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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • RobbZ
    Joined:
    Ya Know....

    I dig me some 87 and 89......

    https://www.youtube.com/watch?v=orlJKiOBWqE

    https://www.youtube.com/watch?v=PKtrz_fvmoc

  • fourwindsblow
    Joined:
    Another box

    I do feel bad that some will have to wait till next year for new music I really wish there was another smaller box coming of another era I would buy it in a minute.

  • icecrmcnkd
    Joined:
    Yes, sell the video separately

    What’s the worst that could happen, you make more money?

    Or at least offer it with the CD.
    Kind of like Crimson, White, and Indigo; Sunshine Daydream; Egypt.

    Does that mean that a VHS would then come with the vinyl?

    I ordered the BluRay Box. Looking forward to it. A nice addition to the collection.

    It’s been a good Jerry Week so far. I didn’t make it to the movie but I did order this Box, received and have listened to DaP 31 twice, and JGB 11-11-93 was at my door when I got home and is about to go in the CD player.

    Do Rolling Stones fans bash former Stones members when the new live release isn’t the one they wanted?

    Do Allman Brother’s Band fans bash former ABB members when the new live release isn’t the one they wanted?

    I’m grateful for all releases.
    Keep them coming Dave/Rhino/TPTB.
    Just please, put a little more effort into quality control and logistics.

  • fourwindsblow
    Joined:
    ???

    "They're not the best at what they do. They're the only ones that do what they do."

  • icecrmcnkd
    Joined:
    Doc, ice cream

    Blue Moon

    Mmmmmmm........

    https://en.m.wikipedia.org/wiki/Blue_moon_(ice_cream)

  • Forensicdoceleven
    Joined:
    Old age isn't so bad when you consider the alternative..........

    63 12-1-73

    Just for the record: love the band, don't care for the era, I was there so it's not knee-jerk, uninformed choice. I choose not to attack or use personal insult. If somebody gets a box because I pass, good for them. Many don't care for the 90s, or 80s, 70s, or 60s. Me, I like the 50s.

    Besides, life's too short, had one stroke already, not planning on a second because I don't like the current release. If I did, I'd have 30 strokes already.

    This is why there's different flavors of ice cream. Some mysteriously prefer pistachio, while we all know that coffee chocolate chip peanut butter cup cookie dough is the best...…….

    Settle down easy,

    Doc

  • smyler
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    Box Set and Brent Bashing

    I’m delighted for those who’ve been asking for more 80s and 90s Dead, this box is for you guys. I might buy the single show but I won’t be buying the box. I’ve bought around 80% of the releases since One From The Vault came out 28 years ago and, on the basis of these purchases, formed the view that the quality of their performance deteriorated markedly during the latter years of the Dead’s existence. That isn’t to say there weren’t still great moments and great shows, but that, for me anyway, they became fewer and further between.

    I’m not particularly disappointed that this box isn’t for me; I have more than enough GD to keep me going, I’m pleased I won’t need to justify another GD box to my wife, I’m also pleased I don’t have to find another $150 (nearer $200 when U.K. delivery and import duties are taken into account) and then of course this release probably means we’ll be back to something a little more up my street next year. Right now I’m also slightly reluctant to spend any more money at dead.net until the DP31 European shipping fiasco is resolved and left behind.

    Despite not being a particular fan of the 80s and 90s, I really don’t get or like the Brent bashing. My lack of passion for this era has very very little to do with him. Indeed, I say his keyboard playing is one of the more positive aspects of late 80s GD. For me the problem stems from basic musicality; playing in tune and playing in time and together, the latter in particular becomes a more frequent problem for the GD as the years go on. The nadir for me is the Warlocks box which, whilst not without the occasional bright point, is at times cringingly embarrassing. So much that when hearing it for the first time I was half expecting someone to come on from the wings waving their arms and shouting “stop... stop.... STOP! Sorry guys, you’re just not getting it”. That said, I find much of Terrapin Limited, the second disc in particular, reciorded around 6 months later, nothing short of outstanding. I guess that’s the GD for you, particularly the GD in their latter years.

    Then there’s Garcia’s voice, which becomes more and more of a disappointment as the years go on. Others have said they don’t listen to the GD for the singing; I don’t either, but the dead wrote a many truly magnificent songs and it’s always a pleasure to hear these played and sung really well.

    There are other reasons to . . . those interminably tedious Dylan covers for instance . . . but aside from mediocre songwriting (something that wasn’t unique to Brent), these have very little to do with Brent.

    Each to their own. I wish all of you who purchase this box, particularly those who’ve been waiting for something this era, happy listening. I’ll enjoy looking forward to the next 1970s box and spending my $150 on something else 😎

  • muleskinner_blues
    Joined:
    Death is but a door, time is but a window, I'll be back

    34 here.

    First Dead related show..err 6/17/17 Dead & Co at Fenway. Loved it until someone passed out in front of us and some Karen screamed at us for not doing anything for him, as the medics arrived. She had her hand on his shoulder, really stepping up where we didn't. Thanks for your help. Go to hell.

    8 Dead & Co shows now, still a work in progress. More to come.

    Still learning in all eras, coming up on 5 years of starting a 'deeper dive' into the Dead, beyond the big albums, etc. I did pick up the May '77 boxset as well as 11/30/80 randomly in 2013, they were...bewildering compared to Skeletons in the Closet and Europe '72, Vol 1.

    Know very little post-Brent, what was in 30 Trips, etc. Looking forward to all three years in the new set. Used to only know Bruce Hornsby for the song he wrote for 2pac. (.....joke)

    Fired up Dave's 31 for the first time as well, first disc in the car today. Keith is the best acoustic pianist they had in my opinion, that was rock n' roll piano, but Brent's energy and the addition of the B3 is a needle mover. As Sean Connery said in You Only Live Twice:

    Bond: Why do Chinese girls taste different than other girls?
    Ling: You think we better
    Bond: No, just different. Like Peking duck is different from Russian caviar, but I love them both.
    Ling: Darling, I give you very best duck

    Ok that's a terrible out-dated and inappropriate example. Scratch that.

    Waiting for a Dylan Fall tour announcement, as well as the next Bootleg Series (potentially). Sounds like they are exploring '67-69 which will be interesting, though it's been partially covered already. Any John Wesley Harding outtakes would be very interesting. With both being on Columbia, I can see them doing the Dylan / Cash sessions from '69 officially as well. While historic given the two of them, they really are not that good, in my opinion.

    I did get some Dead exposure through Dylan before I knew them better. My first show was in 2006 during college, got in heavily in the year prior, but I heard the boots. When Jerry died, Dylan did dust off Friend of the Devil against in September '95, staying (randomly) in the repertoire through 2002 with a one off at Red Rocks in 2007. But the other tune he chose, starting in October 1995....obviously Alabama Getaway.

    I'd hear talk about this great songwriter Robert Hunter that Dylan teamed up with, the results being Silvio and The Ugliest Girl In The World. :/

    He also joined up with him on Together Through Life, an album I LOVE but maybe not the greatest songwriting testament for these two pillars of the western world. But I don't care, I love it. And despite some silly writing, the peaks are actually great songs.

    Here's one I was at, great show: https://www.youtube.com/watch?v=pYC6VKnPhks

    And a Getaway, before my time (not sure why they chose a '66 photo but sure): https://www.youtube.com/watch?v=HPpmF3154As

  • JimInMD
    Joined:
    My First Show and Age

    All this has become very tricky since I met Bolo and have subsequently had Witness Protection issues, multiple passports, etc...

    My current passport states I am 53, 4/19/82 was my first show. I found my self face to face with with two quite pleasant pieces of paper; nothing has been the same since but in a good way.

    Mama, mama many worlds I've come since I first left home.

    Hey guys and gals, please resist the temptation to call others out by name.. the back and forth is giving me whiplash, and to what end? There is no reason for it.. be general, be positive and push the conversation along. Is it my imagination or does this shit always seem to happen around election time? Perhaps we are all being played?

    Good movie, btw.. whiplash. See it.

  • daverock
    Joined:
    First show

    I loved the first show I saw, in March 1981, but to have seen them in 1972 would have been amazing. I was 15 then, and a shade too young to travel out of my hometown to go to London. Any case, I didn't know who The Dead were in 1972-I saw T. Rex and David Bowie in then-great, but a long way off.
    But those final shows of the tour, at the Lyceum-maybe they were the best ever played by the band on these shores? Great sounding venue, too, going off the sleeve notes for the cds. Bickershaw is a great show, and some of the other bands/artists performing were great-but I didn't much like big festivals-and that one doesn't look to rosy in the pictures.
    Spacebrother- good to read that you are in fine fettle and enjoying life. Don't let the naysayers grind you down. I must say I enjoy being 62 more than I did being 26. You never know what the future holds, but so far so good!

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Jerry clearly sings “to heal my soul” on 10/1/94. So much emotion and it felt like Garcia was providing a little foreshadowing for us all in that version. Always loved that song.

Vguy - I am on board with the NHL. Watching the Caps/Blues now. How classy are the Blues and specifically, Colton Parayko? First they fly Laila Anderson to Boston and bring her on the ice after winning the Cup so she can hold it. Then they just gave her a Stanley Cup ring. Great stuff.

Box set ranking. That’s an easy one. What would I do if I woke up to find the house on fire. With one hand I grab E72 while the other grabs FW69.

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In reply to by Angry Jack Straw

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....I don't have E72. Came out when $ was tight. Piecing it together though. Don't have FW69 either. I do have the comp. Dodged my radar. Other than those, I'm in.
Question. Do all the other boxes equate to those two? I'm talking formulas here.
I 💜 the skating sport
Spotify took me to Poi Dog Pondering yesterday. Pretty cool. Thoughts?

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11 years 1 month

In reply to by Angry Jack Straw

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Did you see that they gave Laila the ring too?
Total class.

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17 years 2 months

In reply to by jrf68@hotmail.com

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....and I wholeheartedly agree.
VGK up 3-1.

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7 years 10 months

In reply to by Vguy72

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Okay, Angry Jack Straw, house on fire, I grab both Spring 1990 box sets and Winterland 77 in my pants! I lived the mid eighties to 90 with this unbelievable band. 77 because of course it so damn good. All three still in regular rotation for me.
Dave's 32 should be announced in the next couple of weeks.

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talked about merging mind left body with dark star. you talked about this about other songs. sometimes the surprise into can be WOW. I assume though you keep the originals intact and clearly mark your mock up as not to pollute the music stream, right? :-)

I've seen you, others, myself, talk about the terrible, life changing affliction of being a completists. I was riding to work the other and day and thought about my long standing and long costly completist act. We used to call them alimony payments because they never go away. Yes,,,, it's the Snap-On Man,,, the Matco Man,,, the Mac Man. They roll in weekly and sell you the tool you need. 20 years in the fuckin business, 75 screw drivers in the draw, but, this is the NEW one, the one a 1/4" short so it fits between part a and b and car c. Oh yes, this is the one! Just 5 bucks a week and you can own that 1/2" air gun. Sure you've been buying a while I'll trust you for 10 a week. Next thing you know you spending 5G's a year and you're able to push around 60k worth of tools! Talk about completist talk,,, simple thing like a 10mm,,,,, 1/4 and 38 drive deep and shallow, 10mm combination wrench, short, regular, long. Box wrench, short,regular, long in both regular and deep offset. Ratchet box. See what I mean. And, oh god, they leave a toy catalog with you. You sit at night with the tv running showing the wife the newest tool made, though, she doesn't seem thrill with the idea. In fact the first year at the accountant when I produced 5,000 bucks worth of tool receipts she seem to surprised! Go figure.

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It is funny how you mentioned grabbing boxes of dead in a fire. I have a fire plan in play myself. First the dog then Daps on top of dog then giants box on top of Daps then dead dvds on top of that then criterion movies on top of that, then go outside to sidewalk, then back in to ask girlfriend if I left anything behind then back out the door to watch my prize possesions. It so simple.

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In reply to by carlo13

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I have talked about this in my house. E72 and FW69 including the Bonus D.

Too funny..

I now have this visual of Deadvikes rescuing all the box sets mentioned, tossing the last one out the door to safety just as full scale combustion envelops him ala the burning guy on the cover of Wish You Were Here.

"...Deadvikes will be dearly missed. He is survived by his loving wife, his six children all named Charlie Miller, IKO his dog, Ripple his cat and all 16 of his Grateful Dead Box Sets. May he rest in peace."

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Right! We are now ready and waiting for disaster.

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16 years 11 months
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I keep all my dead sets in a wood armoire next to two large windows in the dining room. That way if a fire happens I can use my adrenaline (a la mom whose baby is trapped under a car) to lift the entire thing and pitch it through a choice of one of the windows (I like options). The damage to inside contents though present would hopefully be minimal...it is on the first floor after all. Dog passed away from lymphatic cancer last May so luckily my only concern is gone...the wife has long legs and is nimble, she'll be fine on her own.

Although the vintage 1970s Mutron and other Jerry pedals I have in my rig would need to be collected as well. Damn, maybe my fire plan isn't all there!?

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Labrador retrievers are strong as hell. They're easy to train, they're fearless and they are loyal to a fault.

Yes Dennis I keep the originals intact. The album in its original form gets put into a digital folder with the file names of the songs numbered in the order of the concert (the audio tags don't actually have the numbers on them, so the song name looks normal when it pops up on my digital player). Have even gone so far as to rearrange the order of the songs if they were placed out of order just to sit on the CDs. I like my song orders to go exactly the way the concert flowed. 30 Trips 1973 had some stuff out of order that I fixed by renumbering them. Then I simply put any special edits in the same folder with no number in front of them at all. This puts them at the end of the list because the list goes in alpha-numerical order and numbers come first. So that's a long answer because I'm a babler. The short answer is I keep the shit intact as it should be. I even take it a step further and I separate each show into its own folder. So something like Dick's Picks 33 is in two different folders one for each show and I've manipulated the artwork so that they read part 1 and part 2, so that if you're scrolling through my list of shows, it looks like they are two separate releases.

Deadvikes can I assume you don't have Europe 72? Or you're leaving that one to burn?

Europe 72 obviously is the first one I'm grabbing followed closely behind by Winterland 1973. The rest are stored in a suitcase with a strong rope toy attached to the handle. My black lab Dexter is trained to pull the suitcase by the rope toy on command. No show left behind.

Good thinking with the Dog.
I don't have the E72 box. Couldn't do it in 2011, diapers and daycare ate up a lot money. I have picked up 5 individual shows. Hope to pick up the box some day, but the prices keep going up on eBay. Hard to find one less than $1200.

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....I’m not selling anything. This Art Boxsets forsale are being sold by a friend of mine in San Fran! ;) this are Official Stanley Mouse ArtWork. Just friends helping friends, have a grateful day everyone. Peace be with you all ! 🙏❤️💀🌹

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All my music is in a storage facility, temperature controlled & fire proof except for a few CDs I keep at home for some music therapy time. I rotate from my collection every month or two ...keeps me mapped & grateful ! 🙏❤️😎💀🌹

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17 years 3 months

In reply to by Lovemygirl

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.....first thing I grad is my backup hard drive with all the boxes I have on it!
Now if only I had a dexter for all the hard copies 😃

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Hurry, hurry, hurry. Available for a limited time the Rock-it Vault will solve all of your fire and disaster music preservation needs! The Rock-it Vault (patent pending) is a secure vault constructed of space age alloys and Space-X technology. In the event of fire or other natural disaster your custom made Rock-it Vault will self seal and convert to a multi-stage rocket, launching your precious musical cargo into geosynchronous orbit, where it will remain for the duration of the disaster. Once the disaster is over, simply send the signal to your Rock-it Vault and it will return from orbit to preset coordinates for retrieval of your precious music. Act now, only a limited number will be available and once they're gone, they are gone for good. Isn't your music worth it?

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13 years 2 months

In reply to by Charlie3

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This could come in handy during divorce proceedings providing it can orbit until settlement without interference. The last divorce in my circle ended with the E72 box being split, she got all the Dark Star shows and he got all The Other One shows. Bickershaw had to be ripped in half.

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6 years 10 months

In reply to by JimInMD

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I know DL said there were issues with the other shows in the vault, but what do you all think about the 92-95 shows? How were they? Any of them worth revisiting? (For what it's worth, I'm a big fan of spring and summer '93. I've also listened to some great shows from summer '92 and '94, though recognize these are more hit or miss.)

6/14/92
6/15/92
6/5/93
6/6/93
8/3/94
8/4/94
6/18/95
6/19/95

as someone who was there, trust me they are not worth it. Great memories...but not really worth the effort to re-listen

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9 years 5 months

In reply to by 80sfan

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Well, I caved. After saying I wasn't going to get it, I got it.

My lord was I mistaken. These are amazing shows - well played, great sound, etc. The band sounds like they are truly having fun. Can't believe I was ever on the fence about these.

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10 years 5 months

In reply to by 80sfan

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Will Power, why is he never there when you need him? My Boxset is still processing Yawn!

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16 years 10 months
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Just started with Cleveland Convention Center 12/6/73... Bonus disc from Denver Coliseum Road Trips show........ So good, listening to China>Rider, must remember to protect speakers at end of I know you Rider!!! Always look forward to the 46 minute Dark Star..... After I think i am going to listen to the 12/12/73 Omni show, I think would be a great Dave's picks or the other Curtis Hixon show 12/18/73 (was on Sirius the other day at noon).....Fall is here in Rhode Island today 54 degrees right now!!! Bob t........... P.S. never thought about a fire plan for my collection but now worried!!!

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In reply to by bob t

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...that's a really, really good one. And for whatever reason, that China > Rider ranks up there with my all-time favorites. I think it's the way that Jerry hits some lovely bendy notes during the transition, then the Feeling Groovy portion is just expertly executed all the way through. A true gem. That Dark Star is nothing to scoff at either, clocking in at almost 45 mins. The Eyes & HCS are sweet too.

https://archive.org/details/gd1973-12-06.147505.sbd.pc.miller.flac1644

Sixtus

P.S. sign me up for Rock-It Vault Please. And why not go a step furthur, and do like Charlie and the Great Glass Elevator, and just have personal escape pods that do the same thing during such catastrophic events. Space Party? I actually read an article a week or two ago about some scientists purporting to actually propose such a thing; nano-wires that could serve as elevators to space and geosynchronous orbit. RAD.

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13 years 2 months

In reply to by Sixtus_

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Ha.. was just messing around with this last night. Spectacular little ditty. I didn't make it past Rider, it was late..

This show came up recently on an side discussion with a regular poster here.. you know who you are!! What a small world.

I was also thinking of the all the fall 73 shows when AJS brought up 11/17 Pauley Pavilion. ..thinking what a good tour it was, specifically 10/19/73 and 12/18/73. Similar minds I guess.

Edit/Add:
While we are side-tripping on the Willy Wonka theme.. I want Wanka Vision that turns any CD / LP into a three dimension five senses overload. Hey.. who dosed the chocolate river? Bad Umpah Lumpah, Bad!!

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I've just found out that Larry Wallis died on 19th September. He was the first guitarist with Motorhead, and appeared on their first album, No Parole. But to me, his greatest contribution to British culture was as one of the almighty Pink Fairies, writing, singing and playing lead guitar on their third album Kings of Oblivion. Opening track, City Kids, was later covered by Motorhead.

Pink Fairies were one of the seminal underground bands of the early 70s in Britain. In fact, they used two drummers, partly as a result of seeing The Dead in 1969. But they sound nothing like The Dead, I have to say.

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14 years 8 months
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I would say "ththththththaaaaaaaaaaaannnnnnnnnnkkkkkkkkkksssssssss, mmmmmmaaaaannnn"!!!!!

60s band the Seeds have a song called Chocolate River

"your mouth is a chocolate river..."

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In reply to by daverock

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I hadn't hear of Larry Wallis before

a raise of the proverbial glass to you, Larry

This as I listen to Motorhead's "Bastards"

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My two Europe 72 and 30 Trips Around the Sun.

Top 5 China Riders

Road Trips 2011 Bonus Disc
DaP 13
DP 12
Road Trips WoS
Sunshine Daydream

I think Dave's Picks 28 was lost in the shuffle. This is a fine show with great sound. Anyone listen to this Slipknot? Holy smokes. Unexplainable that this recording sounds so good and the show that they picked for 1976 on the 30 Trips box set sounds so bad. Was their real tape recorder in the shop or something?

I checked out that Stanley Mouse artwork link LMG. Looks kind of cool. I don't understand the part about you making a phone call to get whoever to sell them. Can you retell that story.

The Warlocks Box set is now available in Alac on this site for $19.99!
Great deal if you don't have this.
I wonder what else might show up in digital on this site, could be pretty cool if they put up some other older box sets.
I have a couple of the download series releases and love the music, but the pauses between songs are awful.

I agree with your take on Hendrix and as I said I'm getting it. I just wish they had gone complete and released the soundcheck and aborted concert in late January.
Btw have you seen the ad for the 1 time showing of Experience @RAH in the theaters. Leads me to suspect they might finally release the movie. I got a VHS back in the day but it was pulled from the market in maybe 4 weeks.
Even if they can clean it up don't expect much in the way of video quality. Not real good but of course worth having
Now back to my 2nd love FZ

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Just noticed they put up the Warlocks shows on digital for $20 and of course I just bought this boxset off Ebay a few weeks ago for $200 after wanting it forever. Just my luck, lol.

Having said the above, I hope this is a new trend and they will put up other limited edition long gone boxsets that never saw a digital option. I still need the Filmore 69 box and Winterland 77 as well. Would be thrilled to see those released on digital!

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I'm Space Ace, of course I'll take a rockit vault. Does the labrador retriever get lauched with it? Haha, I have a lab, you can train them to do some things I will testify.

Those Stanley Mouse art kits are way overpriced. Probably fake too.

I would take GSTL and Fillmore West 1969. I don't have any of the big sets, too much cash.

Funny you mentioned Bickershaw Jim I have it playing at the moment. I don't get all the noise they make on some of these Other Ones. I could have sworn I heard Weir say Garcia's guitar sounds like an elephant.

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I can not get enough of this peggy-o version. It's just sweet as honey.

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17 years 2 months

In reply to by carlo13

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....I attended the Sat and Sun Shoreline shows in Oct '89. Missed Friday, where they busted out Death Don't. Rumors were swirling about Dark Star in the lot. So close, yet So Far.
Fast forward a week....yeah.

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I’ve put in a paypal claim considering it’s 10 days since I was told 3 business days to get my downloads. Disgraceful service

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Has anyone got his Giants Box in Europe/Germany yet?
Mine is just processing and processing and ...

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11 years 10 months

In reply to by DeadVikes

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back at you. check pm

Hi Gerhad - I went overboard and bought the digital and two copies of the box (1 for me and 1 for a friend). The digital came after a false start with just one show. One of the boxes is supposedly with UPS (gasp) but is awaiting a label! The other is still processing.

Fingers crossed.

For what it's worth, the reviews on this box are pretty consistent. For me, it far exceeds expectations. The sound quality is top shelf and the performances memorable and powerful. It's on par with Spring 90 TOO, but offers a bit more diversity.

Good luck.. hope it all comes through quickly and without incident.

I'm in California, my order has been stuck in "Processing" status for 2 weeks; hoping to get it before the next DaP announcement; actually, I'm just hoping to get it at some point, period. That's some distribution they have,,,

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Hi, Gerhard.
Same problem here in Switzerland. A neverending, unnerving processing...
Two days ago I contacted the customer service by e-mail, but still no answer (though they confirmed to have received my request).
Please let me know in the comments when it will be shipped for you. I'll do the same.

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I've been listening to this box set way more than I thought I would when it was first announced.

Not sure if it's the mix or the sound quality or the overall energy of the performances (or all of the above), but even the usual late era skip-overs breeze by without me wincing and fumbling to jump ahead.

Goes to show you don't ever know...

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This morning I gave a second listen to a new album I picked up recently, the De Lorians self-titled album. Kind of some cool stuff, hard to categorize, but I would go with a combination of prog-rock and jazz fusion instrumentals. Pretty cool if you like that kind of thing. Started the morning with Yes 90125, haven't listened in a while, but it brought me right back to the time frame in which it was released.

Skulltrip, good post, pretty consistent with my feelings on this box and the manner in which it exceeded expectations. I still haven't had a chance to listen to the last show, but all others have been excellent. I think at this point the first '89 show in the box is the highlight for me. I knew the sound would be fantastic, but the shows exceeded my hopes. Even though I like later era dead, it can be inconsistent, but the shows in this box are all consistently stellar.

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14 years 8 months

In reply to by Vguy72

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this one doesn't count, although it actually does:

1988. Tacoma 8/26 (eh, better than nothing) and Eugene 8/28 (blech, so bad that last time I tried to listen to it I just got angry).

then
9/2/88 on the other side of the continent (did not attend)
9/3/88 RIPPLE ENCORE. (did not attend)

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