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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • RobbZ
    Joined:
    Ya Know....

    I dig me some 87 and 89......

    https://www.youtube.com/watch?v=orlJKiOBWqE

    https://www.youtube.com/watch?v=PKtrz_fvmoc

  • fourwindsblow
    Joined:
    Another box

    I do feel bad that some will have to wait till next year for new music I really wish there was another smaller box coming of another era I would buy it in a minute.

  • icecrmcnkd
    Joined:
    Yes, sell the video separately

    What’s the worst that could happen, you make more money?

    Or at least offer it with the CD.
    Kind of like Crimson, White, and Indigo; Sunshine Daydream; Egypt.

    Does that mean that a VHS would then come with the vinyl?

    I ordered the BluRay Box. Looking forward to it. A nice addition to the collection.

    It’s been a good Jerry Week so far. I didn’t make it to the movie but I did order this Box, received and have listened to DaP 31 twice, and JGB 11-11-93 was at my door when I got home and is about to go in the CD player.

    Do Rolling Stones fans bash former Stones members when the new live release isn’t the one they wanted?

    Do Allman Brother’s Band fans bash former ABB members when the new live release isn’t the one they wanted?

    I’m grateful for all releases.
    Keep them coming Dave/Rhino/TPTB.
    Just please, put a little more effort into quality control and logistics.

  • fourwindsblow
    Joined:
    ???

    "They're not the best at what they do. They're the only ones that do what they do."

  • icecrmcnkd
    Joined:
    Doc, ice cream

    Blue Moon

    Mmmmmmm........

    https://en.m.wikipedia.org/wiki/Blue_moon_(ice_cream)

  • Forensicdoceleven
    Joined:
    Old age isn't so bad when you consider the alternative..........

    63 12-1-73

    Just for the record: love the band, don't care for the era, I was there so it's not knee-jerk, uninformed choice. I choose not to attack or use personal insult. If somebody gets a box because I pass, good for them. Many don't care for the 90s, or 80s, 70s, or 60s. Me, I like the 50s.

    Besides, life's too short, had one stroke already, not planning on a second because I don't like the current release. If I did, I'd have 30 strokes already.

    This is why there's different flavors of ice cream. Some mysteriously prefer pistachio, while we all know that coffee chocolate chip peanut butter cup cookie dough is the best...…….

    Settle down easy,

    Doc

  • smyler
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    Joined:
    Box Set and Brent Bashing

    I’m delighted for those who’ve been asking for more 80s and 90s Dead, this box is for you guys. I might buy the single show but I won’t be buying the box. I’ve bought around 80% of the releases since One From The Vault came out 28 years ago and, on the basis of these purchases, formed the view that the quality of their performance deteriorated markedly during the latter years of the Dead’s existence. That isn’t to say there weren’t still great moments and great shows, but that, for me anyway, they became fewer and further between.

    I’m not particularly disappointed that this box isn’t for me; I have more than enough GD to keep me going, I’m pleased I won’t need to justify another GD box to my wife, I’m also pleased I don’t have to find another $150 (nearer $200 when U.K. delivery and import duties are taken into account) and then of course this release probably means we’ll be back to something a little more up my street next year. Right now I’m also slightly reluctant to spend any more money at dead.net until the DP31 European shipping fiasco is resolved and left behind.

    Despite not being a particular fan of the 80s and 90s, I really don’t get or like the Brent bashing. My lack of passion for this era has very very little to do with him. Indeed, I say his keyboard playing is one of the more positive aspects of late 80s GD. For me the problem stems from basic musicality; playing in tune and playing in time and together, the latter in particular becomes a more frequent problem for the GD as the years go on. The nadir for me is the Warlocks box which, whilst not without the occasional bright point, is at times cringingly embarrassing. So much that when hearing it for the first time I was half expecting someone to come on from the wings waving their arms and shouting “stop... stop.... STOP! Sorry guys, you’re just not getting it”. That said, I find much of Terrapin Limited, the second disc in particular, reciorded around 6 months later, nothing short of outstanding. I guess that’s the GD for you, particularly the GD in their latter years.

    Then there’s Garcia’s voice, which becomes more and more of a disappointment as the years go on. Others have said they don’t listen to the GD for the singing; I don’t either, but the dead wrote a many truly magnificent songs and it’s always a pleasure to hear these played and sung really well.

    There are other reasons to . . . those interminably tedious Dylan covers for instance . . . but aside from mediocre songwriting (something that wasn’t unique to Brent), these have very little to do with Brent.

    Each to their own. I wish all of you who purchase this box, particularly those who’ve been waiting for something this era, happy listening. I’ll enjoy looking forward to the next 1970s box and spending my $150 on something else 😎

  • muleskinner_blues
    Joined:
    Death is but a door, time is but a window, I'll be back

    34 here.

    First Dead related show..err 6/17/17 Dead & Co at Fenway. Loved it until someone passed out in front of us and some Karen screamed at us for not doing anything for him, as the medics arrived. She had her hand on his shoulder, really stepping up where we didn't. Thanks for your help. Go to hell.

    8 Dead & Co shows now, still a work in progress. More to come.

    Still learning in all eras, coming up on 5 years of starting a 'deeper dive' into the Dead, beyond the big albums, etc. I did pick up the May '77 boxset as well as 11/30/80 randomly in 2013, they were...bewildering compared to Skeletons in the Closet and Europe '72, Vol 1.

    Know very little post-Brent, what was in 30 Trips, etc. Looking forward to all three years in the new set. Used to only know Bruce Hornsby for the song he wrote for 2pac. (.....joke)

    Fired up Dave's 31 for the first time as well, first disc in the car today. Keith is the best acoustic pianist they had in my opinion, that was rock n' roll piano, but Brent's energy and the addition of the B3 is a needle mover. As Sean Connery said in You Only Live Twice:

    Bond: Why do Chinese girls taste different than other girls?
    Ling: You think we better
    Bond: No, just different. Like Peking duck is different from Russian caviar, but I love them both.
    Ling: Darling, I give you very best duck

    Ok that's a terrible out-dated and inappropriate example. Scratch that.

    Waiting for a Dylan Fall tour announcement, as well as the next Bootleg Series (potentially). Sounds like they are exploring '67-69 which will be interesting, though it's been partially covered already. Any John Wesley Harding outtakes would be very interesting. With both being on Columbia, I can see them doing the Dylan / Cash sessions from '69 officially as well. While historic given the two of them, they really are not that good, in my opinion.

    I did get some Dead exposure through Dylan before I knew them better. My first show was in 2006 during college, got in heavily in the year prior, but I heard the boots. When Jerry died, Dylan did dust off Friend of the Devil against in September '95, staying (randomly) in the repertoire through 2002 with a one off at Red Rocks in 2007. But the other tune he chose, starting in October 1995....obviously Alabama Getaway.

    I'd hear talk about this great songwriter Robert Hunter that Dylan teamed up with, the results being Silvio and The Ugliest Girl In The World. :/

    He also joined up with him on Together Through Life, an album I LOVE but maybe not the greatest songwriting testament for these two pillars of the western world. But I don't care, I love it. And despite some silly writing, the peaks are actually great songs.

    Here's one I was at, great show: https://www.youtube.com/watch?v=pYC6VKnPhks

    And a Getaway, before my time (not sure why they chose a '66 photo but sure): https://www.youtube.com/watch?v=HPpmF3154As

  • JimInMD
    Joined:
    My First Show and Age

    All this has become very tricky since I met Bolo and have subsequently had Witness Protection issues, multiple passports, etc...

    My current passport states I am 53, 4/19/82 was my first show. I found my self face to face with with two quite pleasant pieces of paper; nothing has been the same since but in a good way.

    Mama, mama many worlds I've come since I first left home.

    Hey guys and gals, please resist the temptation to call others out by name.. the back and forth is giving me whiplash, and to what end? There is no reason for it.. be general, be positive and push the conversation along. Is it my imagination or does this shit always seem to happen around election time? Perhaps we are all being played?

    Good movie, btw.. whiplash. See it.

  • daverock
    Joined:
    First show

    I loved the first show I saw, in March 1981, but to have seen them in 1972 would have been amazing. I was 15 then, and a shade too young to travel out of my hometown to go to London. Any case, I didn't know who The Dead were in 1972-I saw T. Rex and David Bowie in then-great, but a long way off.
    But those final shows of the tour, at the Lyceum-maybe they were the best ever played by the band on these shores? Great sounding venue, too, going off the sleeve notes for the cds. Bickershaw is a great show, and some of the other bands/artists performing were great-but I didn't much like big festivals-and that one doesn't look to rosy in the pictures.
    Spacebrother- good to read that you are in fine fettle and enjoying life. Don't let the naysayers grind you down. I must say I enjoy being 62 more than I did being 26. You never know what the future holds, but so far so good!

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Less than 30 days to go until we have this box in our hands. When will Dave release some more seaside chats?

Starting to get excited.

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Very tough one for me. Some of my favorite picks (1/22/78, 11/17/73, 11/17/72) came in years where one of the picks came from my least-favorite period (mid-'69 through Keith's first show). [ducks and covers] If I eliminate calendar years with those Picks, I would have to say that 2015 was the best for me, in terms of overall satisfaction with every disc. That was the "Wavy Pastel" cover era, with Skater, Statue of Liberty, Riverboat, and Scooby House (2/24/74, 3/26/72 (my second birthday), 4/22/78, and 3/28/73).

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I enjoyed the hell out of MUATM this year, both the people and the movie, all except just that one bit 'o undigested food between Weir's two-foot-tall teeth. Where was George Costanza's spinach-covered front tooth during a job interview image when I needed him?

Ah, rhetorical questions...

Really posting here to wonder if Dave, in releasing a '91 box, had/has a "backup plan" in case '91 didn't sell like hot cakes. Sounds like it is selling briskly and it's a limited edition box, so the bet is always pretty solid that it'll sell out eventually. I'm happy for everyone who is enthusiastically awaiting this box. I'm no longer a gotta-have-it-all deadhead.

But would there be, in his back pocket, perhaps, a plan to release say a one-disc set of some pre-retirement show -- 1968 to 1974 -- for the Xmas retail orgy to reach those of us who enjoyed a 48-track 1991 movie but declined a $200 box of it? Like a tape for which they're sure the entire show will never be released?

A man can dream... until the Allman Brothers at the Fillmore West 1971 shows up today, the Beatles Abbey Road 50th reissue comes later this month, and news of Dylan's next Bootleg Series release drops.

Then again, I DO have a couple hundred GD shows to turn to, including an incoming 7-disc set of 15 May 1970, which will be a banquet. Thanks to ... you know who you are. Or were. Or can be. Or, back to the coffee!

Felt like doing a cannonball in the forum pool this morning. Have fun, gang!

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You posted you dove into Englishtown for the first time in 3 years. And I thought it read I "drove". I was like holy shit someone lives near Englishtown! Then I reread :-) For those not in the know (most I'm sure). Englishtown is a pimple of a town, on a back street to nowhere. Kinda like where Jim lives without the river & the mountains. But they do have a racetrack (drag strip). Commercials as a kid were "RACEWAY PARK,,,, NITRO BURNING FUNNY CARS,,,,, BIG TOM TASMANIA". A lot like the piece from Billy was a Mountain. They also run a swap/auction type thing there. Went to high school around the corner from the place.

Update - FINALLY got a notice on 45 collection. It's been sent to UPS Mail Innovations,,, should see in about 2 months :-) Oh, and my copy of Allmans Fillmore 71 should be here today. I can download the mp3 file from amazon now.

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For 9-3-77 Englishtown, and deservedly so.

Submitted for your consideration --- 9/3/80 ---- aka Download Series #7.
I gave this a spin the other day for the first time. Its a great show. First set especially, is extra tight and really rockin. Every song is solid. All time great Althea IMHO. Second set isn't quite the lysergic bliss of epic 70s shows but still quite good. I think this would be a good show to play for a n00b, or a casual fan, to get them on the bus.

That is all.

Peace

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In reply to by hendrixfreak

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I expect there to be a Black Friday Record Store Day release.
Whether it will be something from a year you are looking for, and whether it comes in a format other than vinyl, remains to be seen.

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I'd agree with Deadheadbrewer on 2015, they really nailed it on 50th anniversary, 2/24/74, 3/23/72, 4/22/78, and 3/28/73 were all pretty damn good. That's the closest I've come to really loving all 4 Picks in a year. I really like 4/22/78, but I don't quite love it. It's the only one of those I will usually listen to parts of it (Jack Straw, Candyman, Peggy-O, Deal, Wharf Rat) and then move along to something else. Did a full listen to 3/28/73 6 months ago on a long car trip, and that show smokes until disc 3, then it just becomes insanely over the top. A very noisy Dark Star that's out there, but the Eyes and Playing are an incredible ending.
2014 with 5/14/74, 12/10-11/69, 11/17/72, and 11/4/77 is probably my second favorite year.

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This is making my head twitch too. Too difficult.

2014 and 2015 are both very strong:

2014:

Montana 1974
Thelma 1969
Colgate 1977
Wichita 1972

Strong bonus material on the last 3. They're all top-shelf within their respective years in my mind. Montana is a solid representation of the WoS, and has a Dark Star that gives Jim nightmares (not to mention a great WRS and a "not overbaked Playing jam; Thelma has T.C. and fantastic set list variety + that trippy UJB and sick bonus disc that goes Dark Star => St. Stephen => The Eleven => The Other One => Cosmic Charlie.

Colgate sizzles with energy on rockers like Bertha, Samson & Delilah, Cold Rain & Snow, and contains premier versions of Dupree, Brown-Eyed Women, Let It Grow, Stella Blue, Cassidy, and of course - The Jones Gang; there's also second set Playing medley with Eyes / Estimated, Iko Iko, a fierce four minute Othe One, and the Stella with the spacey intro.

Wichita 1972 is one of the finest recorded rwo-tracks from that year, and while there's no Dark Star, the Bird Song is up there with Veneta and the '73 version from the Pacific Northwest box set; also a great Brokedown Palace, Truckin' => The Othe One, Box Of Rain, a 7 minute China Cat (long for '72), Uncle John's Band (I love these in '71 / '72) and bonus material - Wharf Rat & the half hour Playing in the Band, which is also long for '72 (but still cooks like the other versions from that year).

2015:

Winterland 1974
Academy of Music 1972
Nashville 1978
Springfield 1973

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In reply to by alvarhanso

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....I'm not falling for it.
Praising the Lincoln, NE 2.26.73 Dick's currently.
And I'm gonna sit right here until I die....
and no. It's not on my new Onkyo. Delayed. Arriving Monday. Bose soundbar will have to suffice.

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Of course! "Black Friday"!

Kinda lines up with the next DaP, eh?

Was that single CD 11-18-72 Houston release a Black Friday thing? Can't recall.

Meanwhile, I'll just keep banging the drum for a fall '72 box, um, next year (arrrggghhh!).

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I can tell you where I was 35 years ago when I got a copy of a tape and the first time they played Scarlet Begonias, but for the life of me I can't associate the Daves or Dicks Picks number associated with the show, or what year they released it?? Weird.... On a side note I am, pure empty nester for the next 3 weeks, my daughter is spending the semester abroad in London and my wife and her are traveling around England for a few weeks before school starts. I am starting with Spring1990 The Other One box, (I never even burned the CD's stupid me, doing that now), because besides 3/29/90, I have only listened once.... Bobt

You probably memorize the dates of shows because that is the only relevant information.
The order of release is irrelevant.
I imagine that when you got your first cassette you labeled it with the show date and not “Bobt’s first cassette”.

Have fun with your extended listening party.

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9 years 1 month

In reply to by hendrixfreak

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Yes, 11-18-72 was 2014 Black Friday.

It would be awesome if DaP32 and BF RSD release we’re related.

Especially if they were Fall 72.

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Thank you for putting that into perspective! I needed that... And of course my listening party had to start with 3/29/90!!! Have a good weekend.. bob t

I wouldn't know the answer to that one, either. I have also never really got the enthusiasm for "burning" on here. Maybe because I only listen at home-there doesn't seem much point. No one else handles them except me, so its unlikely the cds are going to get damaged. If I was still driving I might do it, so I could listen in the car-but as it is I don't really bother.

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14 years 9 months
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Thought that JRF "dRove" into Englishtown as well!

Had to look up the DaP numbers and calendar years; only remember the show dates and my gut feel for each.

Only rip the CDs if I'm putting them on the portable music player for the gym or the bike trail. Play the CDs in the car stereo without fear.

Had a fantastic bike ride yesterday, on a glorious early-fall afternoon in Minnesota. (for better or worse, fall has come very early this year . . . ) Pulled out my sax for the first time in 25 years, in order to start playing again, and found some interesting items in the case. Used those just before the ride, and based on my meditative state about ten minutes into the ride, determined that 25-year old items might have a little something left in them!

Grooved to the beautiful Shining Star from the '91 Eel release on the drive to the trailhead, then blissed out to disc two of DaP 31 for the ride.

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If you want to play along on best Dave's by year, this is what they are:
2012: 1 5/25/77, 2 7/31/74 (bonus 7/29/74), 3 10/22/71, 4 9/24/76
2013: 5 11/17/73, 6 12/20/69, 2/2/70 (bonus 12/21/69), 7 4/24/78, 8 11/30/80
2014: 9 5/14/74, 10 12/12/69 (bonus 12/11/69), 11 11/17/72, 12 11/4/77
2015: 13 2/24/74, 14 3/26/72 (bonus tracks from 3/21 and 3/23), 15 4/22/78, 16 3/28/73
2016: 17 7/19/74, 18 7/17/76 (bonus 7/16/76), 19 1/23/70, 20 12/9/81
2017: 21 4/2/73, 22 12/7/71(bonus 12/6/71), 23 1/22/78, 24 8/25/72
2018: 25 11/6/77, 26 11/17/71 (bonus 12/14/71), 27 9/2/83, 28 6/17/76
2019: 29 2/26/77, 30 1/2/70 (bonus 1/3/70), 31 12/3/79
I knew most of them off the top of my head, but did have to cheat. No way I can do that for the DiP Series without a LOT of cheating.

I used to burn them all, or at least highlight discs, but now it's mainly mp3 on a USB. But I don't like playing the originals on anything other than the living room stereo once they're ripped.

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10 years 2 months

In reply to by alvarhanso

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Thanks for listing them like that, Alvarhanso. Your powers of recall are admirable indeed! Looking at them, 2015 and 2017 look to be very strong years.

The list is also handy for looking at which years have been focussed on...and which ones have been overlooked. Amazing that there hasn't been a single one from what I think of as the Dead's first golden age, late 1967 to April 1969. Primal Dead. There are a few 1969 shows, but they are from the second half of the year, which, on the whole were less incendiary than shows from the first half. Big difference, with 1969, between the first half and the second half. The second half seemed to signal a cooling down to me, as Working Mans and more traditional songs started to make their tentative appearance.

I have no particular reason to think I won't be around for a year or two yet, but I think its still fair to say that my Daves Picks cds will still be here and playable long after I have left Planet Earth. Pity I can't burn a copy of myself, really!

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You've tried a professional buffing machine? Those have worked in the past for me, albeit not all of the time. If you need a copy of that tune, hit one of us up via PM and we can help you. I've got FLAC's and 320 kbps MP3's.

P.S. Parking meters! :-)

The purest in me would list the years in reverse simply because on a whole these were likely the last listened to, so clearly the best..

I think each year has it's high point(s) and shows that get less love.

(sidebar - If they ever do a re-do on Rudolf the Red Eyed Reindeer.. the land of the misfit toys would be renamed the land of the misfit CD's where they would get the love and rabid listening they deserve)

This mix by year is by design. The 'lesser' shows so far are certainly releasable shows and float to the top of others favorite list. It's all so subjective.. We should expect these shows are going to be released, they almost have to.. So we get what should be viewed as a representative mix of the best unreleased shows. The series seems to have kept this in mind no matter what the era or other critics might say.

So my absolute favorite shows have some roommates. That's the way I look at it. I am very happy with the series and honestly, so far, 2019 is a heavy hitter with one release left to go. Gee.. I wonder what it's gonna be?

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Starts at Wharf Rat and doesn't stop!!!! I forgot how good the ending of Mississippi Half Step is!! Listening to Dicks Picks that I haven't listened to in a while!! Bob t

I had one Dick's disk that I could not get to play using the various home remedies. I found a place with a professional disk resurfacing machine and for $5, they resurfaced that bad boy. It came out as shiny as the day it was born and plays perfectly. Well worth the $5. The place I found (via google) was a game console repair store (go figure).

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Hard to pick a top year of releases, but I would definitely agree with 2015 as a contender just for DaP 13 - 2/24/74 and DaP 16 - 3/28/73 both in my top 5 out of the picks so far. DaP 14 and 15 were pleasing to me as well.

Looking forward to the release of this box, but been on a little dead detour the last few days. Listening to some Blondie - Parallel Lines, Elvis Costello - My Aim Is True, Lou Reed - Transformer, Allman Brothers - Idlewild South, Stan Getz - Jazz Samba Encore. Lacked the time to really dive into a full dead show lately due to an overload of work. Being self-employed, the only thing worse than too much work is not enough work.

Daverock, your comment about burning a copy of yourself made me think of a book series that I recently read. If you are a sci-fi fan consider checking out the Bobiverse series - book 1 - We Are Legion, We Are Bob, book 2 - For We Are Many, and book 3 - All These Worlds, by Dennis Taylor. The premise relies on your concept of burning a copy of yourself in a manner of speaking, and is some pretty cool recent sci-fi, kind of has a similar feel to The Martian in terms of essentially being what I have heard described as "competence porn". Dennis Taylor also wrote another recent book, The Singularity Trap, which also touches on the idea of a copy of an individual and whether the copy and the individual are the same or different. The whole burn a copy of yourself could really lead to hours of interesting philosophical discussion regarding the implications. But I digress...again...

Edit: Also, check out the short story Fat Farm by Orson Scott Card. Originally published in Omni Magazine in the '80s. Deals explicitly with the copy of self concept, and ought to cure anyone who reads it of the desire to create a copy of themselves.

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In reply to by JimInMD

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Hello David?

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The last Dead I listened to was the Road Trips cd highlights of 6/16/74. The benefits of trimming shows like this are that you are right in the heart of things almost immediately. The opening China/Rider on disc one is amazing-6/26/74 will always be the gold standard for this pairing-but this version is also top drawer. And looking in the Dead Taping compendium, they don't even mention it in their review. Such is the quality of the rest of the show.

Its also noticeable, looking in the compendium how much has been left out of the release. And also...unpopular observation coming up....that the release may actually be better without all those other songs. Its certainly fat free as it stands.

Serendipity...the next cd I played was a live cd from the Tangerine Dream box-which turned out to be also 6/16/74 in London. Then later in the day one by King Crimson, also live from June 1974. 1974 will never be remembered as one of rocks greatest years...but all these three bands were at a peak, and bravely going where no man had been before.

Charlie...thanks for the heads up about the books and authors. I used to read science fiction almost exclusively between about 1975 and 1985. So many great books and writers - J.G.Ballard, Michael Moorcock, Roger Zelazny-the absolute pinnacle though, for me, was Philip K. Dick. His best books, maybe The Three Stigmata of Palmer Eldritch, Ubik, The Martian Time Slip are truly unique. They weren't books about the future, to me they were like hallucinogenic revisions of the world I was living in. I couldn't get enough. I used to get them locally, but also from a great shop in London called "Dark They Were and Golden Eyed." It all seemed very much of a piece with the music I was listening to at the time. And for the most part, still do.

Anyway...bit of a ramble there...I will look out for Dennis Taylor and Orson Scott Card.

Nought out of ten for any "Dickhead" comments!

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I forget who was just talking about the 2nd set of this show but thanks for the reminder. Especially Mississippi HS. Never fully appreciated how good they played the ending that night.

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Scrolling back through the comments, I was pleased to see some discussion about DP6 - 10/14/83. I was among those who dismissed this one upon first listen as the sound, at least for Alabama, is pretty rough, and overall, I simply wasn't used to the sound of tape-recorded 80s shows at that point in my GD listening life. However, as I have grown more and more fond of the 80s, particularly 85 and before, I have grown to LOVE this show! By the time the boys get to TLEO, the whole thing settles in and a very fine show proceeds from there. That 2nd set is a BURNER!

That being said, I have been curious as to why Dick picked this show instead of the night after, 10/15 - during "The Return of St. Stephen"... It's a fantastic one. If you haven't, check it out - here is a link to a fine AUD:

https://archive.org/details/gd83-10-15.beyer-ficca-brennan.ficca.20024…

Peace

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In reply to by Dark-Star

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Likely BobT. He has been venturing through some of the older releases.

..lots of love for Road Trips 2.3 Wall of Sound. I've been hitting some of the neglected Road Trips the last few days myself. I gave 6/16 a good listen about a month ago. Agree on the China>Rider and the Eyes>Big River is excellent also. ..but really, are there any bad 73/74 Eyes of the World? Still wish they release 6/16 and 6/18 in their entirety.

If I was more organized or had a better memory I would hit the last five more often. By the time a day or two goes by, things fall into the already happened category when I am trying to focus on the happening right now category. Such is life I guess..

Be good all.. great enthusiasm for all things good music and culture lately, and what's not to like about that.

I had to beat a dead horse, but I did something that racked my back over the weekend and took a quick soak early this am.. I wanted something quick on the device in the woodshop (closest to the tub) and my fingers fell on another Road Trips I hold in high regard, Road Trips Vol. 4 No. 1 Big Rock Pow Wow, 5/23&24/69. Man, that Doin' That Rag > He Was A Friend of Mine get's me every time. Unique and underplayed songs, bordering on rarities.

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Dicks Picks #7 Alexandra Palace 9/9-11/74 is one of the more underrated in my opinion. There's some nice hefty jams in that release. I tend to prefer full shows, but this is a pretty decent highlight-centric release.

Always loved that Hartford '83 Dick's Picks. That Scarlet>Fire Estimated>Eyes is a solid hour of Jerry just rippin' it up. Also a nice Spanish Jam in there.

Love number seven.. I think it's high time I revisit number six. I did always like the energy of that show.

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It’s 11.45 pm in England on a Monday night and I’m enjoying two of my most guilty pleasures- a LARGE gin and tonic and rocking the cradle egypt 78 especially the Ollin>fire .
It’s two bob I know but I love it .

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Gonna save the magical dicks picks vol 7 at the wonderful venue that is the ally pally till tomorrow . Xxx

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To Space Brothers point about the jams on DP 7, Not Fade Away is something special. If I recall correctly, this was a period when they were not playing it much and certainly not for 20 minutes at a time, which I think this is close to. Not to be missed.

I forget which Dave's Picks this is, but the Felt show from December 6th 1971 is really melting my face at the moment. It's the bonus disc show I'm speaking of. I just kind of threw it all together in one folder and put the songs in order that they played them. There's a lot of energy in this show. The audio isn't quite up to the November 15 and 17th shows that have been released, but once you get used to it, they're having a pretty good night. China Rider and Tennessee Jed are pretty hot. The Other One is incredible... if you don't think so, I probably just have it turned up too loud. Even Casey Jones is kicking my ass. Bill the drummer is throwing in these offbeat snare shots, and some drum rolls and wicked fills...... get that man a large gin and tonic.

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11 - 11/17/72
5 - 11/17/73
26 - 11/17/71
32 - 11/??/?? (11/??/72?)
8 - 11/30/80 (not 12/20/69 & 2/2/70)

Thanks Jiminmd for pointing out my error. I guess I got excited about the number pattern forming.

Except that #8 is 11/30/1980.

What does that do to your algorithm, 8/24/85? :D

#6 was Thelma 69 and Fox Theatre 70. I have to revisit that one too.. been too long.

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One of my favorite musical anniversaries thanks to the 30 Trips box.

9/10/91 MSG

This show is a perfect primer as a warm-up for the Giants Stadium box. '91 was actually a great Grateful Dead year.

Road Trips V2N1 '90 MSG and Dick's Picks Vol 9 from 9/16/90 showed how great the Bruce/Vince era could get. Glad to see this line-up get some attention. Maybe not everybodies bag, but I sure love it.

Also still seeking the Road Trips Spectrum '79 download shows. Missed out on that.

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Perhaps Bolo's clues are steering us towards a Southern show from late in a given year. All those shows he/she mentions were performed in the South (okay, so L.A. isn't the "South," but it is quite southerly . . . give me some leeway to run with this . . . ). This leads me to believe that DaP 32 will be . . .
12/18/73--Tampa, with bonus tracks that didn't make it onto DP 1
or
December 1978: I don't know the shows from this Southern swing, but they likely came home with the rest of the Bettys.
or
11/19/72--Houston (but these tapes are probably REALLY lost for good . . . )
or
11/29/80--Gaisdh;gk; jk;jsddddddddd [sounds of scuffling heard briefly, then silence . . . ]

Becoming an alcoholic late in life. Give me Boodles Gin and Fever Tree Indian Tonic water. Very Nice. Keep bottles of it at work. (ticking away the moments that make up a dull day)

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My 45 showed up today (#1815),,, what I haven't got (again) is a link to the digital download. Anyone got a link?

I recall a great 12 min version of He Was A Friend of Mine on a bonus disc from way back when - it might have been a New Year's compilation disc or a Fillmore West bonus - but it's a great version. I always loved that one especially when they stretched it out a bit. Great, early harmonies. Despite the somewhat morbid topic of the tune.

Sixtus

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