June 1976 15CD Boxed Set

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February 13, 2020 - 8:15am

2,627 replies
clayv

Joined:
March 14, 2018
During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf.

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

5 Previously Unreleased Complete Shows On 15 Discs

Boston Music Hall, Boston, MA 6/10/76

Boston Music Hall, Boston, MA 6/11/76

Beacon Theatre, New York, NY 6/14/76

Beacon Theatre, New York, NY 6/15/76

Capitol Theatre, Passaic, NJ 6/19/76

Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson

Mastered in HDCD by Jeffrey Norman

Restoration and Speed Correction by Plangent Processes

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April 6, 2020 - 9:48pm

#681

Angry Jack Straw

Joined:
October 2, 2012

Random thoughts

With all of this free time on hand, I’m going to do something others have done. Europe 72 on the anniversary dates. Someone else mentioned that it took them 2 1/2 years to get through the first listen. It took me a year and a half. Now I have time.

Hard to believe that it’s coming up on 25 years since Garcia passed. I’m a bit surprised that not more has been made of it. A special release perhaps?

71 is the deal. Doc was on top of this long ago. Flat out rock and roll. A Capitol release would be very welcome.

As for the person who asked why many of us shun the later years.

Easy Answers
Eternity
Samba in the Rain

And many, many others. Not banging. Just providing clarity.

A little bit too much Vince Gilligan in tonight’s episode of BCS.
April 6, 2020 - 8:47pm

#682

hendrixfreak

Joined:
February 26, 2014

I'd like to go on wreck-erd...

as saying, with all due respects to everyone and all, I'd go for a 30-disc box of spring '71 in a heartbeat, even if it destroyed the business model and it was the last thing I every heard.

Love, HF
April 6, 2020 - 6:37pm

#683

billy the kid

Joined:
December 3, 2019

8/30/70 - Easy Wind

Great version of Easy Wind! It would be nice if this whole video of Calibration could be cleaned up and released. The Dead at their best.
April 6, 2020 - 6:07pm

#684

KeithFan2112

Joined:
August 6, 2014

Easy Wind

Charlie3, the ones that come to mind - my fav from the Closing of Winterland bonus disc. I don't even want to tell you what I traded to get this CD into my collection back in my completist days, when my credit card had no balance :D

Anyway that has one from I think New Year's Eve 1970 into '71. Or was it 71 in the 72... I get the years confused on that disc because they're all New Year's shows. Dave's Picks Thelma, DP 16, Fillmore East Road Trips 3.3 all have Easy Wind. Hmmm could that be it?

I wonder why they didn't play this one more. I would have traded it for a couple of the shorter tracks he did on the Europe 72 tour. Next time you see me & Hurts Me Too.

Hi Doc, good to hear you weigh in on 1971 - any discussion on that subject matter without your input seems kind of in vain. Vein. Veign. Vaughn. Stevie Ray Vaughn. WHO IS Stevie Ray Vaughn. That's my final answer.

I would be less interested in Port Chester and Fillmore East Spring 71 if they had not been recorded on multitrack. It's that tease for pristine sound that really elevates them on my list. If I think about it, the 30 Trips show from 3/18/71 is IMHO the best sounding two track from 1971 pre-Keith (of the official releases). Come to think of it, I wonder if any 1971 Pre-Keith shows came back with that acquisition of tapes from the lost storage locker. Hmmmm. Chin scratcher.
April 6, 2020 - 4:36pm

#685

Forensicdoceleven

Joined:
June 17, 2008

To the mind that is still, the whole universe surrenders

Yo, rockers!!!!

I must admit that I'm both amused and amazed at all the 1971 chatter flying back and forth. Seems like old times....

First and foremost, my prediction----there will never be a single complete April 1971 box set. It's not because it isn't good, great, classic, and occasionally sublime. It is, and so much more. But for most, it's too big and unwieldy. People bought 30 Trips because there was variety. The E72 box had all that amazing jamming. Selling a box with 20 shows that on first glance (and I emphasize, "first glance") are very similar is a much tougher nut to crack.

Generally, the "detractions" about this period fall into two camps:
1) "The repertoire". Yes, there is a lot of repetition. Some new stuff, Bobby cowboy tunes, Pigpen's grease---but hey, if you don't care for that, then April 1971 is definitely NOT the month for you. And as some have pointed out, "big jams" are generally lacking. That can't be denied. The big jams vehicles that month were The Other One and Good Lovin'. Hey, works for me, but not for everybody.
2) "The style". Since I'm a rocker, I'm drawn to the style of this era and revel in it. Pared down, lean, mean, Bakersfield blasts of hard edged rock and roll. Not all of it is sledgehammer material, but some is, which means it's very powerful. But others like their Dead smoother, creamier, jammier. I get that.

Then there's the issue of the Fillmore shows. Since portions were released already, that makes their inclusion in a big box a little redundant. And there's all those guests, and the legalities, and the hassles, and the lawyers. But I'd love to see 4/25 as a solo release----that Hard To Handle is as crunchy as a Jake Lamotta right hook.

Make no mistake----while every April 71 show has something to recommend it, not every show that month was a gem. I won't name names, folks know who I mean. Personally, I think an April 71 mega box would sell poorly, which is something that TPTB dwell on over fine cigars and cognac. But I think a pared down box, excluding the Fillmores, would sell very well. Maybe 5 or 6 shows, my preferences would be 4/6, 8, 12, 14, 18, 21.

Actually, I'd much prefer a Port Chester or Fall "FM shows" box (IF it include 11/7, 10/29, and 12/5!)

Guess that's all for now, time to go read some cosmology and strum the guitar....

Rock on,

Doc
P.S. Anybody who needs/wants any 71s, Aprils or otherwise, you know where to find me...……….
April 6, 2020 - 4:33pm

#686

Charlie3

Joined:
September 21, 2015

'71

All of this talk of '71 made me think of the awesome 2/19/71 Port Chester show released as 3FTV. That show has one of the best versions of GSET ever, a version that like some others from '71 has that great loping feel to it. I also realized that 3FTV has a great Easy Wind, another song I dig and a premium Pig vehicle. Which made me wonder, which other, if any, official releases have an Easy Wind? Haven't had a chance to look thoroughly, but can't think of any others off the top of my head. Nice summary on some of the appeal of '71 Keithfan2112, not really much else to add beyond what you already pointed out.

Last 5 - more 1967
Moody Blues - Days of Future Passed
Grateful Dead - 11/10/67 from 30 Trips. Yeah, I have underestimated this show, it smokes. Can I amend my top shows from the 30 Trips box answer?
Cream - Disraeli Gears
The Doors - The Doors
Chambers Brothers - Time Has Come

Edit: DP 16, DaP 10, and DaP 30 all have Easy Wind.
April 6, 2020 - 3:02pm

#687

daverock

Joined:
September 1, 2014

Keith

Oh yes, so would I !
April 6, 2020 - 2:51pm

#688

KeithFan2112

Joined:
August 6, 2014

Daverock

You're probably right. It's probably one of those deals like Winterland October 74. Once you actually list out what didn't make the movie soundtrack, you're not missing that much. But I would take any of these over a nineties box set for example.
April 6, 2020 - 2:25pm

#689

daverock

Joined:
September 1, 2014

Ladies and Gentlemen

Its a great release, no question, but I am not sure I would prioritise a release of the whole run as a box set. Those 2 second set jams mentioned from 4/28 and 4/29 are incredible, though. Its years since I listened to tapes of the whole shows from those two dates, but I seem to remember the first two sets were quite similar, in feel if not actual song selection.
I feel the same way about Portchester February 71-very popular on here, and frequently suggested as the source for a future box - but it wouldn't be my choice.
April 6, 2020 - 2:14pm

#690

KeithFan2112

Joined:
August 6, 2014

Spring '71

What I like about it:

* From Feb - April '71 they introduced one metric fuckton of new songs. And if they didn't introduce them, they began peaking on stuff from Workingman's Dead and American Beauty. If I look at the track list for Ladies and Gentlemen and Three From the Vault, I would guess 65 to 75% of the songs are not on official release prior to these. And prior to that, Skull & Roses came out as an official release in that actual era, so people were getting some of these tracks for the first time. I can't find a better released Morning Dew prior to the one on Ladies & Gentlemen for example, or Midnight Hour to name a couple. I guess add King Bee. New Minglewood Blues. Only Ripple. Second That Emotion. Dark Hollow.

Truckin' and Bertha tightened up by Autumn '71, and Bird Song went into hyperspace after they gave it a rest between the summer of 71 and the summer of 72. Those are really the only songs I can think of that may have gotten a little bit better on a more consistent basis. I'm not saying there aren't any great Truckin's in Spring of 71, just saying it got even better later. China Cat IMHO gained an immediate infusion of energy; the two drummer versions that came prior always seemed a bit crowded to me.

* One drummer. I think they really began to swing a bit more wiith just Billy back there. Take a listen to St. Stephen from Ladies and Gentlemen - the last-minute is pure rock and roll. Hard to Handle peaked big time and continued into the summer with those great August versions, where one drummer allowed for some intense improvisational instrumental solo sections - I'm talking about the little 2 to 3 minute jams within some of the shorter songs, when they chose to rock out. Greatest Story Ever Told is another. It rocked out extra hard and Spring 71, prior to Jerry picking up the Wah wah on it.

* Agree, they definitely took a step back in the duration of a lot of the Dark Stars and they played it frighteningly few times compared to 72 and 73 and 69 and 70 before it. But that being said, the times they did play it were some of the best 12 to 15 minutes of Dark Star you'll hear with acouple of 20s. No cacophony, no meltdowns, no atonal space drift. Just pure Dark Star melodies and Garcia noodling. February 18th was awesome, all 3 in April were awesome. You will find beautiful Jam on Feb 18th, which is one of a kind, as well as the Jam on Ladies and Gentlemen which may as well be in the middle of a Dark Star.

* Pigpen peaked on the organ. It's funny you mention it actually. House listing in the Cold Rain and Snow from Ladies and Gentlemen this morning, thinking how accomplished Pigpen had become by then. By then he was still playing sparsely, which is good because it didn't overwhelm the soundscape, but he also wasn't limiting himself to chords and basic melodies; he was actually improvising a bit in between. You can really hear him on the 30 Trips show from March.

* Sound quality - the Port Chester and Fillmore East runs are all multi-track sourced.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf.

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

5 Previously Unreleased Complete Shows On 15 Discs
Boston Music Hall, Boston, MA 6/10/76
Boston Music Hall, Boston, MA 6/11/76
Beacon Theatre, New York, NY 6/14/76
Beacon Theatre, New York, NY 6/15/76
Capitol Theatre, Passaic, NJ 6/19/76
Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes

My favorite subject: 7-8-78!

The band was high and ON! So loud I had to duck down a few times when the amps were clipping. The swagger of Jerry tearing it up. Phil's bass bombs physically shaking the rocks and we thought they were causing a rock slide but it was just people climbing up scattering gravel! (also not allowed anymore) The other-worldly Other One still gives me goosebumps every time. Bill Walton backstage on crutches. (or was that the August reprise shows) Donna being served a whiff on a platter discretely backstage hiding under a kerchief. (like we couldn't tell what was going on) Ah, those were the days! Thanks to this thread for suggesting the '73 scary Other One. Going there now.

On Red Rocks, 78 and more...

Thanks DaveRock, Alvarhanso, Estimated-Eyes and HendrixFreak for the thoughts and shared memories. E-E, I definitely appreciate the roadmap to appreciating 7/8. Will be playing tonight and following your signposts.

Also agree that Arrowhead is a fun one. Dig having the frontloaded cowboy songs, only to go psych full on in the second half. Little something for the Willie fans, little something for the heads, and plenty for those with wide-ranging appetites.

Summer 78 Box

I think these shows are my favorites from the entire year! Each one is hot, and the Arrowhead and two Red Rocks turn up the heat even higher!

Perhaps a listen is in order this evening... hmmm... Omaha or St. Paul? Who am I kidding - both!

@ Jim - when I was scrolling through the posts of scary shows, just knew that RavenSpace was bound to come up. Def. a freaky second set, but oh my, what a show :) Here's a good AUD copy, but it is missing the Brokedown encore :( https://archive.org/details/gd82-04-19.aud-martin.warner.19420.sbeok.sh…

Peace

Standout Song Performances

Certain songs just seem to stand out above the rest in some of these boxes. For the July '78 box it was Estimated Prophet that just seemed consistently amazing, a high water mark for that song in my book. For the first May '77 box it was the Scarlet-Fire sequences that seemed a cut above, particularly the start of Fire. For the PNW '73 &'74 box it was the performances of Eyes of the World that just seemed perfect as I prefer those slower, jazzier Eyes which seemed at a peak in '73-'74. It's not that there aren't other versions of these songs that I enjoy just as much from other releases, just that there often seems to be a particular song that stands out in some of these box sets. Curious if others have a similar experience with a particular song just standing out as being at a peak in a particular box.

RE: Charlie3 and standout songs from boxes

I would say the Greatest Story Ever Told stands out for me repeatedly on the PNW set. Also, I was just reading the Winterland 73 notes, and McNally posits there that Big River stands out for him in the same way you mention.

GSET Standout

CampaignShoutin, I suspected that others might have different songs that stand out for them in a particular box, I'll have to pay attention to GSET when I listen to the PNW box again. For me I think the GSET from 3FTV 2/19/71 is my all time favorite, just something about the way it lopes along does it for me.

Re: Standouts

Agree on Estimated on the 78 Box. Not only are they all well played, but they seemed to use it quite affectively as a launching vehicle into never, ever land.

For the PNW, I wouldn't call them standout versions, i.e. best ever.. but the 74 China Riders are spectacular. Agree with all the comments on July 78..

Lucky Man

So I've noticed in the past with box sets that a lot more info was given as to the contents other than set lists and dates. Anyone know more about what magic this Pandora's box may hold?
On a bus riding tip I've been reading these threads for a long time. Just started posting but have to say to all that most of us were truly lucky to see some of these shows. I got on the bus in high-school as I saw the Dead and the rich bluegrass and funk/GoGo scenes as the same as the DIY punk scene in D.C. where I grew up. My first show was Merriwether '85 (last shows with Jerry '93 Capital Centre; kinda full circle as my life lead me all over and to many other shows). Been rolling ever since. It's been great to get these Betty shows I've been told I was at and had a great time. Damn I'd give anything to be at a 3hr+ sultry intimate summer show dancing on the lawn with beautiful mamas and lightin bugs!

Re: JiminMD

You nailed it. It is a job problem.

Yesterday, no work, listened to all 3 of the NO 1970 Busted on Bourbon St shows. At that clip I could finish all the shows in like 3 years.

Today, work, (not just work, but in a training all day where we got to break up into little groups and do fun activities! and it lasts two more days! KILL ME NOW)
0 shows listened to.

I think those numbers speak for themselves.

Hey everyone

So my wife and I flew down to New Orleans last Wednesday to visit our daughter at Tulane and catch some Mardi Gras parades over the weekend. We were walking around a bunch in Uptown and I am really not on my phone that much. We stopped into a store on Magazine street and I checked my email as my wife shopped and there it was!!! So unexpected.. I quickly ordered the 76 Box, careful not to mess up like a did back in October 2018 with the Dave's subscription and order two... 6/14/76 Beacon to me is so perfectly clearly recorded!!! I am a big fan of June 76!!! Got back last night around midnight and have been reading all the comments.... sort of like catching up with old friends and it was only a week... bob t

Random song shoutout

I dont always love Lovelight, but day-um the one from 2-1-70 to close out that run is a banger. Its 39 minutes. Its like they played the one from Live Dead, and then played it again, and then played a normal one, and then Pig was like "alright now I'm good". Its nine minutes longer than even the Dicks 4 version which I always regarded as peak Lovelight.

Primus

I just received an e-mail announcing Primus : A Tribute To Kings-performing the Rush classic "Farewell To Kings" in it's entirety.
Sounds interesting. I've always enjoyed the Claypool musical perspective. Might have to see this one...

Dirty Honey

Saw Dirty Honey last night at the Bluebird in Denver. They're pretty good, and they have an amazing singer, the real deal not like that whiny punk from GVF... but, I digress.

Sunset Strip hard rock without the glam and makeup. They're a little short on original material, still, what with a drum solo and a guitar solo coming mid-set, as well as a classic Aerosmith cover "Last Child."

But there's a lot of industry buzz about them. If you're into that kind of thing, go check out their current club tour before they explode.

Road trip fun

Drove seattle to salem oregon

5 12 74 discs 1 n 2 yowzah
10 23 80 all three discs yahoo
7 25 72 discs three and four!!!!!!!!!!!!!!!!!!!!

Return tomorrow
5 12 74 disc 3
10 30 73 disc 3
11 17 72 disc three
11 19 72 disc three

Last 5

Grateful Dead - 5/11/77 St. Paul. That Lazy Lightning - Supplication and the Scarlet-Fire were highlights, but as with most of those May '77 shows, there really isn't any weak song performance in the whole show.
Jerry Garcia - Garcia. Classic. Been a while since I listened to that one.
Francis Albert Sinatra and Antonio Carlos Jobin - Self Titled. Dig that Baubles, Bangles and Beads, but the whole bossa nova vibe of the album makes it seem almost like a drunken Mrs. Wormer should be rolling through the door any minute, ready to party.
Waylon Jennings, Willie Nelson, Jessi Colter & Tompall Glaser - Wanted! The Outlaws 20th Anniversary. The Jessi Colter stuff on that album is fantastic.
Chris Joss - Sticks. Some pretty cool instrumental stuff.

Charlie3 - this is as far as I got before nodding off last night

Agree with you on GSET from 3FTV. Pigpen's Hammond really

It was the Road Trips

I was going to pass on this box set on account of it seeming like a watered down version of 1977, but then I listened to road trips from Boston June 9th 1976, and I thought it was really really different sounding from 77. Count me in.

1976

76 is a fantastic year for the boys and of course overlooked due to 1977.
The 6/9/76 show is one of my favorites and the second night of the Capitol Theatre is excellent, so I am excited to hear these five shows. For me, what makes this so fun is that every year was different, different sets lists, different versions of songs, the recordings, sound quality, etc.
We are a lucky bunch!

Pulled out July 12, 1989, from the RFK box the other day. Really good stuff, love all these shows from summer 1989. Hopefully Alpine someday. If you are into the Giants Box set, you would love the two shows from the RFK box and it is still for sale here.

Dead & DC punk

MendoFog, appreciate your ref to the harDCorer scene. Came up in the DC scene of the late 80s, early 90s. I've always been fascinated by the parallels between the Dead and Fugazi. Which, if you know both, seem pretty unexpected. They're both completely of their own scenes; allowed taping before others got onboard with that idea; no setlists. Even admonishments from the stage to take care of each other on the floor, and finally two drummers.

the messthetics

joe and brandon from fugazi with guitarist anthony pirog
here they are in dc playing their new album anthropocosmic nest

https://m.youtube.com/watch?v=ofemKgGCb34

also ian and joe and amy started up coriky
https://m.youtube.com/watch?v=rSQ3b6QnHlk

Re: 76, 89 and GD/DC Punk

'76 fills a void for me too, scratches a certain itch. Listen to 12/31/76 on a good system at a good volume and enjoy it in it's spectacular glory. 1976 is different, which has the ability to ooze into a particular mindset. Plus, for the most part, it was very well recorded (thanks Betty).

I found myself listening to 10/26/89 the last few days, only the second time since 30 trips came out. I am enjoying this go around much better.. great sound and recording (thanks Jeffrey).. anyway, scratches another itch and did I mention it sounds really flipping good with the right system?

Grew up in the DC area myself.. Merriweather was walking distance until I moved out from my folks house. My first serious GF was a dead freak and by dead freak I mean Grateful Dead and the Dead Kennedy's. She was way into punk, so I caught a bit of a punk contact buzz. We also caught tons of shows together over many years from sea to shining sea. Great memories..

76

I think I like 76 better than 77 or 78? But hey, “I’m silly that way, they call me rubber neck!”

Messthetics

Endorse all bands with Brendan drumming, and eager to hear the full Coriky album. In college in Virginia, most of my friends would be playing hackysack in their Birks, talking about the latest Dischord release. Will try not to overstay my welcome on this topic, but for those interested, the Trap Set podcast had a great Q&A with Ian. Very interested to hear him talking about listening to Hendrix bootlegs.
http://www.thetrapset.net/202-ian-mackaye-minor-threat-fugazi-the-evens…

dischord

another one is lungfish get everything you can from them
amazing band

Estimated 78

The moment may have passed for mentioning it, but there's a stellar version of Estimated played on 9/15/78 at Egypt. Its on the bonus disc of Rocking the Cradle, and for me its always stood out as one of the best tracks on any of the cds.

@ JimInMD

Bad Brains?

Bad Brains

Yes.. They are an interesting band, she had seen them and had a couple t-shirts. I never saw them, but they were in her car and they played a lot downtown in the early to mid 80's, then I disappeared, off to school. 9:30 club comes to mind??

*re\ June 76’ Boxset and 1972’ Boxset

...greetings and a grateful day to all my brothers & sisters out there! I hope all is well!
I’m really looking forward to the beacon theater shows. I’ve seen many many concerts there over the span of my life. One of my favorite shows I saw at the beacon theater was the Black Crows on a Halloween in the late 90’s mane 1996 or 1997 I can’t recall the year, an amazing performance, they whole band started the show dresses as Elvis, the whole band did; it was amazing night. I saw so many great bands and I love the theater . Always sounding primo in my Deadhead ! I always been on the lookout for an official release from the Dead from this venue so I’m doing little jigs around the house waiting for the box to arrive so I can once again relive an amazing series (5) performances from the Grateful Dead from 1976. Another favorite era of the good ol Grateful Dead 2976. Not a favorite with all dead fans but every release from 1976 released is primo in my book, not a dud in the whole lot, ect. Dicks & Daves Picks , Winterland and the spirit of 1976 Bonus Disc also come to mind and also the 76’ Release From The RoadTrips Series... a very special time in Dead history for this Deadhead fan & collector!

Also speaking of Boxsets , I was able to add the Complete Europe 72 boxset back into my collection. I sold my original for medical bills about 2 years ago if I remeber correctly . I found an all music Edtion of 72 boxset, the whole set complete and still sealed, every one of the 22 shows still sealed and in Primo condition on all 22 shows, just perfect condition. Very greatful to be blessed with this release back in my collection. Rock on deadheads! 🙏❤️😎💀🌹💀🌹
I recently sold a few Record LPs to a record collector. No Dead LPs, I sold a couple of original Beatles LPs and a couple of Elvis Records from my personal collection.
I was given an offer for the two Beatles LPs I couldn’t refuse, one being the white album on white vinyl. Excelent mix/mastering on this pressing. One of my favorite sources for the Beatles White Album. I have two more sets. It’s one of my favorite of their albums!

930 Club & '76ing

Ahhh, the 930 Club....quite familiar with that venue, saw many bands there back in the late '90's/turn of the century: Widespread Panic, Medeski Martin & Wood, Wilco, Dark Star Orchestra, Carl Denson's Tiny Universe, The Samples....tons of good times. I remember toking on a J in one of the dark/side rooms and getting busted yet claiming ignorance...

One of the coolest shows I saw there was the Medeski Martin & Wood show; they put chairs on the floor and it was very limited in terms of number of attendees. Had never seen it like that before but made for a very intimate performance.

Bring on the June '76 Box. So happy this is like a month away and not having to wait until the Fall or something for it to land. It was a sneaky close announcement of the release this time around and I'm not complaining at all. This is probably one of my all-time favorite eras - I mean this very particular run of shows in early June - they sound very different than even later in the summer. I Love the genesis of this sound and it's gonna be all totally Normanized!
What I AM curious about is Jerry's volume level on the 6/10 show; any version I've heard has him down pretty low in the mix. Given these are apparently 2 track tapes, my thoughts are they wouldn't be able to address that too much given the limited number of tracks - but I could be wrong. Curious if any others had recognized this or opined profusely on this point, as I seemingly have.

- Seventy-Sixtus

*Re/ 2020 RSD Grateful Dead Release

...Grateful Dead - Buffalo 5/9/77 5LP
🙏❤️😎💀🌹
May 9, 1977 – Buffalo Memorial Auditorium, Buffalo, New York
First set:
"Help On the Way" > (Garcia, Hunter)
"Slipknot" > (Garcia, Keith Godchaux, Kreutzmann, Lesh, Weir)
"Franklin's Tower" (Garcia, Hunter)
"Cassidy" (Weir, Barlow)
"Brown-Eyed Women" (Garcia, Hunter)
"Mexicali Blues" (Weir, Barlow)
"Tennessee Jed" (Garcia, Hunter)
"Big River" (Cash)
"Peggy-O" (traditional, arranged by Grateful Dead)
"Sunrise" (Donna Jean Godchaux)
"The Music Never Stopped" (Weir, Barlow)

Second set:
"Bertha" > (Garcia, Hunter)
"Good Lovin'" (Clark, Resnick)
"Ship of Fools" (Garcia, Hunter)
Disc 3

"Estimated Prophet" > (Weir, Barlow)
"The Other One" > (Weir, Kreutzmann)
"Drums" > (Hart, Kreutzmann)
"Not Fade Away" > (Petty, Hardin)
"Comes a Time" > (Garcia, Hunter)
"Sugar Magnolia" (Weir, Hunter)
Encore:
"Uncle John's Band" (Garcia, Hunter)

2/19/71

...321 Blast off!!

Medeski Martin & Wood

The only band i'm into more than the dead. I love MMW. Rumor on the streets is a new album and a tour in 2020.

Tonic is one of my desert island albums. I also thought End of the World Party was way ahead of its time. And now that it's 15 years later I guess it's just about perfect.

Medeski Martin & Wood you say

Its a Jungle In Here was one of the soundtracks to my college years. End of The World Party is great too, like Slow Dog says. Anything they do with John Scofield is extra juicy.

Their live sets are trippy AF. if you get a chance highly recommended.

OROBOROUS...ya Rubberneck...I needed that Jerky reminder

I had a long day and saw your Jerky Boys reference....and decided to fire up a little JB....I'm looking for paintwork....
what do you say we get together and paint each other up...Yeah forget about it

LAST 5

Who By Numbers
The Samples Blue album or first album
Quadrophenia
Eric Clapton live in Budokan Japan 2009
30 Trips 1988

Cheers

Rock and roll doctor your on the air.

I remember the radio skit on Dr. Demento with a hippy dude talking about quadrophenia...man. https://youtu.be/vv3rtJwffQI

Re: MMW

Rise Up:

https://m.youtube.com/watch?v=tDUPzZTCR-Y

From 'Tonic' and I love that other people love the awesomeness going on here. It's hard to resist.

Friday Afternoon in the Universe hooked me, but my intro was Shackman.

Sixtus

My MMW listening experience is extremely limited....

....but I'm eager to learn.
I only have so many ears and so much time to digest it all.
Edit. From Wikipedia....
"In 2016, John Medeski formed supergroup Saudade with Chino Moreno of Deftones, Team Sleep, Palms, and Crosses; guitarist Dr. Know of Bad Brains; bassist Chuck Doom of Crosses and Team Sleep; and drummer Mackie Jayson of Cro-Mags and Bad Brains."
....full circle giving recent conversations here. Amazing.
I know of, and enjoy the hell out of Bad Brains, when the mood suits me.
Another edit. The Cro-Mags. Now there is a name I haven't heard in a long, long time....

2/19/73 Chicago International Amphitheatre

I know 2/19 falls in the Capital Theatre 71 anniversary run. But i love the February 73 tour. He's Gone>Truckin>Other One Eyes Of The World>China Doll.... 4th Eyes Ever.... sign me up doc.... bob t

7/8/78-Red rocks

I know I'm probably repeating it to much but this 2nd disk is just sublime the more I hear it. The franklins tower is hot. All around smoking set.

7/8/78

Good to hear some earnest enthusiasm.. Bring it!

Giants was surprisingly good too, plus the way far under the radar Get Shown the Light box and the wee, tiny mention 3 trips around the sun. Life is good.

did we miss any good ones?

Did someone say Sublime....

....so many good bands. So little time.
3 FTV. Had to bust that bad boy out today for obvious reasons. Easy Wind.

40oz to Freedom

Sublime smokes, love that 40 oz to Freedom album from start to finish, the original 1992 Skunk Records version with the song Get Out and the Rawhide cover. Get Out is just about the highlight of that album for me and I dig the whole thing from Waiting for My Ruca to Thanx. If you like Sublime, check out the Long Beach Dub All Stars, includes some of the same members and has some cool stuff. Particularly dig some of the stuff on their Right Back album, especially the song Righteous Dub.

Gave 5/12/77 from the first May '77 box another listen today and man does that disc 3 smoke. So good I may have to give it another listen tomorrow.