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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    ok, just listened to Hemispheres and 2112 side one

    every time I hear the last few minutes of 2112 side one, I get goose bumps and chills. every time.

    every time.

    RIP, Neil.

  • icecrmcnkd
    Joined:
    That sucks

    Adios Neil

  • P Hill
    Joined:
    rip neil

    03 03 92 the omni
    https://archive.org/details/gd1992-03-03.nak300.carpenter.andrewf.92897…

    Excerpt from Peart's book, "Traveling Music" --

    "In 1990, Mickey had co-written a book (with Jay Stevens) on the history of drums and rhythm, artfully interwoven with his own autobiography and some of the Grateful Dead’s history, called ‘Drumming at the Edge of Magic.’ When [Peart's daughter] Selena was looking for a topic for a junior high science project, I suggested something I had learned about from the book, the “Theory of Entrainment.” The theory held that any two mechanisms, including humans, tended to synchronize their rhythms, to “prefer” them, as compared to beating against each other. Thus two analog clocks placed in proximity would eventually begin to tick in sync with each other, neighboring heart cells tended to pulse together, women living together often synchronized their menstrual cycles. And thus, thought Mickey, he and the other Grateful Dead drummer, Bill Kreutzmann, should (and did) link their arms before a concert, to try to synchronize their biorhythms with the Theory of Entrainment. Selena put two old-fashioned alarm clocks, with keys and springs and bells, beside two digital bedside clocks, and made a poster to describe the principle. I think she got a good mark.

    "For my part, I was so impressed with the scholarship and artistry in the book that I wrote Mickey a letter of appreciation, and we began to correspond.

    "Later that year, in 1992 it happened that both our bands were playing at the Omni Arena in Atlanta on successive nights, the Dead one night and Rush the next, and Mickey and I invited each other to our shows. On our off night I went to see the Dead play, accompanied by our tour manager, Liam, and what an experience THAT turned out to be.

    "Liam and I arrived just as the show was starting, and gave our names at the backstage door. One of their production crew gave us our guest passes and escorted us to our seats – right behind the two drum risers, in the middle of the stage! Liam and I looked at each other with raised eyebrows as we sat down, and noticed that right behind us was the production office, with telephones, fax machines, and long-haired, bearded staff dealing with communications and logistics (presumably, though the production office is normally a room backstage, where such work can on APART from the concert), and we also heard there was a telephone line run through the crowd to the front-of-house mixing platform. Catering people walked across the oriental rugs that covered the stage, delivering salads and drinks to various musicians and technicians, even during songs, and meanwhile, the band played on. Lights swept the arena, reflecting off white, amorphous “sails” suspended above the stage, and clouds of marijuana smoke drifted through the beams and assailed our nostrils with pungent, spicy aroma.

    "My familiarity with the Grateful Dead’s music began with their first album, back in ’67, when my first band used to play several of their songs, “Morning Dew,” “New New Minglewood Blues,” and “Good Morning, Little Schoolgirl.

    "And they played and sang really well, too, augmented by the soulful keyboards and accordion of Bruce Hornsby. The drummers, Mickey and Bill, became an interlocking, mutually complementary rhythmic unit, right out of the Theory of Entrainment.

    "Liam and I couldn’t see much of the “front line” guys, the guitarists and vocalists, because of the wall of amplifiers, but occasionally, on the stage-left side, the spotlights caught an unmistakable bush of gray hair that could only have been the legendary Jerry Garcia.

    "During intermission, Mickey invited Liam and me to his dressing room in the familiar backstage corridors of the Omni (each band member had a separate room, which hinted at certain “divisions” among them; after Jerry Garcia’s tragic death, I read a story asserting that he hadn’t enjoyed touring very much, and when the others wanted to go on the road again, he responded, “What, they need MORE money?”). Mickey was a friendly, outgoing man, with an engaging smile and an intense, joyful enthusiasm for percussion. With all my African travels and interest in African percussion music, and Mickey’s musical explorations in print and on records, we shared a few things we knew and cared about, and had a good conversation until they were called to the stage to begin their second set.

    "Liam and I returned to our center-stage reserved seats, and I noticed that not only did the band members have separate dressing rooms, but the wings of the stage were lined with small tents of black cloth, one for each of the musicians to retire to during the songs on which they didn’t play, and have some privacy. During an acoustic number in the second part of the show, Mickey disappeared into his little tent, then motioned for me to join him. We talked for a few minutes about drums and drumming, and I told him how much I was enjoying their performance, then he went back up to the riser and started playing again.

    "Next night, the positions were reversed. That tour ('Roll The Bones'), we had a metal gridwork runway (dubbed the “chicken run” by the crew) about four feet high, running across the width of our stage behind my drum riser, where Geddy and Alex could wander while they played. During the show, I looked back and saw Mickey, under the chicken run, smiling out between its black curtains. He was just as close to me as I had been to him, and he seemed to be enjoying himself."

  • stoltzfus
    Joined:
    NEIL FREAKING PEART???

    wow.

    not a major Rush fan, but the Hemispheres LP and side one of 2112 are tattooed into my soul.

    wow.

    Death don't have no mercy. at all.

    FUCK.

    [V. Cygnus: Bringer Of Balance]
    I have memory and awareness
    But I have no shape or form
    As a disembodied spirit
    I am dead and yet unborn
    I have passed into Olympus
    As was told in tales of old
    To the city of Immortals
    Marble white and purest gold

    Man. Actual tears. I didn't get tears when JERRY died.

  • JimInMD
    Joined:
    Re: RIP

    Wow.. didn't see that coming. Lowering the freak flag to half-mast.

    Sad day..

  • LedDed
    Joined:
    R.I.P. Neil Peart

    I don't think it's in poor taste to suggest that that is why Alex and Ged haven't done anything, out of respect for the master. Boy did they keep that under wraps.

    Maybe something with Portnoy is in the cards. Anyway, this guy was one of the best I ever saw. And a class individual. He will be missed and never replaced.

    \m/

  • stoltzfus
    Joined:
    be ready for Daves33

    1/22 at 10 am PST

    komplainink vill not be toleratet (said in German accent) if you miss it

    reeeeeeally looking forward to this one.

  • bob t
    Joined:
    Dave's 32 last offer before i forget and find it in 5 years

    I have an extra unopened Dave's 32 when i double ordered subscription last year. Cost plus shipping if you want it. bob t

  • JimInMD
    Joined:
    ..the few

    Dennis, my Billy Holiday collection just doubled! How long until someone digs up a song the Dead covered from this treasure trove..

    Somebody went through a lot of trouble to translate 78's to digital formats. They mostly sound pretty good considering... Like mhammond said yesterday, the things you learn here. ..and the things that get deleted. :D

  • Oroborous
    Joined:
    32

    Definetly has some ruff patches early on, but remeber many of those songs were new or were new as far as vocals/harmonies, and I’ve heard worse. Of course as they get their mojo going the show morphs into a stallion.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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I received a damaged Dave's 32, ripped box, broken plastic and scratched discs. I emailed and haven't heard back. I am really excited about this release but disappointed I haven't heard from anyone yet... Has anyone else had a problem? I'm frustrated I can't get a hold of a real person. Help!

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Deej, there's an 800 number for customer support somewhere on this website. I couldn't find it but take a look around. Normally when you email customer support you get a generic response that is automated and opens a ticket number for you. If that didn't happen I would go with a second email plus a phone call. If you can't find the phone number on the site Google it. I'm driving or I'd look it up for you.

Vguy I'm sorry man. I put in a prayer for you and your daughter.

There is a good block of Music in the taperssection from Jerry's birthday in 1973. It begins with dark star then goes El Paso, eyes of the world, morning dew. In the immortal words of V guy, Morning Dew ain't no filler! If internet stories are to believed B, believed I mean be believed, this is the last show Jerry used the Nash Strat AKA Alligator. I'm going to do the trick where I started at the same time as I start the copy I have on my phone, and I'm going to get that cool vibratoe effect. We'll save that for work. I wonder if it sounds better than the copy that I have... Unlikely, mysource is impeccable. Sorry about all the spelling errors. Voice translator is doing particularly poor this morning., or my speech is just slurred, which is a distinct possibility before my second cup of coffee. Oh I shouldn't even be driving before two cups of coffee, but I like to save one for work.

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Sorry about your delivery, but it's good to see another Minnesotan around these parts! (I'm assuming, given the Mpls in your name) You, DeadVikes, me . . .

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I'm happy to hear that some have received their orders (whether purchased via subscription or a la carte),. As a DP subscriber since Day 1, it's incredibly frustrating that it's been two weeks of radio silence since V32 started hitting mailboxes. Nothing left to do but... well, you know.

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6 years 11 months
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I hear someone saying all Dave's prior to this went fine. Now, "I've hit a snag" on this one. That's a pretty damn good average. We are so used to getting everything we want, when we want, NOW!! All will be resolved, it always is. If you aren't in the ICU right now, maybe getting a cd late should be not too big a deal. Sheesh!!

Regarding sick relatives, I have a niece who found a guy with a drug problem, and she was going to SAVE him. She now has 2 kids, dad is out of jail but not reliable at all, and she's been addicted for 5 or more years. I now know that all I CAN do is pray. I've told her mother(my sister)that I am willing to go the extra 100 miles to help(take to rehab, take to meetings, help understand recovery), but until she is willing to ACCEPT help, there is absolutely nothing I can do. She will likely die if she can't detox soon. It's a very sad story I've seen way too many times in my life. Friends, acquaintances, co-workers. It's awful. Apparently "Just Say No" didn't work.

Best King Biscuit broadcast was the one culled from 10/6/77 (although some have debated the date) It has the best(IMO...) post-hiatus NFA, long & fast, makes a detour by MLBJ, then melts into Black Peter and comes right back to NFA at full speed. As good as any late '71 NFAs.

LOVE that Nat box; discovered that what I though were Vibraphone solos in some of these tunes, were actually played by Nat on a Celeste, really cool sound(I think TC used a celeste on Anthem of the Sun). Interesting version of Russian Lullaby in there too.

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For all those sitting there in limbo, I am as well. I was so excited about this pick that I ordered one for a buddy. That one was delivered on 11-5-19. My subscription version hasn't even triggered a "Your Order is on the Way!" e-mail.

How this could possibly be the case is beyond my overtaxed, undernourished and haltingly functioning brain, but it is nonetheless the case.

V-Guy, sorry to hear about your troubles. Family issues are never easy to deal with. I hope things turn out for the good.

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9 years 7 months

In reply to by Oroborous

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...What oroborous said!

Be Well My Man.
SIxtus

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17 years 1 month
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send me a PM with the details and I'll see what the Doc can do.
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17 years 1 month
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all good to you and your family.
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16 years 11 months

In reply to by marye

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....that you were blocked by your step-daughter, which just happened. When the going get tough, the tough put on 6.17.91 Blu Ray. Deadhead therapy is severely underrated. Take that Frasier Crane. It's out of my hands apparently.
Anyone else notice how shiny Vince's fingernails are? They literally sparkle. Lol.
The Jerry/Bruce bromance is REAL.
Thank you marye.....
The lyric " close the gap of the dark years between you and me" just hit home. Amazing.

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In reply to by Oroborous

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Hang in there Vguy. The Dead has always been good therapy.

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In reply to by DeadVikes

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....during Might As Well is the shit. Love it. Thank you deadvikes. I came here to bare my soul and you all didn't disappoint. I love you all. Thanks for putting up with me.

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Been on a jazz run lately . . .

Lee Konitz--Very Cool
Betty Carter--Look What I Got
Chet Baker & Crew
Amber Rubarth--Sessions From the 17th Ward (what an amazing-sounding recording!)
Public Enemy--Fear of a Black Planet

And I finally made it to the second 1973 show from the PNW box.

From this past year, I have LOVED DaP 29 (2/26/77) and the Giants box. The Aoxomoxoa bonus disc was quite sweet as well.

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I don't know if someone else commented but the 5:52 into trucking was a quick hi- hat strike and step which sounds cool. So to me it's a no glitch. It could have been a regular cymbal strike back to back too.

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When i was trading tapes back in Mid 80's to early 90's, i really lacked a lot of good quality shows from 11/13/78 Boston to their last show on 2/17/79. There were just not a lot out there. 11/24/78 Cap Theatre in Passaic from the radio broadcast, 12/30/78 Pauley Pavilion, and Closing of Winterland (Also with my VHS copy that i got in 1988. Also my favorite unique show that I never have spoken about on here, 11/20/78 Set II from Cleveland Music Hall with the last If I had the World to Give. The Rock for Life show from 2/17/79.. I' m listening to 11/18/78 Uptown Charlie Miller Board right now... If any of you have any recommendations from these 40 odd shows, that i haven't really ever listened to that much please let me know.... Thanks.... Bob t

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In reply to by DeadVikes

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I had Day Job therapy today. Time to wash it away with some ripping Grateful Dead. Did someone mention therapy? This shit beats the hell out of prozak…

(edit: minor clarification.. no, I didn't listen to day job for therapy, I need therapy because of my day job)

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I forgot how great the Ramones first album is

high energy stuff

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8 years 11 months
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Enjoying the latest Dave's Picks from 3/24/73. Very good show. I did not think the previous spring 73 shows from Springfield and Boston were outstanding. Glad to have this Philadelphia show.

previous Spring 73 not outstanding?

WHA'???????????????????????????????????????????????????????????????????

I disagree, good sir.

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Now here's something to chew....been waiting for something like this from Garcia Saunders.

Garcia Saunders 1.23.73 Boarding House San Francisco....release date 12.20.19!!!

So flippin' funky.....absolute smoker!!!!

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17 years
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12/12/78 (nice board)
12/17/78 (get the one with the bob interview and both audience and board to get the whole show)

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16 years 11 months

In reply to by wilfredtjones

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.... underrated in this day. This is why I visit here.

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In reply to by Vguy72

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We're with you man.. we're already working on for your re-election, Senator. Your future is bright.

As for previous spring, I might be of the inclination that Springfield was a better show but I like Boston more. That recording sparkles for the era and I think it might just sound better than the Spectrum. I do like the performance of the Spectrum the best though.. disc 3 is hot, the Sunshine also shines.. and the PITB and Stella Blue? Wowwow stuff, but admittedly I have a '73 bias.

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I agree with stoltzy. Whaaaaaaaa??? This Dap is so good it belongs in a leather briefcase to be shown to new dead fans as to how it was to see them in the day. Not judging, just saying. Peace.

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I dig all three of the Spring '73 Dave's Picks - DaP 16 Springfield 3/28/73, DaP 21 Boston 4/2/73, and DaP 32 Philadelphia 3/24/73, but I am most partial to the Springfield, for the Dark Star - Eyes of the World sequence. Boston is a close second for me, and I think Jim may be right about the sparkling recording quality, I would say that the sound quality of the Boston recording just edges out the recording quality of the Springfield show, but not by much. Both are excellent quality to my ears. The Philadelphia recording sounds fine to me, and the I dig the show as well, particularly discs 2 and 3. While it is not my favorite of the 3 Spring '73 DaPs, it is a great addition to the other two shows and that whole disc 3 sequence is fantastic. I like to have a series of shows just for the variation. In any case, the three of these releases are a trinity of bliss from my point of view.

Vguy, sorry to hear about troubled family members. That is a suck deal for you and Mrs. Vguy, my condolences.

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I emailed DL a couple of years ago about possible release of any Godchaux shows from Jan / Feb '79. He said there are no tapes.

In my pursuit of Dark Stars I found a good AUD recording of 1/10/79, with Dark Star, Shakedown, Miracle, and Stagger Lee. It's no Betty Board, but it's recorded very evenly, so once you get used to the initial sound, there aren't really any rough spots. It's up on archive.

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In reply to by Vguy72

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I thought you would be bigger. "Opinions vary".
For my elephant ears the Boston Garden show, Dave's 21 is the cream of the crop so far for the Spring 73 tour. I still need to listen to Dave's 32 again after listening to other releases. However, there are some issues with the sound. 21, on the other hand, there are no issues with the sound at all. I agree with Carlo, this belongs in a sealed box!
And then for me, the 30 Trips show from 11/14/73, might even be better than Dave's 5, 11/17/73, which still sits in the top 3. Unfortunately the order of the songs are changed. Don't forget that Denver show from 11/20, just unreal.
Again opinions vary.

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I really like this release. I was in the right frame of mind late Saturday and played highlights of disc 2-- I absolutely love the Here Comes Sunshine, Playing in the Band and the China Cat. The Playing jam is especially straight forward-- exactly how I like them (my favorite era for this song is late Europe 72 through 1973). The China Cat transition jam by Bob and into Jerry is especially good on this one. Love it. And disc 3-- not much needs to be said, love the backwards Dark Star and I had forgotten how great Truckin' was in 1973. This is a great one.

All three of the DaP early 1973 releases are stellar. All shows have tight first sets/discs with more exploratory 2nd discs and then out there 3rd discs. Having all three really gives us youngsters (first show in 88) an idea of what a typical show was like in this period. Can't pick a favorite-- I think like Jim, the last one I listened to is my current favorite.

Re: disc issues, I had the disc issue with DaP 28 and got the replacement discs. The third one worked fine. However, a strange issue arose since then with some of the cds not playing in my car stereo. For example, for the new release, discs 1 and 3 play fine. I started disc 2 on a morning commute and got a couple minutes into Playing and arrived at destination. Next car start-up, I get a "CD is unreadable" message from the player/computer. That cd still won't play in the car, but does play in player at home. Similar issues with all the releases this year. I have had no problem ripping the cds or playing them on home player, though.

My theory-- cd manufacturing is so far down from 10 years ago because of streaming that the profit margins are getting squeezed and producers are putting out inferior product as a result. I don't buy much hard product outside of the Dave's Picks, so can't compare to other more mainstream releases. We haven't had a price increase in 9 years, maybe a slight increase in cost and profit could help pay the cd producers a bit more and help with quality assurance. Just a thought.

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4 years 7 months

In reply to by KeithFan2112

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Thanks for they help. I followed the steps with the email, but the 800 numbers is only for ordering. Still haven't heard back. Currently wouldn't order anything else from Dead.net until they improve customer service. Seems I'm not alone. Hoping they read this stuff and improve things.

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1-15-79 2nd set!

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In reply to by estimated-eyes

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I have never gotten a defective CD from another band, but have gotten at least one per year for the last several years from GD/Rhino.
No defective CD’s in the Pink Floyd Box, Bear’s Sonic Journals (Janis, ABB), JGB Electric Eel, etc.
The Rhino CD’s are thinner, indicating that they are trying to cut costs by using less plastic. I suspect that they also are trying to cut costs by making the metal layer thinner too, but that is where the data is stored.

For each of the last few subscription periods I have contemplated getting 2 subscriptions as a hedge against defective CD’s, but then decided that I would most likely get 2 copies of any defective CD, and would have to do twice the work trying to get replacements.

I’m really quite shocked that the GD Organization allows Rhino to operate this way with their music. Maybe it was written into the contract that Rhino would have exclusive rights to the GD Vault, but didn’t actually have to produce a quality product or provide quality customer service.

Seems that Garcia Family control of the Jerry Vault results in a better quality product and responsive customer service.

I am not a robot, but I wonder if robots would provide better quality control, warehousing and shipping logistics, and customer service.

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Is it possible to add a picture with my comment? It’s also quite possible that I’m missing something obvious.

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If you can imagine changing your address to another it can be a problem. The post office does not route all mail including magazines and other periodicals. You have to do this yourself by calling or emails. It takes several weeks sometimes. Now imagine you have hundreds of thousands if not millions of products from this and other countries to change addresses and warehouses and you can imagine the cluster*uck it can cause. Plus the number of incompetent moving companies driving around using a gps leading them to the sea and saying this does not look like a warehouse. So I can see their problem. Mabey stop taking orders till it's resolved or something to reduce the pressure.

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12 years 11 months

In reply to by Jaysspacedhead

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They removed the ability to post pictures when they switched/upgraded to the new website a year or so ago. Pics and embedded YouTube links are a thing of the past.

You can, however, still post links to erectile dysfunction cures, sites where you buy cheap internet and Chinese, North Korean or Russian bot websites though.. so if that's your thing, have at it. (kidding of course, and a big thanks to MaryE for removing all that stuff before it has a chance to corrupt our innocent minds).

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In reply to by JimInMD

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Removing Pictures........

They were replaced with reCRAPTCHA pictures.

There used to be so many pictures, videos, gifs, etc that you had to scroll through many pages a day just to read that day’s discussion.

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