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    Anusha
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    Joined:

    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
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    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Less than 30 days to go until we have this box in our hands. When will Dave release some more seaside chats?

Starting to get excited.

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14 years 9 months
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Very tough one for me. Some of my favorite picks (1/22/78, 11/17/73, 11/17/72) came in years where one of the picks came from my least-favorite period (mid-'69 through Keith's first show). [ducks and covers] If I eliminate calendar years with those Picks, I would have to say that 2015 was the best for me, in terms of overall satisfaction with every disc. That was the "Wavy Pastel" cover era, with Skater, Statue of Liberty, Riverboat, and Scooby House (2/24/74, 3/26/72 (my second birthday), 4/22/78, and 3/28/73).

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10 years 8 months
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I enjoyed the hell out of MUATM this year, both the people and the movie, all except just that one bit 'o undigested food between Weir's two-foot-tall teeth. Where was George Costanza's spinach-covered front tooth during a job interview image when I needed him?

Ah, rhetorical questions...

Really posting here to wonder if Dave, in releasing a '91 box, had/has a "backup plan" in case '91 didn't sell like hot cakes. Sounds like it is selling briskly and it's a limited edition box, so the bet is always pretty solid that it'll sell out eventually. I'm happy for everyone who is enthusiastically awaiting this box. I'm no longer a gotta-have-it-all deadhead.

But would there be, in his back pocket, perhaps, a plan to release say a one-disc set of some pre-retirement show -- 1968 to 1974 -- for the Xmas retail orgy to reach those of us who enjoyed a 48-track 1991 movie but declined a $200 box of it? Like a tape for which they're sure the entire show will never be released?

A man can dream... until the Allman Brothers at the Fillmore West 1971 shows up today, the Beatles Abbey Road 50th reissue comes later this month, and news of Dylan's next Bootleg Series release drops.

Then again, I DO have a couple hundred GD shows to turn to, including an incoming 7-disc set of 15 May 1970, which will be a banquet. Thanks to ... you know who you are. Or were. Or can be. Or, back to the coffee!

Felt like doing a cannonball in the forum pool this morning. Have fun, gang!

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You posted you dove into Englishtown for the first time in 3 years. And I thought it read I "drove". I was like holy shit someone lives near Englishtown! Then I reread :-) For those not in the know (most I'm sure). Englishtown is a pimple of a town, on a back street to nowhere. Kinda like where Jim lives without the river & the mountains. But they do have a racetrack (drag strip). Commercials as a kid were "RACEWAY PARK,,,, NITRO BURNING FUNNY CARS,,,,, BIG TOM TASMANIA". A lot like the piece from Billy was a Mountain. They also run a swap/auction type thing there. Went to high school around the corner from the place.

Update - FINALLY got a notice on 45 collection. It's been sent to UPS Mail Innovations,,, should see in about 2 months :-) Oh, and my copy of Allmans Fillmore 71 should be here today. I can download the mp3 file from amazon now.

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8 years 3 months
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For 9-3-77 Englishtown, and deservedly so.

Submitted for your consideration --- 9/3/80 ---- aka Download Series #7.
I gave this a spin the other day for the first time. Its a great show. First set especially, is extra tight and really rockin. Every song is solid. All time great Althea IMHO. Second set isn't quite the lysergic bliss of epic 70s shows but still quite good. I think this would be a good show to play for a n00b, or a casual fan, to get them on the bus.

That is all.

Peace

I expect there to be a Black Friday Record Store Day release.
Whether it will be something from a year you are looking for, and whether it comes in a format other than vinyl, remains to be seen.

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I'd agree with Deadheadbrewer on 2015, they really nailed it on 50th anniversary, 2/24/74, 3/23/72, 4/22/78, and 3/28/73 were all pretty damn good. That's the closest I've come to really loving all 4 Picks in a year. I really like 4/22/78, but I don't quite love it. It's the only one of those I will usually listen to parts of it (Jack Straw, Candyman, Peggy-O, Deal, Wharf Rat) and then move along to something else. Did a full listen to 3/28/73 6 months ago on a long car trip, and that show smokes until disc 3, then it just becomes insanely over the top. A very noisy Dark Star that's out there, but the Eyes and Playing are an incredible ending.
2014 with 5/14/74, 12/10-11/69, 11/17/72, and 11/4/77 is probably my second favorite year.

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This is making my head twitch too. Too difficult.

2014 and 2015 are both very strong:

2014:

Montana 1974
Thelma 1969
Colgate 1977
Wichita 1972

Strong bonus material on the last 3. They're all top-shelf within their respective years in my mind. Montana is a solid representation of the WoS, and has a Dark Star that gives Jim nightmares (not to mention a great WRS and a "not overbaked Playing jam; Thelma has T.C. and fantastic set list variety + that trippy UJB and sick bonus disc that goes Dark Star => St. Stephen => The Eleven => The Other One => Cosmic Charlie.

Colgate sizzles with energy on rockers like Bertha, Samson & Delilah, Cold Rain & Snow, and contains premier versions of Dupree, Brown-Eyed Women, Let It Grow, Stella Blue, Cassidy, and of course - The Jones Gang; there's also second set Playing medley with Eyes / Estimated, Iko Iko, a fierce four minute Othe One, and the Stella with the spacey intro.

Wichita 1972 is one of the finest recorded rwo-tracks from that year, and while there's no Dark Star, the Bird Song is up there with Veneta and the '73 version from the Pacific Northwest box set; also a great Brokedown Palace, Truckin' => The Othe One, Box Of Rain, a 7 minute China Cat (long for '72), Uncle John's Band (I love these in '71 / '72) and bonus material - Wharf Rat & the half hour Playing in the Band, which is also long for '72 (but still cooks like the other versions from that year).

2015:

Winterland 1974
Academy of Music 1972
Nashville 1978
Springfield 1973

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17 years 4 months

In reply to by alvarhanso

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....I'm not falling for it.
Praising the Lincoln, NE 2.26.73 Dick's currently.
And I'm gonna sit right here until I die....
and no. It's not on my new Onkyo. Delayed. Arriving Monday. Bose soundbar will have to suffice.

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Of course! "Black Friday"!

Kinda lines up with the next DaP, eh?

Was that single CD 11-18-72 Houston release a Black Friday thing? Can't recall.

Meanwhile, I'll just keep banging the drum for a fall '72 box, um, next year (arrrggghhh!).

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I can tell you where I was 35 years ago when I got a copy of a tape and the first time they played Scarlet Begonias, but for the life of me I can't associate the Daves or Dicks Picks number associated with the show, or what year they released it?? Weird.... On a side note I am, pure empty nester for the next 3 weeks, my daughter is spending the semester abroad in London and my wife and her are traveling around England for a few weeks before school starts. I am starting with Spring1990 The Other One box, (I never even burned the CD's stupid me, doing that now), because besides 3/29/90, I have only listened once.... Bobt

You probably memorize the dates of shows because that is the only relevant information.
The order of release is irrelevant.
I imagine that when you got your first cassette you labeled it with the show date and not “Bobt’s first cassette”.

Have fun with your extended listening party.

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9 years

In reply to by hendrixfreak

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Yes, 11-18-72 was 2014 Black Friday.

It would be awesome if DaP32 and BF RSD release we’re related.

Especially if they were Fall 72.

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Thank you for putting that into perspective! I needed that... And of course my listening party had to start with 3/29/90!!! Have a good weekend.. bob t

I wouldn't know the answer to that one, either. I have also never really got the enthusiasm for "burning" on here. Maybe because I only listen at home-there doesn't seem much point. No one else handles them except me, so its unlikely the cds are going to get damaged. If I was still driving I might do it, so I could listen in the car-but as it is I don't really bother.

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14 years 9 months
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Thought that JRF "dRove" into Englishtown as well!

Had to look up the DaP numbers and calendar years; only remember the show dates and my gut feel for each.

Only rip the CDs if I'm putting them on the portable music player for the gym or the bike trail. Play the CDs in the car stereo without fear.

Had a fantastic bike ride yesterday, on a glorious early-fall afternoon in Minnesota. (for better or worse, fall has come very early this year . . . ) Pulled out my sax for the first time in 25 years, in order to start playing again, and found some interesting items in the case. Used those just before the ride, and based on my meditative state about ten minutes into the ride, determined that 25-year old items might have a little something left in them!

Grooved to the beautiful Shining Star from the '91 Eel release on the drive to the trailhead, then blissed out to disc two of DaP 31 for the ride.

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If you want to play along on best Dave's by year, this is what they are:
2012: 1 5/25/77, 2 7/31/74 (bonus 7/29/74), 3 10/22/71, 4 9/24/76
2013: 5 11/17/73, 6 12/20/69, 2/2/70 (bonus 12/21/69), 7 4/24/78, 8 11/30/80
2014: 9 5/14/74, 10 12/12/69 (bonus 12/11/69), 11 11/17/72, 12 11/4/77
2015: 13 2/24/74, 14 3/26/72 (bonus tracks from 3/21 and 3/23), 15 4/22/78, 16 3/28/73
2016: 17 7/19/74, 18 7/17/76 (bonus 7/16/76), 19 1/23/70, 20 12/9/81
2017: 21 4/2/73, 22 12/7/71(bonus 12/6/71), 23 1/22/78, 24 8/25/72
2018: 25 11/6/77, 26 11/17/71 (bonus 12/14/71), 27 9/2/83, 28 6/17/76
2019: 29 2/26/77, 30 1/2/70 (bonus 1/3/70), 31 12/3/79
I knew most of them off the top of my head, but did have to cheat. No way I can do that for the DiP Series without a LOT of cheating.

I used to burn them all, or at least highlight discs, but now it's mainly mp3 on a USB. But I don't like playing the originals on anything other than the living room stereo once they're ripped.

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10 years 2 months

In reply to by alvarhanso

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Thanks for listing them like that, Alvarhanso. Your powers of recall are admirable indeed! Looking at them, 2015 and 2017 look to be very strong years.

The list is also handy for looking at which years have been focussed on...and which ones have been overlooked. Amazing that there hasn't been a single one from what I think of as the Dead's first golden age, late 1967 to April 1969. Primal Dead. There are a few 1969 shows, but they are from the second half of the year, which, on the whole were less incendiary than shows from the first half. Big difference, with 1969, between the first half and the second half. The second half seemed to signal a cooling down to me, as Working Mans and more traditional songs started to make their tentative appearance.

I have no particular reason to think I won't be around for a year or two yet, but I think its still fair to say that my Daves Picks cds will still be here and playable long after I have left Planet Earth. Pity I can't burn a copy of myself, really!

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You've tried a professional buffing machine? Those have worked in the past for me, albeit not all of the time. If you need a copy of that tune, hit one of us up via PM and we can help you. I've got FLAC's and 320 kbps MP3's.

P.S. Parking meters! :-)

The purest in me would list the years in reverse simply because on a whole these were likely the last listened to, so clearly the best..

I think each year has it's high point(s) and shows that get less love.

(sidebar - If they ever do a re-do on Rudolf the Red Eyed Reindeer.. the land of the misfit toys would be renamed the land of the misfit CD's where they would get the love and rabid listening they deserve)

This mix by year is by design. The 'lesser' shows so far are certainly releasable shows and float to the top of others favorite list. It's all so subjective.. We should expect these shows are going to be released, they almost have to.. So we get what should be viewed as a representative mix of the best unreleased shows. The series seems to have kept this in mind no matter what the era or other critics might say.

So my absolute favorite shows have some roommates. That's the way I look at it. I am very happy with the series and honestly, so far, 2019 is a heavy hitter with one release left to go. Gee.. I wonder what it's gonna be?

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Starts at Wharf Rat and doesn't stop!!!! I forgot how good the ending of Mississippi Half Step is!! Listening to Dicks Picks that I haven't listened to in a while!! Bob t

I had one Dick's disk that I could not get to play using the various home remedies. I found a place with a professional disk resurfacing machine and for $5, they resurfaced that bad boy. It came out as shiny as the day it was born and plays perfectly. Well worth the $5. The place I found (via google) was a game console repair store (go figure).

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Hard to pick a top year of releases, but I would definitely agree with 2015 as a contender just for DaP 13 - 2/24/74 and DaP 16 - 3/28/73 both in my top 5 out of the picks so far. DaP 14 and 15 were pleasing to me as well.

Looking forward to the release of this box, but been on a little dead detour the last few days. Listening to some Blondie - Parallel Lines, Elvis Costello - My Aim Is True, Lou Reed - Transformer, Allman Brothers - Idlewild South, Stan Getz - Jazz Samba Encore. Lacked the time to really dive into a full dead show lately due to an overload of work. Being self-employed, the only thing worse than too much work is not enough work.

Daverock, your comment about burning a copy of yourself made me think of a book series that I recently read. If you are a sci-fi fan consider checking out the Bobiverse series - book 1 - We Are Legion, We Are Bob, book 2 - For We Are Many, and book 3 - All These Worlds, by Dennis Taylor. The premise relies on your concept of burning a copy of yourself in a manner of speaking, and is some pretty cool recent sci-fi, kind of has a similar feel to The Martian in terms of essentially being what I have heard described as "competence porn". Dennis Taylor also wrote another recent book, The Singularity Trap, which also touches on the idea of a copy of an individual and whether the copy and the individual are the same or different. The whole burn a copy of yourself could really lead to hours of interesting philosophical discussion regarding the implications. But I digress...again...

Edit: Also, check out the short story Fat Farm by Orson Scott Card. Originally published in Omni Magazine in the '80s. Deals explicitly with the copy of self concept, and ought to cure anyone who reads it of the desire to create a copy of themselves.

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In reply to by JimInMD

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Hello David?

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The last Dead I listened to was the Road Trips cd highlights of 6/16/74. The benefits of trimming shows like this are that you are right in the heart of things almost immediately. The opening China/Rider on disc one is amazing-6/26/74 will always be the gold standard for this pairing-but this version is also top drawer. And looking in the Dead Taping compendium, they don't even mention it in their review. Such is the quality of the rest of the show.

Its also noticeable, looking in the compendium how much has been left out of the release. And also...unpopular observation coming up....that the release may actually be better without all those other songs. Its certainly fat free as it stands.

Serendipity...the next cd I played was a live cd from the Tangerine Dream box-which turned out to be also 6/16/74 in London. Then later in the day one by King Crimson, also live from June 1974. 1974 will never be remembered as one of rocks greatest years...but all these three bands were at a peak, and bravely going where no man had been before.

Charlie...thanks for the heads up about the books and authors. I used to read science fiction almost exclusively between about 1975 and 1985. So many great books and writers - J.G.Ballard, Michael Moorcock, Roger Zelazny-the absolute pinnacle though, for me, was Philip K. Dick. His best books, maybe The Three Stigmata of Palmer Eldritch, Ubik, The Martian Time Slip are truly unique. They weren't books about the future, to me they were like hallucinogenic revisions of the world I was living in. I couldn't get enough. I used to get them locally, but also from a great shop in London called "Dark They Were and Golden Eyed." It all seemed very much of a piece with the music I was listening to at the time. And for the most part, still do.

Anyway...bit of a ramble there...I will look out for Dennis Taylor and Orson Scott Card.

Nought out of ten for any "Dickhead" comments!

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I forget who was just talking about the 2nd set of this show but thanks for the reminder. Especially Mississippi HS. Never fully appreciated how good they played the ending that night.

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Scrolling back through the comments, I was pleased to see some discussion about DP6 - 10/14/83. I was among those who dismissed this one upon first listen as the sound, at least for Alabama, is pretty rough, and overall, I simply wasn't used to the sound of tape-recorded 80s shows at that point in my GD listening life. However, as I have grown more and more fond of the 80s, particularly 85 and before, I have grown to LOVE this show! By the time the boys get to TLEO, the whole thing settles in and a very fine show proceeds from there. That 2nd set is a BURNER!

That being said, I have been curious as to why Dick picked this show instead of the night after, 10/15 - during "The Return of St. Stephen"... It's a fantastic one. If you haven't, check it out - here is a link to a fine AUD:

https://archive.org/details/gd83-10-15.beyer-ficca-brennan.ficca.20024…

Peace

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Likely BobT. He has been venturing through some of the older releases.

..lots of love for Road Trips 2.3 Wall of Sound. I've been hitting some of the neglected Road Trips the last few days myself. I gave 6/16 a good listen about a month ago. Agree on the China>Rider and the Eyes>Big River is excellent also. ..but really, are there any bad 73/74 Eyes of the World? Still wish they release 6/16 and 6/18 in their entirety.

If I was more organized or had a better memory I would hit the last five more often. By the time a day or two goes by, things fall into the already happened category when I am trying to focus on the happening right now category. Such is life I guess..

Be good all.. great enthusiasm for all things good music and culture lately, and what's not to like about that.

I had to beat a dead horse, but I did something that racked my back over the weekend and took a quick soak early this am.. I wanted something quick on the device in the woodshop (closest to the tub) and my fingers fell on another Road Trips I hold in high regard, Road Trips Vol. 4 No. 1 Big Rock Pow Wow, 5/23&24/69. Man, that Doin' That Rag > He Was A Friend of Mine get's me every time. Unique and underplayed songs, bordering on rarities.

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Dicks Picks #7 Alexandra Palace 9/9-11/74 is one of the more underrated in my opinion. There's some nice hefty jams in that release. I tend to prefer full shows, but this is a pretty decent highlight-centric release.

Always loved that Hartford '83 Dick's Picks. That Scarlet>Fire Estimated>Eyes is a solid hour of Jerry just rippin' it up. Also a nice Spanish Jam in there.

Love number seven.. I think it's high time I revisit number six. I did always like the energy of that show.

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It’s 11.45 pm in England on a Monday night and I’m enjoying two of my most guilty pleasures- a LARGE gin and tonic and rocking the cradle egypt 78 especially the Ollin>fire .
It’s two bob I know but I love it .

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Gonna save the magical dicks picks vol 7 at the wonderful venue that is the ally pally till tomorrow . Xxx

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To Space Brothers point about the jams on DP 7, Not Fade Away is something special. If I recall correctly, this was a period when they were not playing it much and certainly not for 20 minutes at a time, which I think this is close to. Not to be missed.

I forget which Dave's Picks this is, but the Felt show from December 6th 1971 is really melting my face at the moment. It's the bonus disc show I'm speaking of. I just kind of threw it all together in one folder and put the songs in order that they played them. There's a lot of energy in this show. The audio isn't quite up to the November 15 and 17th shows that have been released, but once you get used to it, they're having a pretty good night. China Rider and Tennessee Jed are pretty hot. The Other One is incredible... if you don't think so, I probably just have it turned up too loud. Even Casey Jones is kicking my ass. Bill the drummer is throwing in these offbeat snare shots, and some drum rolls and wicked fills...... get that man a large gin and tonic.

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11 - 11/17/72
5 - 11/17/73
26 - 11/17/71
32 - 11/??/?? (11/??/72?)
8 - 11/30/80 (not 12/20/69 & 2/2/70)

Thanks Jiminmd for pointing out my error. I guess I got excited about the number pattern forming.

Except that #8 is 11/30/1980.

What does that do to your algorithm, 8/24/85? :D

#6 was Thelma 69 and Fox Theatre 70. I have to revisit that one too.. been too long.

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One of my favorite musical anniversaries thanks to the 30 Trips box.

9/10/91 MSG

This show is a perfect primer as a warm-up for the Giants Stadium box. '91 was actually a great Grateful Dead year.

Road Trips V2N1 '90 MSG and Dick's Picks Vol 9 from 9/16/90 showed how great the Bruce/Vince era could get. Glad to see this line-up get some attention. Maybe not everybodies bag, but I sure love it.

Also still seeking the Road Trips Spectrum '79 download shows. Missed out on that.

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Perhaps Bolo's clues are steering us towards a Southern show from late in a given year. All those shows he/she mentions were performed in the South (okay, so L.A. isn't the "South," but it is quite southerly . . . give me some leeway to run with this . . . ). This leads me to believe that DaP 32 will be . . .
12/18/73--Tampa, with bonus tracks that didn't make it onto DP 1
or
December 1978: I don't know the shows from this Southern swing, but they likely came home with the rest of the Bettys.
or
11/19/72--Houston (but these tapes are probably REALLY lost for good . . . )
or
11/29/80--Gaisdh;gk; jk;jsddddddddd [sounds of scuffling heard briefly, then silence . . . ]

Becoming an alcoholic late in life. Give me Boodles Gin and Fever Tree Indian Tonic water. Very Nice. Keep bottles of it at work. (ticking away the moments that make up a dull day)

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My 45 showed up today (#1815),,, what I haven't got (again) is a link to the digital download. Anyone got a link?

I recall a great 12 min version of He Was A Friend of Mine on a bonus disc from way back when - it might have been a New Year's compilation disc or a Fillmore West bonus - but it's a great version. I always loved that one especially when they stretched it out a bit. Great, early harmonies. Despite the somewhat morbid topic of the tune.

Sixtus

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