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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • bolo24
    Joined:
    I'll see your JRAD...

    ...and raise you this Holly Bowling:

    https://archive.org/details/hb2019-08-07.kpfa-fm.sbd.flac24

    Best thing I've heard all week!

  • Vguy72
    Joined:
    So i found this JRAD show on relisten....

    https://relisten.net/jrad/2019/08/17/cumberland-blues?source=188578
    fast forward to the Cumberland please........it seriously rages.

  • Slow Dog Noodle
    Joined:
    Joplin and Pig

    The American Masters series on PBS was on last night featuring Janis Joplin. I watched nearly all of it, and it was great. Very well edited and lots of interviews, including Bobby, but I was surprised that there was absolutely zero mention of Pigpen, or Janis and Pig's "relationship".

    I was always under the impression that Janis and Pig were pretty close, at least for a little while, but was that not the case? I know the story of the Looks Like Rain lyrics. A bunch of her boyfriends were discussed and interviewed, but it seems like Pig wasn't an important enough part of her life to make it in.

  • stoltzfus
    Joined:
    Veneta 72

    The vetoed morning dew...check out 8 21 72, as something similar happens. Jerry tries MD, but the band wants it to go elsewhere.

  • JimInMD
    Joined:
    Re: Last Two

    Nice post, K.F.

    I know I am in the minority, but that Veneta DS never moved me the way it does others. I sort of get a little bummed when Jerry begins to lean in on Morning Dew near the end and Bobby plays the opening riffs of El Paso over the top that ultimately signals how things went down. I just wonder what could have been on this day if they fell seamlessly into Morning Dew instead of what I think is a bit of a forced transition into El Paso. I do like the PITB and China>Rider from this show very much, however, some of the really top versions of these tunes.

    When I see a four or five paragraph post from you these days.. it provides a mental image of a four or five car fender bender and a major impact on the morning commute somewhere in the Northeast :D. I sort of have this image of you talking into your phone, looking down to make sure it all went down ok when just behind you carnage and chaos erupts while you speed away blissfully unaware that 95 just got shut down in both directions. Sort of a Mr. Magoo meets Hunter S Thompson visual.

    Last five
    10/9/98 Hampton
    10/8/89 Hampton
    Meddle
    Atom Heart Mother
    10/8/89 Hampton
    10/9/89 Hampton

    Had not listened to Hampton in years.. Both great shows, had to relisten plus I was doing some finish work on the trim in my house and these shows somehow helped me focus and not screw anything up.

    Edit: Mr. Magoo meets Hunter S. Thompson - I meant that in the most positive, whimsical way.. I am sure you are careful.

  • KeithFan2112
    Joined:
    LIFE Magazine / Last 2

    Great LIFE magazine reissue from 2015 currently on news stands or eBay (cover has them in photo outtake from Road Trips Vol. 1 No. 1 from 1979, with Phil in the aviator cap and glasses. If you didn't read it in 2015, I highly recommend it for $9.99. Tons of great pictures. Fantastic articles, and I'm only as far as the description of it all coming together with the SF music scene.

    Last two:

    Veneta 8/27/72 - morphed me from 15 show casual Grateful Dead fan to raging Dead Head in April 2014. I hadn't been listening to much Dead that year, but I saw it on the shelf at Barnes & Noble and the hype sticker caught my eye: "At long last! The most requested show in Grateful Dead history" I hadn't heard of it before, but it was from '72, as was Rockin' The Rhein, the show that reeled me in nearly 10 years prior to that fateful day (despite having seen them in '89 & '95). So I bought it. Uhhhh, Bird Song did NOT sound this good on Ladies & Gentlemen or Three From The Vault. And as cool as Rhein's Dark Star was (especially Part II), Veneta was something far superior in my mind; but more to the point, it was altogether different except for the verses. I see how this Dark Star works now.....they improvise around some verses for a half hour. If only they had a dozen more of these on multi-track....
    Dick crapped on this show, but he never heard the Full Norman, so all's forgiven. This one always gets an anniversary play. "Can you turn it up?? For fuck's sake?" Classic Bobby.

    The Mosque 5/25/77 - About two months after picking up Veneta, I'd gotten my filthy hands on every E72 show available on dead.net. Up until then I was very anti-two-track. I had Dick's Picks 16, 18, & 20 from my initial run of shows I bought in the 10 years between Rhein and Veneta. Because of those, I had a hard time adjusting to two-track quality; but in my lust to own the best version of every song the Dead played live, I nabbed Dave's Picks 7 for The Music Never Stopped, which the folks on Heady Version assured me was unparalleled (plus it had Werewolves Of London - how bad could it be).

    By August, just four months after the "Veneta experience" I was a completist at heart and had no desire to listen to anything else than the Dead (this is around the time I signed up here on dead.net and met all of you fine people). I had gotten over the two-track hump and picked up a metric shit-ton of out-of-stock Road Trips and Dave's Picks.

    There was this elusive Dave's Picks Volume 1, however, that was selling for $200+ on eBay. Whoaa, what was that all about?!? So I did some investigation, and by all accounts it was the best thing this side of Cornell (whatever the hell that was). In any case, it was too steep for me at the time, as my bank account was already bleeding out from the previous blows my newly adopted completist mentality had levied upon it. So I offered a guy 35 bucks on eBay to burn me a copy of DaP 1 (this was definitely before I signed up on dead.net). He obliged and I had a copy of this precious commodity, 5/25/77, The Mosque, light sabers clashing on the front cover, the flagship to the Dave's Picks series.

    It sounded perfect to me. I already had the May 1977 box set, the Winterland June 1977 box set, and by this time, copies of all the Dick's Picks '77 shows. The playing was perfect, the mix was perfect, the vocals were perfect, and the harmony vocals were perfect. The show sounded like a studio LP recorded in one take. I hadn't had time to fully absorb the other '77 stuff I mentioned, but I have in the years that have passed, and I really think they got tighter and more precise as May drew on. And Keith stopped playing (was allowed to abandon?) that awful synth-organ that dominates many April shows, up through Cornell (it drives me nuts on the Scarlet/ Fire that has become the standard). It seems to dissipate around St. Paul on 5/11, which is interesting, considering that's the opening show of the original May 1977 box set. I much prefer the acoustic piano and eventually the Yamaha electric that came along in the Autumn (the Fender Rhodes funk was long gone at that point).

    The 5/25 Mosque show has to be heard end-to-end to fully appreciate. This post is long enough, so I'm about done, but the first set is one of the best of '77. The Mississippi Half-Step has a Rio Grandio section so perfectly sung and mixed by Betty; the Jack Straw is up there with McArthur Ct 1/22/78; the Brown-Eyed Women has one of the three best solos I've heard Garcia play on this tune (DP 29 and DaP 12 are also right up there). The Peggy-O is my favorite, and I imagine at least top 3 for most, in the context of post-hiatus Godchaux era versions. The second set is more of the same. Scarlet / Fire, Estimated / He's Gone, Other One / Wharf Rat / Other One / The Wheel. The show ends on a couple tunes I'm not crazy about - Around & Around / Johnny B. Goode. But screw it - it's like that 30 second blurb by McCartney that closes out Abbey Road - just skip it.

  • JimInMD
    Joined:
    Chez Sixtus

    I think the party is about to begin..

    It will go something like this.. but picture deadheads instead of dwarfs.

    https://www.youtube.com/watch?v=lEwfRTvl7Zo

  • bolo24
    Joined:
    Congrats, Sixtus!

    Me and the Mrs. recently ventured down that same path.

    We have lots of really good wine. What time shall we come over?

  • Sixtus_
    Joined:
    The Rec Area

    ...I truly am enjoying this thread, people.

    Speaking of new Rec Areas....nuevo casa de Sixtus in Sudbury, MA has officially 'closed' as of today.
    New Keys In-Hand.
    And, somehow, we actually made some loot on this deal. I'm still stunned by that one.
    Party Planning Commencing.
    Oy Joyous day.

    Happy Long (USA) Holiday Weekend Folks.

    Sixtus

  • wilfredtjones
    Joined:
    Bong Rec Area

    Believe it's near Kenosha. I used to live remotely in the area. Now I'm on the other side of the state and a bit further north. Pretty sure it's Richard J. Bong Rec Area. Named after a WI born Air Force pilot. And yes, I have hit the Bong. Looooong time ago though. :-)

    https://dnr.wi.gov/topic/parks/name/richardbong/

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6 years 7 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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10 years 3 months

In reply to by wilfredtjones

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I like the 1972 versions when Jerry plays pedal steel, and the 1976-78 ones due to Donna's back up vocals. But it has never been a favourite of mine. That honour, for a Bob song, could be Greatest Story-not played that often, and always welcome. There is a great version in the 73 Winterland box-played on the 9th, where they sound to me as though they are going to go into St Stephen in the break. I'm not as keen on Sugar Magnolia as I used to be - and it sure crops up in a lot of shows !

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My mother told me if I don't have anything nice to say, don't say anything at all. Too bad I don't always listen to her.

Whenver "Looks Like Rain" comes on, I skip to the next song. I've heard it enough. It's a horrid, mopey dirge. The rest of the band induldged Bob on this one, perhaps because he did give so many good songs.

I don't believe, correct me if I'm wrong, Dead & Co. has ever played that toilet.

\m/

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Perhaps 11/20/78 is DaP 32? They got the Betty back, but have been listening to the audience in order to make a patch or two? Since the aud was near the top of the pile, they threw it on Sirius?

When LLR is done well, it's blissful . . .

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14 years 11 months
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of listening to a bunch of the box set shows on unofficial CDs

they are really, really good.

I am surprised. my initial reaction to the box announcement was "yeah that's nice", but now I am like "YEAH, that's gonna be cool!"

7/9/89: the jam in NFA is tremendous!
7/10/89: I take it there was a rain shower or two that night...?
6/17/91: winner...winner...winner...

it would actually be irresponsible of me to buy the box, but I am very tempted.

Maybe I'll find $200 on the street today

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17 years 6 months
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I am really looking forward to the '87 show. I might say most simply because of the dearth of 1987 releases. How many have there been, 2?

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I have a love/hate relationship to the song. I love the music/groove but find the lyrics brutal. Obviously, "streetcats making love" is cringe worthy. I'm pretty cynical about feline romance. I always wonder what Jerry thought about those lyrics. He had such impeccable taste, I bet he razzed Bobby about them a time or two. Didn't Barlow himself detest the lyrics? Still I usually love the musical groove of the song, especially in the early 80's. It seems like one of the few songs that really was at its best in the early 80's, along with Cassidy and Bird Song. Jerry seemed to love the ending groove of the song - his playing was usually fresh and original.

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13 years 5 months

In reply to by Gollum

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"I'm pretty cynical about feline romance"

As you should be. Brilliant.

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7 years 7 months
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This is my first box. How do they ship them? Do they box the box or use a padded envelope? Just curious. Thanks.

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9 years 2 months

In reply to by Gollum

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At some point in the past on this site (I don’t know exactly when because it all rolls into one), during a previous discussion about LLR, someone posted that “streetcats making love” refers to Pigpen and Janis.

Don’t know if that is true.

There are some good LLR’s with Donna.

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13 years 5 months

In reply to by carlo13

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First.. congrats.

All of mine have been hand delivered by bicycle messenger. All except one were delivered by a very buff MaryE herself on a 1976 sears bike complete with monkey bars, a banana seat and rainbow colored streamers twirling out from the bar ends. Santa could learn a lot from her work ethic. It's advised to invite her in for cookies and cocoa.

A word of advice though.. Best to have at least £84 on hand just in case yours is delivered by one of the evil UPS lords. :O

....they are usually an art form of their own. I have all my boxes boxes, except the Spring '77. My wife of twenty years used it to mail hand towels to someone. I let her have it for approx two minutes, then realized I was overreacting. Or was I??

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Vguy, feel better about the stack of dead box boxes in my garage after reading your post. And yes, some of them are works of art themselves. I was at the '87 show and I am increasingly eager to get this box. My attitude has gone from an initial feeling of optimistic ambivalence to an exponentially increasing feeling of anticipation, especially after the first listen to the West LA Fadeaway from the '87 show. I have high hopes for sound quality for this box.

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13 years 5 months

In reply to by Charlie3

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E72
FW69
Boxzilla (sans the fucking cost)
Winterland 73
Cornell, May 77 and Winterland 77
PNW 73/4
Spring 90 (both of them)
Warlocks
July 78
Then then the rest

I'm sure I am forgetting something but screw it.. those are my favorites.

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7 years 7 months
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Guys, thanks for the interesting stories on the box art boxes for the box.

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7 years 7 months
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No, you were not overreacting to your wife's use of the box box. Let the darn women get her own box. It's bad enough they prevent us from having our motorcycles, man caves and shotguns. We have to have something of our own. P.S.- I made sure I was writing this in the closet lest she see this, right? Ha!!

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16 years 7 months

In reply to by wilfredtjones

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The delivery boxes while definitely being art in itself, unfortunately are an ad to steal. Anyone who knows what they are and ltd. Has that more reason to steal it

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17 years 6 months
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They should box the box that boxes the box. Put a stealie on it though really small in an inconspicuous place. :-P

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13 years 7 months
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Hey hey!

The boys played Scarlet>Fire at 4 of the 5 shows played TDIGDH (9/13) - 83, 87, 91, and 93. The only one without it is 81, which is a good show (rarely a bad show at the Greek,) but alas, they played the S>F the night before.

Happy Friday, DeadLand! I'm going on a S>F binge!

Peace

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17 years 1 month
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How can it not be a nice day!!! I saw the Landover show in 87!! I just got in the mail this morning the Fall 89 Jerry Garcia Band and Weir/Wasserman Long Island Sound 6 CD shows. Garcia website had it on sale a few weeks back so I ordered it. I can't remember why I didn't buy it when it first came out... bob t

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10 years 1 month

In reply to by Thats_Otis

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I totally agree the Box Boxes are a true art form.
Whoever suggested a box for the Box box is on to something.

When I bought an Alvarez 50th anniversary GD acoustic guitar, it too came is a beautiful box! I've definitely held on to some of these over time, but having just moved and landed in a cavernous alien lair, who knows where these box Boxes ended up.

There's gotta be a Dr. Seuss poem or wordplay out there somewhere about a Box of box boxes or the like.
Can any one say 'Russian Nesting Dolls'?

Happy Friday Deadfreaks.

Sixtus

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In reply to by JimInMD

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The ones that have increased most in value on ebay.

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9 years 3 months
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...or are there others reading these comments about boxes and wives with a head full of double entendres?

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14 years 10 months
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I was guilty of hanging on to all the boxes' boxes, but recently allowed them to be recycled. Got some new Magnepan speakers this spring, but hung on to those boxes as well, even though I would just drive the speakers up to the factory if there were a problem; I've purchased all my Magnepans directly from the factory. So the Maggie boxes went to recycling as well. :(

VGuy, how's the new Onkyo working? I propel my Maggies with a 25-year old Onkyo receiver/amp. That thing has been a great workhorse. Great value.

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14 years 11 months

In reply to by Deadheadbrewer

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Two Tickets to Paradise
Baby Hold On To Me

memories

y'all be cool, Eddie. RIP.

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17 years 6 months
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Hotter than I remembered...

Had RT stuck around, maybe we'd have seen more from '93.

Nice separation on the recording. Perhaps a series revival is in order? :-)

Happy Friday, folks...

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Yeah it was a big deal for those of us old enough to remember. The street cats didn't take kindly to having their sacred ritual compared to animals fighting. Lotta violence, in the alleys, especially after the house cats started heckling them from their window sills.

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13 years 5 months

In reply to by Dark-Star

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Haa.. "heckling from the window sill"

And to this day, the street cats are plotting revenge against the house cat aristocracy.

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14 years 11 months
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Great stuff is on the way, folks

Excellent work Dave and Co.

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17 years 6 months

In reply to by stoltzfus

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Sooooo, would that be Hampton?, the Rocks, perhaps the Greek or Frost??

Edit: or whatabout Gainesville?

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14 years 11 months
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4 13 85

Check it out, youll be glad u did

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14 years 11 months

In reply to by stoltzfus

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1 14 79

Ifn theyd pro-taped those early 79s....

Some classic GD

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Giving it a listen on its 45 anniversary.. first 5 songs are audience before the board kicks in. I remember reading someplace how Bill talked about how good this show sounded, (maybe during Winterland 74 shows.) It's one of those shows lacking a big big jam for that year. No Playing in the Band either. I usually go from Alexandria Palace shows right to Dijon 9/18/74.... Just wanted to see if I am missing something. At the point in Scarlet where it kicks from Audience to Board. hmmm this is going to be fun!! Have a good weekend everyone, Bob t

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Okay, so it's not morning.......but the point is Forensic Doc sends his regards (and I dare say listen to more '71!) He mentioned the 10/29/71 show was a winner (Cleveland). I immediately downloaded it, grabbed some album art work from the Dead and Co page, and planted that bad boy on my phone. Audio is good, performance is great and gets stronger as the show goes on. The Other One is red hot. Brokedown Palace is stunning. Great stuff. Keith is in his pre-grand piano days, so you get that sharp sounding barrel house rock 'n roll edginess of the stand-up pie-anner.

Bobby T, I don't know that 9/14/74 show at all. Sounds like I need to investigate. I was just emailing my Uncle Gary last night, marvelling at how good the Dark Star is from 2/22/74 (DaP 12 I think - Skeleton Skaters). Here Comes Sunshine from the next night is also fantastic - possibly my new all time favorite (and the audio of the soundboard is almost release quality). So yeah, I've been into the '74 cookie jar as well and look forward to your 9/14 recommendation.

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This is the finest sounding listening party I've ever heard here. These tracks sound amazing. I can't wait for this box.

Last five:

Origin Suite - Michael Waldrop
Moanin' - Art Blakey & The Jazz Messengers
Live In Studio - Gerry Gibbs Thrasher Dream Trio
Paris, Texas (soundtrack) - Ry Cooder
Time Out - The Dave Brubeck Quartet

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Ok I try to be a positive voice when it comes to the Dead. Listen to Wharf Rat, Sugar Magnolia and Eyes of the World OMSN for the most enjoyable part of the show... Not to date myself but do you remember when you forgot to pop the tops of the cassette tape off so you couldn't accidentally tape over?? This was back in the 1980's.. That is what the sound board part of the show sounds like, until Wharf Rat... Bobby messes up lyrics early in Truckin.. Two big skips in Weather Report Suite.. Sorry I tried... bob t

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https://youtu.be/qz9OAVExL2g
....Fire On The Mountain. Chick magnet, this guy.
I remember popping tabs bob, and not just on cassettes. Shit. I just dated myself!

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And "Doc" indirectly it sounds. I am enjoying 10/29/71 this morning with coffee on the porch. Happy to hear you're in touch with forensicdoc. That man has some Dead knowledge! Here is the link if anyone is interested https://archive.org/details/gd71-10-29.sbd.miller.24999.sbeok.shnf

The listening party does sound clean! Does it drive anyone else nuts to hear the late era Bird Songs and NOT hear Weir playing his guitar part on the main melody??? In the seventies he and Jerry would play pretty much the exact same melody on top of each other, except for the last note. Jerry would go down a note and Bobby would go up one (I don't know if "note" is the right word, maybe it's octave or chord). I never hear Weir play his part on the 80s versions and it's like ending a song on an unexpected chord. My brain feels unresolved!

I finally took the plunge on the July 1978 box set. Now that I've ripped Bobby about Bird Song, I'm going to end on a good note by saying two of his long songs from this period sound even better than 1977. The Music Never Stopped and Estimated Prophet. They have much longer jams in them on these July '78 shows. I guess I should say they're better than the spring 1977 shows. I can't speak for autumn 1977 because I can't really recall. These are some of the most enjoyable renditions of the songs I've heard though.

There has been a lot of talk about a 1972 box set. What are the 10 best unreleased shows of the 2nd half? I'm only familiar with the Berkeleys and the Stanley theaters. They would be on my list, unless there is better. I hear about Austn a lot, but the sound board recording is too shabby for my ears.

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Cool avatar name, probably my favorite Stones record. Took me some time to understand it, but one day it all clicked.

Your Bird Song comment caught my interest, because I recalled that Jerry, not Bobby, was the one who played higher on the 1972 /1973 performances (on the second part of that melodic line only; the opposite is true of the first part of the line). I only know this because I frequently listen on headphones and it's one of my top 4 or 5 favorite Dead songs.

I just tuned into the listing party version from 7/10/89, and I noticed a couple of things. First, Jerry is going low on that second part, instead of Bobby. So right off the bat, that is different from how he used to play it. And you're right, Bobby is not picking away at the same main Bird Song Melody along with Jerry. Bobby seems to be hitting some chords if he's playing during that part at all.

The second thing is, it sounds like there are two keyboard players, but I Googled a list of shows with Bruce Hornsby, and he's not listed as playing with the Dead on 7/10/89. I don't know what's going on with that. Maybe the list I Google just Incorrect and Hornsby is onstage? But the bottom line is as you said, Bobby is not playing that line, and nobody is hitting that high note that ends the second line of the melody.

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10 years 3 months

In reply to by KeithFan2112

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I read an obituary for the great photographer Robert Frank this morning. His photographs grace the cover of Exile On Main Street. A great artist of many years standing, mainly known for his seminal book of photographs, called simply "The Americans." He also worked with Jack Kerouac, and shot the infamous Stones film "Cocksucker Blues" on their 1972 tour of America.

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In reply to by Vguy72

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BobT: “reach for the gold ring, it just slips away, but......”
Vguy: that video made my day!

Edit: so when you date yourself, does that include dinner?

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In reply to by Oroborous

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....today I learned there is an annual Grateful Dead festival in Japan.
https://youtu.be/Jyl3hL-4BsE
....I would go.
edit. Went and saw Iron Maiden Friday night. Impressive setlist and production. They still bring it. If you told me in 1982 that they would still be relevant and sell out the MGM Grand Garden Arena 37 years later, I told have asked to have some of what you were smoking. One of my first musical loves.
Got a whopping three hours of sleep before work the next day, but worth it. 🤘

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Except you would see people standing around with a finger in the air saying "Watashi wa kiseki ga hitsuyo"!!!!!

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Japan deserves a D&C tour.

The FTW Box has crowd video before one of the shows and there is an old Japanese Head who says he flew in from Japan and didn’t have a ticket. That’s Deadication, hope he got in for at least one night.

Bobby and the Valentines
8-27-94 Japan

https://youtu.be/oD3fEr7Xd0M

D&C really should do a Japan, Australia, NZ, Hawaii tour for the GD fans on that part of the globe.
A European tour too, can’t leave them out.

Anyway, speaking of rock n roll in Japan.

Cheap Trick at Budokan!!!!!!

Without that album Cheap Trick may not have been mentioned in Fast Times At Ridgemont High.

Spicoli.

Take that Vguy.

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17 years 5 months

In reply to by Vguy72

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....I learned that Ric Ocasek passed today at the age of 75. Time to play some Cars. I don't believe in coincidences. Or do I?

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Ric Ocasek. Well I hope that saying it happens in 3 stops here. Cars had some good tunes.
R.I.P. Mr Ocasek......

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