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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    ok, just listened to Hemispheres and 2112 side one

    every time I hear the last few minutes of 2112 side one, I get goose bumps and chills. every time.

    every time.

    RIP, Neil.

  • icecrmcnkd
    Joined:
    That sucks

    Adios Neil

  • P Hill
    Joined:
    rip neil

    03 03 92 the omni
    https://archive.org/details/gd1992-03-03.nak300.carpenter.andrewf.92897…

    Excerpt from Peart's book, "Traveling Music" --

    "In 1990, Mickey had co-written a book (with Jay Stevens) on the history of drums and rhythm, artfully interwoven with his own autobiography and some of the Grateful Dead’s history, called ‘Drumming at the Edge of Magic.’ When [Peart's daughter] Selena was looking for a topic for a junior high science project, I suggested something I had learned about from the book, the “Theory of Entrainment.” The theory held that any two mechanisms, including humans, tended to synchronize their rhythms, to “prefer” them, as compared to beating against each other. Thus two analog clocks placed in proximity would eventually begin to tick in sync with each other, neighboring heart cells tended to pulse together, women living together often synchronized their menstrual cycles. And thus, thought Mickey, he and the other Grateful Dead drummer, Bill Kreutzmann, should (and did) link their arms before a concert, to try to synchronize their biorhythms with the Theory of Entrainment. Selena put two old-fashioned alarm clocks, with keys and springs and bells, beside two digital bedside clocks, and made a poster to describe the principle. I think she got a good mark.

    "For my part, I was so impressed with the scholarship and artistry in the book that I wrote Mickey a letter of appreciation, and we began to correspond.

    "Later that year, in 1992 it happened that both our bands were playing at the Omni Arena in Atlanta on successive nights, the Dead one night and Rush the next, and Mickey and I invited each other to our shows. On our off night I went to see the Dead play, accompanied by our tour manager, Liam, and what an experience THAT turned out to be.

    "Liam and I arrived just as the show was starting, and gave our names at the backstage door. One of their production crew gave us our guest passes and escorted us to our seats – right behind the two drum risers, in the middle of the stage! Liam and I looked at each other with raised eyebrows as we sat down, and noticed that right behind us was the production office, with telephones, fax machines, and long-haired, bearded staff dealing with communications and logistics (presumably, though the production office is normally a room backstage, where such work can on APART from the concert), and we also heard there was a telephone line run through the crowd to the front-of-house mixing platform. Catering people walked across the oriental rugs that covered the stage, delivering salads and drinks to various musicians and technicians, even during songs, and meanwhile, the band played on. Lights swept the arena, reflecting off white, amorphous “sails” suspended above the stage, and clouds of marijuana smoke drifted through the beams and assailed our nostrils with pungent, spicy aroma.

    "My familiarity with the Grateful Dead’s music began with their first album, back in ’67, when my first band used to play several of their songs, “Morning Dew,” “New New Minglewood Blues,” and “Good Morning, Little Schoolgirl.

    "And they played and sang really well, too, augmented by the soulful keyboards and accordion of Bruce Hornsby. The drummers, Mickey and Bill, became an interlocking, mutually complementary rhythmic unit, right out of the Theory of Entrainment.

    "Liam and I couldn’t see much of the “front line” guys, the guitarists and vocalists, because of the wall of amplifiers, but occasionally, on the stage-left side, the spotlights caught an unmistakable bush of gray hair that could only have been the legendary Jerry Garcia.

    "During intermission, Mickey invited Liam and me to his dressing room in the familiar backstage corridors of the Omni (each band member had a separate room, which hinted at certain “divisions” among them; after Jerry Garcia’s tragic death, I read a story asserting that he hadn’t enjoyed touring very much, and when the others wanted to go on the road again, he responded, “What, they need MORE money?”). Mickey was a friendly, outgoing man, with an engaging smile and an intense, joyful enthusiasm for percussion. With all my African travels and interest in African percussion music, and Mickey’s musical explorations in print and on records, we shared a few things we knew and cared about, and had a good conversation until they were called to the stage to begin their second set.

    "Liam and I returned to our center-stage reserved seats, and I noticed that not only did the band members have separate dressing rooms, but the wings of the stage were lined with small tents of black cloth, one for each of the musicians to retire to during the songs on which they didn’t play, and have some privacy. During an acoustic number in the second part of the show, Mickey disappeared into his little tent, then motioned for me to join him. We talked for a few minutes about drums and drumming, and I told him how much I was enjoying their performance, then he went back up to the riser and started playing again.

    "Next night, the positions were reversed. That tour ('Roll The Bones'), we had a metal gridwork runway (dubbed the “chicken run” by the crew) about four feet high, running across the width of our stage behind my drum riser, where Geddy and Alex could wander while they played. During the show, I looked back and saw Mickey, under the chicken run, smiling out between its black curtains. He was just as close to me as I had been to him, and he seemed to be enjoying himself."

  • stoltzfus
    Joined:
    NEIL FREAKING PEART???

    wow.

    not a major Rush fan, but the Hemispheres LP and side one of 2112 are tattooed into my soul.

    wow.

    Death don't have no mercy. at all.

    FUCK.

    [V. Cygnus: Bringer Of Balance]
    I have memory and awareness
    But I have no shape or form
    As a disembodied spirit
    I am dead and yet unborn
    I have passed into Olympus
    As was told in tales of old
    To the city of Immortals
    Marble white and purest gold

    Man. Actual tears. I didn't get tears when JERRY died.

  • JimInMD
    Joined:
    Re: RIP

    Wow.. didn't see that coming. Lowering the freak flag to half-mast.

    Sad day..

  • LedDed
    Joined:
    R.I.P. Neil Peart

    I don't think it's in poor taste to suggest that that is why Alex and Ged haven't done anything, out of respect for the master. Boy did they keep that under wraps.

    Maybe something with Portnoy is in the cards. Anyway, this guy was one of the best I ever saw. And a class individual. He will be missed and never replaced.

    \m/

  • stoltzfus
    Joined:
    be ready for Daves33

    1/22 at 10 am PST

    komplainink vill not be toleratet (said in German accent) if you miss it

    reeeeeeally looking forward to this one.

  • bob t
    Joined:
    Dave's 32 last offer before i forget and find it in 5 years

    I have an extra unopened Dave's 32 when i double ordered subscription last year. Cost plus shipping if you want it. bob t

  • JimInMD
    Joined:
    ..the few

    Dennis, my Billy Holiday collection just doubled! How long until someone digs up a song the Dead covered from this treasure trove..

    Somebody went through a lot of trouble to translate 78's to digital formats. They mostly sound pretty good considering... Like mhammond said yesterday, the things you learn here. ..and the things that get deleted. :D

  • Oroborous
    Joined:
    32

    Definetly has some ruff patches early on, but remeber many of those songs were new or were new as far as vocals/harmonies, and I’ve heard worse. Of course as they get their mojo going the show morphs into a stallion.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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In reply to by perithecat

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Someone should do a top 10.

"Stop hanging off the balcony"
"Get off the fence, idiot"

..but there are so many more...…..

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Got my copy of Nat King Cole box yesterday. (Hittin the Ramp - The Early Years (36-43)).

If you like Nat,,, great collection, great recordings.

Wasn't bad price at 100 bucks for 7 cd's (about 25 songs per disc).

enjoy

ps - not one song type in, have to enter every title!

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In reply to by JimInMD

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Agreed, so many good ones! A personal fav of mine is at the end of set 1 on DaP8 - Fox Theater

"We're going to take a short break... don't anybody fall into the pit."

Also, the classic "Q: What's the difference between a frog? A: One leg is both the same." He clearly got much more of a kick out of that than anyone else, but I like it...

Peace

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Where are you 32?!

What's (track) time for Jam->Dark Star?

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Bob Welch was not in early Fleetwood Mac

So many great ones throughout the years.
We are still reeling in disbelief that this sounds nothing like it did in soundcheck, but we are hoping we get out act together soon.
And him and Jerry loved talking about their crack equipment crew or crack staff was on the job and would have it fixed soon.

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In ze hall.

Don't cha know.

I believe that's from the Wichita '72 show, Dave Picks 11.

Still waiting on the Spectrum pick for this go-around. Can't wait to dive in.

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Also got the Nat Cole Hittin' the Ramp in the mail yesterday; great stuff! Oscar Moore sounds so good, such an inventive player(cool aside: my friend Nick Rossi wrote the article about him in the liner notes) Highly recommended.

Funny, I was also listening to all the pre-Lindsey/Post Peter Green Mac LPs last week; a lot of great songs in there, Danny Kirwan & Bob Welsh were great songwriters(Future Games, Sands Of Time, Woman of a 1000 years, etc.)

This one came out on a 45 only in 1971, beautiful Danny Kirwan song reminiscent of Albatross:

https://www.youtube.com/watch?v=yEQ07_22YA0

Last 5:

12/31/84 GD
Titanic Rising Weyes Blood
Nat Cole box disc 1 &2
Lemon Twigs Go To School
Farewell Aldebaran Jerry Yester/Judy Henske

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In reply to by Thats_Otis

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“Hello Princess”
“For our next segment we’re going to begin with figuring out what we’re going to do next”
“I just wish they’d get these elephants off the stage”
“This ones for the girl wth lobotomy Eyes”
“There’s going to be a quiz later, and those of you yelling out songs we already played aren’t going to do to well”

Finally received 32, now if I only had time to rip and listen, Doooo!

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A FANTASTIC ALBUM!!!!!! Lost to the mists of time......

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In reply to by Charlie3

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Hi thanks for the Peter Green recommendation, In The Skys. I will check it out. His Rattlesnake Shake is what first turned me on to the Mac eons ago.

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snafu you are right Bob Welch didn't join the Mac until Summer 71, after Jeremy Spenser left the band suddenly while on tour to join a religious cult. This was probably the third version of the band.

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In reply to by Thats_Otis

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I think Bobby once commented on the Letterman show that something "was more fun than a frog in a glass of milk."

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'It's Ho Chi Minh's birthday. I read it in my almanac.' :-)

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In reply to by nitecat

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"Lean over and kiss your radio."
- Bobby, 11/24/1978. (incidentally, I happened to be listening to this one just now and heard him say this multiple times.... it's a pretty well-known and circulated FM simulcast)

And doggone it my Dave's 32 went to my old address. I'm pretty positive I had updated it at dead.net customer service after the move so this is a weird one. Hopefully the post office will forward it along with the rest of my mail. A stray Dave's 32 is out there somewhere!

Sixtus

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Amazing sound, great set list. I'd have to check but is it always the last pick that get the 'poster like ' unfolding booklet? Anyhow these are the pick's that make that smile, smile, smile....

(Hate to say... but with actual decent artwork, the Dave's logo ruins it. Hey Dead.net Dead Heads buy these, we know what they are please stop with the logo. Nothing against Dave, but it ruins every cover....)

Love Peter Green. That old Fleetwood Mac stuff is good. I love to turn people on that only know today's sorta Fleetwood Nicks. Remember seeing Tom Petty in Denver back to back nights probably sometime early 2000's with Pearl Jam opening. TP played just badass 'Oh Well' that really shook the house with he and Campbell as well as the rest of the band in full force.

Dig the tunes and suggestions about other bands /music too this has been pretty good release blog.

Last 5ish:
Neil Young: Silver and Gold
Cash: American 3 Solitary Man
Jack Johnson: A Broke down Melody Sdtrk
Big Head Todd & The Monsters: live monsters
Bob Seger: Night Moves
GD: 3/24/73

Mostly work music can't get too far out there...everyone have a good night.

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Number 19066/20000. I really don't mind what number I get, but when I saw this one today, my first thought was "phew! cutting it kinda close there..."

Disc 3 just popped out, ripped and ready to rock. Cooking dinner... do I start at the beginning, or jump right into that very tempting looking disc 3... hmmm.

Sixtus, hope it all gets worked out soon!

Peace

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In reply to by Thats_Otis

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Well thank you very, very much! I checked back in and what do I find? A super kind gesture from CJ.
I will grab it from the ether as soon as I'm off here. Should ease the wait substantially.
Thank you again.
:O)

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No worries dude...I look forward to your review!

Some of you made reference to Sturgill Simpson a couple days back...I’ve been listening to a lot of Country and Americana lately:

Nitty Gritty Dirt Band: Will the Circle Be Unbroken...Vinyl box set...this is awesome! Was referenced in the Ken Burns series recently and features guest appearances from many country greats and I think recorded mostly at the Grand Ole Oprey.

The Travelling Wilburys Vol 1&2...doesn’t get any better than this!

Josh Ritter...I like a lot of his stuff, but my first suggestion would be Animal Years. Recent album Fever Breaks is also good! Got the chance to see him live in KC this past September...one hell of a live show!

Peace all

KCJ

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In reply to by CaseyJanes

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I’m listening to 9-3-85 Miller.34772 and on Lovelight Bob completely blows his imitation of a Pigpen rap and just starts talking (too much for me to type) and at some point says something like “there’s not much of a message here tonight”.
I found it quite funny in the context of the discussion of Bob sayings.

Sixtus,
Hopefully Newman to the rescue with the USPS fiasco.

Food for thought:
If you see Sixtus and his family do you refer to them as Sixti?

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Pure gold. Bill and Phil coming through great, and well Jerry it's obvious.

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17 years 6 months
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#19773 here :-)

Looks nice! Looking forward to digging in...

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Hmmmm......apparently(at least according to tracking), My Dave's 32 was accepted at my local post office Saturday, and then shows arrived at my local P.O. yesterday, and now shows received at my local P.O. today. Anyone wanna give me the odds on if I'll get it any time this week?

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My Daves picks 32 came unexpectedly today. Ripped it, uploaded it and listening now. I keep getting distracted so I've had to restart the show after Bertha a dozen times. Bertha is tight. Bobby is killer loud and playing really well. Billy's snare sounds great. Jerry's guitar is loud enough on this opener. Keith a little low but fuckit, he's loud enough on that ragtime pie-anner solo during BIODTL. This is a top 3 '73 Bertha for me (not that there are a lot of them released in '73). Yeah, I'm up to Row Jimmy and so far it's sounding great (which by the way, Dead & Co played at Madison Square Garden the other night and Bobby wasn't playing at one point - he was using his guitar as an oar as if he was rowing; I pointed this out to my cousin and he turned to me and said yeah, but he's rowing backwards - and sure enough he was). Anyway, I don't know how this first disc can be heard in any other vein than pure uncut pre-second-set face melting Dead..... but sticks and stones love, sticks and stones.

Anyone notice that Jerry is playing the Wolf in the picture inside the CD gatefold? I thought he played the alligator Strat until his birthday in 1973. Either that bit of information I heard is false or that picture's not from Philly.

Even more interesting is Bobby's guitar. It's a Gibson but that's no ES hollow body. It looks like an SG, but not like a classic style. It has weird looking pickups I've never seen before, and a bunch of volume knobs.

KF, It's a Pee-anner, not a Pie-anner. Good thing there's spellcheck, pass the moonshine round.

So I finally got around to listening to that Albatross link you posted. I clicked the link.. then copied it and posted it to another page so I could come back and read the thread here.. got distracted and was really getting into it.. then I went to read the posts here and realized I had two running at once, but not at the same time.. when I killed one by hitting the back button, the whole vibe died. Play this twice (or thrice) at once with the timing offset. It's way cooler that way. Trust me.

Now back to that West Virginia moonshine..

....I heard, through certain channels, and yes. The knobs went to 11. Spinal Tap made the news today by the way.
https://pitchfork.com/news/spinal-tap-and-universal-music-group-settle-…
"Well. This piece is called 'Lick My Love Pump.'" Can I pretty please have the soundtrack Normanized? Today was a good day.
Mr. Ones odds. Taking bets. 5-7.
SMELL THE GLOVE!!

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If you notice Jerry's alligator guitar pic. on the gatefold and the microphones with the tape near the mic. wire is the same microphones taped together in the liner notes newspaper clip. Same tape position on.mics. so same venue.

Senator, as much as I love that movie.. (makes getting a cucumber through TSA unscathed a triple dog dare challenge) posting about it here does little to help your reelection chances. Remember what happened last time when you got tied up with this stuff during an election year? (although it did give a slight boost to Burt Reynold's tanking career covering the whole event on the big screen)

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Safe and sound in Saint Paul, Minnesota . . . my favorite number is '5', so this is great! Good energy on disc one.

I agree--why the "Dave's Picks" banner logo across the tops of these? I have something of a man-crush on Dave, and I still don't know that I need that tribute to him and the series title covering up the art.

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In reply to by Deadheadbrewer

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It can overshadow and dominate decent artwork on the various releases..

On the other hand, when the artwork is (looking for the right word) off-color? , the Skull and Roses skull in the center of the logo can be a real lifesaver. Wasn't there one release when it covered up and took the place of two or three cartoonish, bearded skeletons that otherwise would have been in plain view?

So it's agreed, so long as the artwork is on point, smaller Dave's Picks banner on the top. If the bearded skeletons make a return, the banner can be enhanced to at least cover up cheesy beards, cartoon skeletons making out in the grass, skeleton boobs, skeletor boners or whatever cartoonish skeleton no-no they come up with next.

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In reply to by JimInMD

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....its pretty much an institution now. But agreed. Why not do a DaP passport style stamp in a corner? Thinking out loud. The Incredible Hulk brought me here.

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....looking back, the font is what it is. All that matters is what is inside. Everything else is tinsel.
My mind skips a beat every now and then.
edit....the fourth minute of the "jam*. That's some really, really, Really good stuff right there. I'm sure there's more to come. Phil takes off at the 6:30 mark. Amazing.

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Well, then there now -- this is a hot little ride.

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In reply to by SkullTrip

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....this beast of a jam flourishes. Like clockwork. Whatadisc! Eleven highlights.

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Great clip of Jerry and Bob being interviewed, followed by Deep Ellum Blues and Monkey and the Engineer. I always assumed they'd stopped tripping by 1982...going off this film it looks like at least one of them hadn't.

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Thanks guys for the positive vibes.
Indeed, I blame Newman <shakes fist in the air while muttering the name>...
Solid Seinfeld reference and everyone's (least) favorite Postman.

On the brighter side, it does appear someone besides a Monkey has come across my DaP 32:

November 5, 2019, 12:40 pm
Forwarded
WALTHAM, MA
Your item was forwarded to a different address at 12:40 pm on November 5, 2019 in WALTHAM, MA. This was because of forwarding instructions or because the address or ZIP Code on the label was incorrect.

Today just might be my lucky day. It sounds like Disc 3 is a face melter to be sure.

- Sixtus (the full clan would indeedee be Sixti)

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In reply to by Deadheadbrewer

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remember...behind the veneer...this ultimately is a business.

A beyond description business, but a business nonetheless.

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That's the funny thing. I did look at the picture to determine it was the Wolf. Upon reading your post and taking a second look a moment ago, it's clear that a bong hit can turn an alligator into a wolf. But I prefer to believe the world's just a magical place and it changed overnight.

Jim, that' funny about Albatross. They once had a 1972 Dark Star on the tapers section. Possibly July 18th. So in an attempt to see if my recording was better, I ended up playing them both at the same time like you did with Albatross. Just a very small delay, miliseconds, but the effect was great, just like you described.

I really love this release so far. You guys are even getting me into the fast TLEOs. First version I heard was from New Year's Eve at the Cow Palace 1976. Of the slow versions post-hiatus, I think this has some extra Jerry Groove to it, possibly because it's a multi-track; I feel like I can hear every string of the chords he plays. But yeah this fast version is growing on me.

I'm off of work today. I have a couple of things I need to get done but I have time in the morning here to listen to this beauty on headphones. Audio is very impressive. I do have some features on my playback app as I've mentioned that enhance the stereo separation oh, so I guess I'm cheating a little bit but, no more than some of the effect that is applied during production. So I'm just producing. But you need to have a good source there's nothing you can do to improve the sound, so I am really happy with this one (and I was one of the tough to please fellas with the Pacific Northwest 1973 shows, mostly shows 2 & 3.

I'm to LLR. There's Keith. If anything is going to turn me on to this song, it's going to be a little pee-anner touch from The Great One. How's that for a hype sticker on Daves picks 32: "So good you'll enjoy Looks Like Rain" No pelting me with rotten tomatoes you LLR lovers.

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Upon further reflection i'll question my own response. Last night as i was walking the dog listening to 7-9-89 I had an epiphany. Or perhaps it was the cabbage I had for lunch. At any rate, the bobbyism in question arose to the top of my mind. Was it 11-17-72? Or was is the Palace Theater, 9-24-72? Maybe it was neither. By the cosmos, it surely couldn't have been both. I thought about how i try to remember stuff like that so I'd be able to identify a show just by hearing some banter or a particular song order or part of a jam. Then my dog looked up at me like I was some particular brand of idiot and we walked on.

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Rhino should hire you.

Slow Dog, I would SWEAR I JUST heard the announcement about forbidden smoking in the past week, which means that that comment is likely to be on DaP 16, the 1970 Road Trips bonus disc, 6/24/73, or possibly 10/17/83.

Try this on for size, THEN try convincing yourself that the GD didn't rock after 1978! :)
https://archive.org/details/gd1983-10-17.mtx.seamons.fix2.92424.sbeok.f…

Trying to get my iPad to stream uninterrupted etc.
What’s the best app for archive .org?

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