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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    ok, just listened to Hemispheres and 2112 side one

    every time I hear the last few minutes of 2112 side one, I get goose bumps and chills. every time.

    every time.

    RIP, Neil.

  • icecrmcnkd
    Joined:
    That sucks

    Adios Neil

  • P Hill
    Joined:
    rip neil

    03 03 92 the omni
    https://archive.org/details/gd1992-03-03.nak300.carpenter.andrewf.92897…

    Excerpt from Peart's book, "Traveling Music" --

    "In 1990, Mickey had co-written a book (with Jay Stevens) on the history of drums and rhythm, artfully interwoven with his own autobiography and some of the Grateful Dead’s history, called ‘Drumming at the Edge of Magic.’ When [Peart's daughter] Selena was looking for a topic for a junior high science project, I suggested something I had learned about from the book, the “Theory of Entrainment.” The theory held that any two mechanisms, including humans, tended to synchronize their rhythms, to “prefer” them, as compared to beating against each other. Thus two analog clocks placed in proximity would eventually begin to tick in sync with each other, neighboring heart cells tended to pulse together, women living together often synchronized their menstrual cycles. And thus, thought Mickey, he and the other Grateful Dead drummer, Bill Kreutzmann, should (and did) link their arms before a concert, to try to synchronize their biorhythms with the Theory of Entrainment. Selena put two old-fashioned alarm clocks, with keys and springs and bells, beside two digital bedside clocks, and made a poster to describe the principle. I think she got a good mark.

    "For my part, I was so impressed with the scholarship and artistry in the book that I wrote Mickey a letter of appreciation, and we began to correspond.

    "Later that year, in 1992 it happened that both our bands were playing at the Omni Arena in Atlanta on successive nights, the Dead one night and Rush the next, and Mickey and I invited each other to our shows. On our off night I went to see the Dead play, accompanied by our tour manager, Liam, and what an experience THAT turned out to be.

    "Liam and I arrived just as the show was starting, and gave our names at the backstage door. One of their production crew gave us our guest passes and escorted us to our seats – right behind the two drum risers, in the middle of the stage! Liam and I looked at each other with raised eyebrows as we sat down, and noticed that right behind us was the production office, with telephones, fax machines, and long-haired, bearded staff dealing with communications and logistics (presumably, though the production office is normally a room backstage, where such work can on APART from the concert), and we also heard there was a telephone line run through the crowd to the front-of-house mixing platform. Catering people walked across the oriental rugs that covered the stage, delivering salads and drinks to various musicians and technicians, even during songs, and meanwhile, the band played on. Lights swept the arena, reflecting off white, amorphous “sails” suspended above the stage, and clouds of marijuana smoke drifted through the beams and assailed our nostrils with pungent, spicy aroma.

    "My familiarity with the Grateful Dead’s music began with their first album, back in ’67, when my first band used to play several of their songs, “Morning Dew,” “New New Minglewood Blues,” and “Good Morning, Little Schoolgirl.

    "And they played and sang really well, too, augmented by the soulful keyboards and accordion of Bruce Hornsby. The drummers, Mickey and Bill, became an interlocking, mutually complementary rhythmic unit, right out of the Theory of Entrainment.

    "Liam and I couldn’t see much of the “front line” guys, the guitarists and vocalists, because of the wall of amplifiers, but occasionally, on the stage-left side, the spotlights caught an unmistakable bush of gray hair that could only have been the legendary Jerry Garcia.

    "During intermission, Mickey invited Liam and me to his dressing room in the familiar backstage corridors of the Omni (each band member had a separate room, which hinted at certain “divisions” among them; after Jerry Garcia’s tragic death, I read a story asserting that he hadn’t enjoyed touring very much, and when the others wanted to go on the road again, he responded, “What, they need MORE money?”). Mickey was a friendly, outgoing man, with an engaging smile and an intense, joyful enthusiasm for percussion. With all my African travels and interest in African percussion music, and Mickey’s musical explorations in print and on records, we shared a few things we knew and cared about, and had a good conversation until they were called to the stage to begin their second set.

    "Liam and I returned to our center-stage reserved seats, and I noticed that not only did the band members have separate dressing rooms, but the wings of the stage were lined with small tents of black cloth, one for each of the musicians to retire to during the songs on which they didn’t play, and have some privacy. During an acoustic number in the second part of the show, Mickey disappeared into his little tent, then motioned for me to join him. We talked for a few minutes about drums and drumming, and I told him how much I was enjoying their performance, then he went back up to the riser and started playing again.

    "Next night, the positions were reversed. That tour ('Roll The Bones'), we had a metal gridwork runway (dubbed the “chicken run” by the crew) about four feet high, running across the width of our stage behind my drum riser, where Geddy and Alex could wander while they played. During the show, I looked back and saw Mickey, under the chicken run, smiling out between its black curtains. He was just as close to me as I had been to him, and he seemed to be enjoying himself."

  • stoltzfus
    Joined:
    NEIL FREAKING PEART???

    wow.

    not a major Rush fan, but the Hemispheres LP and side one of 2112 are tattooed into my soul.

    wow.

    Death don't have no mercy. at all.

    FUCK.

    [V. Cygnus: Bringer Of Balance]
    I have memory and awareness
    But I have no shape or form
    As a disembodied spirit
    I am dead and yet unborn
    I have passed into Olympus
    As was told in tales of old
    To the city of Immortals
    Marble white and purest gold

    Man. Actual tears. I didn't get tears when JERRY died.

  • JimInMD
    Joined:
    Re: RIP

    Wow.. didn't see that coming. Lowering the freak flag to half-mast.

    Sad day..

  • LedDed
    Joined:
    R.I.P. Neil Peart

    I don't think it's in poor taste to suggest that that is why Alex and Ged haven't done anything, out of respect for the master. Boy did they keep that under wraps.

    Maybe something with Portnoy is in the cards. Anyway, this guy was one of the best I ever saw. And a class individual. He will be missed and never replaced.

    \m/

  • stoltzfus
    Joined:
    be ready for Daves33

    1/22 at 10 am PST

    komplainink vill not be toleratet (said in German accent) if you miss it

    reeeeeeally looking forward to this one.

  • bob t
    Joined:
    Dave's 32 last offer before i forget and find it in 5 years

    I have an extra unopened Dave's 32 when i double ordered subscription last year. Cost plus shipping if you want it. bob t

  • JimInMD
    Joined:
    ..the few

    Dennis, my Billy Holiday collection just doubled! How long until someone digs up a song the Dead covered from this treasure trove..

    Somebody went through a lot of trouble to translate 78's to digital formats. They mostly sound pretty good considering... Like mhammond said yesterday, the things you learn here. ..and the things that get deleted. :D

  • Oroborous
    Joined:
    32

    Definetly has some ruff patches early on, but remeber many of those songs were new or were new as far as vocals/harmonies, and I’ve heard worse. Of course as they get their mojo going the show morphs into a stallion.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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Jamming to the 12-28-79 Road Trips along with todays college football action, and right as Alabama Getaway started up the LSU / OK game started up as well. LSU of course, being the ones who made Alabama . . . "Get away" this season.

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Is it one of the very few or sui generis that features Jerry on slide for the solo? I've always found it rather unique.

Oh, and on the H>S>F combo 10-11-77 and 5-22-77 are right up there.

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my favorites come from 76
the paramount and tower shows especially

Ledded - you probably already have, but if you like Clapton, it is well worth checking out the three Kings-especially Albert and Freddie. As Eric Clapton was to those that followed, so were those two to Clapton. Especially the "Born Under a Bad Sign" album by Albert and everything by Freddie.

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Picked up Born Under a Bad Sign (Albert King) in April on RSD and then The Mojo (Freddy King) on the most recent RSD in November. You can certainly hear both influences in modern blues guitar. Clapton’s sound is very muck akin to Albert King, and you can hear a lot of SRV influences in Freddy’s playing. Both are phenomenal repressings of classic albums. I would be interested in hearing album suggestions for the third King, BB, if any of you have any? I know there’s a ton of stuff out there...

Think I’ll put Freddy on now with the morning coffee.

Been catching up on the 30 days of dead recording from this year. Especially enjoying the 31 days of Dead for December. A fitting tribute to RH!!! My favorite track so far has to be the one of RH doing an acoustic version of St. Stephen and then also China Cat. Almost more of poetry readings than tune performances, but beautiful alternative takes on two Hunter songs that we all know and love.

Peace all!

KCJ

Edit: Vocally, Clapton and Freddy King sound a lot alike!

Edit 2: oh and for you Jazz aficionados out there while on the subject of guitar masters, check out Kenny Burrell with Stanley Turrentine/Major Holly Jr./Bill English/Ray Barretto, Midnight Blue....recently repressed with Blue Note....WOW!!!

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Dig the blues discussion, thought I would mention Buddy Guy since nobody has so far. Lot's of great Buddy Guy stuff, especially his stuff with Junior Wells. Junior's albums Hoodoo Man Blues and It's My Life both feature Buddy and both albums are fantastic. As far as the King's, I prefer Albert, something about his stuff just clicked from the first time I heard part of his Thursday Night in San Francisco album on Dan Ackroyd's House of Blues radio show while driving to meet an acquaintance a long time ago.

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albert collins - ice pickin

danny gatton - redneck jazz

gary moore - blues for greeny

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Casey.....Nappyrags recently recommended 3 live B.B. King albums on here, "Live at the Regal" and "Blues is King" from the mid 60s and "Live in Japan" from 1971 and I would agree that all are great for different reasons. Playing wise, my favourite is "Blues is King" but my cd-a 1987 released version on MCA sounds dire. I've noticed there is a Japanese SHM release out there, and I am tempted by that-although it is expensive.

For B.B,s studio sides, I far and away prefer his 1950s singles to anything else. I've got two very similar collections which feature this material - "The RPM Hits 1951-1957" on Ace Records and "Sings The Blues", another Ace reissue . Either of these are good...but you don't need both, really. Few extra tracks on the first.

My last blues albums was Magic Sam "Live at the Avante Garde June 1968" which is tremendous. He was in the same ball park as Buddy Guy. THAT good.

I have never heard the Danny Gatton album mentioned below. But I have got a few cds by him, and got one earlier this year called "The Humbler" credited to singer Robert Gordon. Without a word of a lie, this features the most incendiary rockabilly guitar I have ever heard in my life. Its all standards...but you wouldn't believe how well and dynamically they could be played if you haven't heard this album. Jaw dropping-really.

Actually, another blues album I bought recently is playing as I write-"Blues" - a 3 cd compilation of Rory Gallagher. It was cheap as chips, and features a side of studio, a side of acoustic and a side of live tracks that are currently blowing my kitchen apart. Blues albums have never been far away from my record/cassette/cd player over the years.

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It's been a while since I reached for a '77 show, and I went with 6/9 about 15 minutes ago. Well, it was a fine Mississippi Half-Step, but now that I see your post, clearly 12/29 is the best choice for today. I did this one about a month ago. Nice to hear the Wolf in '77. Looking forward to the Playing / Cat / Rider.

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P Hill, I saw Albert Collins play a few times, at least once at the San Francisco Blues Festival. He truly was a great one.

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Hauoli Makahiki hou
Bonne année
Ein gluckliches neues Jahr
Gelukkig nieuwjaar
Voorspoedige nuwe jaar
Godt Nytír
Akemashite Omedetou Gozaimasu
Feliz año nuevo
Shana Tova
Xin nian yu kuai
Jai alai fronton
Eutychismenos o kainourgios chronos
Felix sit annus novus
Kul 'am wa antum bikhair

HAVE A HAPPY, HEALTHY, PROSPEROUS AND PEACEFUL NEW YEAR, WHEREVER YOU ARE!!

Happy New Year to you too.

60 minutes has a piece on research related to psychedelic's tonight. They must be trying to win back the GD/Phish demographic. :D

Edit: Apparently it's ok to take mushrooms while under the care of a qualified doctor. To think, all these years it looks like I've been doing it all wrong.

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In reply to by JimInMD

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I saw that too. A fascinating research project. Unfortunate that you can’t choose your own music.

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I always chose my own music. No blindfold either, wanted to see the world, not just whatever was playing on the back of my eyelids. The wonders of nature never got old.

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Dark Star> Spanish Jam> US Blues. Cannot wait for this one to hit the mailbox! Have loved this show for a long time! The bonus disc sounds great if it's just China> Rider, Eyes, Wharf, and 30 min Playing! Much more excited for this than 10/29/77, and I like that show pretty well. :)

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What DaP 34 will be.

As I said weeks ago (and was subsequently told I was wrong), DaP 34 would be announced before the subscription period ended, but after the early bird pricing ended.

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I got the email this time :-)

Thanks Dead.net!

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Are you going to Bermuda?
Would you go there if you could?
Now, now
If you go there, plan on staying
Whether you like it
That's the way
In Bermuda

Are you, are you Bermuda-bound?
Do it call like a siren sound?
It's so high and it's underground
But you never come back
Before you're never found
In Bermuda

It's just the innocent
Devil's Triangle
It dares you to come there
That's it's angle
But the Devil is innocent
Like you
When the word you want
Is Master, Master, Master
In Bermuda

Bermuda, Bermuda, doesn't call
It haunts you
Make you wonder
Make you want to go
Make you curious
Too much burn
But you never, ever
Will return
From Bermuda

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In England and France... Hold mail gets delivered with Garcia 12....... Wow Sarah Fulcher adds a whole new dimension... sorry if you all spoke about it already. Then i was going to type this I see the DP 34 announcement!!!! So excited for 74!!!!! Happy New Year everyone!!! bob t

10-21-73 is horrendous.
In fact, the first several songs of the first set are terrible, potentially worse than any train wreck from the 80/90’s.
I’m currently on WRS, hopefully the show improves......

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Wow, this is great, two awesome shows to start the year. First we get a fall 77 show and now 6/23/74, Wall of Sound! Love it.
Will we get any shows from the 80s this year? Box set or stand alone releases?

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Hello everyone, does anyone have Dr. Rhino's email. I received the wrong order for the Giants Box. A Flower Kings CD is what I received instead. any help would be great!
Thank you, Dave

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Received the Dap 34 email @ 6am this morning.

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When Dap 34 comes I will be fishing. Can't wait. Fishing and dap 34, it doesn't come better than that.

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Yeah, I got the Flower Kings CD too. (Left a comment on the box set thread.) I've given up at this point and ripped a copy of the Giants Stadium set from a friend. (Check your credit card statement....in my case, they unilaterally cancelled the order and refunded the money without telling me.) Not sure what to make of the FK CD. Random. Go Swedish Prog Rock!

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I'm very pleased we're finally getting this. Every time I feel like we're due for a 1974 show I hope for this show and Chicago, as they have the last two unreleased Dark Stars (the Jai-Alai version on So Many Roads is incomplete by maybe 5 or 10 minutes if memory serves). Only 6 or 7 Dark Stars in '74, depending on how you look at Dick's Picks 12. It's listed as Jam on the CD, but most set list sites cite it as Dark Star. Personally I don't hear it, and I've heard it described as "Jam with Dark Star elements". Well..... this just means I need to listen to it again. I suggest you do the same. History beckons......

I would have bought two early birds if I'd known this one was coming out. So tempted to buy that second one as a "just in caser".

Also really psyched about 80 minutes from the night before. Feels like Dave's Picks Volume 2, Part II.

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Guys and gals, I'm just letting you know that using PayPal for this and any other site is the best way to go. If for some reason there is a purchase or money issue and they say we have no record of your bill, paypal will step in and do what needs to be done with little need for you to worry. They are really great and no charges to use it too. Fee Free purchases within the USA and a couple bucks for all other countries. Its quick and safe. Peace. P.S.- The july 78 box I'm waiting for is now missing from the site. Scary. I still have faith in dead.net.

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....i use it every time.
Loving the latest Pick news as well....

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John cleese is going to Hanover theater in Worcester, MA. For the 45 anniversary of holy grail. An interview and movie will be playing. Cool place too.

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One of my first downloads from the old archive, back when you could still grab 'em.

Good choice! Now if they'll only follow through with an Ark box set this year.....one can hope!

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If you're just getting tuned in, I'm having a conversation with myself about the validity of calling the Jam on DP 12 a Dark Star (as most set lists would have you believe). There's some top shelf Mind Left Body early on that ranks up there with 10/19/73. Only 15 minutes in....doesn't matter what you name it, it's face melting quality. I did not, however, hear even a smidgen of the Dark Star theme (and certainly no lyrics). I think the set list sites have it wrong. Is this something in Dead Base? I'm not a Dead Base guy.

This conversation started when I saw that Jai Alai was slated for DaP 34. It quickly devolved into an unnecessary analysis on how many officially released Dark Stars are still yet to come from 1974, and it gets worse with every post I put up here. Lucky for you guys I'm only at work another hour and a half.

Ouch, full fledged meltdown at 25 minutes. Garcia clearly tripping his balls off - and why shouldn't he be - it's summer '74 and he's playing in front of the biggest stack of speakers known to mankind in an enclosed arena that seats 15,909. I know the seating capacity because the internet told me. It also told me the Dead didn't play the Garden for a number of years after an incident in which they were caught grilling lobsters on a fire escape before a performance. wtf?!? How do you even get into a situation like that.

Also of interest, the internet says of The Who at the Garden:

In 1973, The Who were scheduled to perform at the Garden and nearly didn't perform due to the band being detained by police after destroying a hotel room in Montreal, Quebec, Canada, where they'd appeared the previous evening. The band was eventually released from jail and managed to arrive at the Garden in time for their show and took out their frustrations for being arrested the night before by delivering a blistering set and taunting the Montreal police, dedicating their performance of "Won't Get Fooled Again" to them. Who drummer Keith Moon (for the rest of the Quadrophenia tour) changed one of the lyrics to the song "Bell Boy" from "remember the gaff where the doors we smashed" to "remember Montreal at the hotel we trashed" or variations of the band being arrested.

And for what it's worth, I spent the coldest night of my life one New Year's Eve in Montreal. I'm a seasoned Buffalonian, and this shit was cold. Just walking a block or two from one bar to the next physically hurt the face and lungs. I spent the better part of the next morning and early afternoon vomiting from a 12th floor balcony.

P.S. - icecrmcnkd, where are you listening to that worst Loser from, archive.org? Just wondering if 10/21/73 is on one of those unofficial soundboard release CDs.

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Wooooow...

Time machine...take me first to Europe 72

Then to Spring 77

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Set II of 12/31/77 Sugar Magnolia opener... Scarlet/ Fire... watch Bill Graham arrive via motor cycle and watch the boys get hit on stage with a giant bag of balloons!!

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Keithfan your relisten today beats my memory, but I recall a brief DS tease somewhere before or after the Mind Left Body Jam (both?), which is, to me, more of a proto-Music Never Stopped Jam, they definitely hit the MLB theme, but it seems to move to a waltz feel, that makes me think of MNS. I wouldn't label it a Dark Star Jam, but I would track the Mind Left Body if it were up to me. What a fantastic jam and release! That release is one that's a pastiche that I love. Still my favorite Eyes, mainly for Phil's wonderful solo. And gotta be everybody's favorite China Cat. I have a promo cd for DP 7-12, and it hasthe China Rider representing DP 12, and it was my introduction to live China Cats. I had Aoxomoxoa, and loved it there, but this was a revelation. Not fair to every other China Cat that that was my first. I guess kinda like a virgin who meets John Holmes, gonna be hard to find another one to measure up.

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Love the Dark Star discussion. It's right up my alley. For a long time, I have been intrigued not only with song timings, but also title identification. I can totally relate to trying to decipher whether a given tune either is or is NOT a Dark Star. I love the (12/5) '71 Dark Star from the UK box set. It lists: Dark Star Jam>Me & My Uncle>Dark Star Jam. It clearly is a Dark Star Jam on both ends, but never is a verse sung.
Similarly, on the Dave's 21, Here Comes Sunshine>Jam. Is it that, or is it a REAL LONG Here Comes Sunshine?? I guess it's up to each listener to decide.
Phish does this a lot-and usually, if they don't return to the original theme of the tune, I consider it a jam. So, to all who care......let the discussion continue.

P.S. I have pre-ordered my Cream Farewell Box (Very Excited!!), but I'm just not yet ready to bloviate on Dave's 34, I haven't even got 33 yet!!
Stay safe all-and have a joyous New Year's celebration!!

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I'll have to dig that one up. I was getting stoked for 1974 with DP 12 and then followed up with a compilation from the Pacific Northwest 1974 shows. In the middle of that my cousin texted me that 12/30/78 was playing on Sirius last night. I assumed there must be a good version of it on archive.org if they're playing it on Sirius; however, the Charlie Miller soundboard I downloaded is pretty spotty. Does anyone know if there's a better version floating about that would be of Sirius Radio quality?

P.S. Alvarhanso - lol now that you think you heard a little DS Dick's 12, I don't trust my own listen yesterday! I was afterall working while this listening session was going on.

P.P.S. - funny on this 12/30/78 soundboard you can hear Jerry complaining about Bobby being too loud. I know they're talkin about stage monitors but, I think most situations call for Jerry being louder than Bobby :D

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People of Europe and the U.K. have your sugar magnolias at the ready 4/5 hours to go - my own personal favourite is 12/31/82 ( Bobby after the second verse “ holy f##k look at all those balloons “ )
HNY all and hears to a cracking 2020
😸🍾😸🍾😸🍾😸🍾

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Peri, it is says a lot that you refer to Europe and the U.K. as if they are separate entities. That island mentality coming to the fore once again. Here, the changing of the year also signals the demise of Holland. From now on we have to refer to this country as The Netherlands. It seems to be nothing more than a marketing tactic - Holland apparantly conjures up images of clogs, cheese and tulips which is not the image the government wants to project. I am therefore obliged to wish everyone a happy new year from The Nether-regions. And I mean that from the heart of my bottom. Or something like that. Whatever, have a good one!

PS: Finally finished the Giants box today.

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In reply to by simonrob

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When I think of Holland/Netherlands, I only think of the brilliant orange kit they wear for footy competitions!!
I like a man with a good sense of humour though. From the heart of my bottom indeed!

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I have a strong affinity for 12/31/76 and 12/31/82.. 76 probably because both the performance and recording kick ass. With the newly released and I believe remastered (??) vinyl that makes it extra special and 82 because, well.. Etta James, the Tower of Power and the Grateful Dead.. I mean, get out of here, what a power-packed punchbown of fun.

Set 3:
Turn On Your Love Light
Tell Mama
Baby What You Want Me To Do
Hard To Handle
In The Midnight Hour

Wishing all health and happiness in the coming year. My resolution.. more music less bullshit. Play more dead.

It will always be Holland to me. Tulips, wooden clogs and the most recognized country to flush silly criminal penalties for weed down the toilet. What exactly is wrong with that legacy?

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Cheers to another year that's been an amazing trip on this forum. What a kick to "listen" over y'all's shoulders just about every day. Let's do it some more in 2020. HAPPY NEW YEAR!!!

"Holland" forever! And don't forget the windmills!

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