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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
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    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Jerry clearly sings “to heal my soul” on 10/1/94. So much emotion and it felt like Garcia was providing a little foreshadowing for us all in that version. Always loved that song.

Vguy - I am on board with the NHL. Watching the Caps/Blues now. How classy are the Blues and specifically, Colton Parayko? First they fly Laila Anderson to Boston and bring her on the ice after winning the Cup so she can hold it. Then they just gave her a Stanley Cup ring. Great stuff.

Box set ranking. That’s an easy one. What would I do if I woke up to find the house on fire. With one hand I grab E72 while the other grabs FW69.

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In reply to by Angry Jack Straw

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....I don't have E72. Came out when $ was tight. Piecing it together though. Don't have FW69 either. I do have the comp. Dodged my radar. Other than those, I'm in.
Question. Do all the other boxes equate to those two? I'm talking formulas here.
I 💜 the skating sport
Spotify took me to Poi Dog Pondering yesterday. Pretty cool. Thoughts?

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11 years 3 months

In reply to by Angry Jack Straw

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Did you see that they gave Laila the ring too?
Total class.

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17 years 4 months

In reply to by jrf68@hotmail.com

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....and I wholeheartedly agree.
VGK up 3-1.

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8 years

In reply to by Vguy72

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Okay, Angry Jack Straw, house on fire, I grab both Spring 1990 box sets and Winterland 77 in my pants! I lived the mid eighties to 90 with this unbelievable band. 77 because of course it so damn good. All three still in regular rotation for me.
Dave's 32 should be announced in the next couple of weeks.

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talked about merging mind left body with dark star. you talked about this about other songs. sometimes the surprise into can be WOW. I assume though you keep the originals intact and clearly mark your mock up as not to pollute the music stream, right? :-)

I've seen you, others, myself, talk about the terrible, life changing affliction of being a completists. I was riding to work the other and day and thought about my long standing and long costly completist act. We used to call them alimony payments because they never go away. Yes,,,, it's the Snap-On Man,,, the Matco Man,,, the Mac Man. They roll in weekly and sell you the tool you need. 20 years in the fuckin business, 75 screw drivers in the draw, but, this is the NEW one, the one a 1/4" short so it fits between part a and b and car c. Oh yes, this is the one! Just 5 bucks a week and you can own that 1/2" air gun. Sure you've been buying a while I'll trust you for 10 a week. Next thing you know you spending 5G's a year and you're able to push around 60k worth of tools! Talk about completist talk,,, simple thing like a 10mm,,,,, 1/4 and 38 drive deep and shallow, 10mm combination wrench, short, regular, long. Box wrench, short,regular, long in both regular and deep offset. Ratchet box. See what I mean. And, oh god, they leave a toy catalog with you. You sit at night with the tv running showing the wife the newest tool made, though, she doesn't seem thrill with the idea. In fact the first year at the accountant when I produced 5,000 bucks worth of tool receipts she seem to surprised! Go figure.

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7 years 6 months
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It is funny how you mentioned grabbing boxes of dead in a fire. I have a fire plan in play myself. First the dog then Daps on top of dog then giants box on top of Daps then dead dvds on top of that then criterion movies on top of that, then go outside to sidewalk, then back in to ask girlfriend if I left anything behind then back out the door to watch my prize possesions. It so simple.

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13 years 4 months

In reply to by carlo13

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I have talked about this in my house. E72 and FW69 including the Bonus D.

Too funny..

I now have this visual of Deadvikes rescuing all the box sets mentioned, tossing the last one out the door to safety just as full scale combustion envelops him ala the burning guy on the cover of Wish You Were Here.

"...Deadvikes will be dearly missed. He is survived by his loving wife, his six children all named Charlie Miller, IKO his dog, Ripple his cat and all 16 of his Grateful Dead Box Sets. May he rest in peace."

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Right! We are now ready and waiting for disaster.

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I keep all my dead sets in a wood armoire next to two large windows in the dining room. That way if a fire happens I can use my adrenaline (a la mom whose baby is trapped under a car) to lift the entire thing and pitch it through a choice of one of the windows (I like options). The damage to inside contents though present would hopefully be minimal...it is on the first floor after all. Dog passed away from lymphatic cancer last May so luckily my only concern is gone...the wife has long legs and is nimble, she'll be fine on her own.

Although the vintage 1970s Mutron and other Jerry pedals I have in my rig would need to be collected as well. Damn, maybe my fire plan isn't all there!?

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Labrador retrievers are strong as hell. They're easy to train, they're fearless and they are loyal to a fault.

Yes Dennis I keep the originals intact. The album in its original form gets put into a digital folder with the file names of the songs numbered in the order of the concert (the audio tags don't actually have the numbers on them, so the song name looks normal when it pops up on my digital player). Have even gone so far as to rearrange the order of the songs if they were placed out of order just to sit on the CDs. I like my song orders to go exactly the way the concert flowed. 30 Trips 1973 had some stuff out of order that I fixed by renumbering them. Then I simply put any special edits in the same folder with no number in front of them at all. This puts them at the end of the list because the list goes in alpha-numerical order and numbers come first. So that's a long answer because I'm a babler. The short answer is I keep the shit intact as it should be. I even take it a step further and I separate each show into its own folder. So something like Dick's Picks 33 is in two different folders one for each show and I've manipulated the artwork so that they read part 1 and part 2, so that if you're scrolling through my list of shows, it looks like they are two separate releases.

Deadvikes can I assume you don't have Europe 72? Or you're leaving that one to burn?

Europe 72 obviously is the first one I'm grabbing followed closely behind by Winterland 1973. The rest are stored in a suitcase with a strong rope toy attached to the handle. My black lab Dexter is trained to pull the suitcase by the rope toy on command. No show left behind.

Good thinking with the Dog.
I don't have the E72 box. Couldn't do it in 2011, diapers and daycare ate up a lot money. I have picked up 5 individual shows. Hope to pick up the box some day, but the prices keep going up on eBay. Hard to find one less than $1200.

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....I’m not selling anything. This Art Boxsets forsale are being sold by a friend of mine in San Fran! ;) this are Official Stanley Mouse ArtWork. Just friends helping friends, have a grateful day everyone. Peace be with you all ! 🙏❤️💀🌹

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All my music is in a storage facility, temperature controlled & fire proof except for a few CDs I keep at home for some music therapy time. I rotate from my collection every month or two ...keeps me mapped & grateful ! 🙏❤️😎💀🌹

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17 years 5 months

In reply to by Lovemygirl

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.....first thing I grad is my backup hard drive with all the boxes I have on it!
Now if only I had a dexter for all the hard copies 😃

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Hurry, hurry, hurry. Available for a limited time the Rock-it Vault will solve all of your fire and disaster music preservation needs! The Rock-it Vault (patent pending) is a secure vault constructed of space age alloys and Space-X technology. In the event of fire or other natural disaster your custom made Rock-it Vault will self seal and convert to a multi-stage rocket, launching your precious musical cargo into geosynchronous orbit, where it will remain for the duration of the disaster. Once the disaster is over, simply send the signal to your Rock-it Vault and it will return from orbit to preset coordinates for retrieval of your precious music. Act now, only a limited number will be available and once they're gone, they are gone for good. Isn't your music worth it?

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13 years 4 months

In reply to by Charlie3

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This could come in handy during divorce proceedings providing it can orbit until settlement without interference. The last divorce in my circle ended with the E72 box being split, she got all the Dark Star shows and he got all The Other One shows. Bickershaw had to be ripped in half.

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In reply to by JimInMD

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I know DL said there were issues with the other shows in the vault, but what do you all think about the 92-95 shows? How were they? Any of them worth revisiting? (For what it's worth, I'm a big fan of spring and summer '93. I've also listened to some great shows from summer '92 and '94, though recognize these are more hit or miss.)

6/14/92
6/15/92
6/5/93
6/6/93
8/3/94
8/4/94
6/18/95
6/19/95

as someone who was there, trust me they are not worth it. Great memories...but not really worth the effort to re-listen

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9 years 7 months

In reply to by 80sfan

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Well, I caved. After saying I wasn't going to get it, I got it.

My lord was I mistaken. These are amazing shows - well played, great sound, etc. The band sounds like they are truly having fun. Can't believe I was ever on the fence about these.

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10 years 7 months

In reply to by 80sfan

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Will Power, why is he never there when you need him? My Boxset is still processing Yawn!

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Just started with Cleveland Convention Center 12/6/73... Bonus disc from Denver Coliseum Road Trips show........ So good, listening to China>Rider, must remember to protect speakers at end of I know you Rider!!! Always look forward to the 46 minute Dark Star..... After I think i am going to listen to the 12/12/73 Omni show, I think would be a great Dave's picks or the other Curtis Hixon show 12/18/73 (was on Sirius the other day at noon).....Fall is here in Rhode Island today 54 degrees right now!!! Bob t........... P.S. never thought about a fire plan for my collection but now worried!!!

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In reply to by bob t

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...that's a really, really good one. And for whatever reason, that China > Rider ranks up there with my all-time favorites. I think it's the way that Jerry hits some lovely bendy notes during the transition, then the Feeling Groovy portion is just expertly executed all the way through. A true gem. That Dark Star is nothing to scoff at either, clocking in at almost 45 mins. The Eyes & HCS are sweet too.

https://archive.org/details/gd1973-12-06.147505.sbd.pc.miller.flac1644

Sixtus

P.S. sign me up for Rock-It Vault Please. And why not go a step furthur, and do like Charlie and the Great Glass Elevator, and just have personal escape pods that do the same thing during such catastrophic events. Space Party? I actually read an article a week or two ago about some scientists purporting to actually propose such a thing; nano-wires that could serve as elevators to space and geosynchronous orbit. RAD.

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In reply to by Sixtus_

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Ha.. was just messing around with this last night. Spectacular little ditty. I didn't make it past Rider, it was late..

This show came up recently on an side discussion with a regular poster here.. you know who you are!! What a small world.

I was also thinking of the all the fall 73 shows when AJS brought up 11/17 Pauley Pavilion. ..thinking what a good tour it was, specifically 10/19/73 and 12/18/73. Similar minds I guess.

Edit/Add:
While we are side-tripping on the Willy Wonka theme.. I want Wanka Vision that turns any CD / LP into a three dimension five senses overload. Hey.. who dosed the chocolate river? Bad Umpah Lumpah, Bad!!

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I've just found out that Larry Wallis died on 19th September. He was the first guitarist with Motorhead, and appeared on their first album, No Parole. But to me, his greatest contribution to British culture was as one of the almighty Pink Fairies, writing, singing and playing lead guitar on their third album Kings of Oblivion. Opening track, City Kids, was later covered by Motorhead.

Pink Fairies were one of the seminal underground bands of the early 70s in Britain. In fact, they used two drummers, partly as a result of seeing The Dead in 1969. But they sound nothing like The Dead, I have to say.

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I would say "ththththththaaaaaaaaaaaannnnnnnnnnkkkkkkkkkksssssssss, mmmmmmaaaaannnn"!!!!!

60s band the Seeds have a song called Chocolate River

"your mouth is a chocolate river..."

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In reply to by daverock

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I hadn't hear of Larry Wallis before

a raise of the proverbial glass to you, Larry

This as I listen to Motorhead's "Bastards"

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My two Europe 72 and 30 Trips Around the Sun.

Top 5 China Riders

Road Trips 2011 Bonus Disc
DaP 13
DP 12
Road Trips WoS
Sunshine Daydream

I think Dave's Picks 28 was lost in the shuffle. This is a fine show with great sound. Anyone listen to this Slipknot? Holy smokes. Unexplainable that this recording sounds so good and the show that they picked for 1976 on the 30 Trips box set sounds so bad. Was their real tape recorder in the shop or something?

I checked out that Stanley Mouse artwork link LMG. Looks kind of cool. I don't understand the part about you making a phone call to get whoever to sell them. Can you retell that story.

The Warlocks Box set is now available in Alac on this site for $19.99!
Great deal if you don't have this.
I wonder what else might show up in digital on this site, could be pretty cool if they put up some other older box sets.
I have a couple of the download series releases and love the music, but the pauses between songs are awful.

I agree with your take on Hendrix and as I said I'm getting it. I just wish they had gone complete and released the soundcheck and aborted concert in late January.
Btw have you seen the ad for the 1 time showing of Experience @RAH in the theaters. Leads me to suspect they might finally release the movie. I got a VHS back in the day but it was pulled from the market in maybe 4 weeks.
Even if they can clean it up don't expect much in the way of video quality. Not real good but of course worth having
Now back to my 2nd love FZ

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Just noticed they put up the Warlocks shows on digital for $20 and of course I just bought this boxset off Ebay a few weeks ago for $200 after wanting it forever. Just my luck, lol.

Having said the above, I hope this is a new trend and they will put up other limited edition long gone boxsets that never saw a digital option. I still need the Filmore 69 box and Winterland 77 as well. Would be thrilled to see those released on digital!

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I'm Space Ace, of course I'll take a rockit vault. Does the labrador retriever get lauched with it? Haha, I have a lab, you can train them to do some things I will testify.

Those Stanley Mouse art kits are way overpriced. Probably fake too.

I would take GSTL and Fillmore West 1969. I don't have any of the big sets, too much cash.

Funny you mentioned Bickershaw Jim I have it playing at the moment. I don't get all the noise they make on some of these Other Ones. I could have sworn I heard Weir say Garcia's guitar sounds like an elephant.

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I can not get enough of this peggy-o version. It's just sweet as honey.

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....I attended the Sat and Sun Shoreline shows in Oct '89. Missed Friday, where they busted out Death Don't. Rumors were swirling about Dark Star in the lot. So close, yet So Far.
Fast forward a week....yeah.

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I’ve put in a paypal claim considering it’s 10 days since I was told 3 business days to get my downloads. Disgraceful service

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Has anyone got his Giants Box in Europe/Germany yet?
Mine is just processing and processing and ...

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In reply to by DeadVikes

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back at you. check pm

Hi Gerhad - I went overboard and bought the digital and two copies of the box (1 for me and 1 for a friend). The digital came after a false start with just one show. One of the boxes is supposedly with UPS (gasp) but is awaiting a label! The other is still processing.

Fingers crossed.

For what it's worth, the reviews on this box are pretty consistent. For me, it far exceeds expectations. The sound quality is top shelf and the performances memorable and powerful. It's on par with Spring 90 TOO, but offers a bit more diversity.

Good luck.. hope it all comes through quickly and without incident.

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I'm in California, my order has been stuck in "Processing" status for 2 weeks; hoping to get it before the next DaP announcement; actually, I'm just hoping to get it at some point, period. That's some distribution they have,,,

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Hi, Gerhard.
Same problem here in Switzerland. A neverending, unnerving processing...
Two days ago I contacted the customer service by e-mail, but still no answer (though they confirmed to have received my request).
Please let me know in the comments when it will be shipped for you. I'll do the same.

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I've been listening to this box set way more than I thought I would when it was first announced.

Not sure if it's the mix or the sound quality or the overall energy of the performances (or all of the above), but even the usual late era skip-overs breeze by without me wincing and fumbling to jump ahead.

Goes to show you don't ever know...

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This morning I gave a second listen to a new album I picked up recently, the De Lorians self-titled album. Kind of some cool stuff, hard to categorize, but I would go with a combination of prog-rock and jazz fusion instrumentals. Pretty cool if you like that kind of thing. Started the morning with Yes 90125, haven't listened in a while, but it brought me right back to the time frame in which it was released.

Skulltrip, good post, pretty consistent with my feelings on this box and the manner in which it exceeded expectations. I still haven't had a chance to listen to the last show, but all others have been excellent. I think at this point the first '89 show in the box is the highlight for me. I knew the sound would be fantastic, but the shows exceeded my hopes. Even though I like later era dead, it can be inconsistent, but the shows in this box are all consistently stellar.

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In reply to by Vguy72

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this one doesn't count, although it actually does:

1988. Tacoma 8/26 (eh, better than nothing) and Eugene 8/28 (blech, so bad that last time I tried to listen to it I just got angry).

then
9/2/88 on the other side of the continent (did not attend)
9/3/88 RIPPLE ENCORE. (did not attend)

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