean and possibly has less distortion effect on his guitar. I haven't listened in a few months, but I think it primarily showcases Jerry in the left channel and Keith in the right. You've inspired me to put it on. I just remember enjoying the uniqueness of the mix, despite it having somewhat less fidelity.

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They were right up there with the GD, Airplane, Janis, Quicksilver in the early days. Just didn't catch on like the others, although they still play gigs from time to time. I recall Mickey saying they were the most musically talented of the groups that came out of 60's San Francisco. They released a really good live album under the Grateful Dead Records label in 1998. Good band, very underrated.

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In reply to by wilfredtjones

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Been a long hiatus in posting. #5377 hit the mailbox yesterday here in Vermont. Just breaking into disc one this morning. First round impression: very nice, freshness, great energy and audio quality very good, factoring in cassette master. Love the artwork. Will delve into disc 2 on the ride up to Burl for the JRAD show on the waterfront tonight. Joe is going to miss the show, announcement below from last night. Scattered T-storms should clear by late afternoon and the Delta Aquariids will peak around midnight. Happy meteor watching!

BREAKING NEWS: We want to send a big congrats out to Joe and his family, who just welcomed their second daughter into the world — three weeks earlier than expected! Unfortunately, this means he won't be able to make it to the show tomorrow. The inimitable Johnny Kimmock and Evan Roque are stepping up to the plate to fill in. The 200th JRAD show is shaping up to be a special one. We look forward to seeing you tomorrow

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Haven't listen to it end to end,,,, maybe tomorrow at work. But I did listen to Scarlet -> Fire! This may take the place of the great one (the Ontario show from So Many Roads). This drives home the point Jim always make, if these shows were recorded with the care of early shows,,,, wow. We be talking about the 80's a lot more! There was a power that they obtained in the Brent era. I don't know if it was the "newer" sound system or Brent. But there is a GREAT need for the organ in their music and Brent provided that in spades. Plinky keys? Fuck you. (even the plinky keys I've heard rise up into the rafters during shows) I found the vocals to be a bit odd on this recording. Like they were recording too loud, but once the jams get there the recording is great. I have great separation and definition. My computer speakers are giving me about a 3-4 foot sound stage and maybe a foot deep. I think that once the jam starts and the volume levels go up the 'room' recording becomes the same as a air recording. I always thought their sound wasn't part of the environment, but defined the environment. When the sound left the stage and climbed up and out of the building. I'm just probably nuts, but this show is just what I wanted. Need to get a copy down to the car and give a another listen. But during Scarlet - Fire transition the tears were flowing down my cheeks from the shear beauty.

Good pick Dave.

Now about that box set......

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I agree that if there were better 80's recordings then that period would be more highly regarded. Case in point: Going to Nassau. That compilation disc from a three night Spring 1980 Nassau Coliseum run has fabulous playing paired with a solid recording and The New Guy Brent to boot.

Listen to the Jack Straw from that 1980 Disc. Jerry plays it so furiously he sounds like a "speed-metal" player! The band builds up to the lyric "Jack Straw from Wichita cut his buddy down" with an intensity, and, such a ferocity and the band hits the lyric simultaneously while also coming down with a crescendo like Pete Townshend in Baba O'Reilly or Wont' Get Fooled Again! It is an awesome instance of the band hitting all cylinders and "hitting the mark" just exactly perfectly! Wow! It is little like Midnight Rambler in that the entire band hits that "Slam" just right.

So, yes, the 80s would get more respect if the recordings were as good as previously recorded eras. Can we teleport Betty with some $$$ back there?

I dream of them finding the chopped up for "Dead-Set" Warfield and Radio City tapes and piecing them all back together with today's wizardry. . .. Now that is a "Dream-Box-Set!"

Hey Dave, and, now for my usual and customary plug: Release a mini box-set of N.Y.C.'s MSG September 1979 shows. It would be an instant sell-out!

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Digging on this new Dave’s picks 31! Sorry to hear all the headaches my fellow European heads are having to deal with! My sympathies guys!

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Just checked on UPS things are still not sorted on Suday eve July 28, and the tracking history is a mess, not sure where it is as comments skip between US and UK/ and the package has had two airport scans (25th and 27th) in Louisville two days apart - wtf.

It seems as the packages have a missing commecial invoice, are being held by a Government regulatory Agency.

******** ****

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According to my tracking info my DaP 31 is in Manchester, UK. This is less than 30 miles from me but they still want me to pay c. £73 to deliver it to me. Get this sorted or you lose a customer.

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Woohoo, backpacking in the impossibly beautiful Olympic Nat'l Park for two nights and come home today to 31, I'm having a good weekend! I really like this tour, besides Spring '90 probably Brent's best. More please, there was a TON of grate music in the Fall of '79. Dave mentioned 12.1 Pitts, PA in his video, maybe that is coming one day too. Agree you can really tell the difference in sound between eras.

Sorry Euro heads, that's a huge bummer.

CAPTCHA out of control.

Never heard of Sons of Champlin, will check that out. Hope everyone else gets theirs soon.

Burns

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approacheth

Happy Birthday early, Jerry

the will be

a 91 box, i am conVINCEd (pun intended, or maybe not)

Maybe a Summer 85 box

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5 years 4 months
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Hey man...I just received my Dave's Picks, and noticed mine isn't numbered! Is that normal? Am I jinxed? Did I get a dud?
Peace.

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In reply to by stoltzfus

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.... imagine my delight when a Dead bandmember was also named Vince.
He was also good.
'91-'92 was good. I sense a '91 box.
El Dude. If it plays, it's good.

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That sounds very cool stoltz - enjoy! I think I get your drift. It's almost like listening to music. I'm no spearhead either but do try to absorb as much as I can, when I can.

As for plinky keys, I can sympathize sometimes with Brent detractors, but just listen to the new Warfield release. Man, Brent was immaculate for those sets, every note right in the pocket. I'd bet even Keith would give Brent's work on those sets a solid thumbs up.

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Yea, who is clayv?

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I wish we knew more about Keith. I've read most of the books out there but Keith still seems like a mystery. No video interviews? Nothing much written about his personality, influences, etc. Is Donna writing something? I sure hope so.

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I get a repeating cracking/popping noise on disc 2 between about 6:50 -7:15 on PITB - is this a tape artifact that everyone is hearing, or a defect in my disc 2? It also seems to happen shortly after the 8 and 9 minute marks as well, but less prominently. Thanks for any answers.

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...a friend of mine told me today that on this August 23rd 2019, the Grateful Dead’s News Years Eve show from ‘1991’ is going to be released on CD/Limited edition. "Bill Grahams, the last New Year's show.” Oakland, CA
Disc 1
1 Hell In A Bucket
2 Candyman
3 Beat It On Down The Line
4 It Must Have Been The Roses
5 Black-Throated Wind
6 West L.A. Fadeaway
7 When I Paint My Masterpiece
8 Help On The Way > Slipknot! >
9 Franklin's Tower
Disc 2
1 Not Fade Away >
2 Eyes Of The World >
3 Estimated Prophet > Jam
4 Drums >
5 Space >
Disc 3
1 The Other One >
2 Wharf Rat >
3 Sugar Magnolia
Encore
4 Knockin' On Heaven's Door
...I wouldn’t mind this in my collection of the Grateful Dead 🙏❤️😎

Duupid post office!
Gave me a counter dealy in my box instead of leaving the package in a locker, probably too much work for Saturday.......assume it’s Dave?....Dooooooo! Probably won’t have time until Wednesday! Doooooooooo!
Evil Basterds, I swear they “KNOW” and do it on purpose!! Dooooooooo!

Oh well”all good things in all good time”
Been pre-gaming with other fall 79 shows.....also hit up those Floyd live bonus material from the Dark Side and Wish You Redos......nice!
Yeeeeshhk,, through the fog, remembering now some High Res Dire Straits; Brothers in Arms and Some assorted High Res Eagles for fucks sake...the things that happen after midnight!
12/1/79 partial 2nd set transfer from meh tape. The jams of course kick ass, and the Gloria etc, but I still like 11/6 better!
11/5/79 DL series Meh? Kinda flat...remember this being better?
11/6/79 DL series Still an all time favorite! Definetly my favorite of what I’ve heard from this tour!
11/9/79 PO RT Vol 1 # 1, was there 10th row, and a birthday show, so biased......
10/27/79 30 Trips, first listen! Solid show, but still like 11/6 better...
12/30/79 RT bonus, nice but a chop/comp.
ok, I think I’m warmed up, perhaps too much so?
Need the Real Deal already.....
DOOOoooooooooo!
Duupid Postman!

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In reply to by Oroborous

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....I attended the 28th and 30th. Listened to New Year's in a hotel room. With my ex-wife.
Good times.

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In reply to by Vguy72

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Attended 12 30 91 with wife
Kinda a snore fest
Did very little for me

Listened to a good chunk of 12 31 on radio in reno

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