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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • #191
    Dennis
    Joined:
    Jim and the 75 show

    I re-listened to all of them also and agree. That one is the best of the lot and it was the one I had.

    You can check the archive forever, sometimes you just live with what you got. Though, I have (via this forum) been clued in when something better comes along. I think I've re-downed about 6-10 shows.

  • #192
    JimInMD
    Joined:
    Re: Winterland 75

    https://archive.org/details/gd1975-06-17.sbd.GEMS.96125.flac16/gd1975-0…

    I went through all these today, I still think this is the best sounding, most complete of the bunch. I see Charlie Miller put up a more recent board, but it's partial.

    If you read the notes, this is a board with audience patches and sounds like that to me, i.e. I believe the notes.
    I have the Miller too.. One could combine the sources perhaps.. Actually, I have them all.. I haven't given it a deep dive with headphones in years, but this is not an Audience recording except where noted in the notes below. It might not be the best soundboard out there, but... it is what it is and I am not seeing anything head and antlers above the rest that circulates.

    Anyway.. I am not partial to any one recording or another. Let me know if you want this or any of the others that appear in the Archive. I appear to have them all.

    _____________________________________________________________
    Notes
    Patched using shnid = 233
    AUD CM>DAT>CD
    EAC> SHN

    Recorded by Rob Bertrando
    Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT;
    audience from Winterland floor, about 30-35' back,
    just to the left of dead center.

    ---------------------------------------------------------
    - FLAC conversion 30-NOV-2008
    ---------------------------------------------------------
    Audio Patches:

    1) At the beginning of the show, 2 minutes and 42.282 seconds were missing the right channel of the SBD which was filled in using the left channel from the SBD making this portion of tuning\intro a mono recording.

    2) 2 minutes and 3 seconds into Crazy Fingers, 20.163 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    3) 2 minutes and 51 seconds into Crazy Fingers, 47.758 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    4) 4 minutes and 57 seconds into Crazy Fingers, 3 minutes and 13.540 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    5) 8 minutes and 46 seconds into Crazy Fingers, 5.891 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    6) 9 minutes and 36 seconds into Crazy Fingers, 47.131 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last notes of Crazy Fingers into the tuning between songs.

    7) 1 minutes and 41 seconds into Beat It On Down The Line, 2 minutes and 16.225 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the last half of BIODTL into the tuning between songs.

    8) Between Deal and Big River, 1 minute and 30.313 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    9) Between Big River and Peggy-O, 43.077 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the start of Peggy-O.

    10) Between Peggy-O and Me And My Uncle, 51.994 seconds were missing from the SBD source and was filled in with audio from the AUD source.

    11) Between Me And My Uncle and Help On The Way, 35.025 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of Help on the Way.

    12) Between Sugar Magnolia and US Blues, 07.435 seconds were missing from the SBD source and was filled in with audio from the AUD source. This includes the first notes of US Blues.

    13) Timing of this show used the soundboard as the master to which the audience was sync'd to - for the most part the audience ran slightly fast at about .5% which agrees with Rob Bertrando comments about this show. Thank you Rob for a wonderful audience recording.

  • #193
    Dennis
    Joined:
    Pink Floyd & Piper Collection

    Sometimes you can be pleasantly shocked. Bought it used for 50 bucks, I think new was 100. But the 'used' section listing on amazon said "like new". Damn thing came today in a nice heavy mylar/comic book type sleeve and WAS new! Like someone like me bought it, ripped it in and stored. I don't think the book has even been opened!

    So that was my nice surprise in truth in advertising!

    For those in the know, this and the aforementioned new riders will be on gdrive soon.

  • #194
    Dennis
    Joined:
    question?

    Just got New riders field trip album. Suppose to be the opening act for Veneta, probably same tape quality,,, etc, etc.

    Why does the dead say "Old Renaissance Faire Grounds", but the Riders call it "Temple Meadow"?

  • #195
    stoltzfus
    Joined:
    today so far

    disc three of DiP7 September 1974
    Blues for Allah CD

    I also encourage you to listen to 6/7/80. I have been listening to it gradually while in my car. I am in Space currently. :)))

  • #196
    Slow Dog Noodle
    Joined:
    Luis

    Nice Mark Twain quote.

  • #197
    deadegad
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    @Luis

    Hi Luis. . .. I did not believe the rumors, like Paul McCartney is dead, but, we are glad to hear that you are still with us. Let us hope your box set arrives soon. Take care and yes We Will Surrive.

  • #198
    Dennis
    Joined:
    Like Bill Maher said.....

    With all this social distancing, I taken up baking more,,, especially first thing in the morning.

  • #199
    hendrixfreak
    Joined:
    Has anyone done a matrix of 6-17-75?

    I listened again last night. It's a really good audience tape but far from a board, but me thinks a matrix would be best.

    Also, put Crazy Fingers back to back between 6-17-75 and the August show/One from the Vault. The June version simply blows away the August version.

    I'm surprised there's no highly recommended single source or matrix for this show. It's a rarity as a performance and shows the Blues for Allah material largely intact but Help without lyrics. Hunter, bless him, must have been scribbling away backstage!

    Edit: Happy 4/20 folks, may there be a large nasty bud in every pot. Oh wait....

  • #200
    Cousins Of The…
    Joined:
    Dennis: 6-17-75

    That Peggy-O is my all time favorite, by far! Jerry at his most melodic, playing sparingly and each solo kinda' mirroring the lyrics.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

https://relix.com/articles/detail/whats_become_of_the_bettys/

Also DSO’s Rob Eaton, so neat:

Eaton assented and on a day off during a Dark Star Orchestra tour, “I went to meet him at a parking lot of a Denny’s. He had a pickup truck and a trailer full of excrement and hay and the boxes I’d originally sent him back plus a wooden crate with 50 seven-inch reels thrown in it—no boxes, all tangled up. It was a complete mess. But most of those tapes turned out to be amazing. I would say 22 of those were from the June ‘76 tour—stuff that I had not seen before.

“If you had looked in the box, you would say there was no way they can be recovered but they could, if you took the time to do it. The challenge is that you can’t play them until you bake them at a low temperature for an extended period of time. That reformulates the back coding, which is what the oxide is on, and the oxide is what the music is recorded on magnetically. The seven-inch reels were on plastic hubs but I couldn’t transfer those to metal reels because it would ruin the tapes. So I modified a food dehydrator that I use to dehydrate mushrooms I collect here in the mountains of Colorado in the summer time.”

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Submitted by billy the kid on Thu, 02/13/2020 - 15:36

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Great story, thanks for posting it. I wonder if 6/17/75 was in that batch of tapes.

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Submitted by RobbZ on Thu, 02/13/2020 - 15:40

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Great read, McGrupp216....thanks!

"Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren’t the Dead’s tapes. I’d love to see Betty get her due.”

Does anybody know if Betty is/or did get any production royalties from these recent releases? God knows she deserves it......

I'll probably pass on this one. Nothing wrong with it and the presentation looks classy. I just know it's not gonna get played at all. When I go to pick a Grateful Dead concert off my shelf to play the competition is fierce and this one would not be competitive. I'm finally being realistic with myself. I am sure for those who want it it will be great. Enjoy!

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Submitted by Forensicdoceleven on Thu, 02/13/2020 - 15:55

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Yo! Rockers!

Pass on this one. Although I did see a great 76 show----Rochester. Ah sweet memories of memories........

Next year, 2021, 50th anniversary of 1971, either Port Chester box set or Fall 71 radio broadcast box set. Can I have both?????

Survived my pneumonia, hellish experience.

Rock on my friends...………….

Doc

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Submitted by boblopes on Thu, 02/13/2020 - 16:01

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Love the Road Trips show from this run, probably my favorite Road Trips. Nice associated swag with it. Hoping there's a Warfield/RCMH 1980 box in the fall to complement this one.

Wish they had a "Box & a Byte" version that had a download coupon in box for the FLAC which was a little more than just the box but not as expensive as doing both a la carte. Would love to hear the FLAC shows on my listening headphones, but cannot do both so the box it is.

Thanks Dave!

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Submitted by Angry Jack Straw on Thu, 02/13/2020 - 16:05

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Having a hard time pulling the trigger on this one. Seems like an easy decision, but I know it won’t get much play.

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Submitted by mcgrupp216 on Thu, 02/13/2020 - 16:08

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That line stood out to me, too. I sure hope she’s getting royalties!

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Submitted by Zuckfun on Thu, 02/13/2020 - 17:15

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The list of Betty Boards in the Relix article keeps me wondering. I would choose the word incomplete to describe it, but that feels too much of an understatement. A quick glance at the July ‘78 box set gives an idea the Relix list is just a small sample of shows that Betty fortunately recorded. There are many already released shows we know Betty recorded that aren’t on that list. So were Dick’s Picks 3- or 29- or 33- and on just ignored? It baffles me how the author states this is a list of known Betty Boards, when we know about so much more.

Just watched it. Sounds like it’s going to be a good year for releases.

Excellent........
(Mr. Burns tapping fingers)

Edit:
Dave said that 6-19 is FM. The FM was with the returned reels, or was it already in the Vault?
The FM cassette sounded pretty good, this should sound grate.

Wonder if they edited out the guy who says “wah, wah, wah,” between the songs.

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Submitted by billy the kid on Thu, 02/13/2020 - 17:35

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Thank you so much for posting that list of returned tapes. It doesn't look like 6/17/75 from Winterland
is in there ,shucks that's to bad, I was hoping it would be. But those Capitol Theatre tapes from 2/71, will make a killer box set.

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Submitted by Born Cross Eye… on Thu, 02/13/2020 - 17:41

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A favorite + I was there at the Tower.
No such luck in this box. Maybe in 2026 as a Dave's Pick.
The 50th of 1976 and my 70th b'day.

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Submitted by JackstrawJay on Thu, 02/13/2020 - 17:41

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Best thing about this box: Cover art....save your money. Spend it on a box of Cracker Jacks instead....

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Submitted by Gratefulhan on Thu, 02/13/2020 - 17:55

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So yeah I am all about this box set. I love the 6/19 show - the whole shows is on YouTube. It looks like the house cameras caught everything in glorious black and white. The opening Help > Slip > Framklin's > Music is great. I wonder what source they used for the box set? The other 4 shows are returned Betty's so maybe 6/19 was an already contained in the vault Betty Board. Doesn't matter to me, I bought this box set immediately. I saw this while at work and I bought it as soon as I got done with the job. I was so happy I almost exploded.

It's funny too, I was asking for an 85 box on the DaP 33 comments section just a few days ago. Many , myself included, have asked for a 76 box on years past, but I haven't seen a recent request for it. Maybe that is the trick...ask for boxes we dont want so we get surprised by DL and the crew with ones we do.

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Submitted by alvarhanso on Thu, 02/13/2020 - 18:17

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The Relix article and old circulating list is woefully incomplete. Mainly on the tapes made by Betty's ex Rex Jackson, she ended up with a ton of his tapes, and at least one of the ABCD releases (DaP 24 8/25/72) was taped by Owsley. So, in addition to 3 Bettys not known to exist just from the July '78 box to two gems from PacNW '73 6/22/73, 6/24/73, 4/2/73 (DaP 21), 12/6-7/71 (DaP 22), 11/17/71 & 12/14/71 (DaP 26) were part of the returned tapes, plus the known tapes which includes this box set. It's an even bet as to whether DaP 34 will be a Rex tape part of the returns or whether it's a Kidd Candelario tape that was in the Vault all along. I predict the former, given the awesomeness of the show.

This is not my favorite era, but Betty made killer tapes in '76, Phil and Jerry usually sound fantastic, vocals are good, and the smaller theaters helps. And I like some of the rarer tunes we get. Wish they included every other Mission in the Rain as filler, help balance out the 5 Might As Wells. But I'm gonna be a getting this one, no doubt.

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Submitted by Lovemygirl on Thu, 02/13/2020 - 18:24

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...I’ve been waiting a long time for the Beacon theater shows for a real long time! Very excited for this first boxset , Primo indeed for this Deadhead ! 🙏❤️😎💀🌹💀🌹
Have a grateful nite my brothers & sisters. I’m listening to daves Pick 10
12/12/69. A greatful Daves Pick, one of my favorite of the series and the Bonus Disc is just excelent in every way .
This release is another primo audio release for my ears, love the sound, sounds very intimate and Jerry is sweet and love Pigpen here Tom C. Is playing the keyboards. You get to hear a lot of new songs at the time entering the set list around this time like Uncle John band, still in a work in progress here in my option . Still a great performance. Rock on folks.🙏

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Submitted by carlo13 on Thu, 02/13/2020 - 18:49

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Man that's one hot show. Deadvikes I zipped you back a pm.

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Submitted by carlo13 on Thu, 02/13/2020 - 18:53

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Zipped you back another. Thank you sir may I have another?

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Submitted by Charlie3 on Thu, 02/13/2020 - 19:40

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Interesting to see the range of opinions on the choice of shows for this box, indifference, disdain and unbridled enthusiasm. Personally, I had planned to get the next box whatever it was, but I have to say when I got the email this morning I was totally psyched. I expect the sound quality is likely to be excellent, the set lists look super cool, and a five show box is just the right size, and as noted the artwork looks cool, although I would dispute the assertion that it is the best thing about the box. I suspect the best thing about the box may be some of those versions of High Time, but that may just be because I dig that song.

As far as redundancy, I just don't see it - there are no other '76 boxes and '76 is not '77 or '78 so the existence of numerous '77 releases and the '77 and '78 box sets just don't make the '76 box redundant to me. The only thing that would strike me as redundant would be if they were choosing shows already released in their entirety.

Arrowhead is definitely one hot show, dig the added twist of that being a show at one of Willie Nelson's Picnics. Does that mean your long awaited July '78 box set has arrived Carlo13? I've been curious what you would think once you gave it a listen. The artwork on that box was some of my favorite box set art to date.

Deadvikes, sent you a pm, thanks for the heads up or it would have been months before I thought of checking my messages.

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Submitted by CaseyJanes on Thu, 02/13/2020 - 19:58

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Haven’t bothered to check if it was the same artist, but has anyone noticed that the coloring/design of this artwork seems similar to that of the Warfield release from last year?

Arrowhead...what’s not to love?

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Submitted by carlo13 on Thu, 02/13/2020 - 20:00

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The july 78 being listened to now is superb. I'm so glad to have this in my collection. The box itself is very convenient to have on my desk. Thanks everyone for the great reviews and now I'm glad I purchased it.

.....if that's what you want CaseyJanes, I'll get them for you. Not my style, but style is individual.
Arrowhead is an enigma. When the ambient temps get hot, the Grateful Dead say "we can be hotter!" Look at Veneta. Or the 91-93 Vegas shows.
Edit. Speaking of Sha Na Na, my wife walked down the hall to bed tonight singing the "Goodnight, it's time to go" outro they did at the end of their shows with no clue that they were in this threads conversation. I don't believe in coincidences. 🤔

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Submitted by mojoman on Thu, 02/13/2020 - 20:27

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With PNW still stocked I was thinking they would do an 85 box. So glad we got this. It’s olde enough that the graybeards will dig it and modern enough for the youngins

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Submitted by CaseyJanes on Thu, 02/13/2020 - 20:49

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Who said anything about arm warmers?

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Submitted by Charlie3 on Thu, 02/13/2020 - 20:55

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Funny, I just listened to DaP24 8/25/72 today - a summer show and it was hot. That Veneta 8/27/72 show is some other level stuff though, the proverbial cream of the crop, probably due for another spin soon. That's one of the few releases that I actually watched the video.

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Submitted by Elbow49 on Thu, 02/13/2020 - 21:30

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Did you notice that they did not have a single show release like they usually do? I guess they’re saving that for Record Store Day.

This set from the Auditorium in Chicago, which is indeed great, albeit a 2cd set, has been released as an FM release (MOJO Filter 2016).

Another Mission in the Rain, a great PitB and, according to the cover, a Sipplication rather than the usual Supplication :)

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Submitted by daverock on Fri, 02/14/2020 - 01:35

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That's what I would go for-hopefully a show with Help-Slipknot-Franklins.

I recently listened to three 1976 shows-9/24/76 (Daves Picks), followed by the Dicks 20-9/25/9/76 and 9/28/76, which, while missing the show from 9/27/76, has the feel of a box set about it from a listening point of view. I did enjoy them, too...but they felt a bit light compared to preceding years. There is some gentle experimentation at play, though.

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Submitted by billy the kid on Fri, 02/14/2020 - 03:37

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Great Valentine's Day shows 2/14/68 & 2/14/70, both on my all time top 10 list of Dead show ever.

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Submitted by Lovemygirl on Fri, 02/14/2020 - 03:37

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...the returning artist Incase no figured out is
Justin Helton., he did the amazing artwork for the Daves Picks Series in 2016.
He all did art work for the ‘Fare Thee Well’ Tour.
He’s a primo artist, I love his artwork very much. Very classic approach but with his signature style, I noticed, he doing the 1976 Boxset for 2020 as soon as I saw the artwork. He brilliant artist I love him. Rock on my brothers and sisters. If you can spring for the poster Artwork being made available, I highly recomand it grabbing one. Beautiful art just amazing I see & feel a lot of Love in his work!!! Primo, oh I already said that, sorry folks, I haven’t slept in over a day.

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Submitted by billy the kid on Fri, 02/14/2020 - 04:46

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I'm so happy with this release, that I went and bought a brand new sealed copy of 6/9/76 on eBay to go along with it. Again, thanks Dave and Dead Net for this and all the great music you release. I look forward to the cool releases that are coming out real soon.

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Submitted by daverock on Fri, 02/14/2020 - 04:51

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Please don't mind me - I appreciate that a lot of people are quite chipper about this release, and that's good enough for me. They aren't compulsory..so at least I save some dosh! And with 3/1/69 due out on vinyl soon (hopefully), that's not a bad thing.

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Submitted by I Woke Today on Fri, 02/14/2020 - 05:36

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Dave, you had me at Help!-Slip-Franklin.
Cant want to enjoy these shows

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Submitted by fourwindsblow on Fri, 02/14/2020 - 06:59

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No more time to tell how, this is the season of what,
Now is the time of returning with our thought
Jewels polished and gleaming.

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Submitted by hendrixfreak on Fri, 02/14/2020 - 07:09

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About a half-dozen of you responded to my plea for a copy of Boston June 9, that's so sweet and helpful.

Thanks to all.

Was at Dead Hippie Brewing's open mic last night in Denver and we rocked out, with many GD covers. Here and there, Deadheads keep coming through for me.

It would be ridiculous for me to buy this, says practical brain. you have plenty to listen to, and you'd save $165.

Life is for living, says happy fun brain. this insane existence is made tolerable by the GD.

Hmm...

payday is 2/28. I will have to decide then, I suppose.

this box is worth getting, regardless. why kvetch about repeats? the good Lord did provide us with skip buttons for things like Samson and Delilah (ironically, a biblical reference).

6/10
6/11
6/14
6/15
6/19

oh yeah, baby...just like that

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Submitted by cactus68 on Fri, 02/14/2020 - 07:44

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Passing on this and getting dicks picks 24 on vinyl instead.

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Submitted by skwimite on Fri, 02/14/2020 - 09:47

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The sound quality of the mid 76 shows always seemed muddy to me. Questioned whether I really needed better versions as I tend to be a sucker for this stuff. I listened to the samples and then did a little A/B comparison with my existing copies from various sources over the years. Whoa. Couldn't get to my wallet fast enough. Looking forward to 'em. Anything going on for the 50th anniversary of Workingman's or Beauty?

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Submitted by fourwindsblow on Fri, 02/14/2020 - 10:26

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Hoping 9/20/70 gets released with the 50th anniversary albums.

Twelve of the seventeen songs from this show are on the albums with the guest's that were on the albums.

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Submitted by King Harvest on Fri, 02/14/2020 - 10:37

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Thanks Dave and the PTB for another stellar release from the Betty stash. Typical to this day and age most do not realize how lucky we are as fans. Look at the mess the Doors have with their archival strategies. Can't wait for both Beacon shows in all of their Jeffery Norman'd glory. Gonna be a great year. #out

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