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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    My disappearance didn't take

    Those who diss 9 2 83

    You are WRONG.

    Plenty hot.

  • carlo13
    Joined:
    Keithfan the wallbanger

    I was a freshman in H.S. at this time. I remember my uncle buddy had a homemade stereo and amp. With the colored lights and switches and the black and white 'the who' poster with the arrow pointing up from the big H. I also remember he had a Harvey wallbanger poster in 1974 which was the new cocktail at the time. Orange juice and Galliano. The old days.

  • KeithFan2112
    Joined:
    This guitar only has seconds to live....

    Daverock, hats off for knowing Pete's studio guitar on Who's Next. I bought the LP in October of '83 (I can remember an astounding number of dates up through college years). I was in 6th grade at the time, and had gotten into The Who shortly after It's Hard came out the previous year. I remember being hooked on Athena from the radio, and then Christmas of '82 I went up to Buffalo, where my extended family lived. My cousin and I spent most of our days listening to music (and eventually, most of our nights drinking). Well that year we delved into my Uncle's album collection, which consisted of at least 7 crates of rock music. He put on Baba O'Riley from The Concerts for the People of Kampuchea (excellent live version in their first touring year without Moon). We just kept playing it over and over, probably 20 times that week. I think it's safe to say that's when I became a Who-Head.

    Anyway, I'm babbling at this point, but let it suffice to say I eventually bought the Who's Next Deluxe Version, and learned through the extensive liner notes the history behind Lifehouse; the abandoned Who's Next recording sessions from the Record Plant in NY (featuring Leslie West on several of tracks; AND the the Gretsch 6120 he used to record the album, which was given to him by Joe Walsh.

    Rare trivia that perhaps only one other person I could think of other than Uncle Gary might be aware of off the top of their head, and that is Kevin Brandon, who posts here periodically and is also a Who-head.

  • Vguy72
    Joined:
    Marye's Wonder Woman comment....

    ....has left me scratching my head. 1984? Which is the name of the new movie?

  • KeithFan2112
    Joined:
    Ha marye

    Took me a minute to get your Wonder Woman comment, but now I'm up to speed.

    Checking out 12/12/72. I've had the Bird Song in a 73/74 Bird Song folder awhile, but the time's come to get more of the show in. With limited time on my hands, it's always the (75% of the time) reduced audio quality of the soundboard recordings that send me into the Normanized archives. But the tracks I grabbed from this 12/12/72 show (aka Return To Winterland) sound pretty solid from an audiophile standpoint.

    Me and Bobby McGee - exceptionally good I would venture to say.

    Tennessee Jed - this song has been steadily growing on me for 5 years. 1972-73 is real nice. It's the instrumental jam about 4 or minutes in

    Playing In The Band - as good as the Europe 72 versions are, they get longer as the year goes on, and they good longer in a rocked out jammin kind of way, as opposed to a spaced-out jazzy kind of way (which believe you me has its place in Dead Greatness).

    Even Around and Around sounds great.

    That's as far as I've gotten.....Keith is raging loud. I wonder if Betty recorded this. They're really all pretty much raging loud.

    I'm sure none of this 12/12/72 business isn't news to a lot of you, but it's melting my face at the moment so I thought I'd pass it along.

    **************************
    And Now For Something
    Completely Different
    **************************
    It would be awesome if they made software that allowed you to make your own mix from a multi-track source, and the CDs (like Veneta) came with a second CD / DVD that contained each of the tracks. Then you just open your software program, put your DVD in your drive on your computer, and load the tracks for each song. From there a virtual soundboard would come up that allows you to start mixing. Even cooler would be if there were effects you could put on each of the tracks. I would turn up Jerry and add more distortion in a lot of spots. I would turn Keith up on most of Europe '72, I would substitute Donna's scream on Playing in the Band with Daltrey's from Won't Get Fooled Again. I would have multiple mixes for all songs. Turn up Billy for that "rock out hard" mix.

  • daverock
    Joined:
    The devils in the detail

    Keith - I agree that The Who only really found their live sound once Townsend strapped on a Gibson SG. On the original studio album of Tommy, they still sound like a pop band to me. On Live At Leeds/Hull/Isle of Wight they were well and truly rocking out, 70s style. For better or worse.

    Interestingly ( if you are a nerd like me) the SG that Pete played actually had single coil pickups - P90s. Other players who used SGs with P90s on their early albums were Robbie Krieger, Santana and, surprisingly, Tony Iommi of Black Sabbath. And he had a sound that could topple a factory.

    Also...Pete's premier studio axe in the 1970s seems to have been a Gretsch 6120, albeit one loaded with humbucking filter tron pickups. That great guitar sound on Won't Get Fooled Again?...its a Gretsch Chet Atkins Country Gentleman by all accounts.

  • marye
    Joined:
    Wonder Woman
    has left the building. Moving right along...
  • KeithFan2112
    Joined:
    Guitars

    I am on the same wavelength as LedDed as far as Jerry and the Alligator Nash Strat (the Fender Strat has that smoothness about it that suited Jerry's style so well). Somebody on this site recently said that they couldn't think of anyone who made a Stratocaster sound as good as Jerry did (it may have even been LedDef). That comment stuck with me.

    But I also love the pure power and volume of the the SG that Daverock talks about. I think it's a toss up between Pete Townshend and Angus Young on who put that sound to greatest effect, as far as overall career impact. Townshend built an empire on it that far outlived his personal use of the guitar; you've only to listen to Live at Leeds or Isle of Wight '70 to appreciate what the SG did for The Who in '69 / '70. It's the guitar that gave Tommy a set of balls. It played a very similar role in the Dead's evolution as a band, and IMHO may have been the most impactfing facet of the Live Dead sound and success (along with the record's engineering distinction as the first live 16 track recording - this brought out an incredible "harmonic" that was spearheaded by the SG).

    But for me, the real magic would be taking somebody with the artistic virtuoso talent that might be very well suited for that smooth polished sound of the Fender Strat, and placing the Gibson SG in his hands. Imagine that. If only such a player existied. A slick player who is both fast and gentle, picking through the glowing hot interlacings of those sharp SG strings and unforgiving pickups. Whew. And then if he could glide seamlessly from lead to rhythm at need (whatever it took to serve the song). But alas, no such man exists.
    Just a fantasy band, so I may as well take a step further and pair this divinely talented wielder of the SG with a tight riff-master who could lay simple but tasty groundwork for our lead player to weave his way over, under, and alongside . Then you'd have the makings for something extraordinary and unparalleled. But this kind of talent.... simply...... doesn't...... wait.....he does exist! And his name is Reggie Hammond. No wait, that's a movie. His name is Mick Taylor.

  • daverock
    Joined:
    Great guitars

    I would say I prefer single coil guitars to humbuckers generally-although my tastes are more inclined towards telecasters than strats. I could list dozens of players, but mention of the great Otis Redding puts me in mind of Steve Cropper of the MGs, and all the great records he played on with Otis, and at Stax generally during the 60s.

    For pure sound + eye candy a large bodied Gretsch is hard to beat-especially a 6120 or a White Falcon. I'm lucky enough to have a 6120 with a single coil dynasonic at the bridge and a P90 at the neck, a la Eddie Cochran. I'm no great shakes on the guitar...but you wouldn't believe the sound this thing makes. You can get slapback echo even before you plug it in.

    With Jerrys SG I just liked the sound of the single string solos he did with it. You could perform open heart surgery with that tone.

  • Thats_Otis
    Joined:
    Let me c'mon home...

    ... Everyone that reads this message should go immediately to the nearest way they can listen to Otis Redding. I promise you will be happier after than you were before. G'damn MG's!

    Peace

    - Otis? I think he was only 26 when he passed... plane crash. Tell me he doesn't sing like a man that knows about it all. Kinda like Jerry.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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As soon as I'm finished with this 9/27/72 Dark Star, which is waaaay good (check out the Phil interlude from around 20:00 =>23:00 - very strummy and chill), I'm headed to 12/2/73. If memory serves, that Wharf Rat did well on Heady Version. But it's the Rio Grandio you're talking about that I don't recall well. A journey it will be. This Dark Star is insanely good. I've been parked in my driveway for 10 minutes finishing it out.

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In reply to by KeithFan2112

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We would be remiss if we didn't take the plunge down the 11/17/73 rabbit hole. Me and My Uncle opener than Here Comes Sunshine as the second song? It usually takes at least an hour in '73 to get into a jelly enough mood for a loose jam like HCS. Ridiculously good.

I made it to UJB while getting the Turkey stuff and side dishes ready for tomorrow's feast before I killed it. I plan on taking in some of Washington States finest (NYPD, where do they come up with these names??) and picking things up in a few in the hot tub for the finish.

Man.. this is surely one of my favorite 1973 shows. I rarely listen to it simply because I want it to always be special.

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In reply to by JimInMD

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Dave's 5 is incredible! I forgot about it recently, and, as penance, I've listened to it non-stop. My only qualm is that it doesn't have a "Candyman." That's my V-Guy-style "Cumberland," though it moves at quite a different pace.

Peace, Turkeys

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Sorry, for disturbing, but getting a little nervous (nearly as always):
Has anybody got his pick 32 in Germany meanwhile?

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My copy arrived today with #18062 at the Isle Of Fehmarn.
Shipped via Switzerland, no additonal taxes.
Package and discs are looking good.
Last five:
Neil Young - Everybody Knows This Is Nowhere vinyl
GD- Ready Or Not Vinyl
Neil Young - Detroit 2018 CDR
CATS - Meets Joe Russo Vinyl
GD - Roosevelt Stadium New Jersey 080673 CDR

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I get it, you can "bearly" see it. Bear puns. We've devolved to bear puns. Absolutely that's where the Trainwrecked name came from!

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What happened to the bear who applied for a job at the movie theater? He was told he was not koala-fied.

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In reply to by Trainwrecked

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Had to bust out Steely Dan Katy Lied this morning. It has been a while. My second favorite band. I don't listen to them that much anymore. Way too much GOGD to go to. But, man what a studio band Steely Dan was. Hard to believe they didn't tour from 73-1996. I had a chance to see them 3 times. 1996 in Alpine, finally got Pavallion seats. Two more times in Minneapolis after that. Fagen still to me is a musical genius. I wish they toured more, but that was not their deal until much later in life.

Back to the boys for the incredible Rochester show from November 77 (Dick's 34). What a show this is. The Eyes of the World is so hot. Love the other one and Black Peter. Thank you to the kind soul that hooked me up with this one!

And now I have the 12/31/76 show going from the Cow Palace. Love this show!
Peace and happy Black Friday.
Take advantage of the 20% on this site if you are missing anything. Just don't expect it anytime soon.

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Funny, I busted out Pretzel Logic this evening, went back and forth between that, Katy Lied and Royal Scam. Good stuff.

Off topic, I made a discovery today that I found a bit annoying. I discovered that amazon is selling some new releases as CD-R versions manufactured (burned) by amazon and with all regular packaging included in a standard jewel case, from the same audio source as the real CDs according to amazon. Something about this just bothers me and I wondered if anyone on here has run into this, was aware of this, or can explain if I am just being unreasonable to expect that if I purchase a new release I will get a real CD, not a burned copy on CD-R. I suspect that the CD-R is ultimately an inferior product which may not last as long as a regular CD pressed in the regular manufacturing process despite amazon's assurance that it is an equivalent item, but perhaps someone here will reassure me that I'm wrong. Curious what any of the folks on these threads think about this issue, whether it would bother anyone else or if I am just uptight. The CDs that I ended up getting this way are Sound and Fury by Sturgill Simpson and the Kings Mouth by Flaming Lips. Noticed this when I saw a note on the Flaming Lips Soft Bulletin: Live at Red Rocks product page indicating that it would be manufactured on demand when sold by amazon and then discovered that meant it would be a CD-R version, then looked to see if it applied to anything else that I purchased from them recently.

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They get away with a lot of iffy stuff like the CD-R shit. Its Not right
And maybe not legal.

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In reply to by Charlie3

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I tried to look into this and was unsuccessful. What I saw advertised was the original CD, I did not see copy's or CDRs, or anything similar in the descriptions.

I don't think this is legit. Just to confirm, was this from Amazon or was it from a secondary seller or whatever the correct word is for this at Amazon?

To Carlo's point, this doesn't seem legal unless they have licensing and pay royalties (which is doubtful).

I bet you could send it back at no cost and get a refund.

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I purchased the items from amazon with amazon as the seller, not a 3d party seller. They are upfront about it, but it is easy to miss and requires a couple steps to get the information.

If you look at the product description at the top of the page next to the product picture for those items, e.g. Kings Mouth, there is a small line that states "Note: this product is manufactured on demand when sold by amazon.com. [Learn more]" When you click the "Learn more" link it opens a small window you get the information that it will be manufactured on demand using CD-R. The information indicates that amazon has a license to sell the product this way, that all original packaging materials will be printed and provided by amazon, and asserts that the discs are just like what you are used to and the source files the same as for regular CDs of the release. The note only shows up when the item is sold by amazon, and only for some items, in my case, the Sturgill Simpson Sound and Fury and the Flaming Lips Kings Mouth releases. The Flaming Lips Soft Bulletin Live at Red Rocks Release also has the manufactured on demand note when sold by amazon (when I look at this moment, the listing is for sale by a 3d party seller and the note does not appear, but earlier today when amazon was the seller the note was there - I'm sure it will appear again when amazon is the seller again). On the order details for these items it lists the seller as Amazon Digital Services, Inc., whereas the other CDs I have purchased from amazon indicate the seller as Amazon.com Services, Inc. There were also some threads on Steve Hoffman with references to this issue going back a few years.

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In reply to by stoltzfus

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I saw some terrible things when I was a drugs worker. I was once called out to visit someone who had been injecting curry powder. When I got there, it was too late...he was already in a korma.

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Agreed. As many others have recently stated and I have posted before, number five sits atop the mountain. Not even close.

Effortless magic that smokes right from the start.

So the Sabres suck again. Their return to former glory lasted less than a month. I guess my lone sleeper team is the Oilers.

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In reply to by Charlie3

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If they are licensed then it would seem the artist get some sort of cut. Perhaps it's a way for artists to get around labels and bring CDs to market at either less cost or by giving up less of a share to corporations.

Then the issue becomes one of the quality. If this is the direction music is heading, it really makes digital more viable and the physical product that much less desirable??

In any case, very interesting.. thanks for sharing. It gives us something to be on the lookout for.

Edit: I finally found the 'hidden in plain sight' language on the Flaming Lips CD. I had to look several times. Sneaky. I guess it's legit. Weird though. I need to give this some thought. Do they look the same as CDs (i.e. have artwork or professional images and detail on them or are they like the ones I make.. with the title hand-written by a black or blue sharpie?

"Note: This product is manufactured on demand when ordered from Amazon.com. [Learn more]"

Giving this more thought.. I agree with Cone Kid's comment (above this), this is a lesser quality product and should be significantly discounted, not $12 a CD. I guess the advantage, assuming they are being honest, is they are more eco-friendly?? but are the really? I gut tells me we should demand higher quality. If they had professional equipment instead of an industrial version of my CD burner.. wouldn't that be equally eco-friendly? Methinks we are getting an inferior product and Amazon wins the consumer loses.

Not really any different than selling a digital download.

They just need to make it very clear that it is a CD-R, because CD-R’s are not the same as CD’s. Anybody who claims that they are the same is lying.

CD-R’s store data with organic dye molecules which will slowly break down over time, but it depends on storage conditions. I have 20-year old CD-R’s that still play.

Factory made CD’s store data on a thin film of metal. The data is pressed into the metal film with a negative, very similar to how vinyl is pressed. This allows for a rapid stamping process and mass production.
But, as demonstrated by Rhino with every GD release, if you half-ass the process and don’t use quality control there will always be a batch of defective discs sent out to customers.

I would not buy an on-demand CD-R, only factory pressed CD’s.
But, if there was something that I wanted and it was only available as an on-demand CD-R or a digital download, I would do the download and burn my own CD-R.

Also note:
DVD+/-R uses organic dye.

DVD M-Disc uses a ceramic and/or glass layer that is supposed to last for 1000 years when stored properly.
United States Patent US008389095 B2
Date of Patent: Mar. 5, 2013
OPTICAL DATA STORAGE MEDIA CONTAINING SUBSTANTIALLY INERT LOW MELTING TEMPERATURE DATA LAYER

BD-R HTL (high-to-low reflectivity, the burned area is darker) is also a type of ceramic and/or glass and averages the equivalent of 500 years in simulated testing.

BD-R LTH (low-to-high, burned area is brighter) is organic dye similar to CD-R and DVD+/-R.

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In reply to by icecrmcnkd

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For someone who doesn’t want to do digital downloads or doesn’t have a burner, then on-demand CD-R might be the way to go.
Maybe some bands are going to ditch their record label’s CD factory and use digital downloads with the option of an on-demand CD-R.

Bears.......

beat the Lions.

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Good one.

That DaP 5 is probably the best. The only real challengers for me would be DaP 23 (1/22/78), 29 (2/26/77), 11 (11/17/72), 17 (7/19/74), and 25 (11/6/77). But then there's 15 (4/22/78) . . .

I recently went looking for an old Chet Baker CD, and it's only available now as a download, or as one of those CD-Rs from Amazon. Seems legit, as it's licensed by the estate of Chet Baker. The cost of keeping a CD in print is prohibitive when the demand is low, but if one still wants a physical product with all the liner notes and cover art, then Amazon will burn you a copy for a few dollars more than the download. I think a Bob Seger CD I was looking for can be printed that way too.

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In reply to by icecrmcnkd

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Perhaps, but as you suggested we are getting an inferior product basically at full price. If they are going to do this, spend the extra money and get a professional quality machine and do it right. We pay the same price, get an inferior product and Amazon likely makes more money per CD than they do selling a standard CD that was made using the standard, higher quality manufacturing process.

It's a slipper slope, how long until Dave's Picks start coming to us as CDRs. I'm against it. I will pay an extra fifty cents or a dollar to have a real CD.

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I spent some time looking into the CD-R situation and it seems that the main issue is the longevity of the CD-R and the fact that the longevity is dependent on how the disc is treated and the specifics of it's production. As Icecrmcnkd noted in his nice summary, the CD-R uses a dye layer. This dye layer is apparently sensitive to light exposure, to the extent that a couple weeks of direct sunlight may kill it. The information that I found indicated that there is significant variation between the light sensitivity and longevity of different CD-R discs depending on the type of dye layer used. There are a variety of factors involved, but the upshot seemed to be that a CD-R is not actually equivalent to a regular stamped audio CD and is a lesser quality product, to at least some degree, with a greater potential for failure.

Amazon makes clear that they are using this approach to save on warehouse costs and to make it possible to offer out of print releases in very limited quantities. That's great, seems like a good use of the technology. My problem is just with amazon selling CD-R copies of new releases that have an actual CD release available, or I as I can't help but feel, selling me a slightly inferior product when the full quality version is readily available. My apologies to any bored by my rambling OCD diversion into CD-R technology and the ethics of CD-R sales.

Interesting discussion of an area I am ignorant of. It makes sense, though, what has been written. I made a load CD-R copies around 10 years ago, mainly of cds I already had, but also of ones borrowed or of digital downloads.
I used these on long car journeys, but as they have long since stopped, I have stored them all in the attic...in direct line of sunlight. And lo and behold, a good many of them no longer play.

I didn't know you could buy CD-R editions from Amazon. This would only be attractive to me if they were of limited edition cds that are now sold out. The digital downloads don't have the sleeve notes. The one I have just looked up is the Muddy Waters double cd Hoochie Coochie Man Volume 2 Chess Masters on Hip O Select. It costs a small fortune for the regular cd, the download is cheap-but missing info-so a CD-R might be the way to go. But I couldn't see how to access such a thing, if, indeed it is available for this release.

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Been listening to some earlier Dead lately after a little run of '73 shows. Gave DaP10 12/12/69 and DP16 11/8/69 a listen over the last couple of days and spinning DP22 2/23-24/68 now with that excellent Viola Lee Blues. Seemed like a good choice after finishing the first snow shoveling of the year on a gorgeous sunny day in the Bitterroot. Been a while since I listened to any of these and they hit the spot lately.

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In reply to by Charlie3

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....unless you want something tomorrow. Then they're ok.
I just tested a CD-R I burned fifteen years ago. It played. Then again, my media room is dark as fuck. Bonus points!!
CD-R ethics. Hilarious. That is one of many reasons why I come here on almost a daily basis. Faceplant into Rokk.

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The chink in the armor for DVD-M disk and other long store media would be high cost of ceramic or glass technology to be lost to another physical technology. We will always have two types of media for music/movies. One for the masses and one for the stubborn and older people not hip to the jive. Just like newspapers. I like newspaper form instead of buttons. After your done with a newspaper, you can roll it up and swat things like pests and people who ask to borrow your Dave's picks. It can also be used as a low cost telescope and giant spitwad straw. All been tried by the way.

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In reply to by carlo13

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....the social media rounds lately. I was born in 1968. Gen X. It's apparently a thing.
Social media has a big voice, yet a narrow spine.
I'm turning into my Dad.

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When my kids mock me for something I remind them that they will turn into me as they age.

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15 years 1 month

In reply to by carlo13

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CARLO13

You mentioned listening to Spoonful by Cream a few days ago. I wonder if you’ve noticed that a 4cd boxset is going to be released in early Feb 2020. This will have the complete shows from the Goodbye tour in 1968. Three in the US and the Royal Albert Hall final concert. There’s a piece about it on the Rolling Stone website. I am looking forward to this.

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In reply to by Charlie3

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I only buy physical product for Grateful Dead releases.
I’ve had defective CD’s, as well as damaged and defective vinyl from Rhino.
But I still want the physical product. It would just be nice if GD/Rhino would pick up their game on the manufacturing and quality control aspect of the process, as well as getting replacements out as fast as possible.

After I listen to new GD releases to confirm that they play defect free, I copy them to a hard drive and then make copies in various formats - AIFF, ALAC, FLAC, and AAC-320 (my car will only play mp3 from a flash drive).
I then make backup HD’s and store them in various locations.

Periodically I make data BD-R backups because optical is a different storage medium than the magnetic spinning discs in HD’s. In the future I am going to include SSD’s for a third medium.
Need to insure survival of the collection no matter what.

As a wise former visitor of this site once told me: “this collection is my audio 401k for retirement.”

Blank BD-R’s are $0.42 each for 25GB 50-pack.
That’s 25GB per disc x 50 discs.
That is a cheap insurance policy against a hard drive failure.
BD-R burners are on sale this week at OWC (you still need software to burn the disc).

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You like your '77 / '78 Dead. I also like that Selland show you mentioned. Very easy on the ears. Better than DP 31, which is overrated in my opinion. It was the bomb in its time but better '74 has come along. Eyes of the World obviously stands out still.

Vguy I almost didn't recognize you with the new avatar. I think of people as their avatar in my mind's eye. You've always been red dice on green felt. Perrythecat is creepy upsidedown dude. Jim is Peabody or whichever the name of the human is. Icecreamconekid is clearly the kid they used to model for the Europe 72 album. KeithFan I actually think you're the ghost of Keith because I've never seen an avatar for you that's not a picture of him. Carlo you're just bearded top hat guy. Charlie3, a turtle to be sure.

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In reply to by Colin Gould

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Pleased to read of this. Hopefully sonically superior the glut of live Cream cds that have come out over the last 12 months or so.

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7 years 6 months
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Colin Thanks for the heads up on the cream box. I really want this because the heavy cream album I have is out of print and the other live ones are all in my vinyl collection in storage. So the box is what I've been waiting for. Yes, that is Dr. Demento. He made me the person I am today. Crazy. The Dr. Turned me on to comedy like Dr. Timothy Learys turn on,tune in,drop out.

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7 years 11 months
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Ahhhhhh, you said......haha

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13 years 4 months

In reply to by Angry Jack Straw

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Good idea, great little movie.

...and, we need a new release. When do they usually announce the second Dave's Picks of the year? Right around Christmas.. right?

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14 years 9 months

In reply to by stoltzfus

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I am cataloging my collection

into 78 now

anyway...I finally feel like I have "enough"

Except for Dave's
and whatever box sets intrigue me enough

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16 years 11 months
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Bob Weir before the start of Set II opening Wharf Rat!! I wish i knew what he was referring to..... Starting with set I Cold Rain and Snow which is so appropriate for our weather in New England, yesterday and today!!!! Boston Music Hall 12/2/73.... Be safe driving today.. bob t

Beats me, doesn't appear to be an FM Broadcast night.. They tried pretty hard not to be political.. Bobby is a bit of a sports nut, perhaps he was referring to the Iron Bowl the night before, Alabama 35, Auburn 0? Google wasn't much help so not sure, interesting though.

He did something similar on 10/28/85, "I wonder how many of you were watching TV last night" as they started into Kansas City. The night before (10/27) the Kansas City Royals won game 7 of the World Series hence the debut of Kansas City the next night (one of two times played live).

A Weir'd one.

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7 years 6 months
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I guess they are putting Int. Orders on hold for awhile until they catch up on American orders.

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17 years 4 months
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But if everyone else is doing exactly the same, I guess I'm waiting in vain ...

Ah well, hope to get Dave's Picks Volume 32 before the end of the year ... :-)

Micke Östlund,
Växjö, Sweden

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