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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • alvarhanso
    Joined:
    Re: Winterland '74

    Agreeing with the agreement of Jim and all those that are agreeable vis a vis 2/24/74, great show, wish it had been part of a box, but an all timer Dave's Pick instead as numero 13. The Dark Star> Dew goes without saying as a highlight, but I especially love the Weather Report Suite> Row Jimmy, and the Bertha. Phil has a great bomb in that Bertha, just once, but well placed, and I rewind it back at least twice every time. Really good China Rider, too. Really good sound once the issues are fixed, which if memory serves, is after Mexicali. Hard to believe this was the first Pick of the year 5 whole years ago. I'm sure those who were there can't believe that was 46 years ago today...

    Also, that Dijon show from 30 Trips does sound amazing. Not my favorite setlist, but when it starts with that Uncle John's, it's like butter, and pretty soon, who cares what they played, the sound on the tape is one of the absolute best captures of a Wall of Sound show to my ears, and what they do play, they play well. And worth noting both shows have a nice Ship of Fools.

  • JimInMD
    Joined:
    Winterland '74

    Count me in as a huge fan of 2/24/74 and probably the first in the echo chamber wishing they had saved it for a full box treatment including all three shows. I was listening to Dijon '74 last night, another very well recorded 74 show..

    What a great year.. so many good shows.

    Edit: I finished Dijon on a bike ride today.. Has anyone else noticed that just before Phil breaks into his 11 bass riff Bobby starts a Mind Left Body sequence and they both play off each other for a minute and a half to two minutes before The Eleven dominates the direction. Incredible little ditty.. just a couple minutes but it really fubbs with your mind (in a the best possible way). What an interesting little jam.

  • bob t
    Joined:
    4/27/71 Was on Sirius today at noon

    Turned it on right when Riot In Cell Block #9 came on.... also heard Help me Rhonda and then Okie from Muskogee... Haven't listened to this show in years. Riot in Cell Block #9 was a tad painful with the synthesizer! bob t

  • Dennis
    Joined:
    Wishbone Ash

    A neighbor went to see these guys the other night in Austin I believe. I don't think I ever heard of them. He raved about them. Much to my chagrin, I don't have any! Anyone out there have a bunch you wish to share?

  • Mr. Ones
    Joined:
    DAVEROCK

    DAVEROCK, I think you are my brother from another British mother. Besides being close in age, our tastes are similar and quite broad. I was heartened that you could enjoy a little GFR at this late stage of the game(well, not THAT late:)
    And yes, Mel Schacher is a monster on the bass, but also, that SOUND. That deep, fuzzy, distorted sound. I've always loved it, but also, his bass lines are very close to a lead line, and quite inventive.
    To whoever mentioned MMW's Radiolarians 1 in their last 5, brilliant. All 3 Radiolarians cds are super fun and spontaneously creative. If you read up on the history of that series, it's intriguing, and makes you want to give 'em a listen. Happy Monday.

  • Sixtus_
    Joined:
    re: Mrs. VGuy

    ...that was me, with the MMW references last week...

    You're welcome? You Y-axis inverting freak.

    Sixtus

  • Dennis
    Joined:
    keithfan the man

    check pm's

  • KeithFan2112
    Joined:
    Skeleton Skaters

    It's 2/24/74 day. In the immortal words of Bill Graham, "A peaceful Sunday night with the Grateful Dead". Possibly my favorite single show from 1974. A+ performance and setlist. Also one of the best sounding shows from 1974. Nuff said. Except that I added Here Comes Sunshine, Truckin' The Other One and Eyes of the World from the night before's soundboard. The audio quality on that board is so good, how could I not right?

    Agree with RogueDeadGuy's statement that Exile on Main St. is one of the greatest rock and roll albums of all time. All the better because it was the last record in the Stones' library that I grew to like. I mean, it took me forever to understand what the fuss was about with that album. Then I had some wisdom teeth extracted and some pain killers and it all made sense. Not advocating anything, just saying what happened.

    And let's face it, there is hardly a better rock and roll story than the one that accompanies the recording of that record.

    Most rock fans who are into the Stones know the title refers to their move to France to avoid the high tax laws in England. But the greatest thing about that album in my mind is the environment and manner in which it was recorded. Keith Richards rented a mansion in the south of France and they recorded it there on, I think Ronnie Lane's Mobile recording studio, which was basically a big truck. So I imagine this thing sitting out front with zillions of wires running down into the basement for a couple of months. Tons of people in the Stones' orbit hung out at this place and just partied and recorded the record - in fact they eventually had to ask Gram Parsons to leave. The dragon can take anyone down I suppose - but man I can't think of any other LP I'd rather go back in time and hang out with the band as they recorded it. Only Keith lived there the rest of them where nearby, probably within an hour's Drive. Batiste was a vampire those days and just recorded whenever he was awake, which was sometimes for days on end. You ended up with Producer Jimmy Miller playing drums on a couple of tracks, Mick Taylor and Keith Richards playing bass on half the tracks, Etc. If memory serves the song Happy was laid down by Mick Taylor Keith Richards and Jimmy Miller only, and then Mick Jagger laid down some support vocals later on in Los Angeles where the album was mixed and finished.

    Just to give you an idea of what this place was the Keith rent it out, is described on Wiki like this:

    "Nellcôte (often referred to as Villa Nellcôte) is a 16-room mansion built during the Belle Époque on a headland above the sea at Villefranche-sur-Mer on the Côte d'Azur in southern France."

    There's a documentary called The Stones in Exile that is worthy of viewership to any rock and roll fan. You appreciate the album all the much more for seeing the documentary, and if you don't know the album you always be tempted to look it up on YouTube.

  • Roguedeadguy
    Joined:
    Last 5

    I've always done these from least to most recent -- "peaking" at No. 1 which is often what I'm listening to as I'm typing. Not this time tho.

    5) The Complete Ric & Ron Recordings Vol. 1 & 2. (Technically two albums worth but I'm counting as one). Vintage New Orleans R&B to get in the Mardi Gras spirit. Livened up a boring ass Friday afternoon entering a bunch of tasks into the backlog list for work. (Not actually doing any of the tasks . . . just entering them . . . because that's what *someone* wanted)

    4) Dylan - Slow Train Coming.
    There was a slow train running through my head Saturday morning. It mighta been The Devil, mighta been The Lord, it mighta been too much Mardi Gras spirit, I dunno but this album seemed to fit the mood nicely.

    3) Chuck Berry "In London". This was a Record store Day release from last year that I bough on impulse. I thought it would be a live set (its not) and not all of it was recorded in London, but that doesn't matter. Its a parade of one great Chuck Berry tune after another. The man was simply incapable of writing a bad tune. The sound is terrific on the LP too. If someone is looking to freshen up their Chuck Berry stash, highly recommended.

    2) Rolling Stones "Exile On Main Street". One of the all time great albums in rock history. Nuff said. There's a really nice new vinyl reissue out there, if you're into that sort of thing. It was right below the Chuck Berry In London at the bookstore that day, so I HAD to get it too :)

    1) GOGD 02-02-70 from St Louis, aka the first half of Dave's 6.

    I've been doing my own personal deep dive into 1970 this year, in anticipation of the American Beauty / Workingman's drop. Last weekend I listened to all 3 of the New Orleans Busted On Bourbon Street shows, so I picked up where that left off. This has an interesting Dark Star . . . its not an intense mind-melter, but more like a pleasant, afternoon matinee type of Dark Star. Coming out of that St Stephen is a little wobbly, but he finds his footing at the end heading into a scorching Mason's Children. It concludes with a replacement level Lovelight - Not Fade Away sandwich which pales in comparison to the epic from the night before.

    2-6-70 from the good ole Fillmore West is gonna be my next foray into 1970. I might not get to every last 70 show out there but Ima try to hit at least one from each run over the course of the year.

    LOL Vguy -- "Mrs Vguy hates MMW now." I feel your pain, my man :)

    Happy Lundi Gras everyone. Laissez les bon Temps Roulez.

  • daverock
    Joined:
    Last 5 -70s rock

    Yes, its the most recent on down for me, too.
    Mr Ones...I think you are right that for a lot of bands you had to have been there a the time to really get it. It also seems to me that part of this is the age we are when we first hear things. There are a lot of bands I liked in the 70s that I would hesitate to recommend now. They fit me like glove when I was a teenager...but the likelihood of some of my opera loving friends, who are in their 60s appreciating a first listen to something like "What a Bunch of Sweeties" by the Pink Fairies now is slight indeed. Having said that, I only heard Grand Funk for the first time last year - their first 6 albums, and I like them. A proper band. Curiously, I don't like heavy rock bands that recorded after about 1975, though.
    Last 5? Of course.....
    Live in Paris 3/22/74 King Crimson
    Freddy King Sings Freddy King
    Live Wire Blues Power Albert King
    Feelin' Good Jessie Mae Hemphill
    Survival Grand Funk Railroad

    Next stop....Cactus.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

Driving salem to seattle

5 12 74 disc 3 FIRE!!!!
10 30 73 disc 3 HAVE YOU HEARD THIS?
11 17 72 disc 3 WOW!!!!

great great great stuff

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I recently started listening for the first time to shows I attended. I've waited this long for fear that many of them would not be as good in retrospect (especially the '92-'93). But, after listening to 6/24+25+28/91, and after hearing 6/16-17/91 from the Giants box, I'm now thinking that a box of 6/22, 6/24, 6/25, and 6/28/91 would be sweet!

For fans of synchronicity, I started the 6/25/91 show as I jumped on the treadmill the other day, and just as I went to turn up the belt speed from a warm-up walk to a 10-minute mile pace, the Dead sang, "My old buddy, you're moving . . . much too slooow-ow-ow-woh, ow ow woh, owowow . . .

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Road Trips Vol. 3 No. 2--Austin 11-15-71
New release available March 27 2020 from ‘Real gone music’
💀Keith Godchaux's only been with the band a month but already he is fitting in like a glove. This fall 1971 show captures the Dead dancing down their improvisational high wire like only they can. On one side of the precipice are the free form jams of their earlier incarnations. On the other are the country-inflected tunes of American Beauty and Workingman's Dead, both released the preceding year. And no sequence captures the tension between the two quite like the first set's 'Dark Star'/'El Paso' sequence, during which the band improbably (and seamlessly) veers from their spaciest song to their most cowboy cover and back again. A true marvel of a medley. Then, speaking of cowboy, the second set goes full-on boots 'n' spurs (the show is in Austin, after all) for its first half-dozen songs, winding up with a barn burning 'Cumberland Blues.' And then another sublime medley of 'Not Fade Away' segueing into a 'Jam' that toys with the 'China Cat Sunflower' theme, followed by a rip-roarin' 'Goin' Down the Road Feeling Bad' and back to 'Not Fade Away.' Blair Jackson's liner notes chart the course. HDCD sound mastered by Jeffrey Norman
Track Listings
Disc: 1
Truckin'
Bertha
Playing in the Band
Deal
Jack Straw
Loser
Beat It On Down the Line
Dark Star
El Paso
Dark Star
Casey Jones
One More Saturday Night
Disc: 2
Me and My Uncle
Ramble On Rose
Mexicali Blues
Brokedown Palace
Me and Bobby McGee
Cumberland Blues
Sugar Magnolia
You Win Again
Not Fade Away
Jam
Goin' Down the Road Feeling Bad
Not Fade Away
Johnny B. Goode

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WOW! What an eyeopener – brings all the shipping madness into sharp focus. The perfect just-so story explaining what most all of us have been on the receiving end of for more than a year. While we can hope and pray Direct Shot eventually gets its distribution-shit together, maybe in the meantime it's time for MaryE to jump on her bicycle and JimInMD to saddle up Mr. Peabody's time machine and start delivering CDs again! Onward.

Thanks for the article Jack! Crazy stuff. I thought CDs were dead?

I wonder what Rhino or Warner Music will do about this?

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Thanks for that article. I wasn't aware how widespread the issue was. At this point the only physical media I'm buying is the Dead, local artists in my neck of the woods, and the occasional box set from other select artists. I've gone completely digital otherwise, so I had no idea that this was an industry wide problem.

I guess I've been directing my angst over my missing Dave's 32 at the wrong party. That said, what's the over under on receiving my missing Dave's 32 before the June 76 box? Before Dave's 34? It's supposed to ship out at the end of the month from someone at the Dead offices, so we'll find out soon enough.

Missed 2-11-69 last week so playing it now.

Upcoming anniversaries (commercial releases):
2-23,24-68 DP22
2-22-69 30Trips
FW69 Box
2-26,28-73 DP28
2-24-74 DaP13
2-26-77 DaP29

We’re all going to be busy for the rest of the month.
Not a bad predicament to be in.

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13 years 6 months

In reply to by icecrmcnkd

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Wow.. look at that list. It's hard to pick a favorite.. I don't think I could do it. Good job Cone Kid. People harp on the fall, but there's lots of birthday's to celebrate in the Spring too.

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I just received Dave's Picks # 17,18 ,21,24 and Road Trips vol 4 #5 in the mail. I picked them up on E BAY brand new and sealed. I'M listening to #17 right now and it sounds great!

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In reply to by Vguy72

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That song can still bring tears to my eyes. Always been bittersweet to me.

What I have always loved most about Garcia is the emotional content he was able to deliver.

_____________

Right on Billy!

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In reply to by P Hill

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The rumors on Reddit point to a Buffalo 5/9/77 5LP set for this year’s RSD release. How many here would get up early and wait in line for that this April?

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Two or three months ago , you mentioned the Freddie King Box Set, "Taking Care of Business", and I've been looking for it since then. I found a new sealed copy on e bay today for $450.00. I snapped it right up. I then went over to Bear Family Records and bought the follow up box set Texas Flyer, before it becomes scarce. They both look really cool and I can't wait to listen to them. Anyways, thanks for mentioning them because I never would have known about them. Garcia said one of his early influences was Freddie King. If you like T Bone Walker, there is a great box set on Mosaic Records, "The Complete Recordings of T Bone Walker 1940-1954". It"s 6 cds and it's still available on the secondary market at a fairly reasonable price. T Bone Walker was great and he influenced the likes of B B King, Jimi Hendrix,Eric Clapton, and many other great guitar players. Anyways, it really swings.

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6~15~93 that is.
Underdog show for sure.
Bobby going bananas during Estimated is an instant classic...
:O)

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VGuy, as someone who has lived in only Minnesota and Colorado, I have to confess that it pains me to hear people in places such as Las Vegas and Tampa Bay talking about our state sport! :) I always root for the "ice-state" teams to beat the interlopers from places that have never seen natural ice. :)

p.s. Is the Jack Straw opener from 6/25/91 a BOAT version? Maybe . . .

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In reply to by Deadheadbrewer

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Did someone say best ever Jack Straw?

...now back to you regularly scheduled hockey fight.. Sponsored by Dentists with kids about to go to college.

Congratulations on picking up a copy of "Takin' Care of Business" by Freddie King on Bear Records. I still haven't got this one, although I have most of the material on other cds. But there is nothing like a release on Bear Records - the presentation, books and last but not least - the sound of them. The follow up, "Texas Flyer" the one I do have is superb.

Another good Freddie King release is "King of the Blues", which includes the three albums he made on Shelter records, plus outttakes between the two two Bear Records sets.

There is also a great dvd out called "The!!! Beat 1966" featuring several performances from the TV show of the same name. The stage has great op art 60s décor, there are go go dancers, and a straight white middle aged host who literally runs out onto the stage after Freddie has completed a track, saying things like " Wow man, that was really outtasight! What are you going to hit us with now baby?" Priceless. The music played, though, is timeless. There also a few great tracks of slightly stoned looking Freddie live in Sweden in 1973.

I have a 4 cd T Bone Walker compilation on the Proper Records label, which focuses on his earlier years. I agree - he was a major, and often uncredited, influence on rock n' roll music, as well as the blues rock that followed. Listening to him, you can tell where Chuck Berry and B.B. King got many of their ideas and licks from. And from Chuck Berry and B.B King...to the moon!

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Was there and it was a good show next night not so good but my assigned seat was right in front of Jerry.

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I can't take this talk about these box set of Freddie King & T-Bone! My wife's out of town, not out of my life. :-) On the Freddie front I have Best of Shelter Years & TX Cannonball. T-Bone includes Imperial Collection 50-54. Anyone out there with any of these other boxes, hell I'd take a copy. Consider it your off site backup :-)

That 91 (6/25), is a ripper. BOAT is pure opinion, but I'll give you "damn rousing"!

I'm a fixator, I play given songs to death (ask my wife)! I've been playing Little Sadie, from Crooked Still's 11-26-2006 show about dozen times a day! WOW!

I looked through the list and once again no Andy Williams re-releases!

Everyone here only seems to listen to "cool(?)" music. Doesn't anyone listen to schlep vocalist from the 50's & 60's? A little Perry Como (I hear he does a nice haircut), the aforementioned Andy. Maybe a little Johnny Mathis? Any Wayne Newton fans? I have him doing the greatest hits of like 67. My Grandmother used to travel to Vegas every year (drove from Jersey), she RAVED about Wayne's shows and Liberace's. How bout Dinah Shore? When I was coming up these were popular people with my parents generation and NOBODY I went to school with was buying Andy Williams albums! I remember a guy in high school raving about Tull's Aqualung and how I had to hear it. One look at the cover and I knew I didn't need to listen to that book. So what guilty pleasures are in your musical past? Any big musical fans? We went to a family reunion a year or two back. My wife has Missouri family, they always show up with a guitar and ready to have sing alongs. Started in Kansas City from Oklahoma and the only lone voice who knew all the lyrics,,,, me. It startled the crowd to say the least. Me and the wife was on a road trip once and I got into a musical mode and sang every musical ever done for about an hour (and yes, she has stayed with me for over 40 years) I then told her about this 7th grade music teacher we had in school. Remember when you had music class once a week. Music teacher would wheel a piano in, pass out lyrics on sheets or music books (where songs were descripted as "American folk", "folk", "negro spiritual". Well this guy had every musical of the day and we sang them all. I then told Denise, "I guess he was gay?" Her come back, "says the man who's been singing show tunes for the past hour!" I don't why I've stayed with her for remarks like that.

Blather off.

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25 years ago was at my final Grateful Dead concert. I better give 30 trips copy a listen today.
My seat in the Delta Center was the very last row. “The first one now will later be last”, It was 9181 days since my first GD concert. Or 25 years , 1 month and 19 days later.
On a side note a tornado blew part of the Delta Center roof off August 18, 1999.
Also Salt Lake City is where Neal Cassady was born. “Born to be, Cassidy”/ Cassady.

How many remember his one-off special to appeal to the younger crowd? Was it ‘ The H Andrew Williams Kaleidoscope Company’? I remember Simon and Garfunkel being on it.

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would have been Randy California's 69th birthday and to honor him I purchased the 4 cd "Complete Potatoland recordings". Wow, to any and all Randy fans, this is a must have. Happy birthday Randy, I can just imagine the jam sessions you are having with Jimi and Jerry and all the rest up there in Valhalla.

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I bought one Andy Williams 45-Happy Heart, my mom was quite fond of it
and one Wayne Newton 45-Daddy Don't You Walk So Fast-I was quite fond of it
and one Fifth Dimension LP-Up, Up, And Away

The rest was all Beatles, Steppenwolf, Iron Butterfly, Three Dog Night, Etc. At Least Until Grand Funk Railroad & Black Sabbath came into the picture. "And now there's all this" to quote John Lennon.

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In reply to by Mr. Ones

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No David Glasser on this one? Hopefully he is too busy mastering the Fall 1980 box set.

3/28/90 in progress today. Wow! Just love Hey Pocky Way.

Peace folks!

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7 years 7 months
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I just received a package from a generous friend on this site. It sure is going to be a grateful night tonight. Thanks bud !!!!!!!

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In reply to by DeadVikes

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I thought he was working on next springs November 1970 Capitol Theatre box. mmm

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17 years 1 month
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Am I jumping the gun or do they usually come out with one after the release date?

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In reply to by carlo13

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Yes, great clip of Freddie King. That's actually from that dvd I was talking about "The!!! Beat" from 1966.

I was trying to think of uncool music that I liked, and was beginning to think there wasn't any. Then I saw that reference to Grand Funk Railroad, and realised I was wrong. I like them. That's now, too, not when I was younger. I only came across their first 5-6 albums last year. Stonking good bass player.

They have a listening party up on the site..

https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-b…

Note sure if I would call it party.. if the audio came with video too showing Lemieux drinking directly from the tap of a keg while log rolling and chasing a surly bigfoot with giant claws and nasty pointy teeth.. I'd call it a listening party.

..or were you talking about a single show stand-alone CD? They don't always do that, that's more hit or miss.

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Oh yeah!!!

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It shows up on the product page, but I can't get it to play. They did email me the tracks from 6/10 & 6/11, got 6/11 today, as a matter of fact. Had to download on computer as it won't download to phone, even though I have winzip on my phone. But even on my computer, the Listening Party play button is grayed out and non-functional. Maybe you really only get the tracks when you pre-order. Don't know how they will entice 12,000 orders with just a ballad version of Friend of the Devil...

Edited to add: the sound quality is just about perfect!

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Start in Madison on 2/15/73 make your way up to St.Paul for 2/17/73, down to Chicago for 2/19/73 and wrap up the week at 2/21 and 2/22/73 down in Champaign Urbana!! All the new songs you got to hear, and the whole genesis of Eyes of the World!!! bob t

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13 years 5 months

In reply to by icecrmcnkd

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Great link Cone Kid.

"Bong Rattling Bass"

Followed up by Mountain, Mississippi Queen. Leslie West, another great, rotund guitarist.

It was all good until the end.. when I suddenly realized, much like my superego Homer Simpson, that we might not be hip anymore.. at least to the generation behind us.

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Well, I can't speak for you Jim, you may be the epitome of hip in the eyes of the next generation, but my 14 year old daughter has repeatedly assured me that I am not hip and she makes a pretty persuasive case sometimes. I'm still not conceding the point.

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In reply to by Charlie3

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....i play video games with the Y axis inverted. My son laughs at me.

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