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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Angry Jack Straw
    Joined:
    Random thoughts

    With all of this free time on hand, I’m going to do something others have done. Europe 72 on the anniversary dates. Someone else mentioned that it took them 2 1/2 years to get through the first listen. It took me a year and a half. Now I have time.

    Hard to believe that it’s coming up on 25 years since Garcia passed. I’m a bit surprised that not more has been made of it. A special release perhaps?

    71 is the deal. Doc was on top of this long ago. Flat out rock and roll. A Capitol release would be very welcome.

    As for the person who asked why many of us shun the later years.

    Easy Answers
    Eternity
    Samba in the Rain

    And many, many others. Not banging. Just providing clarity.

    A little bit too much Vince Gilligan in tonight’s episode of BCS.

  • hendrixfreak
    Joined:
    I'd like to go on wreck-erd...

    as saying, with all due respects to everyone and all, I'd go for a 30-disc box of spring '71 in a heartbeat, even if it destroyed the business model and it was the last thing I every heard.

    Love, HF

  • billy the kid
    Joined:
    8/30/70 - Easy Wind

    Great version of Easy Wind! It would be nice if this whole video of Calibration could be cleaned up and released. The Dead at their best.

  • KeithFan2112
    Joined:
    Easy Wind

    Charlie3, the ones that come to mind - my fav from the Closing of Winterland bonus disc. I don't even want to tell you what I traded to get this CD into my collection back in my completist days, when my credit card had no balance :D

    Anyway that has one from I think New Year's Eve 1970 into '71. Or was it 71 in the 72... I get the years confused on that disc because they're all New Year's shows. Dave's Picks Thelma, DP 16, Fillmore East Road Trips 3.3 all have Easy Wind. Hmmm could that be it?

    I wonder why they didn't play this one more. I would have traded it for a couple of the shorter tracks he did on the Europe 72 tour. Next time you see me & Hurts Me Too.

    Hi Doc, good to hear you weigh in on 1971 - any discussion on that subject matter without your input seems kind of in vain. Vein. Veign. Vaughn. Stevie Ray Vaughn. WHO IS Stevie Ray Vaughn. That's my final answer.

    I would be less interested in Port Chester and Fillmore East Spring 71 if they had not been recorded on multitrack. It's that tease for pristine sound that really elevates them on my list. If I think about it, the 30 Trips show from 3/18/71 is IMHO the best sounding two track from 1971 pre-Keith (of the official releases). Come to think of it, I wonder if any 1971 Pre-Keith shows came back with that acquisition of tapes from the lost storage locker. Hmmmm. Chin scratcher.

  • Forensicdoceleven
    Joined:
    To the mind that is still, the whole universe surrenders

    Yo, rockers!!!!

    I must admit that I'm both amused and amazed at all the 1971 chatter flying back and forth. Seems like old times....

    First and foremost, my prediction----there will never be a single complete April 1971 box set. It's not because it isn't good, great, classic, and occasionally sublime. It is, and so much more. But for most, it's too big and unwieldy. People bought 30 Trips because there was variety. The E72 box had all that amazing jamming. Selling a box with 20 shows that on first glance (and I emphasize, "first glance") are very similar is a much tougher nut to crack.

    Generally, the "detractions" about this period fall into two camps:
    1) "The repertoire". Yes, there is a lot of repetition. Some new stuff, Bobby cowboy tunes, Pigpen's grease---but hey, if you don't care for that, then April 1971 is definitely NOT the month for you. And as some have pointed out, "big jams" are generally lacking. That can't be denied. The big jams vehicles that month were The Other One and Good Lovin'. Hey, works for me, but not for everybody.
    2) "The style". Since I'm a rocker, I'm drawn to the style of this era and revel in it. Pared down, lean, mean, Bakersfield blasts of hard edged rock and roll. Not all of it is sledgehammer material, but some is, which means it's very powerful. But others like their Dead smoother, creamier, jammier. I get that.

    Then there's the issue of the Fillmore shows. Since portions were released already, that makes their inclusion in a big box a little redundant. And there's all those guests, and the legalities, and the hassles, and the lawyers. But I'd love to see 4/25 as a solo release----that Hard To Handle is as crunchy as a Jake Lamotta right hook.

    Make no mistake----while every April 71 show has something to recommend it, not every show that month was a gem. I won't name names, folks know who I mean. Personally, I think an April 71 mega box would sell poorly, which is something that TPTB dwell on over fine cigars and cognac. But I think a pared down box, excluding the Fillmores, would sell very well. Maybe 5 or 6 shows, my preferences would be 4/6, 8, 12, 14, 18, 21.

    Actually, I'd much prefer a Port Chester or Fall "FM shows" box (IF it include 11/7, 10/29, and 12/5!)

    Guess that's all for now, time to go read some cosmology and strum the guitar....

    Rock on,

    Doc
    P.S. Anybody who needs/wants any 71s, Aprils or otherwise, you know where to find me...……….

  • Charlie3
    Joined:
    '71

    All of this talk of '71 made me think of the awesome 2/19/71 Port Chester show released as 3FTV. That show has one of the best versions of GSET ever, a version that like some others from '71 has that great loping feel to it. I also realized that 3FTV has a great Easy Wind, another song I dig and a premium Pig vehicle. Which made me wonder, which other, if any, official releases have an Easy Wind? Haven't had a chance to look thoroughly, but can't think of any others off the top of my head. Nice summary on some of the appeal of '71 Keithfan2112, not really much else to add beyond what you already pointed out.

    Last 5 - more 1967
    Moody Blues - Days of Future Passed
    Grateful Dead - 11/10/67 from 30 Trips. Yeah, I have underestimated this show, it smokes. Can I amend my top shows from the 30 Trips box answer?
    Cream - Disraeli Gears
    The Doors - The Doors
    Chambers Brothers - Time Has Come

    Edit: DP 16, DaP 10, and DaP 30 all have Easy Wind.

  • daverock
    Joined:
    Keith

    Oh yes, so would I !

  • KeithFan2112
    Joined:
    Daverock

    You're probably right. It's probably one of those deals like Winterland October 74. Once you actually list out what didn't make the movie soundtrack, you're not missing that much. But I would take any of these over a nineties box set for example.

  • daverock
    Joined:
    Ladies and Gentlemen

    Its a great release, no question, but I am not sure I would prioritise a release of the whole run as a box set. Those 2 second set jams mentioned from 4/28 and 4/29 are incredible, though. Its years since I listened to tapes of the whole shows from those two dates, but I seem to remember the first two sets were quite similar, in feel if not actual song selection.
    I feel the same way about Portchester February 71-very popular on here, and frequently suggested as the source for a future box - but it wouldn't be my choice.

  • KeithFan2112
    Joined:
    Spring '71

    What I like about it:

    * From Feb - April '71 they introduced one metric fuckton of new songs. And if they didn't introduce them, they began peaking on stuff from Workingman's Dead and American Beauty. If I look at the track list for Ladies and Gentlemen and Three From the Vault, I would guess 65 to 75% of the songs are not on official release prior to these. And prior to that, Skull & Roses came out as an official release in that actual era, so people were getting some of these tracks for the first time. I can't find a better released Morning Dew prior to the one on Ladies & Gentlemen for example, or Midnight Hour to name a couple. I guess add King Bee. New Minglewood Blues. Only Ripple. Second That Emotion. Dark Hollow.

    Truckin' and Bertha tightened up by Autumn '71, and Bird Song went into hyperspace after they gave it a rest between the summer of 71 and the summer of 72. Those are really the only songs I can think of that may have gotten a little bit better on a more consistent basis. I'm not saying there aren't any great Truckin's in Spring of 71, just saying it got even better later. China Cat IMHO gained an immediate infusion of energy; the two drummer versions that came prior always seemed a bit crowded to me.

    * One drummer. I think they really began to swing a bit more wiith just Billy back there. Take a listen to St. Stephen from Ladies and Gentlemen - the last-minute is pure rock and roll. Hard to Handle peaked big time and continued into the summer with those great August versions, where one drummer allowed for some intense improvisational instrumental solo sections - I'm talking about the little 2 to 3 minute jams within some of the shorter songs, when they chose to rock out. Greatest Story Ever Told is another. It rocked out extra hard and Spring 71, prior to Jerry picking up the Wah wah on it.

    * Agree, they definitely took a step back in the duration of a lot of the Dark Stars and they played it frighteningly few times compared to 72 and 73 and 69 and 70 before it. But that being said, the times they did play it were some of the best 12 to 15 minutes of Dark Star you'll hear with acouple of 20s. No cacophony, no meltdowns, no atonal space drift. Just pure Dark Star melodies and Garcia noodling. February 18th was awesome, all 3 in April were awesome. You will find beautiful Jam on Feb 18th, which is one of a kind, as well as the Jam on Ladies and Gentlemen which may as well be in the middle of a Dark Star.

    * Pigpen peaked on the organ. It's funny you mention it actually. House listing in the Cold Rain and Snow from Ladies and Gentlemen this morning, thinking how accomplished Pigpen had become by then. By then he was still playing sparsely, which is good because it didn't overwhelm the soundscape, but he also wasn't limiting himself to chords and basic melodies; he was actually improvising a bit in between. You can really hear him on the 30 Trips show from March.

    * Sound quality - the Port Chester and Fillmore East runs are all multi-track sourced.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Yes, I would really love to get this box, and I will, if only the set does not sell out before I can cobble together $160.00.
If it's meant to be, I'll be able to buy it.
Karma. Either way, I'm good with it.
Have a freakin' great weekend Dead Heads of the world (or at least this thread!!).

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In reply to by fourwindsblow

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9/20/70

yes

sooooooo unfortunate that there is the skeeviness on Caution. can the miracle of digitalism save the day?

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What was it with the Dead in the month of June in the 70's? So many GRATE shows during this month for many years. Start of some summer lovin' maybe? I'm all in on this box. Can't wait, love me some '76!

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2 14 70 Early Show: Cold Rain, Dark Star....St. Stephen...Eleven...Lovelight

Beautiful

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I’m really on the fence about this box set... but, the deciding factor for me is TERRAPIN... because of it, there’s just a whole new and different dimension to ‘77 compared to ‘76... I think the ‘77 boxes and individual releases just offer all of this and a whole lot more...

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I know exactly how you feel. For me, '76 felt like '77 without a whole lot of great songs that had yet to make it into their '77/'78 set lists. Used to feel the same way, and then stuff bgg ģTake a listen to DaP 18 Playing in the Band at the Orpheum. The things you get in '76 that began evaporating in '77:

Here's why I'm getting it:

* Improv like you have on the DaP Playing in the Band on DaP 18.
* Piano galore. Really the last year they let Keith stick to his instrument of choice, and it is oh so fine.
* There are 3 of the aforementioned Playing in the Bands on this box set, 2 of which are 19 minutes.
* The Wheel x2
* Sure I'll take another Mission in the Rain.
* 3 Help => Trip! => Franklins just on this 1976 Box Set. Only played 7x at all in 1977, and never in 1978. Considering this is as good as Scarlet => Fire and Estimated => Eyes (all of which were played 20+ times in '77), I am stoked. And one of the Slipknots! is 13 minutes - I'm very interested in hearing what this one's all about.
* Scarlet Begonias was a different beast in 1976. They rocked the hell out of the 2nd half of this song in '76, encore style. I'm not saying it was better than 1977 per se, but it was its own thing to behold.

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Zipped you a pm.

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Good summary of '76 vs '77. The Dick's Picks, Dave Picks, box sets and other releases are all data points on the Grateful Dead continuum, giving us a volume of material unrivaled by any other band that I can think of, and allowing us the opportunity to hear the evolution of their sound over the years. Some of the songs in this box seem relatively rare, aside from the obvious Mission in the Rain, I don't think there are a lot of '70's versions of Crazy Fingers on official releases, same with High Time and I dig both those songs. There were a couple of Crazy Fingers in the Spring '90 TOO box, but it will be nice to have another one from the '70s.

Gave DaP29 2/26/77 another spin today, and redundant or not, it sure hit the spot. Really dug the Help-Slip-Franklins, which made me anticipate this '76 box even more just for the different versions. Spinning Zenyatta Mondatta by the Police now, sometimes I can't get enough of When the World Is Running Down You Make the Best of What's Still Around, cool lyrics. Turned on my VCR, same one I've had for years...

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so did 6/12/76 Boston already get released or just didn't make the cut?

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Part of 6/12/76 shows up as bonus material on disc 3 of Road Trips Vol. 4 No. 5 6/9/76 - Mission In the Rain, The Wheel, Comes A Time, Sugar Magnolia-US Blues-Sunshine Daydream. I don't have the bonus disc, if there was one, so I don't know if there is more of 6/12 if there was a bonus disc.

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right thanks charlie. i know some of this material came out in one of the 30 days of dead. i myself am getting the box thanks to family as i am currently an impoverished student in a class paying for part of it myself. i dont really listen to '76 much myself so i can understand some of the grumbling and passing on it. but i figure it's better to get it now, and not play it much than not get it and be like oh man, i wish i had that why did i pass on that (like several dave's picks i did pass on) i know people will laugh at me but i myself am hoping for a fall '93 box set. i loved the the spectrum, Madison Square Garden & Boston Garden runs. In time i think there will be

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...if I play I'm Not In Love by 10cc any louder I can float on the sound.

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In reply to by Charlie3

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....one the first records i bought with my own money. Why? Because I liked the title. Great record. Canary In A Coalmine never gets old.

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In reply to by Vguy72

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for sure my favorite Police album. Always fun to revisit that one.

Driven To Tears...
While we still mourn Neil Peart it is noteworthy that Stewart Copeland is an incredible drummer as well. Love that he hooked up with Claypool...
Shadows In The Rain is great too...

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Grateful Dead tribute supergroup Voodoo Dead played the second show of a three-night run through Japan on Tuesday, February 12 at the Bay Hall in Yokohama. The band — consisting of guitarist Steve Kimock, keyboardist Jeff Chimenti, drummer John Kimock and legendary New Orleans funk bassist George Porter Jr. — welcomed Japanese trumpet player Issei Igarashi for large portions of the first and second sets.

Hearing Kimock playing some Dead again really makes me wish that he, Phil, and Jill were on better terms and Kimock had been selected for the Fare Thee Well shows. He is just a near perfect fit into the puzzle. Band really missed an opportunity on when they chose Trey over Steve, and something tells me that was all Phil putting his foot down.

But...this Voodoo Dead thing has got some wings for sure.

Also gotta hand it to the Japanese taper, they got a nice sound throughout the show. Here's the archive link...

https://archive.org/details/voodoodead2020-02-11.akgc568eb.flac

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Hi, first-time poster here. But just want to report that I was at one of the Boston shows. Honestly don't remember which one any more -- how long ago was that? But we actually got tickets through the Dead's nascent mail-in system -- one pair was fourth-row center. Wow.

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I know the feeling! I'm not going for this one, but so many other of the box set gems have done it for me, especially when I found the out of print ones at a good price in the online markets.

Have been feeling fat and sassy with my collection that I've built up methodically over the past 5 years after taking time off from the new releases for quite awhile there before that.

Decided recently that unless a particular offering really intrigues me, I'm limiting myself to '68-'71 box sets (have enough out of '72 already), plus hanging with the Dave's Picks subscriptions. That means that if the 50 year anniversary boxes come out over the next few years, I'll be jumping on them. Kinda disappointed that the 1969 Ark box didn't happen last year, but it's never too late!

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Maybe we can get a '71 box for the 50th ann. of Skull and Roses.

April '71 Complete Recordings Box 20 shows on 46 discs.

Dave could you please look into this thanks.

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..2/14/68 is a hot show. Amazing level of progression from being, basically, a covers band 12 months earlier to pushing the envelope in a way it has never been pushed before. Or since.

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In reply to by kyleharmon

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This box has 5 glorious trips around the sun

There is outstanding material here

I think this stuff doesnt resonate with some because Phil is relatively low on the recordings. Kinda like 82.

You could do a lot worse things with 150 dollars than buy this

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Grateful Dead
Avalon Ballroom
San Francisco, CA
04/05/1969

Set I

01 Dupree's Diamond Blues
02 Mountains Of The Moon >
03 Dark Star >
04 St. Stephen > *
05 Turn On Your Love Light

Set II

01 Hard To Handle >
02 Cosmic Charlie
03 tuning
04 China Cat Sunflower >
05 Doin' That Rag
06 Cryptical Envelopment >
07 The Other One >
08 Cryptical Envelopment >
09 The Eleven >
10 It's A Sin
11 Alligator >
12 Drums >
13 Feedback >
14 And We Bid You Good Night

and it was around this time that i started to realize Bobby ain't no slide player

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Bernie Sanders says he will legalize marijuana by executive order in every state in the union. Also to expunge the records of all drug offenders. About time hey? Do I see an end to the stupid drug war? All candidates should join in this decision. We can only hope and of course, vote.

Carlo, back at you.

Wristshot. Thanks for the post. That is really cool, you were there. Would love to hear more about the show. Mail order, those were the days. I used the mail order in the eighties. Loved it. Prices were never crazy.
I checked on prices last night for Dead and Co for Wrigley and stop looking when the prices got to $300. Not sure if the Dead are getting this money or if it is already resale. Anyway, too much for me to think about, no Phil and no Jerry. I will leave out my comments on John Mayer.
One thing we can say, Bob Weir has spent his life touring in all sorts of bands since Jerry died. It would be cool to see him one more time.
Of course if I win the lottery, I going for those VIP packages. And you are all invited.

If you don't have the Download Series#4, check it out. It is from the Capitol Theatre in June. I believe it was the middle night. The show is awesome and the sound quality, without Plangent, from 15 years ago is A+. Can't wait for this box.

Peace folks!

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In reply to by stoltzfus

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Currently listening to the 6/9 Road Trips, in the middle of Crazy Fingers, and I personally LOVE the laid-back sound of 76 - I've always thought of it as the sound of GooBalls (remember those?) Up next, I think I'll go with that Download series release mentioned earlier - June of 76 is a sweet spot for this head (admittedly one of many.)

Cheers to all of you excited about this release as well, and I hope those of you who are not so psyched get whatever you're jonesin' for soon! Chances are I'll order that one too, as it will undoubtedly be from another sweet spot!

Peace

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I love June 76 . . . that relaxed, easy, loping vibe fits perfectly with the time of year. It just sounds like summer.
Already have a nice board of 6/19 but I haven't listened to any of these others.

Weren't we just talking about needing some new merch on the Dave's 33 thread ? Yes, I did need a new set of coasters, how did you know that dead.net?

In conclusion, take my money.

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After a lovely Valentine's Day dinner with the Mrs., drinks at a 15th floor cocktail bar afterwards with friends, and a safe RideShare home, I did make it a point to blast all of Dick's Picks 4 in honor of the holiday.

Yeah, I like the sheer power and raw edge of the earlier stuff too - another sweet spot :)

The Grateful Goddamn Dead!

Peace

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Greetings Heads! Every time I tell myself I have enough of the Dead, something likes this comes along and I cannot help myself. Pulled the trigger after just a few minutes of thinking about it. I do know for sure, if I don't get it I will regret it. I have a boot of one of the Boston shows from years ago and I always figured there was a good chance a better version would get released. Plus how can you pass up ANY Betty boards?

I caught the Eagles last nite at MSG and all I can say is OMG! If any band harmonizes better then these guys I have not yet heard them. Vocally Vince Gill and Deacon Frey covered Glen perfectly. And you want guitars? Joe Walsh brings it in spades. Go see them if you have a chance. 3 hours of musical bliss!

Rock on

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6-9 RTv4n5
6-12% RTv4n5 filler
6-17 DaP28
6-18 Download Series 4 (includes filler from 21,22,28)

Really need 6-29 at some point to round things off.

June 76 is awesome. It may not be a supermodel to some people, but it has its own uniqueness and beauty. Blues For Allah is my favorite studio album (Anthem is a studio/live hybrid and is the best ‘studio’ album the band released). I could be biased as those are the first GD CD’s I bought in the late 80’s when CD’s cost $20 or more and really cut into my beer, cigarettes, and greenery fund. Thus, I didn’t buy a lot of CD’s back then.

Anyway, there are a lot of good new songs in June 76, and the return of some oldies. All the shows in this Box are burned into my synapses because I got them on decent sounding cassettes in the 90’s and played them extensively (along with 6-29 and 10-9 set 2). When 9-25,28-76 DP20 came out I was underwhelmed, probably because of the expectations I had due to June and 10-9. I was quite excited though when 10-9,10-76 DP33 was announced. DaP4 9-24-76 and DaP18 7-17-76 didn’t seem to do too much for me either. Probably because June is the supermodel of 76 to me. I will revisit all of the previous releases prior to arrival of this Box.

But, I expect this Box, in all of its Plangentized and Normanized glory, to be a Shining Star in my collection.
I love the slow 6-14 Cosmic Charlie, can’t wait to hear that show, one of my all-time favorites.

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With releasing all these wonderful Betty boards, why has she never been asked to write any linear notes? I would love reading what she recalls as being part of that infamous road crew and how she made her boards so unique. I guess this could be Dead Net's #metoo moment as I don't think a woman has EVER contributed linear notes to one of these big projects.

One of my favorite show reviews from Dead Base was from Zea Sonnabend and her 9/26/91 review. She also does an excellent job with the Paris shows from 1990. Come on Dave let's get some new women voices on these releases.

Another bone to pick is the price of the high resolutions version. I am very happy that this one will be 192/24, I bought both the CD and high resolution versions of the Giant's stadium boxed set as I can preserve the CD set for posterity, plus I wanted the Blu-Ray too.

That being said is the price of the production costs of issuing the high resolution vs. the cd set. Is it really only $30 less? I am sure a bit file is much cheaper to produce than a CD boxed set. Plus you don't get the linear notes at all. I think they should start offering the linear notes to us high rez customers as well. It is only fair.

As for the release I thoroughly enjoy this period, as it is quite unique in the Dead's history. Many different arrangements and the set lists are much funner and less predictable than the next two years plus so many cool jams. As many have stated the vocals are really special with Bob, Jerry, and Donna really hit a peak during this year, I am listening to Road Trip 6/9/76 as I type this and it is sweet. Mind you I myself would have preferred the entire Opheum run from July, the second set from 7/18/76 says it all, over these shows....but hey we get the cards we are dealt with.

On a completely different but related note I just got the NRPS Bear's Sonic Journals boxed set, I have only listened to the first two disc but it is really quite unique and is it raw as it offers clear glimpse into a part of Jerry's work that has not ever seen the light of day in a official release, plus for only $40 bucks for 5 CDs it is a wonderful bargain.

Happy Trails!

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@Deadvikes Those are all MP3's especially through Amazon. They should update them all to 96/24 then I would be interested.

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VGuy, you may be right. November's in the 70's are quite stellar.

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Check out Nugs.net.

They have them in ALAC and FLAC for $24. A steal. I bought ALAC. Agree, I am not big on Mp3.

Nappy....I share your views on Bob's slide playing...but is it Bob playing slide at this show or Jerry? I think Jerry played slide on Hard to Handle and Lovelight occasionally during this period. Not his finest hour, it has to be said - but it was worth a punt.

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I was just emailing one of the regular posters here my experience ordering this box set. I was out of town on business last week with no extra time to look at dead.net. I was in the most unDead looking city one can imagine, and I flew home yesterday. When I was putting on my good 'ol Grateful Dead t-shirt for the plane ride, I wondered how many odd looks I would get from the locals.

Don't you know DeadHead sits right next to me, sees my shirt and immediately strikes up a conversation. Forgot to help his wife put the suitcase in the overhead compartment and everything. So we're there on the tarmac and after some Dave's Picks discussion, he asked me if I was going to buy the new box set. I was sure he must have been talking about Giants stadium. It seems like that one just came out right. I didn't think we'd have a 2020 box set this soon, so I was relatively certain this guy was just a little behind on his info. He doesn't post on this site and he couldn't name a year for the box set; he had heard about something through the Widespread Panic message board.

So I took my phone off of airplane mode and ever so slowly loaded up the dead net homepage. Sure Nuff the 1976 box set is on the front cover with a post that said twelve thousand copies. I had been away from the dead net homepage for probably a week or so. In my mind it was a life-or-death situation because I had no idea when it might sell out.

Then we started taxi-ing down to the runway, so is in a race to beat the Wi-Fi disconnect clock. And of course all the pages were loading slowly, probably because I was out in the middle of an Airfield. I got the payment screen and of course the numbers are all worn down on my credit card and it's dark and cramped on the plane. Give the dude my card and asked him to read off the number. Plane lifted off while the order was processing... After a very long 30 seconds it went through successfully. No....I took the card back before it was time to put in the three digit security code on the back. Besides, I figured if they can afford to raise four kids AND go to Palm Springs for a "long weekend" I was in good shape. He even had the presence of mind to read the number off quietly.

Well well well, we have a metric fuck-ton of good music coming our way. I'm enjoying yeah October 29th Dave's Picks more and more each time I listen to it. I can't wait for the 6/23/74 Jai-Alai Fonton show + Bonus Disc. And now to hear that this 1976 box set is just a month away... Is that even right? Did I even read that right correctly, March 20th release date? I thought there was usually a typical 3 month delay between the ordering and shipping of these box sets. No complaints here.

I was pondering why they don't interview Betty Cantor Jackson about any of these releases that she recorded. The only thing I can come up with is that they're still a little sore about the thousands of dollars they lost when that storage unit she kept the tapes in went unpaid and up for auction. I don't know... Maybe it wasn't her personal responsibility to make sure it was getting paid, just a guess.

P.S. - good call on the 6/11/76 show Sixtus. You gave us a heads up on that show over a year ago. And username "Cousins..." was passing on the good word about the 1977 show from October 29th years ago. The closest I've come to calling a show is the Jai-Alai Fonton show, but that doesn't really count because I call that one and Chicago '74 every time there's a new Dave's Picks, just on the grounds that it's time to release the last two Dark Stars from that year. I guess I only consider the So Many Roads version of Dark Star from 6/23/74 "semi-officially-released", because there's only about three-quarters of it there.

Love the idea of a 1971 box set. Maybe they did this 76 one so early in the year so that they can have a second box set out before Christmas. 1971 Portchester anyone? Multitrack multitrack. Fillmore East in April? Multitrack multitrack. Pay all the guests their royalties and put it out there. Ladies and Gentlemen is a sick release -- can imagine getting the whole Casino?

Based on KeithFan's rationale, ordered this box set! Thanks for the insights!

Another part of the reason came from "The Big Interview" that Dan Rather did with Bob Weir. He asked what song would you want played at your funeral. He thought for a awhile then quoted the first several lines of "Cassidy". That pricked up my ears and after reading those lyrics have since been a huge fan of that song. Seeing as we have several versions of Cassidy in this box, that sort of was another bullet point tacked onto KeithFan's thoughts on this box.

If you haven't seen any of these interviews, gotta endorse this show. Dan Rather is a great interviewer.

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https://youtu.be/oH47JZmr2HU
....guitar teacher reacting on songs. Seems like a cool dude. And I actually learned a thing or three! He does Zappa and Phish too.
"Sounds killer" and "so cool" are some of his frequent statements. Couldn't agree more!!
The faces he makes when he hears a legit moment of ripping reminds me of the faces im sure i make. Stealing faces. Lol. Some of the YouTube comments are GOLD.

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I think you be right...I thought of that as i hit the save button and I was too lazy to edit and redo the statement...what might of put me in that frame of mind was as the first notes hit I thought of all the butchered little red roosters...

The "Guitar Teacher reacts" video you posted is one of the best things I have seen in a long time. So cool to watch someone in the process of "getting it."

Thanks for the light, brother!

Now, time to dust off "Trucking Up to Buffalo"!

Peace

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....Oysterhead is playing West. I jumped the gun. That's what happens when one assumes. My bad.
Deadheads reacting to others new to the fold reacting to them. It becomes a vicious cycle.
https://m.soundcloud.com/user-942682835/sets/oysterhead-live-at-1stbank…
....i love it.
Their tour is all over the place. Dates and cities. Random collective.

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....speaks volumes.
Witnessed Claypool and LaLonde shredding the "encore" with Phish at the Aladdin Theatre in Vegas on 12.6.96. Forever burned in my membrane. Fun fact. Larry LaLonde started off in a death metal band I liked a lot called Possessed back in the day. I have them on vinyl....
Metric Fuck-Ton. Band name. Called it!!

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