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    Anusha
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    Joined:

    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
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    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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6 years 9 months
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Switching gears a bit here...

I know '76 is a hit or miss year for a lot of Heads, but after a short Hendrix marathon yesterday, I decided to spin Dick's 33 for the first time in a long while.

Reminded me how much I loved that release when it first came out. Lots of great stuff in both shows.

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You're welcome Exile. It was an interesting listening experience.

Skulltrip. I also popped on a '76 show a half hour ago with DaP 28. Cousins of.....avatar guy once pointed out how good Scarlet Begonias could get during the 2nd half jam in '76, before FOTM was attached to it. DP 33 is a steller example.

I am here to say - the between song banter on DaP 28 is so loud and funny. Maybe need headphonea

Dave's 28 is actually one of my favorite recent releases, KeithFan. It's gotten a lot of spin since it arrived in my mailbox.

And agreed on those '76 Scarlet Begonias. The '74s used to be my favorite stand alone versions for the longest time (Dave's 9 immediately comes to mind), but the ones from '76 definitely have a specific vibe that I've come to really dig.

Skulltrip and Keithfan,
76 is great stuff. Haven't come across a bad release yet. Some are better than others as far as sound quality is concerned. Dick's 33 is one of the best.

No shipping notice for me yet😭.
For those that have received them, what is the expected arrival date?

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My notice had a tracking number link for UPS and that indicated an expected delivery date of Monday 9/23.

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10 years 3 months
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I had less than an hour left at work and decided it has been a while since I listened to Dave's Picks Volume 9. Cranked it through my headphones and had enough time for the first five songs. The last song I listened to before walking out the door was Scarlet Begonias from DaP 9. Then I read your post in the parking lot and now I'm replying at the gas station (no more posting and driving for me :D

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14 years 9 months

In reply to by stoltzfus

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7 13 89 second set opens with hes gone
"Steal your face right off your head"
As those lyrics happen i see

What else

A syf sticker on the car ahead

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6 years 10 months

In reply to by KeithFan2112

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Nice, KeithFan! I love when the big generator makes those synaptic connections. What my uncle used to call a "cosmic coincidence".

Dave's 9 is one of my fave and most played picks, and that particular Scarlet Begonias always gets me grinning. Everything about it hits my ear right in the sweet spot.

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5 years 3 months
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Golly-- the Release Date is tomorrow and mine hasn't even shipped yet. Lame. Has anyone else gotten Shipping notices?

No tracking # included in the email.
It says ‘Tracking Number’, but it was blank where there was supposed to be a number.

Guess its arrival date will be a surprise.

Fingers crossed for this weekend.

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14 years 10 months
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No tracking number this time around? Was it shipped UPS or USPS? Are we all praying to the gods, old and new, that this thing makes it to our front doors? Here's hoping all these box sets find their way home.

Received mine as well this morning. Same deal as others with no tracking.
I guess they are going with let's hope it gets there theory. I believe Charlie received some tracking information.
Strange way to run a business in 2019.

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8 years 7 months
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I got my shipping notification late on Tuesday and it did come with tracking info from UPS. It's saying it'll get here on Monday the 23rd after originally quoting me Friday the 20th. Understandable, given I'm in Houston and we're getting some flooding this week.

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I think one of the next two Dave's Picks is going to be from Autumn 72. Maybe one of the Boston Music Hall shows from September 15th or 16th. I was just listening to the sound board of a Bird Song from the 16th and it is so so good. Any other Keith fans out there are going to enjoy the piano work he was doing on that one . It's a little low in the mix but you can definitely hear him working . The other show has a good Dark Star => Brokedown Palace (it appeared on 30 days of Dead a couple of years ago. While I would like to see it cap off 2019, I could also see him using it as the poster child for the 2020 Dave's Picks subscription. Can somebody please end this 1972 drought for fuck's sake. Give us Dark Stars. That's really the dream box set for me. Give me a 20 show box set where every show has a Dark Star. " the Dark Star Constellation". If Warner Brothers wants to put me under contract for 5 years to go marketing, I'll follow dead and Company and double the DaP subscription rate and box set production numbers. $200K a year + travel expenses and conjugal visits.

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17 years 4 months

In reply to by KeithFan2112

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....I got one. Box left Indianapolis. Slated for Monday delivery. 🤞

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9 years 6 months
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The latest 45 came the same way no tracking, and it was delivered by usps. So assumed smartpost.

UPS says I have a package coming tomorrow from WEA D2C Distribution.

Good thing that UPS knows the tracking number.

I highly recommend signing up for a UPS My Choice account. They will email you whenever they receive a tracking number going to your address. You can then watch the progress using the app.

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8 years

In reply to by icecrmcnkd

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Thanks for the information on the UPS my choice cone kid. Really cool, love the technology there. Low and behold mine is scheduled for tomorrow! Sweet!
Thank you!
Excited now.

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12 years

In reply to by Vguy72

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>>> This weed I stumbled upon recently is almost too hard to handle. Almost.

I think Jerry sings a song about that,,,,

"This is the bone that killed Bob Marley,,, won't kill me"

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Thought of you last night.

Caught a few minutes of a Johnny Knoxville movie last night (I don't usually watch Johnny), call the Ringer. He was looking to enter the special Olympics to raise money and he's being pushed by his uncle to do it. And he was Uncle Gary! Is your Gary the kind of guy who'd enter the special Olympics?

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THEY tell me tomorrow by 4,,, only have word on the box,,,, not the LP's

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15 years 1 month
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No shipping notification yet. Checked my order on dead.net and it tells me it hasn’t shipped yet. Let’s hope this means it is being dispatched correctly to the UK and I might see it in three weeks or so with no extra freight charges. I notice my DaP 2019 subscription says #32 is released on 1st November so only a few weeks to go.

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I recently chatted with a CS rep and said we need a Fall 72 box, her response was that they are saving 72 for the Dave's Picks series, whether that will be next we'll see?.. ;)

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17 years 5 months
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Currently, my box is parked 35 miles Northeast of Bong. Delivery set for 9/20. :-)

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7 years 6 months
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I also agree that this monster show is killer. The 'Here comes sunshine' and 'eyes' shine. Most key songs are a generous length in sweet time. Can't wait for the giants box. 4/2/73 sat in limbo till a few comments made me whip it out. Peace.

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10 years 3 months
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Damn google voice translator.

Dennis would you believe i have an uncle dennis as well. He shipped me my Grateful Dead starter kit, with copies of Ladies & Gentlemen, Nassau, Dozin' and....what was the 4th one...anyway.

Moses Quasar - funny you mentioned saving the '72 shows for Dave's Picks, because I was mulling over where they might make the most money on the '72 shows. Tough to say. On the one hand those shows would be a great way to sell Dave's subscriptions, but on the other hand they could make a hefty bundle of cash on a box set. I think they need to strike while the iron's hot. I would venture to say demand for 1972 will never be higher than it is right now. It does stand to lose it's high stock price over time though, as Dead & Co won't last forever (definitely helps sales), and we ain't all getting younger.

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I also revisited 4/2/73 after seeing the comments here the last couple of days, and it did not disappoint. Great sound and a smoking show throughout. As noted, the Eyes is pretty stellar.

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In reply to by KeithFan2112

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Like a fine wine in a vintage year.. these shows will likely cellar well for decades to come and do nothing but increase in value. Love them as I do, D&C is a mere thin and fizzy champagne in comparison.

Who knows what will become of all the 72 shows, when and how they will get released and I suspect not all are in the vault just yet. There appears to be shows that do circulate as glorious soundboards that Dave has not been able to get his grubby little paws on just yet.

I am also suspect that a customer service rep would give out details like this without them getting leaked to the real insiders.. but this is all speculation. I don't think this really gives us anything to go on.

One way to look at things from this point forward is.. when they break it all down, box sets vs. special releases vs. Dave's Picks all sell for about the same price per disc (give or take). This most recent box set is slated to sell 16k copies and it spans 87 through 91. The last box set will one day sell 15k copies. Dave's Picks is easily selling 20k copies and if they have to string us along with the occasional kind 1972 Normanized nugget, I'd call it pretty savvy marketing.

Either way, the business model is the same. They are spreading out the really good shows and in order to buy them, you have to get a box with a few crème de la crème with a few surrounding shows mixed in. The same with Dave's Picks. If you want the releases, they are going to temper the great with the other releasable shows that many people like and are still in high demand, yet not quite anthems.

That's all good with me. $100 a year plus a box and a vinyl disc or two.

As far as 1972, there are many in the fall that qualify as stupendous 5 star shows. My wish list is an October Fox Theatre box followed one week later by the rest of the August BCT shows in a box save the rest as tent poles to the Dave's Picks series. Vault crack, I know.. but hey I guy can dream, right?

I would settle with a 1972 Dave's Picks 32. That would be grand.

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So we started at 12,000 and now we are at 20,000 a year. How do you make it jump to 21,000 or 22,000 for 2020...... Release a well known show to start the subscription process ..It won't be anything with the Allman Brothers either, because the potential as a stand alone release is much higher. 6/14/76 Beacon Theatre is a good example to start 2020 with or a 2/15/73 Dane County... . Hofheinz Pavilion 11/19/72. Something along those lines to make us all crazy. The fourth show for 2019 when you already close to being sold out, while I hope it is a 1972 show ,is more likely to be a one off show that is awesome but not talked about.... Sorry over served... bob t

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10 years 11 months
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No shipping notice. I called Customer Service they said order WAS CANCELLED!!! I check with my bank the full amount was withdrawn from my account on 8/5. Customer service said I was never charged and I have to dispute it by emailing a screen shot of my account to them. SOOOO They charged me, I have to prove it to them. Still haven't got my order and now the Blu-Ray appears to be unavailable. I'm beyond upset. Every release is a nightmare with this organization...

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7 years 6 months
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Giants blu-ray box sold out just before reaching mailboxes. Wow.

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7 years 6 months
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That blows. Did you pay by paypal? This is the best way for future payments.

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13 years 4 months

In reply to by carlo13

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Wow is right.

Doesn't surprise me that much.. hundreds of thousands of people were at these shows.

Garbage? I think not.

PM MaryE or Email Dr. Rhino. I bet they can get it straightened out. Consider buying the DVD perhaps, that will sell out in short order too at this point, especially once people get their first listens and some decide it in fact kicks ass.

I know I just wrote highly of 1972, and meant it.. but there was something in the water in the some of the later years, especially 89 (and 91). I just got of an 80's bender of sorts and it was remarkably refreshing.

Come on in boys.. the water is fine.
https://www.youtube.com/watch?v=SBjWHBHlvAs

Did you receive an email with an order confirmation #?

Just to be safe when I place orders I also save as pdf a copy of the order confirm page.

I just added a Blu-ray Box to my cart and it didn’t say sold out.

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"D&C is a mere thin and fizzy champagne in comparison." Aptly stated!

No Doubt. I told myself I would never waste my time on them unless somebody offered me a free ticket. I'm going for the third time at the Garden in a couple of months. As my cousin said (and this is the same guy who showed up from Buffalo at my front door unannounced on July 7th 1989 with a JFK ticket for me), " there's no way we're going to get rained out of this one". If you recall I went with him to the Camden New Jersey show and got rained out two songs into the second set. I bitched about it here for a couple of posts and then moved on.

I agree, the 72 shows age like fine wine. I was just thinking that there won't be as many fine wine connoisseurs in demand of these shows in another five years. Doesn't mean the wines getting any worse, just means the demand for it getting less. I hope I'm right and that Pinkus and Lemieux are thinking along those lines, only because I'm selfish and I want them released as soon.

I've been enjoying the live stuff from January of 69 that was released with the anniversary edition of Aoxomoxoa. Clementine, Alligator, New Potato Caboose. There are many factors of course, but the difference in sounds from eta to era Thai in so largely to Jerry's guitar and rig. I absolutely love the Gibson SG. All the great players were using it in 69 & 70: Garcia, Townshend, Mick Taylor, Hendrix.....and later Angus Young. They're the guys I'm most familiar with, I'm sure they were other greats who used it. I was at a store called Woodstock, coincidentally on the anniversary back in August. They had a band playing on the front lawn, and the guitar player was using none other than the classic Gibson SG. I was ten feet from him and took several pictures, as I've never been that close to one that wasn't behind glass.

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13 years 4 months

In reply to by KeithFan2112

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I knew that comment would come back and bite me.

Don't get me wrong, I love what D&C are doing and really enjoy seeing them. They are on to something.. but 72 has some of the better moments the band ever did. I meant this as more praise for 72 than a detraction for what's going on now.

Besides.. I like champagne, just not as much as a good vintage Bordeaux or Burgundy.

If that makes sense. I do have a strong respect for what the boys are doing now and am so appreciative and grateful they are still out there doing it. Wish ticket prices were a bit lower, I like to be in the pit.

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In reply to by JimInMD

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GD72 is the Sun
D&C is Pluto

part of the same system, each with its charms

GD72 is the POWERHOUSE
D&C is interesting

only 8 years old in 72, so I didn't attend shows that year
55 years old at 1st D&C show this past June. It was nice.

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Blu Ray Limited Edition # 590 of !0,000. Looks great, Playing the 87 concert right now.

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when I got home today, and it is very nice. What a nice little package, all box sets should be this size. Glad I did not not order. Can't wait to dive into this baby, 91 is one of my favorite years and with Bruce, that makes it a seven man band. gimme, gimme, gimme, slobber>drool. Got the entire weekend to relish this beauty, ahhhhh, I wonder what the poor people are doing this fine day. I think I will sit back and crack a cold one and roll up a big fatty and enjoy this flashback. To compare D&C to the Grateful Dead is just.....wrong. After I listen to this a few times, I will report my findings.

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I love these buy n forget, no stress Grateful Dead gems that are announced with a faint knock by U.P.S. Ground. If my music was on I may have missed the single knock or was it the sound of the 12x8x3.5 box hitting the ground and bottom of door. I was one of the "No Tracking Numbers" recieved this time too. After a brief review of the contents I must say, if all the disc play glitch-free "This box may be the most UserFriendly offered to us yet".

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258 still available as of a couple minutes ago

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I enjoyed your post, no hauntings here. Upon review of what I wrote, I probably didn't express my sentiment too clearly. I was conjecturing that the popularity of Dead & Co was helping overall Vault recording sales, including the vintage 1972.

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