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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • daverock
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    Trips Around The Sun

    My favourite show is the one from 1967. I have only played the 66, 67, 68, 69, 70, 71 and 1990 shows this year, and I have enjoyed all of them all. After 1967, I would say 1968 and 1969 are the next two favourites. Maybe 1970, too- brilliant Other One there. I am sure the 1972, 1973 and 1974 ones are exemplary, too, but I cannot honestly recollect what they are like at this moment in time.

    Its also nice digging in the corners, as Jim suggests, and finding a shining star where you least expect it.

  • Deadheadbrewer
    Joined:
    Giants

    Is going to look great on the shelf, feel great in the hands, and sound AMAZING. I am Grateful.

    LOVE the 1967 from TTATS--best show ever? The '68 is fantastic. And then I am grateful for all the later shows in that box, particularly '82-'84 and '93-'95. The 1969-1978 shows are good, but we have so much from those years that my ears are thankful for the opportunity to hear sweet shows from the years we haven't heard much from.

    If I were a robot, couldn't I easily work around a basic CAPTCHA?

  • JimInMD
    Joined:
    30 Trips

    My favorites mirror some of those already mentioned.. especially 67, 70, 69 and (surprise) 74. 75 is very interesting also.

    ..but for me it's those shows that are off the beaten path that I sort of get the most mileage from.. 84 and 87 for example might just be the best shows played in their respective years and are super high energy. I could use a few less patches, but I enjoy the box very much.

    As mentioned on the Dave's Picks 31 thread, it looks like Dead.net got hacked and had to pay £73.92 in ransomware COD to some UPS guy with a Russian accent. Strange days..

    Have a great week all..

    LMG, check your PM.

    Oh, can't leave off 68, 76, 77, 78, 71, 72, 73.. Riverbend 85 is fun. 86 has a really sweet Comes a Time out of TOO. 91 with Branford.. 67 and 70 are my favorites though, if I had to pick.

  • alvarhanso
    Joined:
    30 Trips favorites

    11/10/67, 2/22/69, 4/25/77, 10/20/68, 4/15/70 mainly listen to the Drums> Soul Sacrificish Jam> The Other One, but great Man Man Man's World, too.

  • SPACEBROTHER
    Joined:
    30 Trips favs

    Hard for me to narrow to just 3 because they are all nice shows.

    I pretty much listen to everything I have from the Dead at least once per year on or near anniversary dates (for the most part), but here's 3 I like...

    9/10/91 MSG
    10/26/89 Miami Arena
    9/18/74 Dijon

    ...but I also like these 3...

    2/22/69 Dream Bowl
    10/20/68 Greek
    10/27/79 Cape Cod

    ...and of course EVERYTHING else.

    I couldn't see myself discounting any show from this set. All have plenty to like for me.

    As someone who came onboard during the 3rd decade of the band's existence, my initial preferences were the Pigpen and Brent era's. As I've dug deeper, mainly thanks to these releases, I like it all. Every era.

    Of the 50 shows I saw with Jerry, a few in '95 were kind of rough, especially the last two at Soldier Field. If released I'd still want them. Even the US Blues that Jerry pretty much gave up on at the second to last show.

    At the time of going to shows, the only other time (besides a few in '95) I felt the show was subpar was 3/13/93. The follow-up to Rosemont which I would agree was a nice run. Upon further listening many years later I find that even this show was really good. Terrapin through the end was top notch, including one of the GREAT Stella Blue's.

    My main hangup has always been lack of variety in official releases, and now that is no longer an issue. Love it all but my sweet spot is 65-95 with emphasis on '87-'91.

    Budgetary constraints has limited my ability to be a completionist, and I'm quite a few behind, but at least try to keep up as best as possible as new things come out. Missed out on much of the Record Store Day releases.

  • bob t
    Joined:
    @ROBBZ favorite 30 Trips shows

    I find myself playing 9/28/75 Lindley Meadows the most....probably 9/18/74 Dijon France and the 3/18/71 Fox Theatre a lot... hope that helps.... there are so many good choices... bob t

  • RobbZ
    Joined:
    I'm sure this has been asked before....but

    ****First off--LMG, stay positive and get well soon****

    Friends, looking for some feedback on the 30 Trips Box Set...in your opinion, what are your favorite 2-3 shows from the box. Appreciate your responses...

  • Gratefulhan
    Joined:
    Shows - location, years, era.

    I got in the bus in mid 1992, and from then until 1995 I only had the exposure to the music from the few shows I attended, and the few live releases that were out, one and Two from the Vault, Bears Choice, Without a Net, Dick's Picks 1. I was also able to acquire some tapes. Basically I was taking it all in, loving all of it of course. Yet I do recall at my first show, when Bobby sang Lovelight i was little thrown off - yes I was used to hearing Pigpen on that tune. The result was that I just didn't have a good knowledge of shows or eras and was certainly lacking in the numbers tapes I had listened too.

    So I did my Dead scholarly work after Jerry died, because I was compelled to get as many shows as I could. I sought out getting more tapes and thankfully Dick's Picks kept coming out. Now even then I knew that the shows from "back in the day" were more coveted, or at least that was what more experienced heads told me. I remember a dude from college who only listened to shows from 73-74... he was pretty obsessed with it, but I can see why. So I got every tape I could and listened to them all. Many of my tapes were from 69 -78 as it turned out. I became most familiar that time frame and over time I developed that as a preference. Of course I was exposed to many of the standout out shows: 3/1/69, 4/28/71, 5/8/77, 7/8/78...etc

    However over time and especially in recent years I have been way more open to shows from all eras/years. I still feel like there are a few years that may not appeal to me, but I am open to anything. It doesn't matter where they played as long as the music is good, well I should say good for the time. For example, I will certainly judge show from 85 on its own merits and not compare it to a 77 show.

    At this point I will buy any just about anything TPTB give us. Although I may have expanded my horizons over the years , still I feel the same as I did all those years ago in '95, when I valued every show because everything came to end. I still feel this way and now we have had many shows be given the official release. In terms of volume The Dead/Dave L./Rhino have not quite cuaght up with the tapers/archive.org obviously. Yet I am happy and appreciative of what Dave L and the crew have given us and I feel like they are doing a great job.

  • smyler
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    Little desire to hear those shows

    I’ve a similar view to Daverock on this. As a U.K. follower of the Dead I only saw them twice; the last two nights of the 1990 European Tour. Both shows were great, particularly the last night.

    Without A Net had only been out a few weeks and I loved the wider sound palette they were using (midi I guess). There were also two or three incendiary performances on the album, albeit along with a few lacklustre ones, and I decided I really liked this modern Dead sound. Up until the I’d only listened to official releases. I had a few tapes, but I’d never really played them as I didn’t like cassettes.

    One From The Vault came out in 1991. The sound palette was more limited but the performance was uniformly strong and Garcia’s voice sounded great. I stuck with the just official releases which became more plentiful as the years went on, covering most eras of the band. I yearned for more of the sparkling midi sound of WAN. I’ve already mentioned that I loved Terrapin Limited, but couldn’t find anything at all to enthuse about in Dozin’ At The Knick. Subsequent mid to late 80s and 90s shows continued to disappoint whereas I found several of the earlier releases, from the 70s, to exceptional.

    The more I listened to release of all eras, the more it became apparent that, whilst you can find good things to listen to from all eras of the dead, the consistency of performance started to deteriorate in the late 70s and this only accelerated from the early 80s. This view is simply my own, not born out of the era I started listening to the band in or the shows I attended but out of what I hear in the Dead’s numerous official live releases.

    So, whilst I loved the shows I saw in 1990, I’ve no desire to see these released. Having heard so many disappointing releases from the 80s and 90s, why should I believe these shows will stand up to the scrutiny of repeated listening any better than most of the others?

  • daverock
    Joined:
    I was there. I think.

    I am not sure its acceptable to answer your own question, but....
    Of all the 1980s shows, I would be most interested in getting copies of the two I went to-or shows from the two tours they were a part-Europe March and October 1981, than any of the others.
    Similarly, of all the Bruce and Vince shows I would be most interested in getting copies of the three I attended in October/November 1990 than any of the others.

    But...and its a big but....I would prefer to get any unreleased show from the 1974 Europe tour than any of the five I went to. Or any show from 1974 and earlier, come to that. I just prefer the music played during those years.

    I have this attitude for most of the rock/blues/pop.. whatever... music I listen to. I much prefer the era from 1965-1975 than what came after. There are exceptions of course-but I probably listen to more music from those years than any other.

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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I LOVE this box and I do think 7/1 may be my fave. I love the size of the box and I think the art work is THE best of all of the boxes. Just true Dead.

I am just finishing up the 2nd '77 box in the car and will then start the '78 box once again. In the house it has been nothing but the Giants box since it arrived. I have listened to the whole thing, in order 4-5 times. A truly outstanding box. I think the '89 shows may be my faves. If you have not yet pulled the trigger, and you love the Dead, you have got to jump on this while there are still some available.

Rock on

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In reply to by IanM

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IANM

Just checked UPS tracking and I needed to pay £37.74 plus £11.50. It makes you wonder how they assess the charges? At least it is now paid for so I should see it tomorrow. It should be a good day.

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Iko

even though the first time I heard MSWS 7/18/82 and on the subsequent tape of that show, I really liked it.

both are essentially two chords and a whole lotta choruses

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In reply to by Colin Gould

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One of my two box set orders came today for which no charges. The other is due tomorrow (according to an email but 3/10/2020 on the website!) for which I paid a little over £44. Go figure.

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Some say Iko Iko but I say no. Women are Smarter run the Iko like a puppet show.

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Frank/Colin,

My guess is that the correct charge should be 20% of the purchase price in VAT (sales tax) plus the UPS ripoff of £11.50. The (opened) commercial invoice attached to my copy was USD159.98 for the Bluray box which should make the VAT chargable at just under USD32.00 (£25.13 at today's exchange rate). So total charge should be in the order of £36 to £37. Slightly less for the DVD box.

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In reply to by IanM

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Depends on the situation......played Women Are all the time, so Iko seemed like more of a treat, but I think I’ve seen/heard them rip it up more on Women are than Iko. Generally speaking, Iko seemed like more a novelty whereas Women Are they could really blast off i.,e 7/4/89, watch the fat man dance not just rock. He and Brentski seemed to really get into the song during this era.....downside they played it a lot, perhaps too much?

EDIt: slow dog, That’s Right!
Dennis, nice video, gotta dig little Mickey, er a little Ricky on the skins!

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The box arrived today in Switzerland and I had to pay 35,55 Swiss Francs to UPS in charges.
But it doesn't matter how much I paid: I'm just happy, finally "in the shadow of giants"!

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In reply to by SpaceBetween

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I believe there is a show, can’t remember the date, with guests, I think members of the Neville Brothers, where the two songs were played back to back.

Glad to hear that boxes are showing up in Europe. Not sure that a VAT can be applied. What value was added by shipping it across the pond?

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It may be called Value Added Tax but in this situation it is effectively just a sales tax. We pay no sales tax in America on items ordered from there but are obliged to pay it when the goods are imported to Europe.

Goverments have agonized endlessly over downloads. They are unable to find a way to tax them simply because they are unable to know about them.

Apparently my box has just landed in Germany and should be delivered tomorrow.

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In reply to by IanM

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IANM

They can also charge 20% on the freight charge so that might explain why I had to pay more if the value on the package was shown differently. It’s all swings and roundabouts, sometimes you pay nothing and sometimes you do. At least we should all get the boxset soon.

Dave's Picks. As we look forward to 32, I was thinking where Dave would go for #33. Based on past experience the first picks of the year have been 77 (1, 25 and 29) 74 (9, 13) and 73 (5 and 21).
We know it won't be back to back 73 releases, so I have my money on another 77 release. Maybe late September or October? Unless Dave decides to buck the trend, how about a solid 87? So unlikely, but I would love it.

Right you are, Cone Kid. I was at this one... Ticket to New Years, but most of the third set was not included on the DVD.

12/31/87
Oakland Coliseum Arena - Oakland, CA

Set 1:
Bertha
Promised Land
Cold Rain And Snow
Little Red Rooster
When Push Comes To Shove
When I Paint My Masterpiece
Bird Song
The Music Never Stopped

Set 2:
Hell In A Bucket
Uncle John's Band
Terrapin Station
Drums
The Other One
Wharf Rat
Throwin' Stones
Not Fade Away

Encore (third set):
Man Smart-Woman Smarter
Iko Iko
Banana Boat Song
Knockin' On Heaven's Door

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In reply to by DeadVikes

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Here’s a Breakdown of Dave’s Picks (not including 31 or 32)
Year: Total # of Releases/ How Many Releases since../Release.#
69: 2 / 21 / #10
80: 1 / 23 / #8
74: 4 / 14 / #17
81: 1 / 11 / #20
73: 3 / 10 / #21
78: 3 / 8 / #23
72: 3 / 7 / #24
71: 3 / 5 / #26
83: 1 / 4 / #27
76: 3 / 3 / #28
77: 4 / 2 / #29
70: 2 / 1 / #30

- 80 has only had only 1 release, 25 releases ago (including 31&32), so how about Gainesville? But probably not a 1st cycle choice...
- 69 has had 2, but not for 23 releases (including 31&32), Totally due!
- 74 has had 4, but not in 16 releases, how bout 7/25/74! DUE!
- 81 is due, but it won’t be the first cycle...
- 73 were getting next
- that pretty much leaves 72 or 78, the rest have been covered during the last couple years...
78 meh, plenty of 72 to break out! Perhaps some fall 72. What ever it is hopefully it will have a Dark Star.

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As always when this conversation comes up, and someone such as Oroborus kindly assembles a list, I am struck by the fact that there have been 0 releases from 68. Maybe the tapes aren't of good enough quality? However, based on previous series (Road Trips, Dicks,) there seem to be some out there. Perhaps all of the good ones have been mined? Dunno. I for one would like to see a release that features two of the shorter 68 shows... Primordial Dead emerging from the ooze...

Also, I've been really enjoying October 84 shows this month, including today's (10/15). I know there are issues with the recordings being on analog, etc. and I doubt it would be a first run of 2020, but 84 certainly has some killer stuff, and nary a Dave's to show for it!

And as always, what about Gainesville?!? We need a Shakedown in this series!

Peace

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Avalon Ballroom - San Francisco, CA

Disc 1

Set 1: 4-5-69

Dupree's Diamond Blues
Mountains Of The Moon
Dark Star
St. Stephen
Turn On Your Love Light

Set 1: 4-6-69

Good Morning Little School Girl
Beat It On Down The Line
It's All Over Now Baby Blue
I'm A King Bee

Disc 2

Set 2: 4-5-69

Hard To Handle
Cosmic Charlie
China Cat Sunflower
Doin' That Rag
Cryptical Envelopment
The Other One
Cryptical Envelopment
The Eleven
It's A Sin
Alligator
Feedback
And We Bid You Goodnight

Disc 3

Set 2: 4-6-69

Cryptical Envelopment
Drums
The Other One
Cryptical Envelopment
Death Don't Have No Mercy
Turn On Your Love Light

Encore:
Viola Lee Blues
What's Become of The Baby
And We Bid You Goodnight

Two complete shows from 1969.

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In reply to by Thats_Otis

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Some 69 too.

#33 FourWinds 69 selection
#34 68, 2 shows across 4 discs
#35 7-15-84
#36 Fall 72

I’m ready to subscribe!

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Certainly nothing wrong with this version. This is the year they stretched out the early solo that starts around 3:30. In 1977 the solo lasted about 20 seconds; by Dick's Picks 18 it was almost 2 minutes in duration (Feb 3rd I believe). There is an intensity to the Garcia solo on DP 18 that builds to a fantastic crescendo......and then back into the reggae arrangement; and you can hear the crowd erupt in appreciaton of the rocket ride Jerry just took them on. I don't quiiiite get that out of 7/1, but I'll take just about any '78 Prophet over '77 in a steel cage match.

Iko Iko. I went to JFK on July 7th 1989 with no knowledge of the Grateful Dead except for Touch of Grey, Hell in a Bucket, and Throwing Stones. They opened with Hell in a Bucket - bit of a rocker. Seemed like any other concert as far as the crowd demeanor went. I wouldn't have known there was anything unique about the audience or the band except for the tye dyed apparrel, which I was kind of expecting. And the weed.

After Hell in a Bucket they booted up Iko Iko, and it was as though I'd walked through the wardrobe door into Narnia. The essence of 100,000 Dead Heads came to life across the stadium like a good vibe wave. I saw spinners, smokers, shakers, swayers - hands in the air like they just don't care - all in sync with this contagiously catchy rhythm and melody. And the band was.....what the f**k were they doing up there......yeah, no doubt about it, they were smiling. Having fun. Well shit I thought: if I could get old the way these guys were doing it, don't you know it's gonna be - alright.

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In reply to by Angry Jack Straw

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....love the gift that arrived in my mailbox even more by a kind soul here, but I digress.
Spinning 2.27.69 for the first time.
....is it Iko or Aiko? Don't ask me. My tapes are pretty much 60/40 Aiko.

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Love the '78 box, with 7/3 and 7/7 being my favorites of the bunch. Something about 7/7 though just puts it above the rest for me.

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Has anyone else in the UK been sent an imports fees invoice by UPS?

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BILLN

Yes. I was charged UKP37.37.

Unfortunately, there is no way to avoid this as importation rules in the United Kingdom state that Value Added Tax (VAT, aka Sales Tax) and Customs Duty must be charged on the total cost (including shipping charges) of all goods arriving from outwith the European Union that have a value of more than UKP15.00. For CD's/DVD's, VAT in the UK is currently set at 20% but there is presently no Customs Duty.

My Giants box was sent with a declared total invoice cost of USD159.98 with no shipping cost meaning it attracted a 20% VAT charge of USD31.996 (around UKP25.11 at today's exchenge rate).

All delivery companies then add their own handling charge to cover the cost of collecting the Tax/Duty of behalf of the UK Government. UPS charge UKP11.50, DHL 11.00 and UK Royal Mail 8.00 at present.

What I don't understand is why different people here in the UK have been charged different amounts varying from no charge to UKP47.00.

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Vguy, I can't let that question go unanswered a third time. Only Dick and Heady Version spell it Aiko. Oh, and all of the tapes that circulated in the pre-digital days.

I've had some opportunities to listen to a couple of near-entire releases lately. Geocery store Sunday night - DaP 30 sans the repeats. Went in reverse order (Cold Rain & Snow show first), but I have to admit, I did throw the Dark Star / St. Stephen / The Eleven trifecta into the mix early. While it usually takes me a couple hours to find everything on that damn list, I wasn't taking any chances on missing that group of songs.

Then at work I had a long stretch of time to work at my computer without any phone calls interrupting. I put in the Dave's Picks EIGHTEEN shows, also skipping the repeats. I have to admit I put all of it together in an alternate folder and included the Help / Slip / Franklin from opening night of that Orpheum run. It could have been there... It should have been there... The soundboard quality is almost as good as the release... It's there. And and it's a much better release for it. In situations like that I just make a whole new folder and throw it in my soundboard section. I can't very well have my digital library bastardize like that, so the original theatrical release is in its proper place. The moral of the story is oh, I forgot how great Garcia sounds on this release. Jeffrey Norman needs to listen to how loud Jerry is on this to track and then go back and remix all the multi-tracks with him that loud. Actually I take that back, just give me the multitrack tapes and I'll do the work. I've always been an advocate for releasing Europe 72 in computer software format so we can mix it ourselves. A little distortion here little reverb there..

And in the spirit of '71 I go with this concoction:

Dark Star => Wharf Rat 4/26/71
Dark Star 4/8/71

The 1971 dark stars were mostly shorter ones, as is the case with these two. I like mixing them together with that Wharf Rat in between to mimic Port Chester, 2/18/71. What you end up with is about 35 minutes of no-nonsense bliss.

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In reply to by Oroborous

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Could be wrong, but, I believe "Little Ricky" wasn't Little Ricky, but a child actor who played the part!

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My copy, #3319, has arrived and looks good. I hope to get some time to listen to it in the next day or so. Thanks to everyone at dead.net for continuing to service our need for further releases. The DaP 2020 subscription should become available soon. That will bring the series up to the same length as DP’s.

My last few listens include:
A 5 cd box set of Morton Feldman’s piano music on the Another Timbre label.
Live in Hyde Park by Gong from their ‘Love from Planet Gong’ box set.
A Love Supreme by John Coltrane.
One World by John Martyn.
The Madcap Laughs by Syd Barrett.

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My box arrived at the UPS depot in Rotterdam this morning. Had to pay 46.18 Euros - 30.45 Government charges, 13.00 Brokerage charges and 2.73 VAT. How that is arrived at I don't know, but I paid it online so no hassles with having to have the exact amount in cash at the door. Somewhat later in the morning the status of the delivery changed from "By the end of the day" to "Exception - Due to operating conditions, your package may be delayed". I guess that is a catch-all term that means that something has gone awry but they ain't gonna tell you what. I will wait and see what transpires, as if I haven't waited long enough already...

BILLN

We have to accept the random nature of charges on items coming into the UK. I bought the full ‘30 Trips around the sun’ and didn’t pay a penny in import charges, on another occasion I bought a single cd from bobdylan.com and for some reason once the handling charge was added to the import charge I paid more to collect it than to cost to buy it and have it posted to me..
I have come to accept whatever the charge is. I think I am probably still ahead overall on charges.
These charges are why I no longer order non-exclusive items from dead.net. The November release would cost me around £22 from dead.net when postage costs are added and there might be a further cost if the disc attracts import charges. The same disc is no more than £9.99 from Amazon.co.uk since I have a pre-order price guarantee which means it could get cheaper and I don’t have to pay any postage.

Good to see boxes begin to arrive outside the US. I hope your first listens will be in line with mine. Great sound, inspired performances.

I have to admit though.., this release is starting to lose it's new box smell. But with some deep tracks from '73 just two weeks away, I should be ok.

After a couple/few listens.. there is one small item that is beginning to agitate my skip finger.. I think I saw Throwing Stones>NFA a couple (or a couple dozen) times too many. I know there are many that really like these two songs, but to me it had become formulaic and predictable by the mid to late 80's... well, for me it just doesn't go down as my all-time favorite song duo. I'll take a GDTRFB>NFA over TS>NFA any day of the week. First world problems I know. Still, a big thumbs up on this box after a couple weeks of listening.

It also motivated me to hit a few other 80's shows. There were some high energy shows during this period. I didn't have my reading glasses on last night, and accidentally dialed the wrong show and hit play. I didn't start at the beginning rather post space, and then the fun was to try and figure out what show I was listening to. By the time She Belongs To Me came on, I knew it was Dick's Picks 21, 11/1/85. The Gimme Some Lovin' is pretty sloppy, but don't let that distract you from how high energy it is and even with some miscues they do a pretty good job of keeping it together and dialing the energy up. Jerry, in particular, kept things in high gear until the end until he delicately slides into She Belongs to Me. What a wonderful song. I wish they played this more than the ten times they did. And I forgot about the bonus tracks 9/2/80, Space>Iko Iko (that's how it was spelled on this release, but it was released posthumously after Dick left us)>Morning Dew>SleepyTimeInMD. I always liked this released, but I perhaps I am biased.

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In reply to by BillN

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Billn- got my second box today. First no charges, second £44 so balances out ok. Relieved. In a couple of weeks will probably forget that I promised not to buy 2020 DaP!

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...Missed this anniversary by one day but it's still close enough for a shout out - 10/15/89 is a pretty great show (IMHO) but is often overshadowed by it's fully-released brother, 'Nightfall of Diamonds'.

And contrary to Jimmy's stated lost love for TS > NFA, this one has it - but I am in the same camp Jimbo, I'll take a NFA > GDRFB any day . But this pairing does the job nicely, and the Not Fade Away is fairly jammed out. And who can really complain about a NFA chant to bring the boys back?

But the real treat for me is the Crazy Fingers as well as the Estimated > Eyes; I mean, check out Jerry's midi-work on that Estimated. He's playin' a frickin' xylophone at one point. Totally cool although not for everyone. The Eyes rips along nicely, too. I'm a sucker for said paring.

The first set is pretty good too - I always liked 'Let the Good Times Roll' as an opener - it, well, gets the good times rollin'. And, after a closer listen I'm now hearing the 'Victim or the Crime' here is the same one from Without a Net. Naughty, definitive. Which makes sense. Given that we know the next night's performance was recorded to 24-track, that means this show was too I would assume, in consideration of its appearance on W/O A Net. I'd love to see this one officially released. Would make a perfect companion piece.

https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329…

Sixtus

Dennis, say it ain’t so, but right you are. All those years growing up watching Lucy we had no clue!
https://en.m.wikipedia.org/wiki/Richard_Keith_(actor)

9/2/80, believe that was my first Dew? Front row by Phil. First GA front row show, at good ole Crotchfester, and a real beauty eh! Wish they had the rest of the tapes for that one...
Stones/NFA; yeah, saw that combo a bit too much over the years. Like any, if the galaxy aligned and the Xfactor was working I liked any song they did, but sometimes it was “oh, bummer, not again” Eventually it got so formulaic that you could predict The second set, if not the whole show.....”oh, their doing the key of E stuff, and they did Dew last night, so bummer, Stones/NFA tonight boys”......or some such banter. For a while it was mostly the NFA we were tired of, but then Stones/Lovelight kinda took its place and Bob burned that out too, imho....
Sorry, don’t mean to be negative, just after 40 something years there are some tunes it helps to be in the mood for...
Anyway, so far that’s my only nit pick with this box, too many Stones/NFA....

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I saw the guys numerous times, acoustic and electric, and they were always Hot!

Back in '75 they had a habit of playing all night. They played at my college, and at midnite they went off and they asked the TPTB if they could continue all night. They were told no, but that they could play one more song as an encore. So they came out and played one more tune FOR AN HOUR! Lol. The whole show, J & J were drinking something out of this bong type thing, so maybe that had something to do with their stamina! We were talking to them back stage and Jorma dropped his guitar pick. As he bent to reach for it, my friend stepped on his hand! I thought the whole show was going up in smoke! But no damage was done.

Saw them in 2001 at the Kent Community Center in Kent, CT. Google that place! You cannot even believe anybody would play there. We were in the 2nd row. They had a stage that was about 2 feet off the ground. It was just Jorma & Jack on 2 folding chairs, playing acoustic. AMAZING! It was like seeing them in my living room. I think these guys aged better then JA did.

Rock on

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Funny to hear Gimme Some Lovin' and Throwing Stones in the same discussion, since I downloaded the two of them on the same day several years ago. There was a time when I was a casual Dead fan, and I had just recently picked up on the Jam in the middle of Throwing Stones. So like the addictive personality I am, I went in online to supplement my collection of Dead music, which at that time was pretty much all of the nationally released multi-tracks.

The Throwing Stones were all pretty good, but I enjoyed the Download Series best, with the Reprise. Some fine fine synth support while Jerry tears up the solo, and then there's another 5 minutes of the jam in the Throwing Sones "reprise", which is really just visiting the jam portion of the song again. This is glue. Strong stuff.

I downloaded the following in that period:

Dick's Picks 21:
* Gimme Some Lovin'
* Gloria"

Dick's Picks 17:
* Throwing Stones
* The Mighty Quinn

Dick's Picks 27 :
* Throwing Stones
* Baba O'Riley
* Tomorrow Never Knows

Road Trips Vol. 4 No. 2
* Throwing Stones

Download Series 11:
* Throwing Stones
* Throwing Stones [Reprise]

In The Dark Bonus Track:
* Throwing Stones (Live)

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13 years 10 months

In reply to by Sixtus_

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I agree with Sixtus this was a sneaky hot show that got overshadowed by the next night.

Good Times -> Aiko opener was so much fun
Very good Victim and SOTM
Not a clunker in set 2

If they would have played the Let it Grow that Bobby started to go into after STOM would have been even better!

Great call Sixtus!

So about that DSO show in Pittsburgh. I had a blast! Lost my voice and sore as heck the next day from dancing. Met some kind folks too. As for the music I think the songs are very well played. Can’t wait to see them again. My lingering thought is how lucky I was to have seen the real thing 🙂✌🏻

I ended up having to be in DC Saturday, so no DSO Saturday for me. Next year for sure.

Love the Hot Tuna discussion. Great band with lots of history. They put out an under the radar CD called and Furthurmore about 20 years ago that never seems to come up in discussion, but I'd personally put it above Burgers. I think it was recorded during the 1998 Furthur Festival tour or something like that. Long out of print, but I bet of you poke around it will present itself...

Hot Tuna seems to be putting out newly released digital only shows like mad these days.. It seems every other day Tuna or King Crimson are letting something slip out of their vault.. Perhaps I should start buying more of them..

Good timing for a palate cleanser, no new GD music for a couple weeks...

https://www.amazon.com/Furthurmore-Hot-Tuna/dp/B00001U05F/ref=sr_1_1?ke…

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I forgot about that one KF, thanks for the reminder. I just put on the whole kit 'n kaboodle. I think '91 was their best year since '77.

KF that ppst you wrote with list of Philly shows you went to. You seriously had tickets to a Motley Crue show and didn't go in so you could do balloons? Did you just lose track of the time or what happened that's crazy.

Jim I did not picture you as a reading glasses guy :8

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Your from Sudbury right? You feeling this rain/wind storm? 10-4 in Framingham.

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14 years 8 months

In reply to by carlo13

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Springfield

Just saying

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14 years 8 months

In reply to by stoltzfus

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Theres a lot of CRAP on TV

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7 years 4 months
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It's Iko Iko on this box set. Weird how they change the spelling of it from time to time.

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16 years 9 months
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Down in Stamford CT for work, wow what a storm and wind and rain the last 5 hours!!! What a way to end the first set of this show. I was there, wet cold and tired after the first hot day followed by two days of non stop rain!! Lawn seats so no shelter.... Watch it on Youtube..Jerry's vocals on Desolation Row will just melt you if you have never listened to this version or not a fan of this song. Just listen to "Between the windows of the sea where lovely mermaids flow".... with Jerry singing along.. And then the Deal is just insane... the jam is awesome... my friend from Vermont that was with me was cooked and wanted to leave, and i said you won't want to after you hear this song....... we didn't.. be safe New England friends... Bob t

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