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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • jrf68@hotmail.com
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    Did you old fuckers eat the brown acid or what ???

    At this point, with all you whiney old-timers just bashing everything and trying soooo hard to ruin the fun for everybody else I'll poke the pissy bear again.
    I'm glad the DEAD invited me to THEIR party(not yours) and while I had fun, life altering experiences, now I'm kinda glad and laughing that "I killed" the real DEAD.
    F.U. and the old crotchety horses you all rode on.
    What a bunch of clowns. Ha!
    :O)

  • Vguy72
    Joined:
    Just to clarify....

    ....I'm one of those "newer" fans. Have a Grate evening.
    E.T. Phone home.
    I was kinda happy that they would finally release a late era box. Yet also scared because of the eventual backlash. Amazing.
    Another late era box will most likely never happen. So get em while they're hot (shite).

  • SkullTrip
    Joined:
    Cha-Ching!

    Well, I just saved 150 bucks.
    And to celebrate, I'ma play the June 77 box.
    Nice and LOUD.

    They say hindsight is 2020. Maybe next year.

  • rbmunkin
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    I'll pass

    The description of this set itself explains why the Dead weren't very good in the '80's to '90's. The new fan base brought them down to the lowest common denominator. MTV and it's fans ruined music. I won't bother with what is sure to be mostly "phoned in" shows for mass consumption.

  • Vguy72
    Joined:
    For everyone's information....

    ....the Grateful Dead didn't stop playing in 1977. Or 1974. Or 1972. Or 1970. They stopped playing in 1995. Imagine if Jerry lived on. Then imagine the reaction if a 1999 Grateful Dead show was released now? It would probably be considered like.....super-garbage? I don't get it.
    I got what I wanted. The Ark will happen eventually. Just hang on.
    I like it all. Even the "shitty" Dead. All 48 tracks of them.

  • muleskinner_blues
    Joined:
    Hey, this isn't where I parked my car..

    Ok cool.

    I was skeptical at first, I find the connection tenuous in the sense of consecutive shows across multiple years in a 65,000 seat arena, but shortly came around to the idea of multiple years of shows in good quality that people think highly of.

    I love the connective tissue in releases like Europe '72, Spring '90 or even PNW '73/74, so I'm still not completely sold on (to me) an impersonal stadium across 5 years, but I'm more excited about the specific shows and the Blu-Ray as I read about them.

    Brent > Vince/Bruce, I'm supportive as a neophyte still taking on anything I can get. Listening to GarciaLive 11 Deal from 1993 right now, I love the comment earlier about how this set matches the year of Jerry on the Eel. Happy birthday!

    Brent, Vince, Bruce, anyways, I love it. Glad to see them represented, I want to hear it all. I don't blame anyone that isn't a fan, but I'm on board.

    No you can't find it in no night club or no yacht club
    And it ain't in the seats of a supper club
    And sure as hell you're bound to tell
    That no matter how hard you rub
    You just ain't a-gonna find it on yer ticket stub

    I'd never have expected them to strike a deal with Dylan & Co for his set of 7/12/87, but it's still too bad. Jerry and the boys pushing him to some rarities and ultimately the advent of the Neverending Tour in 1988 (check out Chronicles), not to mention the first Tomorrow is a Long Time since 4/12/63 Town Hall NYC, featuring Jerry on pedal steel for the first time in 15 years. Switching now to the Dylan boot of 7/12/87, I presume ya'll have it if you want it but I'm more than happy to provide if not, from the Dylan side of the road...got 4/12/63 too, and that should not be missed, period motherfucker. That's the one with the Last Thoughts on Woody Guthrie..

    And though it's only my opinion
    I may be right or wrong
    You'll find them both
    In the Grand Canyon
    At sundown

  • daveyboy_26
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    I'm just not buying Dave's…

    I'm just not buying Dave's hyperbole after the most recent Dave's Picks. Its a decent show but in my opinion not even in same orbit as the Fillmore East show that preceded it. He's gotta sell/move product I guess.
    This boxed set is a pass for me.

  • Trainwrecked
    Joined:
    Garbage is right

    Well maybe they mixed Brent out since its multtrack. Im happy for the people that got their wish, but I just cant stand it. I was at 2 of these shows, had a blast, but being there and hearing a palyback are 2 separate things. It ain't selling out by Monday. Right in the nuts.

  • Gratefulhan
    Joined:
    I dig the 2019 Box!

    I have followed the discussion of gueses of wgatc6the box would be on the DaP 31 comments. I am fairly certain someone called this correctly or very close to it. Who ever you are nice work!

    So I bought the blu rey version without hesitation. I am excited simply because I really got turned on the summer 91 tour about a year ago, so that is enticing on it's own. I only got to see the Dead with Vince so essentially he is my guy. I have able to have seen Bruce in post Jerry line ups and he is just great. So once I started to explore 91 shows they just clicked for me. Now having 2 more summer 89 shows is great, really can't go wrong there. Adding that 87 show is the icing on the cake. Admittedly I am not as much if a fan of 87 shows. I had many in tapes back in the day and besides 9/18, I remember an 87 Foxboro show standing out. Also TPTB have only released 3 87 shows with one being the aforementioned 9/18 show, plus the View from the Vault shows. I think this box set is covering a lot of good ground musically so it is win for me.

    I ended up skipping the MUATM this evening. Although it would have been cool to have watched the 6/17 show on the big screen, I am feeling good that I will be able to watch it whenever I want on blu Rey. More importantly I spent the early afternoon with my wife visiting and catching up with one of my buddies, his wife and kids. I dont get to see many of my friends too often just due to work and life responsibilities...never know when some one will not be on this Earth anymore so I try to make time to see people. So after spending that time with my buddy, my wife and I got a bite to eat and went home. I am now going to fine tune myself, spin a few shows and relax. This is a good way to start The Days Between.

    Peace to you all...

  • SPACEBROTHER
    Joined:
    Nevilles

    In light of the passing of Art "Papa Funk" Neville and the guest appearance on the later half of 7/10/89 2nd Set, this set takes on an especially important tribute (for me anyways) to another legend gone. R.I.P. Papa Funk.

    Similar to Dave's experience with coming into the Dead, I came onboard in 84 at 16 years old. Caught my 2nd and 3rd shows at Alpine in 86 then 4th thru 6th at Alpine 87 a couple of weeks before this 87 Giants show.

    Caught 1 show in 88 at Buckeye , then by 89 started upping my attendance by attending multiple shows on multiple tours. All in all about 50 shows between 84 to 95 plus two JGB shows in 91.

    87 through 91 was filled with consistently fantastic music from what I attended and know these Giants shows are all A+++ Dead.

    Thank you for releasing this. Now back to my Neville binge.

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6 years 7 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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3/24/73 Philly Spectrum seems to be the final release of this year.

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16 years 5 months

In reply to by jaydoublu

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For something a little different try Gimme Some Lovin' from Traffic's live album, Welcome to the Canteen. Good chance you will get up and dance!

Take care...

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In reply to by carlo13

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Carlo...that's me in Sudbury (VGuy = Vegas Guy; aka Senator-in-the-making) - we recently moved here about a month and a half ago. Naughty storm last night indeed; we now live in the middle of the woods and the trees were a-swayin' for sure. Our driveway is littered with tree-fallen detritus.

Speaking of the move, we've finally nailed down a date for our Homecoming Bash - Saturday November 9th. Any locals on this board who may have an interest in a swing-through, open invite!

Welcome to the Canteen is a great album; my first Traffic.

Sixtus

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First recorded by James "Sugar Boy" Crawford in 1953 as Jock-A-Mo. Copyrighted as "Iko"
Here's some interesting background though; "Aiko" may be closer to the original Mardi-Gras chant:

https://www.youtube.com/watch?v=Hj6-irrsnsw

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Iko seems logical, not Aiko

I had a button that read Aiko Aiko, with an Eye of Horus on it.

I had a coworker named Aiko (her true name), so I gave the button to her.

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In reply to by JimInMD

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I can not afford to come to this site anymore! Jim, you had me look up And Futhermore, simply because you said "out of print",,, a challenge I had to investigate. And there, on Amazon, used, like new, out of Georgia for only 20 bucks. Had to buy! Checked my Hot Tuna folder and found woefully under represented. So I checked out Burgers, said WTF and dropped in cart. Then this box set comes up, everything a sucker like me wants. Limited and gimmicky, WITH RARE photos, not the common ones you have in your daddy's bottom drawer. So this week alone on Hot Tuna you bastards have made me spend about 125 bucks.

Thanks!??

box set infor

Limited numbered 12 x 12 LP size box set containing eight original albums on hi-def CDs in cardboard mini LP sleeves: Hot Tuna, First Pull Up Then Pull Down, Burgers, The Phosphorescent Rat, Yellow Fever, Americas Choice, Hoppkorv and Double Dose (two CD set includes the full live performance). The boxset also includes an LP size luxury 28 pages booklet with liner notes by Richie Unterberger, rare photos and memorabilia, reproduction of the original eight LPs album art in a 12 format and original Art 1 x 2 tour poster designed exclusively for this boxset by legendary graphic and poster designer Dennis Loren.

....for $9.95 per month for Spotify Dennis, you can get a shitload of live shows!!
And yes. Vguy is born and raised in Sin City. Moved to Elko, Nevada for three years then realized i hate the cold. Went back to being a desert rat. Plus, Eguy doesn't have the same ring.

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Ah. I did not remember who, so I took a shot. Lots of damage around here and no power. Thanks for the invite too.

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In reply to by Vguy72

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Has anyone come up with a way to record what you are listening to on spotify? Short of having a reel to reel recorder plugged into your pc.

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You know what they say, Dennis - a collector and his money are soon parted.

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Box finally arrived in Scotland today number 05913. Import charges of £44 but overall will still be cheaper than buying off ebay when one appears. Glad the box is smaller as I have run out of room on top of all my units. Listened to the first show this afternoon while doing other things and enjoyed it but looking forward to a proper listen with headphones. Happy listening for the next few days and will save the Blu ray for last.

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#8801 arrived late this afternoon at the Isle of Fehmarn in Northern Germany.
UPS charged total EUR 45,86 for VAT, Taxes and their rip off fee (EUR 11,50).
Box looks fine but half of the CDs are full of cratches. Checking the worst one
at the moment sounds fine, no skippings.
Takes 3 delivery days this time from the US to my hometown.
Waiting now for DP32.
By the way: Last five on my players:
Dead - East Rutherfords 06/17/91
Dead- By the time we got to Woodstock (Vinyl)
Dead - Boston Tea Party 12/31/69
ABB - Bear's Sonic (Fillmore 70) Vinyl
Neil Young - Hamburg 1989 Vinyl

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In reply to by icecrmcnkd

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Theft from the new warehouse.
(Pure speculation on my part).

Found this on the message board for problems with GD store orders.

———————-

August 30, 2019 - 4:29pm#2
WHISKYHAWK

Joined:
November 27, 2013

Still Waiting For DaP 30 To Be Delivered
Anyone else having this issue?

Per Dead.net Customer Service, 'Our new warehouse has advised that they have been unable to locate any numbered copies of Dave’s Picks Volume 30. With that confirmation, we have decided to produce a small, separately-numbered run of this title. We will use these copies to replace your missing or damaged Dave’s Picks Volume 30 shipment. Our production team has advised that the new, limited-edition run will be available in 2 months. "

Well, it's been two months and no word, no communication. Very frustrating.

——————-

How do you lose a batch of numbered copies?

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Last Five
GD - 2/27/69
Dire Wolves - Grow Towards The Light
Rush - Permanent Waves
Jethro Tull - Stand Up
Sly and the Family Stone - Stand

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In reply to by carlo13

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Ha!! For what it's worth, I really like Furthurmore, honestly my favorite Hot Tuna CD or I wouldn't have brought it up. The first 8 or 9 songs are simply outstanding and it's an off the radar sort of release. Great album art too.. notice the fish on the cover does not have a beard nor a skeleton head.

One other ill-related artwork comment.. I love the CD art on Dave's Picks 32. The real attraction is skeleton is peering into a bright orb of some sort that gives him clarity into the Spectrum. So bright in fact you really cannot tell if the skeleton has a beard or not.. so all the fans of bearded skeletons should be fine with it.. on the other hand, if the skeleton has a beard, you cannot see it. Win/Win.

I don't have Spotify, but doing a quick google search it looks like there's a product called Spotify Downloader that streams to file. I bet lossy though, most of these are. For what it's worth, WinAmp lets you stream lossless to file from the archive. Not that I would ever do that.. All the soundboards circulate pretty freely, you just gotta poke around.

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Great album Charlie3. I think Permanent Waves and Moving Pictures sound exactly the same. Like they could have been a double album.

I had seen Rush on every tour since Power Windows, and at that point in their touring career they didn't really go too deep into their "classic" albums. The tour would consist of 2/3 or more of the album they were supporting, plus all of their radio hits. There would usually be one somewhat deeper cut, like Xanadu or La Villa Strangiato or even the Prelude to Hemispheres (all truncated to some extent).

And then along came the Test for Echo tour, and one of the greatest live rock bands in the world kicked it up a notch, threw away the standard two hour concert plus opening act nobody was interested in, and they started playing two sets with an intermission in between. Total amount of Rush music went up from two hours to two and a half hours, maybe even a little bit more. And the deeper cut started coming out. I had second row seats the first time I saw them on this tour. As if the unexpected full rendition of 2112 to end the first set wasn't enough, they blew us away with Natural Science from permanent waves in the second set. That song hadn't been played since permanent waves came out, around 16 years prior. And there were no live albums with that track. Hope you got to see that one. They began to play it often after that, right up until retirement.

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Keithfan2112, yes, Permanent Waves is a great album from start to finish. I was a casual Rush fan early in high school, early '80's, before getting into the Dead. I had Signals and Moving Pictures on cassette and Exit Stage Left on vinyl, which I still have. Listened to a bit of Yes during that time as well. When I switched to CD's I picked up a Rush greatest hits collection and didn't really listen to a lot of Rush. Actually, Kiethfan2112, it was some of your Rush related posts that got me thinking I ought to start filling in the Rush collection and revisiting Moving Pictures and Exit Stage Left. At this point I have everything from Permanent Waves to Signals. I suspect it's just a matter of time till I pick up most or all of Rush's albums up to Signals, maybe beyond. I always dug Signals.

On a tangent, if you haven't already, check out the movie "I Love You Man" with Paul Rudd and Jason Segal. The movie is not about Rush, but the two main characters are Rush fans. Nothing ground breaking, but it's a pretty funny movie. It amused me anyway.

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...lot of time on the school bus, high as a kite, blasting that album through my Sony Walkman at ear damaging levels. Good times..

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First but not last. Last 5. 1. The canned heat cookbook 2. Donovan-Troubadour 64'-76'. 3. CSNY 1974 tour. 4. Jimi hendrix band of gypsys 5. Wagner- Tristan und isolde.

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They're the same song . . .

Kind of like Shakedown and Feel Like a Stranger are the same song.

And the women ARE smarter, as I've come to realize . . .

Jockamo was originally written by James "Sugarboy" Crawford in 1953, and the Dixie Cups recorded a song called Iko Iko in 1965 that stole the rhythm and most of the lyrics straight from Jockamo. In 1967, Crawford settled a lawsuit which gave him a cut of royalties on performances, but lost any claim to authorship. Even worse, the Dixie Cups sued somebody 30 years later for claiming authorship, and they established sole authorship, even though they had ripped it off. Man Smart uses a similar rhythm, which Iko/Jockamo is a Cajun beat, and Man Smart uses a Calypso beat, which are very similar and the Bo Diddley beat is pretty close to it as well. Man Smart was written in the 1930s, but became popular in 1956 when Harry Belafonte did it, three years after after Crawford wrote and recorded Jockamo. And the Bo Diddley beat is from 1955, which Buddy Holly stole in 1957 for Not Fade Away (though Norman Petty, Holly's producer stole a writing credit on the song by simply putting his name on it).

Stranger and Shakedown are quite different to me. Feel Like a Stranger is very similar to Fly Like an Eagle though, except for the move to C#m on the second part of the riff.

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I listened to 10/19/71 again yesterday-it never fails to impress. The first show that Keith played and no less than 6 new songs. The country rock songs rattle along at a fair old pace, and the Other One is the show case jam-unique with Keith on organ. Its not perfect, some of it seems a bit rushed, but there is a real sense that the band has started a new beginning, and knows it.
Great period, Fall 1971, with many top shows-some of which have been Dave's Picks of course. But not necessarily the best shows.

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Got it for Christmas 1982. I was 10. Only knew Tom Sawyer from the year before, and Subdivisions was on the radio a lot. I used to pop on side 1 and listen to Subdivisions and The Analog Kid, then put on Who Are You. By '86 I was all caught up and saw them on the Power Windows Tour (first of many). Signals is one of my favs. Just saw a great bootkeg vid from Montreal night 2 of the Signals tour on youtube. I say great in that it is okay sound with Neil high in the mix and far away grainy video from directly across the stage second level. So you can't make out their faces or anything but it's great because the sound is good enough and it's nostalgic. And you can see Neil work the acoustic drums for the last time before he started to integrate electronic drums into his kit. They to seven out of eight tracks from signals and stuff like the camera eye and Xanadu. And it's just incredible watching Neil work. Not for everyone, but definitely worth checking out a few songs if you're a rush fan. The setlist is un freakin real

Charlie3, as your attorney I advise you pick up 2112 ASAP.

I would also like to see them release 7/25/74 soon, and 6/23/74, so we can have all of the '74 Dark Stars (we have a partial of 6/23 on So Many Roads). But after listening to 6/30/74 last night on soundboard, I say go for it.

Daverock, I listen to that show couple times. Pretty cool listen to Keith play the organ. His first dark stars on Dave's Picks 3. Agree all the way, it's a great time for the band, and a nice show to check out.

I always liked the flow and groove in Iko better, the jams seemed more fluid as well. Women are Smarter was another one of those songs that seemed to come in the rotation just a touch too much when I was seeing shows.

Just my opinion.

As for Rush, one of the first concerts I saw somewhere between 80 and 82?? It was at the Capital Centre.. Looking over the setlists, my guess is 81 because they played a good bit of 2112. I saw them before the GD.. just once. Every time they came around I tried to see them and failed for a host in hindsight poor and invalid of reasons. Well, at least I got to see them once.

As for the subject matter for Women are Smarter.. yin and yang, without the counter balance of one the other can wreak much havoc.

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In reply to by KeithFan2112

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Speaking of fall 71, does anyone know what’s up with the Real Gone/Discogs rerelease?
They were spitting them out pretty regularly backwards through3.4. 3.3 was released but took a while. 3.2 should of come out by now? I have copies but would like to get the “real” ones to fill in the collection....

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In reply to by Oroborous

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I would love to see them re-release some of the bonus discs. I have them all, but some (many) are as good or better than the source release. I'd love to see more that missed them way back get them.

I guess with respect to bonus discs they should call themselves Really Gone in stead of Real Gone.

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I realized that I spaced that one in my earlier post, I actually had, and still have, 2112 on vinyl.

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In reply to by Charlie3

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happy 30th anniversary to one of my favorite runs - 10/18-10/20 1989 at the (you guessed it) Spectrum!

I used to think we'd never see these shows released, but I truly think there are only a handful of years the dead can really blow out releases from individual years (69, 72, 73, 74, 77, 89, 90) so I'm still holding out hope!

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I don't know if we have ever ranked as our favorites on here but here are mine.

10/18/74 Set II out of Phil and Ned, Dark Star and Morning Dew
10/16/74 Bob's bday plus Playin Phil & Ned into Wharf Rat> Eyes, reverse of 9/11/74 London Jam
10/19/74 Great first set!!! Uncle John's, Tomorrow is Forever, Sugar Magnolia through Sunshine Daydream
10/17/74 Keith's piano lid crashing down!!! Awesome He's Gone>Other One>Spanish Jam>MLB Jam>Other One
10/20/74 Cold Rain & Snow, NFA, return of Good Lovin, Half Step #2 encore

So many good songs... the jams out of Phil & Ned are amazing... Have a good weekend everyone.. Bob t

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These are an absolutely wonderful run of shows with great renditions of many songs. The 10/19 Eyes is my favorite, The China > Rider from 10/17 is ripping and there is monster Playin' clocking in at the 30 min plus mark. However as many have said the 2nd set on 10/18 is the best. Leave it to the Dead to make the 2nd set on 3rd show of a 5 night run to be so epic. It truly is the epicenter of the whole run and it especially represents much of the band's career to that point.

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In reply to by 80sfan

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What he said! Boo-yah! Come on Dave...tap,tap,tap, (that’s the sound of my foot tapping 😃

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9 years 1 month

In reply to by icecrmcnkd

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I highly recommend the Rush 40 BluRay Box.

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8 years 1 month

In reply to by JimInMD

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The remastered and expanded Grateful Dead Movie in Blu-ray is one of my favorites and I love the bonus material. There is just something about that opening when they break into the live performance of US Blues and the crowd is going nuts, just love it. Jerry is so thin.
If I could go back in time I would for sure be hanging out with the guy in the overhauls with the chicklets! 🤠.

And the five disc release is fantastic. If you don't have it, get it. $29 on Amazon and better than other 74 out of production releases.

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7 years 7 months
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Thanks for the reminder. I just picked up this movie on amazon as we talk. I lost the vhs tape years ago. Plus the 1-1/2 hour extras makes it a no brainer. Just like me.

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8 years 1 month

In reply to by carlo13

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Good call Carlo, the Blu-ray is a huge upgrade. You wouldn't be disappointed.

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14 years 10 months

In reply to by stoltzfus

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As a school employee, I am required to take yearly online trainings about this and that

Because of time management, I am currently watching "preventing adult sexual misconduct."

Not quite the same as a 73 or 74 eyes of the world

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10 years 4 months
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Hi marye. I ordered a couple of Halloween t-shirts about a month ago. When I look up my order numbers the status is "pending". I am a U.S. resident. Do you know if these will arrive by Halloween?

Thanks
KeithFan

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17 years 5 months

In reply to by JimInMD

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I thought that was you Jim! Nice Bong by the way.

DEADVIKES; when I was a kid starting out I wanted to be that guy....he was our Veteran archetype...
Eventually we sorta were😃

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