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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    My disappearance didn't take

    Those who diss 9 2 83

    You are WRONG.

    Plenty hot.

  • carlo13
    Joined:
    Keithfan the wallbanger

    I was a freshman in H.S. at this time. I remember my uncle buddy had a homemade stereo and amp. With the colored lights and switches and the black and white 'the who' poster with the arrow pointing up from the big H. I also remember he had a Harvey wallbanger poster in 1974 which was the new cocktail at the time. Orange juice and Galliano. The old days.

  • KeithFan2112
    Joined:
    This guitar only has seconds to live....

    Daverock, hats off for knowing Pete's studio guitar on Who's Next. I bought the LP in October of '83 (I can remember an astounding number of dates up through college years). I was in 6th grade at the time, and had gotten into The Who shortly after It's Hard came out the previous year. I remember being hooked on Athena from the radio, and then Christmas of '82 I went up to Buffalo, where my extended family lived. My cousin and I spent most of our days listening to music (and eventually, most of our nights drinking). Well that year we delved into my Uncle's album collection, which consisted of at least 7 crates of rock music. He put on Baba O'Riley from The Concerts for the People of Kampuchea (excellent live version in their first touring year without Moon). We just kept playing it over and over, probably 20 times that week. I think it's safe to say that's when I became a Who-Head.

    Anyway, I'm babbling at this point, but let it suffice to say I eventually bought the Who's Next Deluxe Version, and learned through the extensive liner notes the history behind Lifehouse; the abandoned Who's Next recording sessions from the Record Plant in NY (featuring Leslie West on several of tracks; AND the the Gretsch 6120 he used to record the album, which was given to him by Joe Walsh.

    Rare trivia that perhaps only one other person I could think of other than Uncle Gary might be aware of off the top of their head, and that is Kevin Brandon, who posts here periodically and is also a Who-head.

  • Vguy72
    Joined:
    Marye's Wonder Woman comment....

    ....has left me scratching my head. 1984? Which is the name of the new movie?

  • KeithFan2112
    Joined:
    Ha marye

    Took me a minute to get your Wonder Woman comment, but now I'm up to speed.

    Checking out 12/12/72. I've had the Bird Song in a 73/74 Bird Song folder awhile, but the time's come to get more of the show in. With limited time on my hands, it's always the (75% of the time) reduced audio quality of the soundboard recordings that send me into the Normanized archives. But the tracks I grabbed from this 12/12/72 show (aka Return To Winterland) sound pretty solid from an audiophile standpoint.

    Me and Bobby McGee - exceptionally good I would venture to say.

    Tennessee Jed - this song has been steadily growing on me for 5 years. 1972-73 is real nice. It's the instrumental jam about 4 or minutes in

    Playing In The Band - as good as the Europe 72 versions are, they get longer as the year goes on, and they good longer in a rocked out jammin kind of way, as opposed to a spaced-out jazzy kind of way (which believe you me has its place in Dead Greatness).

    Even Around and Around sounds great.

    That's as far as I've gotten.....Keith is raging loud. I wonder if Betty recorded this. They're really all pretty much raging loud.

    I'm sure none of this 12/12/72 business isn't news to a lot of you, but it's melting my face at the moment so I thought I'd pass it along.

    **************************
    And Now For Something
    Completely Different
    **************************
    It would be awesome if they made software that allowed you to make your own mix from a multi-track source, and the CDs (like Veneta) came with a second CD / DVD that contained each of the tracks. Then you just open your software program, put your DVD in your drive on your computer, and load the tracks for each song. From there a virtual soundboard would come up that allows you to start mixing. Even cooler would be if there were effects you could put on each of the tracks. I would turn up Jerry and add more distortion in a lot of spots. I would turn Keith up on most of Europe '72, I would substitute Donna's scream on Playing in the Band with Daltrey's from Won't Get Fooled Again. I would have multiple mixes for all songs. Turn up Billy for that "rock out hard" mix.

  • daverock
    Joined:
    The devils in the detail

    Keith - I agree that The Who only really found their live sound once Townsend strapped on a Gibson SG. On the original studio album of Tommy, they still sound like a pop band to me. On Live At Leeds/Hull/Isle of Wight they were well and truly rocking out, 70s style. For better or worse.

    Interestingly ( if you are a nerd like me) the SG that Pete played actually had single coil pickups - P90s. Other players who used SGs with P90s on their early albums were Robbie Krieger, Santana and, surprisingly, Tony Iommi of Black Sabbath. And he had a sound that could topple a factory.

    Also...Pete's premier studio axe in the 1970s seems to have been a Gretsch 6120, albeit one loaded with humbucking filter tron pickups. That great guitar sound on Won't Get Fooled Again?...its a Gretsch Chet Atkins Country Gentleman by all accounts.

  • marye
    Joined:
    Wonder Woman
    has left the building. Moving right along...
  • KeithFan2112
    Joined:
    Guitars

    I am on the same wavelength as LedDed as far as Jerry and the Alligator Nash Strat (the Fender Strat has that smoothness about it that suited Jerry's style so well). Somebody on this site recently said that they couldn't think of anyone who made a Stratocaster sound as good as Jerry did (it may have even been LedDef). That comment stuck with me.

    But I also love the pure power and volume of the the SG that Daverock talks about. I think it's a toss up between Pete Townshend and Angus Young on who put that sound to greatest effect, as far as overall career impact. Townshend built an empire on it that far outlived his personal use of the guitar; you've only to listen to Live at Leeds or Isle of Wight '70 to appreciate what the SG did for The Who in '69 / '70. It's the guitar that gave Tommy a set of balls. It played a very similar role in the Dead's evolution as a band, and IMHO may have been the most impactfing facet of the Live Dead sound and success (along with the record's engineering distinction as the first live 16 track recording - this brought out an incredible "harmonic" that was spearheaded by the SG).

    But for me, the real magic would be taking somebody with the artistic virtuoso talent that might be very well suited for that smooth polished sound of the Fender Strat, and placing the Gibson SG in his hands. Imagine that. If only such a player existied. A slick player who is both fast and gentle, picking through the glowing hot interlacings of those sharp SG strings and unforgiving pickups. Whew. And then if he could glide seamlessly from lead to rhythm at need (whatever it took to serve the song). But alas, no such man exists.
    Just a fantasy band, so I may as well take a step further and pair this divinely talented wielder of the SG with a tight riff-master who could lay simple but tasty groundwork for our lead player to weave his way over, under, and alongside . Then you'd have the makings for something extraordinary and unparalleled. But this kind of talent.... simply...... doesn't...... wait.....he does exist! And his name is Reggie Hammond. No wait, that's a movie. His name is Mick Taylor.

  • daverock
    Joined:
    Great guitars

    I would say I prefer single coil guitars to humbuckers generally-although my tastes are more inclined towards telecasters than strats. I could list dozens of players, but mention of the great Otis Redding puts me in mind of Steve Cropper of the MGs, and all the great records he played on with Otis, and at Stax generally during the 60s.

    For pure sound + eye candy a large bodied Gretsch is hard to beat-especially a 6120 or a White Falcon. I'm lucky enough to have a 6120 with a single coil dynasonic at the bridge and a P90 at the neck, a la Eddie Cochran. I'm no great shakes on the guitar...but you wouldn't believe the sound this thing makes. You can get slapback echo even before you plug it in.

    With Jerrys SG I just liked the sound of the single string solos he did with it. You could perform open heart surgery with that tone.

  • Thats_Otis
    Joined:
    Let me c'mon home...

    ... Everyone that reads this message should go immediately to the nearest way they can listen to Otis Redding. I promise you will be happier after than you were before. G'damn MG's!

    Peace

    - Otis? I think he was only 26 when he passed... plane crash. Tell me he doesn't sing like a man that knows about it all. Kinda like Jerry.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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17 years 4 months

In reply to by carlo13

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You evil bastard! Your an enabler! Turning those poor kids down the road of never ending want, no, need! Lol 😆

Edit; davidsdavis....cool link!

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Nice to see that DP 19 is still popular , I’ve said it before but this show just about has everything a deadhead could want .Guilty pleasures moment :- large G&T with DAP 16 & 21 and Donna singing you ain’t women enough . I know she has her doubters but I for one think she’s the cat’s wishers 😺

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In reply to by perithecat

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C’mon wales 🏴󠁧󠁢󠁷󠁬󠁳󠁿 on Sunday morning 🏉

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14 years 9 months

In reply to by perithecat

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on this bloomin website
dodging work
yes, and wasting time

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PeritheCat, those versions of You Ain't Woman Enough from DaP 16 & 21 are awesome, Donna nails it. Been digging them since those releases came out.

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10 years 8 months

In reply to by davidadavis@gm…

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That's the spirit... after the Colt Park show, and we had ingested fairly large amts of Drivin' that Train, we (well, two of us) ran at full tilt to the parking lot because ... we were superhuman, i.e., young.

God bless public transit. I hate driving on LSD and, um, blow.

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7 years 6 months
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It seems you need a fire plan that best suits your needs for your physical Daps and boxes. Perhaps an airplane inflatable escape chute if you live on a 2nd or higher apartment or house. Most of us on this site have been prepared for this sort of likely predicament.

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9 years

In reply to by carlo13

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I believe it was called Rocket Vault.
I forgot who proposed it, but if your collection was in the jeopardy, the rocket vault would launch into low earth orbit and wait there for you to call it back when things were safe.

A go fund me page?..........

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7 years 6 months
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That right. I fogot the name of this wonderful device. I think its back in stock.

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5 years 6 months
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I noticed trainwreck was a being a lttle bit lascivious! That's a great word you taught me. Humbled me right up. You better let him know ;-)

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6 years 9 months
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Just be yourself. Where's your regular pic? A woman showing off hairy armpits is kind of like getting a glimpse of bush. That's the pic you ought to go for, not Snoopy on a doghouse.

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9 years 1 month
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Unfortunately after my initial post about the Rock-It Vault on the Giant Box Set thread I was contacted by a government agency and ordered to cease and desist production of the product and all prototypes were seized.

Well, that’s it I guess for the rocket vault......but!......there still could be some potential growth opportunities in Keithfan’s trained Black Lab emergency evacuation. Woof!

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10 years 2 months

In reply to by HippieChick

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Lascivious and lubricious!

Opened the day with the immortal acid/folk classic "Hatched" by Fresh Maggots. I fear another viewing of "Blood on Satan's Claw" may be on the way. British summertime ends tonight. Good ! Time to rock . And roll on Dave's Picks.

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Oroboro - I have my HD backed up and offsite several times over. I think I have about 7 copies scattered across America. On the home front my backup drive is only attached when backups are being done. My "live" copy is in my desktop. I too wasn't sure about the 1K HD,,,, I generally buy 8TB drives for under 200,,, maybe 160-ish. I have a ton of shit on official cds and could re-rip, BUT, I have 10 tons of shit I don't have cd's of. The massive amount I copied from the library, all the live shows I've downloaded from the archive. I'd be shattered if I lost it all. I got over 20 years in this digital copy!

Hey Pericat, stop with all the G&T references! Between surgery, infections, and future colon looks I'm gonna end up dry for about another 2 weeks,,,, and it's already been 3 weeks. I sure could use a nice one, dry nights at work make for a LOOOOONNNNNNNGGGGGGG night! Good thing I have tabs to keep me going!

Hell, one more thing.....

Anyone big on Melvin Sparks? Recently I scooped all versions of "ain't no sunshine" from my collection, maybe 15 different cuts, one of them was Melvin and his band doing it. Really like the sound of it.

https://archive.org/details/msb1998-11-21.dsbd.flac16

Found I had downloaded all available shows from the archive, but had no studio work. Just bought his album "what you hear is what you get", only one listen so far, but nice. Anyone else hot on this guy?

Better safe than sorry eh? I feel like it’s when your deciding right before the cut off for buying beer, “do we need 2 cases, or should we get three”?.......Better to have too much than not enough!

Melvin Motherjumpin’ Sparks, yaaasssss! I got totally obsessed with Soul Jazz, I don’t like “Acid Jazz”, it doesn’t seem as appropriate to me, fuckimg labels. Some call it Jazz with a backbeat....So about 5-7 years ago I Read this thing in Rolling Stone with Michael Chabon about his upcoming (at the time) book Telegraph Avenue, (great book by the way) about a dude who runs a record shop. Anyway, he gets all into this Soul Jazz stuff and so I got really into it, great, great stuff. Melvin, Idris Muhammad, The Mighty Burner Charles Earling, Donald Byrd, Grover Washington Jr. before he went all Kenny G, Leon Spencer, Dr Lonny Smith etc, so much amazing stuff. Very related to the Stuff Jerry and Merl were doing back then about the same time in the early to mid 70s....if you research it at all it’s so cool what a tight community they had. They all played on each other’s records and gigs. Some of my favorite music of all time!
It was like a Dead binge that lasted at least a year..
So I enjoyed the link because I have some albums but hadn’t really heard any live stuff. Careful, it’s really easy to get sucked down that rabbit hole!
Hope your health shit is all good and your back on track sooner than later, and yasss, that pericat does make those G&Ts sound kinda Lubricious 😉

EDIT; Fresh Maggots.....they sound like a real panty droppers, lol. Daverock, your like an encyclopedia of Weird shit, which is nice!

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Haven't been on the site in a while, so hope everyone is doing well. Was just listening to the always outstanding Charlie Miller's master of 5/22/77, the complete show. And it got me to wondering why only parts of this gig were released as Dick's Picks 3. The whole show is top notch from beginning to end, as are most from that month. Seems a shame to only have a portion of this one officially released.

If anyone is in the know, clue me in. Inquiring minds want to know.

I think that the line of thinking with DP 1-3 was that “people don’t want to pay for 3 CD’s”. Recall that the early 90’s was still the transition from cassette to CD, and a single CD release was around $20.

I couldn’t really afford CD’s at that time, you know once you pay for the necessary items like cigarettes, beer, gas in the car, there wasn’t a lot of money left for CD’s. So I bought blank tapes and made copies of other people’s CD’s.
I did buy From The Vault II on CD when it came out, but everything else was tape copies until around 1997 when I bought all the earlier commercial CD releases that I was missing. I then bought all DP’s as they were announced in the paper GD Bulletin that came by snail mail.

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In reply to by icecrmcnkd

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Watch the Best Buy website, a few times a year hard drives go on sale for good prices. I recently saw a WD 10 TB for $160, and WD 8 TB for $140. They will be at a really low price for about a week, then go back up, then a few months later drop again.

I have 2 copies of backups on portable 5400 rpm HD’s at work, and a copy at home in a safe. The ‘in use’ HD’s are by the computers but only plugged in while being used. I have two RAID drives, each with two 6 GB WD Black HD’s mirrored as the master copies of AIFF and ALAC files. Also have HD’s with FLAC and AAC files. Those are all backed up on 7200 rpm HD’s, as well as the aforementioned 5400 rpm portables.
And I’m still paranoid about losing it all.
The reason for all the formats is various music players and my car which will play from a USB drive, but only lossy mp3, so I use ASC 320 kbps files which sound pretty good in the car.
I also make CD-R copies of the official releases and use those in the living room. The official releases are packed away in plastic crates.

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Not quiiiiiiite the same

But anyway

10 9 72

a little "not quite there"

So onward to 11 17 72

I have heard somewhere that thats a good show

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In reply to by icecrmcnkd

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Makes sense. I remember the transition from vinyl and cassette to CD all too well. Definitely pricey at the time, especially for those of us in the early stages of our trajectory. A double disc release was a big deal back then, and Dick's 3 falls right into that timeline. Maybe one day we'll get a newly mastered relaunch of the whole shebang.

On the subject of backups, sounds like we ride the same vibe. I've got every release on FLAC and ALAC with only a few in MP320 (specifically both Spring 90 box sets), plus it's all burned onto CD's to play instead of the originals as well. And all of my backups are backed up on backups that are backed up on back ups.

My greatest fear is that after society collapses, I'll be like Burgess Meredith in that Twilight Zone episode: surrounded by every note of Dead that I own with no way to listen to it.

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5 years 6 months
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Like I said you get the Logitech first :-) you definitely got the better end of the deal. Send me your email.

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9 years 1 month
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Great Twighlight Zone reference, I remember that episode well. I also think about societal collapse and no way to listen to my CD's, but there are a number of ways to generate enough electricity to address that problem. I fear the EMP/Solar Coronal Mass Ejection scenario more just due to the fact that most of the electronics would be fried, thereby placing additional obstacles between me and listening to my CD's. Another Carrington Event would be a real bummer. Time to invest in a massive faraday cage maybe.

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10 years 3 months
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I concur with ice cream cone kid. There's a whole bunch of articles with dick latvala on this one site, and in one of those he explains how the Grateful Dead were very particular about both the marketability of the two-track recordings and the quality of their performances when they first opened the vaults. From what I recall, Phil Lesh in particular had a very close ear on those early Dick's Picks releases. At the time, the conventional wisdom was that fans would not want to spend $25-$30 on a 3 disc mediocre sounding recording. I think even the stellar Betty Boards of 1977 were thought of as less marketable than a multi-track, and it seems they aired on the side of caution by keeping it to 2 discs. Even those two monsters at the Fillmore East were chopped up to ensure the "best songs" comprised the 3-disc set.

Even road trips took that conservative approach on, what half of them? But I suppose markets change too. It's been so long since we saw Jerry that I think most people just want the full show vis a vis - Dave's Picks. I know I'd rather have the whole show. But when I was a casual fan, I would have been okay with probably two-thirds of a show like Dave's Picks Volume 4, I'm happy not to spend the extra money. But I think the hardcore fans are driving the market now and so we're seeing complete shows as a rule, and increased production numbers in Dave's Picks just about every other year.

I have a house full of people for a Halloween party. Would rather have a bong hit in my headphones I'm sitting my glider chair with May 22nd 1977 complete in my ears. Not much of a talker.

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In reply to by Charlie3

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Thanks, Charlie3. Glad I'm not alone. Even though I consider myself a forward thinker, I never much worried about everything going to the proverbial Hell in a hand basket. But with the flagrant fuckery that's been afoot for a while now, it sadly seems imminent.

Almost everything I grew up with that was science fiction has become science fact and part of our day to day. Now they're talking robots being readily available within the next decade. Last damn thing I need is someone hacking into my domestic android so that it I can wake up to find it hovering over me in the middle of the night with glowing red eyes.

Guess I'll just keep enjoying the music while I can and continue backing up my backups.

Thanks for the additional info KeithFan. All seems about right. And I'd be right there beside you at the Halloween party. Much more my style.

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Well, looks like my number finally came up. I've always felt lucky that my Dead.Net orders arrived in a timely fashion and undamaged (aside from a rare few scratched discs, and those only recently with the past couple Dave's Picks).

But it's been almost three weeks since I ordered an extra Giants Stadium box set as a gift for a friend, and still no shipping notice. After numerous emails and phone calls, I finally received an apology via email. Seems Warners/Rhino put their faith in a warehouse that can't handle their business and, until they can, no shipping notice will be forthcoming.

After the last FUBAR warehouse horror, I'd think someone would have learned. But, hey -- I can cancel my oder if I don't feel like waiting. They completely understand.

Wonder how this will all play out with the new Dave's right around the corner and Ready or Not right after that.

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I just purchased the July 78' box. Only like 25 left. Anyone like this box. It seems worth it.

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Good get Carlo...obviously the 7/7/78 show is the crown jewel, but I have the Arrowhead and St Paul shows consistently in rotation, and the box/packaging is pretty sweet as well, you won't be disappointed. I'm still kind of surprised it's still available....Enjoy.

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Right on Washington, robbz. Strange it's still around, so I popped the wallet and wait for the show.

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17 years 4 months

In reply to by carlo13

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....money well spent. Top shelf artwork as well. Watch you get a # in the hundreds. Ha.

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9 years 1 month
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That box had some good shows and some particularly tasty versions of Estimated Prophet as I recall. Good call on picking it up before it sold out Carlo13, you won't regret it. As Vguy72 noted, the artwork on that box is top shelf, possibly my favorite box set art so far. And I will agree with what just about everyone else noted as well, that Arrowhead show is fantastic.

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Thanks guys. I'm really excited. All I know is that peggy-o is a real tear jerker.

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17 years 4 months

In reply to by carlo13

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....and some other shows from the seventh month in the year of our lord 1978.

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17 years 4 months

In reply to by SkullTrip

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Anyone remeber that movie Cherry 2000 with Melania Griffin......I so had a crush on the Cherry 2000, lol

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17 years 5 months
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Hey Carlo, you will not be disappointed with that box set. I got mine only a few months ago after a lengthy procrastination episode. I took the sage advice of many of the regular posters here. They are like high Jedi Master Council for the Grateful Dead. So when this crew says a show or box set is good, I trust 'em. Enjoy!

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12 years
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I chortle to myself about future world rendering all my digital shit useless. I envision turning my turntable by hand and having a straight pin stuck in a rolled cone of paper and listening to my vinyl. Quiet listening only, not much volume control on a tube of paper!

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10 years 2 months

In reply to by Gratefulhan

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Three of the best shows from 1978 in that there box. Maybe one of the reasons it works so well, for me, is that expectations are, or were, a bit lower for me concerning 78. Everyone and his mother knows about 1977, but 1978 is often written off a bit. But the best shows from this year are great, and with three of them (at least) in this box, its a win-win (win)situation.

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16 years 11 months
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Message me if you need one, I accidentally ordered 2 Subscriptions last October. Cost + shipping... Rainy Sunday here in New England. Also read the thread of the July 78 box. If you haven't ordered yet and there are only 25 left someone said... Get going.. it's that good!! Bob t

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14 years 9 months
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absolutely magnificent release.

I got mine
now you get yours

befo' they have no mo'
to sell

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16 years 11 months
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Don't know why but days like today in the fall with the leaves all orange, red and yellow, (rainy and grey all day) make me appreciate the song so much!! 11/11/73 Winterland playing now with all the outside elements helping... It's the perfect song or sound track for days like today in Rhode Island..

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Daverock summed it up perfectly. My expectations were pretty low on the 78 box, mostly due to my own unfamiliarity with that particular year, and also blurbs that I'd read about 78 shows being uneven at best and just plain bad at worst. But it knocked me sideways on first listen and quickly became a favorite. It also got me listening to more 78 in general.

While each show is great in its own way, 7/1, 7/3, and 7/7 get the most play, with 7/7 being the gem (for me at least).

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That 1978 box is just sweet. LOVE the Saint Paul show from it, but maybe it's just because I live there? Nah. That show straight rocks. LOVE the Saint Paul show from the 1977 box, too.

Minority opinion, but I don't mind when the release of a show that isn't a top-100 concert includes just the best moments. For me, some of the early 1973 shows only get interesting in the second set. They were playing basically every song they knew every night, so to my ear they understandably didn't go all out until they reached a point in the show where there was "only" an hour left. There's no way they could play hard for thirty songs, so I somewhat prefer later 1973, when they trimmed the setlist down, so that they could put the pedal to the metal almost from the get-go.

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I was always going back and forth at this item trying to convince myself if it was a good deal. It was not the money but the thought of it being put away and not being listened to enough but now thanks to all you guys I believe it was a good move. plus it's got arrowhead.

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13 years 4 months

In reply to by carlo13

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Soars from the very first note of the very first song in the very first show. There are some bobby slide hero moments.. but it's a gem. I am in the Arrowhead camp, but I really like the Estimated Eyes on 7/5 and both Red Rocks shows are spectacular.

It's a no-brainer.

I don't see this going for mega bucks on eBay simply because the release numbers are up.. but one things for sure. This will sell out over the next couple weeks and the price is going to do nothing but go up from there. For anyone out there that has a little scratch and is still on the fence, do yourself a favor.

product sku
081227924294
Product Magento URL
https://store.dead.net/music/dave-s-picks/dave-s-picks-vol-32-1.html