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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • andoverdeadhead
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    # Box Sets Left

    Hi all. I hope everyone reading this is safe and well. I checked the number of box sets left and it looks to be 2,128 units at this writing. There also appears to be a 50% discount off all items including the June 1976 box and ancillary products such as the gold foil poster. I just ordered one of the posters yesterday without the discount. So this looks like a propitious time to order your box set now that its available at a deeply discount price of only $74.99 per unit.

  • Oroborous
    Joined:
    Wilfredt

    ...perhaps one of those “Hero Rips” as Jim would say 😆

  • wilfredtjones
    Joined:
    6/10/76 on headphones

    Anyone hear the dude coughing during PITB jam? Wonder what could have precipitated that spell...

  • nitecat
    Joined:
    Dead Cassettes and Reels Offered Free

    Hi I have a ton of Dead cassettes, soundboard and audience. I also have a ton of Dead reel to reel recordings.

    I live in San Francisco. These cassettes and reels can be yours.

    I also have 2 cool library file card catalogs ( think when you looked up a book in a card catalog at the library). These are perfect for storing cassettes, they fit great. Come pick them up!

    email gratecat@gmail.com

    thanks,
    Scott

  • Erikandjenn
    Joined:
    Last 5 podcasts

    WTF
    Fresh Air
    Your Favorite Band Sucks
    The Band A History
    WTF

  • DaveStrang
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    MR. ONES

    Check your PM - Sorry for not getting back to you sooner.

  • Oroborous
    Joined:
    Congrats, and 76 so far

    to Deadheadbrewer, after 50 it’s just a matter of maintenance! Lol, just kidding hope you enjoy the milestone!

    and to SIMONROB: enjoy! 50 years is a crazy long time, you’ve earned it!

    I’m so jealous!...this being at home has made me contemplate retirement in a new way....like I want to start now, but can’t. Mostly because of Health Insurance.....if this country would pull its head outta its arse maybe we’d join the other top nations etc, sorry, I digress. Anyway, just ment to mention that I could really get used to this staying at home thing....

    9/11/81: Billy, you’ve got me intrigued? That was a bold pronouncement.

    McCoy Tyner: another great that’s slipped through the cracks, going to have to git some.

    Thanks again to Mr Smith for the awesome work.

    DOC: nice to see ya!

    JUNE 76: through first three shows so far. Was going to take notes and all that but about first or second song in decided to just let go and get Zen with the music. This shit is like Musical Valium, and I mean that in the best possible way. It’s the perfect anecdote to what’s going on these days.....spark one up, fire up the sonic blaster, and melt!
    I’ve been working through Spring 90 also, which is great in very different ways, but this box is a much needed tonic.
    I was trying to come up with the right word for the vibe/playing etc: relaxed or mellow can perhaps be seen as a negative,....eventually the one word that comes to mind is the band is in no hurry. It’s like they set up at a family gathering say at Mickeys ranch and decided to play a few tunes before dinner. I put one of these on and it’s like a drug that washes over me and brings calm for a while, something that’s been desperately needed after all that’s happened personally the last couple years and now this crazy new world we live in....aaaaaaaa, just what the Doctor ordered!
    So just off the top of my pointy little head I’d say 6/10 really seemed to resonate, 6/11 not so much, didn’t hold me the same way, though there was more “noise” going on that day. 6/14 seems like top dog so far, but again I’m just trying to groove first time through. Really surprised and loved the spacey parts.
    As some have mentioned overall perhaps not the tightest tour, and yes even a month later things are tighter, and yes there are repeats, which as has been said was often the case, especially when they were breaking out new material. Also there is a completely different feel and energy. So why pick these shows and this tour?
    Because of the huge historical relevance in the progression of the band, music, and logistics. This tour has to represent the biggest outwardly noticeable differences and changes the Dead ever did at once. Sure band members, songs, PA’s, etc changed, but I’d dare anyone to list one time in Dead history when so many different things changed all at once? There are so many variables that make this one of the most unique tours they ever did, and to me, that’s what makes this tour so special. That and because of the place some of these shows have in my early Dead development. The 12th and especially the 19th were some of my first big influences as these were some of the first tapes I had starting out, and of course back then you’d play em ad nauseum lol. Also 7/18 really seems to cut through the fog of memory.
    So the nostalgic, as well as the historical hugeness of this tour, combined with the ridiculous sound of these recordings, perhaps the best vocal harmonies of the “Mickey Godchaux” era, Phenomenal new material, aided by a bunch of new gear, and marinated in the intamate vibe of the tiny theatres, make this a slam dunk as far as archival box sets pertaining to the band beyond description!
    Sure another offering from later 76, say late June and/or July would be appropriate some day, but for the overall cosmic bang this release is a no brainer! In its own way, this tour is just as relevant as FW69, or GSTL, even if one opinions that the music pales.
    Ok, just got myself all worked up for show number four......see ya all on the other side! Happy Friday! It is Friday right? Dates/time etc another weird side affect of this new order...
    Stay safe, stay well, stay home!...
    And crank some Dead!

    EDIT: yasssss, !! What HF and Seventy-Sixtus said, that’ smore of what I’m trying to get at about THIS tour!

  • hbob1995
    Joined:
    Hartford 8/2/76

    While I missed these smaller theatre shows, I did see the first return of the band to a large, outdoor venue, Colt Park,
    and it was awesome! Lots of craziness here as I have relayed before. Suffice it to say that somehow I ended up with a Japanese flag on a long 10" pole which I waved high & wide as instructed during the encore of U.S. Blues.

    This was also the show where one of my buddies passed out on the ground for a couple of hours. As people stepped over him they kept asking if he was ok. I assured them he was fine and had just imbibed one too many capsules. Upon awakening, he began to shimmy up one of the guide ropes of the sound tower. The guys in the tower were none too happy and they began to shake the rope to get him off! Luckily we talked him down. Crisis averted. Nothing out of the norm for one of my Dead shows! Lol

    Rock on

  • cancar
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    otis, oh totally cool my…

    otis, oh totally cool my friend. i was slow as heck on that one!! head in my butt with everything going on. be safe and have a great weekend. we are on lockdown in pa, and taking care of those that need it.

  • Sixtus_
    Joined:
    I'm with You HF...

    ...on your assessment of the early part of this '76 tour. I mean, I love it all, but the first two or three weeks of this tour definitely sound different to my ears than later in the year, even the end of the summer.

    As you've noted, the early shows have this languid, loping, utterly drippy feel to them. The slower tempos obviously allow for more breathing room; each beat is seemingly stretched to it's limit with both care and aplomb. Songs are explored in new ways, providing new auditory avenues that help to open our ears and minds. By the time they hit the end of June and early July, songs were already morphing, speeding up as the summer progressed (see Eyes of the World as a good example, or even Dancin' In The Street by the time we hit Dick's Picks 20 in September). Notably different sounds, and they are already well on their way to congealing into that '77 sound.

    I dunno, I've always been fond of this period for these exact reasons. Merely a snapshot in time, but it provides an extremely unique take on the band at a turning point in their bountiful history.

    Happy Friday DeadFreaks.

    Sixtus

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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In reply to by Charlie3

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I have not conceded, nor have I accepted any ill-perceived squareness.

Speaking of hip.. and consider this off topic, of all the GD cover art.. I have about five or six favorites. One being the cover of the Winterland 73 Box Set. It's the video part of the China>Rider youtube on the link. That and Aoxomoxoa are perhaps my two favs.. wait, add Lille France on E72 (the Bolo pic). Yes my three favs. Does any of this make me more or less hip (speaking as I click in my Grand Funk 8 track into the hi fidelity kraco stereo in my lime green 1970 Ford Pinto).

https://www.youtube.com/watch?v=U0wA0WW3GCY

Liked it so much I scored the Giclée.

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All you regular posters feel like old friends, though I don't post much myself, it's good to check in - keep it going!
I've gotten some great ideas here, including the Plenue D lossless digital player, Ipod replacement. Thanks to whoever that was!
- Does one talk of "top 10" versions of songs that aren't really jam songs? What say yee about live Brokedown Palace? Dave's 22? ???
- All the July '78 love is agreed - definitely a great box! - Dave's 23 Eugene, the Close Encounters show, led me to that purchase. Some 23 love here!! IT comes out of nowhere - what a trip that must have been for those there HA
- Last 5
Road Trips Denver '73 - that PITB triple sandwich gets a bit scary at the third slice! awesome!
Dave's 18 - some '76 juice with a killer jazzy Comes A Time
Flower Kings - Waiting' For Miracles - their new one - Roine Stolt is an amazingly soulful lead guitarist!
Spock's Beard - V (weird (bad?) name for a band) - been on a bit of a prog run - going to spin some Jethro
SF Jazz Collective - 2018 Antonio Carlos Jobim artist cover - their 2020 release in March is Sly Stone's I Want To Take You Higher and Miles Davis' In A Silent Way both released in '69 (call it a 51'st anniversary run) - should be hot!

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..”wait till they get a load out of ME!” ...💀🌹🤠
Who is waiting/want more Pigpen?!
I Do!🙏❤️🤠

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I remember buying a kraco single button power boost for my radio in my 73 nova in 1985. I believe it was $50 . A lot back then. It was so primitive compared to now. It funny you mentioned that. I was just recently thinking of kraco.

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Will there be a condensed, shorter version? I don’t want to leave 20 CDs in my car!

Nice clip of Homer Simpson on Grand Funk Railroad - I've never seen that before. I never heard Grand Funk in the 70s, but they were often compared to Black Sabbath in the British music press, and were always mocked. I liked Black Sabbath ( and still do), but I never got round to Grand Funk. I used to see their album covers when I was flipping through to see what Dead was on offer, too.
In 1976, The Ramones first album came out and that was a complete game changer. Overnight almost all of the classic rock bands suddenly seemed dated . Any late 60s or early 70s band I hadn't already heard would have to wait 15 years or so for discovery.
Not many bands escaped this purge, and the ones that did were the less successful ones in the time frame-1968-72. It was a case of....say goodbye to Crosby Stills Nash and Young...say hello to Iggy and the Stooges and the MC5.

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Wow, flashback. These 3 guys were so big back in the late 60's early 70's. I was a big fan and did finally catch their live show back in 76, we're an american band tour. Mark Farner was a good guitarist and the power trio had the world by the balls back then. The first exposure to them for me was the Live 2 record set, which had smoking versions of paranoid, inside looking out, t.n.u.c. and into the sun. All very loud and rockin'. After that, I had to hear their first lp, the red one and on time, but their big hit was I'm your Captain>Closer to Home from the Closer to Home lp. Survival was the follow up lp to that and it had a couple of great tunes on it, I can feel him in the morning, feeling all right (traffic cover) and Gimme Shelter (rolling stones cover). My old roommate was from Michigan and had grown up with them, he knew them when they were Terry Knight and the pack. Terry Knight had somehow convinced the band that they should sign over the rights to all of their music to him and they were in court for years trying to get their music back. I hear Mark Farner got religion and was into gospel and religious music for a while. I guess all those drugs and groupies took their toll on Mark. But back in the day, they could fill up stadiums and pack any venue they played at and they held the record for a while as the loudest band ever, until the Who broke that record. Haven't had a flashback in a while, nice colours.

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Will be a retrospective of the first five years of grateful dead it will be 10 to 15 shows.
Every five years a similar box will be released celebrating all six eras of grateful dead.

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On that day almost 50 years ago, Grand Funk Railroad made their much-hyped British debut by headlining a free concert in Hyde Park, London. Naturally I felt obliged to attend. Being an open air job in England in rained of course. Not like at Bickershaw the following year, but rain never improved a day out. Opening act was Heads, Hands and Feet with Albert Lee on guitar. A bit of a supergroup, sadly I remember nothing of their set whatsoever. Maybe it was something I consumed. Second up was Humble Pie with Peter Frampton on guitar and the irrepressible Stevie Marriot. It was quickly apparent that Grand Funk Railroad were going to have to be a bit special to better Humble Pie's excellent set. Grand Funk Railroad had been widely hyped up as the loudest band in the world and beyond that us Brits knew nothing about them at all. What was instantly obvious was that Humble Pie had been louder than the loudest band in the world. Grand Funk Railroad's set lasted about an hour and was just a collection of uninspired heavy riffs, a bit like a poor man's Black Sabbath. High point was the drummer attempting a snare drum solo with his head. That that was the high point says it all. Nobody in the crowd had much in the way of expectations and so it turned out. But it was free. Rock on Humble Pie.

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Funny to see them come up. They could certainly jam back in the day.

I saw them awhile back, probably circa 2005 or so, at a local festival. They still put on a good show and this being Michigan, they drew quite a crowd. If you've ever wanted to see several thousand UAW members simultaneously rocking out in a park, that was your best shot :)

Fun fact: There is an actual rail system called the Grand Trunk Railway, which starts in Montreal and winds through Ontario and into Detroit. That's where they got there name presumably.

Like with many bands, they were best before they got big. The red album "Grand Funk" is a banger.

Here's a funny bit of commentary I found on AllMusic.com

Built on fuzzed-out blues riffs, simple lyrics, and at times *seemingly unnecessary jamming*, Grand Funk's songs are mild in nature.

There is no such thing as unnecessary jamming. Unnecessary singing, maybe.

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In reply to by Roguedeadguy

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Generally frowned upon by the music industry and the majority of music ‘fans’.

What a sad life to not enjoy extended jamming.

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In reply to by icecrmcnkd

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On the Wikipedia page there is a photo from Flint where the wording on a Grand Trunk RR bridge was changed to Funk.

This was commented on by Michael Moore, who is from Flint, in the movie “Roger and Me” (I believe that is the movie where he mentions the Grand Funk graffiti).

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https://shop.realgonemusic.com/products/grateful-dead-dicks-picks-33?_p…

Grateful Dead: Dick's Picks 33
...”Fresh from a year-and-a-half touring hiatus, and back to full, two-drummer strength, the Dead opened for The Who as part of Bill Graham’s historic Day on the Green concerts in 1976. This 4-disc set—which is among the cleanest soundboard recordings in the entire series—captures both dates in their entirety, and features one of the most monumental medleys (and that’s sayin’ something!) in band history with a 60-minute, 10-song journey through St. Stephen/Not Fade Away/St. Stephen/Help on the Way/Slipknot!/Drums/Samson and Delilah/Slipknot!/ Franklin’s Tower/One More Saturday Night on the first day. Day two offers excellent takes on two solo Garcia favorites, Might as Well and The Wheel, that were new to the concert repertoire and a particularly fine Ramble on Rose. Bill Graham had honored the Dead by selecting them to close the year’s stellar series of Day on the Green concerts, and that—perhaps coupled with the presence of formidable co-headliners The Who—sparked some of the band’s finest performances of the period.”

Songs: DISC ONE 10/9/76 (Set One): Promised Land; Mississippi Half-Step Uptown Toodeloo; Cassidy; Tennessee Jed; Looks Like Rain; They Love Each Other; New Minglewood Blues; Scarlet Begonias; Lazy Lightnin’/Supplication; Sugaree DISC TWO 10/9/76 (Set Two): St. Stephen/Not Fade Away/St. Stephen/Help on the Way/Slipknot!/Drums/Samson and Delilah/Slipknot!/Franklin’s Tower/One More Saturday Night; U.S. Blues DISC THREE 10/10/76 (Set One): Might as Well; Mama Tried; Ramble on Rose; Cassidy; Deal; El Paso; Loser; Promised Land; Friend of the Devil; Dancing in the Streets/Wharf Rat/Dancing in the Streets DISC FOUR 10/10/76 (Set Two): Samson and Delilah; Brown-Eyed Woman; Playing in the Band/Drums/The Wheel/Space/The Other One/Stella Blue/Playing in the Band/Sugar Magnolia; Johnny B. Goode

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Homer the Greek or Homer the Simpson?

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In reply to by icecrmcnkd

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Sam, Simon, Roguedeadguy….thanks for your recollections of Grand Funk Railroad, which made for good reading. Never having seen them, my impressions are based on that "Trunk of Funk Vol 1." box set that came out a few years ago, comprising their first 6 albums plus outtakes. Its quite entertaining - I played "Survival" for the first time last night and it hit the spot - great version of "Gimme Shelter".

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10/17 is on Jam of the Week this week also. I forgot that 2/22/74 has 3 debuts on it as well as a 3 set show. Ship of Fools, Must've been the Roses, and US Blues... Could you imagine seeing a Throwing Stones>Not Fade Away in the 80's in the second set, and have Bob say we will be back in a little bit....

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I am really looking forward to this June 1976 Boxset.
With all this talk of a 2nd Boxset coming out in the fall, I hope it is of equal or smaller size than June 1976. There is only so much I can afford........

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In reply to by adedhed68

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I'm a little skeptical there will be a second box. At least I haven't seen anything concrete on it..

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I am inclined to think we may get a second box simply by the fact Dave L. in his seaside chat eludes to a big year. He then adds they wanted to give this June 76 box it's time to shine. So there is definitely more music on they way. Yet I am just speculating about a 2nd box.

Now I think it is safe to say that we will likely get deluxe versions of Workingman's Dead and American Beauty as 2020 is the 50th anniversary. I can easily see bonus discs with live material (please!). Maybe there will be something tied into those like a 1970 box or some other single show release. Now it is also the 40th anniversary of the Radio City Music Hall and Warfield shows from 1980 as e all know. So like some have said already this could be territory for a 2nd box.

I will buy just about anything that gets released. Personally I am rooting for the Fall 72 box but I am going to happy with ever comes out. A long shot but still on my wish list is 11/30 & 12/1/79.

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I'm not sure that we'll get a second box this year, but there should be 50th anniversary releases for Workingman's Dead and for American Beauty, or maybe some combination of the two with some 1970 shows for the bonus content presented in a box set format. Either way, based on the earlier 50th anniversary album releases, there should be at least a bonus disc of live stuff with each one if they are released separately.

At this point I'm just looking forward to this 1976 box, it looks like a cool run of shows.

I guess they could combine them into a box of some sort. Even if they do it up like they did Anthem and Aoxomoxoa, we will be getting two more shows or partials from late 69 through early 71 which would be special and big year material.

Dave does always hype things up a bit.. but that's part of his job. I guess time will tell.. when would this announcement come, late summer early fall?

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Hopefully, they put out a full show for each release. I would like to see 9/20/70 for one release. There are a lot of great choices from April 1970 from The Fillmore West and The Family Dog. I'd love to see them find a tape of 6/11/69 California Hall and release that, but unfortunately, I've heard that the show wasn't taped or the tape was lost.

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It's possible when thinking how early in the year 1976 came to us. They could wait 8 months and release it before Christmas.

I am listening to the 1978 Road Trips Scarlet Fire and it is tons better than I remembered it. I wish Shakedown Street made it onto here. Maybe I'll pull a JiminMD and add it from a different date.

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In reply to by Dark-Star

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Per Dave, "Later in the year we have other stuff coming out that requires it's own space"... Time will tell of course, but he mentions it is a big year in archival releases. Those releases don't seem to be anniversary rereleases of past studio albums. Seems to point to the potential for another box, but I have been wrong before, just ask my wife.

Thanks for the link to Dick's 33 LMG. $58 for a brand new version of this release is a steal. If you don't have it, I would jump on it. Two shows from October 76 that smoke, performance and sound quality!

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In reply to by DeadVikes

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....i cannot resist it. Day on the Green, going in.
40th anniversary of the USA beating Russia. The US alumni were celebrated at T-Mobile Arena in Vegas. I almost went.
VGK won btw. As it should be.

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I think this early box means a second box is likely. 2017 saw the Get Shown the Light Box crash the site in February, then in August/September they announced RFK '89, which was a small box, but a box, nonetheless. But this is already a big year as mentioned with Workingman's and American Beauty both likely to have single disc shows or sets included, and 5/9/77 vinyl RSD, and 3/1/69 to come at some point as well, not to mention the comic book with '68 show that I need to go ahead and order. Which leads me to think the box will be small, 2-3 shows, so either The Ark 4/69 or Fox Theatre, St Louis 10/72. Neither would likely be sourced from returned Bettys.

Last 5 incomplete mostly:
DaP 33 10/29/77 Might As Well, Jack Straw, Looks Like Rain about to get more Might As Well than I, or anybody, can handle, but this one really rips. Was digging the LLR, too!
Crimson, White, & Indigo 7/7/89 Let It Grow thru Fire On the Mountain, keithfan you saw a tremendous show
11/18/72 Hofheinz, Houston He's Gone (my favorite one), Jack Straw, Playing in the Band (also my favorite one)
6/24/73 interrupted a complete listen for the above as the soundtrack for the commute to and from band practice, but got up to Eyes. That Dark Star is great up to the verse, after that, it really loses steam it seems like. That Phil jazz line just breaks the Dark Star wide open really quickly.
6/22/73 oh yeah, this one has had a reputation for a long time for a reason. Magnifkcent Bird Song and Here Comes Sunshine as well noted, but that Truckin> (untracked) Jam> The Other One is just terrific, and you get He's Gone and Wharf Rat bookending that segment as well! How has the PacNW box not sold out? How did it take 3.5 years for July '78 to sell out? These and other questions will remain unanswered...

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"Imagine our surprise when, in mid-2013, M.G. called to say she had a few reels of Grateful Dead shows from 1970 and 1971, from Jerry's own stash. A quick listing revealed performances that we'd never heard or never knew had been recorded." - From Dave's liner notes to the 4/18/70 Family Dog acoustic release (2013).

Have any other tapes from this collection been released since 2013?

If there are more reels from 1970 I have my fingers crossed we will hear them in this anniversary year.

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...anyone remember this release or have it?!
I gave it a listen yesterday for good ol times, still enjoyable after all these years! 🙏❤️😎
Grateful Dead Lp ‘For The Faithful Live’1980 Acoustic Reckoning Radio City💀🌹

* Dead Vikes , your welcome my brother!🙏

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This box may be coming early before April 15th tax day limit to give people time to see if they pay or get a return. Just thinking.

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Thanks to all for bringing up Road Trip series...with all the recent releases, I've neglected these shows the last few years.... but it got me gleefully back into one of my all-time favorite shows-- Freedom Hall, Louisville, Ky 6/18/74

The Weather Report Suite>Jam>The Other One>It's a Sin Jam>Stella Blue is just sweet perfection....and still sounds just as perfect today as the first time heard it, many, many, many moons ago.

If it's been a while...I highly recommend it!

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In reply to by carlo13

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Umphreys McGee - Similar Skin
Ozzy Osbourne- Ordinary Man (brand spankin new and pretty decent)
Phish - 2.21.20 Mexico
GOGD - Day On The Green - Dicks 33 10.9.76
MMW - Radiolarians 1 (I like them)
....my tastes change on a daily basis.

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It was 20 years ago today, Sgt Pep.....

No, no, no, completely sidetracked for a second there.

I'm a day late on this February 22nd excerpt, but, that just means it's aged a little bit longer and sounds a little bit better.

No, not Port Chester, the renowned week-long run I've been enjoying the past few days - they were recuperating that night I suspect, so no concert scheduled.

No, not the (also) much talked about 1974 Grand Opening run that would have made a great three-show box set to compliment the '73 & '77 Winterland sets (I've always envisioned this as looking exactly like the other two except in red): Feb 22, 23, & 24.

I'm talking about my genera....damn, sidetracked again.... I'm talking about February 22nd 1973.

Here's a great Bird Song, Dark Star and Eyes of the World from my google drive. It may require a boost in treble / EQ adjustment, but once you get the right tone in place it sounds really good.

https://drive.google.com/drive/folders/1CZ6sqxJsV9leLYI0wtljhxoS6ZBlPvX…

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Mission in the Rain

:)))

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My last 5: Billy Strings-Home
Talk Talk-Spirit Of Eden
Pat Metheny-From This Place
Soundtrack-Miles Davis:Birth Of The Cool
Road Trips 4.5-6/9/76

And now I'm curious. Does everyone list their last five most recent first?? Or 5th most recent on down??
For the record, I list most recent first and go backwards.

Lastly, it seems to me that there are some (older) bands that if you didn't catch them as they came on the scene, it might just never sound the same later on. I could be wrong of course, I usually am. My first Grand Funk Railroad album was "Live Album" from 1970. It's one of the first albums I played so much, that the vinyl almost wore out!! I immediately went back and got the first three-On Time, Grand Funk, & Closer To Home, and then bought every one thereafter, on the day of release. GFR is definitely not for everyone, and the critics excoriated them. Nothing but hate. I think it made me love them even more. They were never the same after Terry Knight stopped producing(to me at least), but Todd Rundgren produced a couple of good ones, and Frank Zappa produced their last very good album(to me at least), "Good Singin', Good Playin'". If you missed that boat, there were many, many other boats that followed...... Music Is The Best!!

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....just because I play video games with the Y axis inverted, aka up is down, doesn't mean I'm a savage.
And to whoever brought up Medeski, Martin and Wood, thank you. Mrs Vguy hates them. Lol.
I think they kick some serious ass.
https://youtu.be/LD2W6cASmzQ
....had me grinning.

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Yes, its the most recent on down for me, too.
Mr Ones...I think you are right that for a lot of bands you had to have been there a the time to really get it. It also seems to me that part of this is the age we are when we first hear things. There are a lot of bands I liked in the 70s that I would hesitate to recommend now. They fit me like glove when I was a teenager...but the likelihood of some of my opera loving friends, who are in their 60s appreciating a first listen to something like "What a Bunch of Sweeties" by the Pink Fairies now is slight indeed. Having said that, I only heard Grand Funk for the first time last year - their first 6 albums, and I like them. A proper band. Curiously, I don't like heavy rock bands that recorded after about 1975, though.
Last 5? Of course.....
Live in Paris 3/22/74 King Crimson
Freddy King Sings Freddy King
Live Wire Blues Power Albert King
Feelin' Good Jessie Mae Hemphill
Survival Grand Funk Railroad

Next stop....Cactus.

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I've always done these from least to most recent -- "peaking" at No. 1 which is often what I'm listening to as I'm typing. Not this time tho.

5) The Complete Ric & Ron Recordings Vol. 1 & 2. (Technically two albums worth but I'm counting as one). Vintage New Orleans R&B to get in the Mardi Gras spirit. Livened up a boring ass Friday afternoon entering a bunch of tasks into the backlog list for work. (Not actually doing any of the tasks . . . just entering them . . . because that's what *someone* wanted)

4) Dylan - Slow Train Coming.
There was a slow train running through my head Saturday morning. It mighta been The Devil, mighta been The Lord, it mighta been too much Mardi Gras spirit, I dunno but this album seemed to fit the mood nicely.

3) Chuck Berry "In London". This was a Record store Day release from last year that I bough on impulse. I thought it would be a live set (its not) and not all of it was recorded in London, but that doesn't matter. Its a parade of one great Chuck Berry tune after another. The man was simply incapable of writing a bad tune. The sound is terrific on the LP too. If someone is looking to freshen up their Chuck Berry stash, highly recommended.

2) Rolling Stones "Exile On Main Street". One of the all time great albums in rock history. Nuff said. There's a really nice new vinyl reissue out there, if you're into that sort of thing. It was right below the Chuck Berry In London at the bookstore that day, so I HAD to get it too :)

1) GOGD 02-02-70 from St Louis, aka the first half of Dave's 6.

I've been doing my own personal deep dive into 1970 this year, in anticipation of the American Beauty / Workingman's drop. Last weekend I listened to all 3 of the New Orleans Busted On Bourbon Street shows, so I picked up where that left off. This has an interesting Dark Star . . . its not an intense mind-melter, but more like a pleasant, afternoon matinee type of Dark Star. Coming out of that St Stephen is a little wobbly, but he finds his footing at the end heading into a scorching Mason's Children. It concludes with a replacement level Lovelight - Not Fade Away sandwich which pales in comparison to the epic from the night before.

2-6-70 from the good ole Fillmore West is gonna be my next foray into 1970. I might not get to every last 70 show out there but Ima try to hit at least one from each run over the course of the year.

LOL Vguy -- "Mrs Vguy hates MMW now." I feel your pain, my man :)

Happy Lundi Gras everyone. Laissez les bon Temps Roulez.

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It's 2/24/74 day. In the immortal words of Bill Graham, "A peaceful Sunday night with the Grateful Dead". Possibly my favorite single show from 1974. A+ performance and setlist. Also one of the best sounding shows from 1974. Nuff said. Except that I added Here Comes Sunshine, Truckin' The Other One and Eyes of the World from the night before's soundboard. The audio quality on that board is so good, how could I not right?

Agree with RogueDeadGuy's statement that Exile on Main St. is one of the greatest rock and roll albums of all time. All the better because it was the last record in the Stones' library that I grew to like. I mean, it took me forever to understand what the fuss was about with that album. Then I had some wisdom teeth extracted and some pain killers and it all made sense. Not advocating anything, just saying what happened.

And let's face it, there is hardly a better rock and roll story than the one that accompanies the recording of that record.

Most rock fans who are into the Stones know the title refers to their move to France to avoid the high tax laws in England. But the greatest thing about that album in my mind is the environment and manner in which it was recorded. Keith Richards rented a mansion in the south of France and they recorded it there on, I think Ronnie Lane's Mobile recording studio, which was basically a big truck. So I imagine this thing sitting out front with zillions of wires running down into the basement for a couple of months. Tons of people in the Stones' orbit hung out at this place and just partied and recorded the record - in fact they eventually had to ask Gram Parsons to leave. The dragon can take anyone down I suppose - but man I can't think of any other LP I'd rather go back in time and hang out with the band as they recorded it. Only Keith lived there the rest of them where nearby, probably within an hour's Drive. Batiste was a vampire those days and just recorded whenever he was awake, which was sometimes for days on end. You ended up with Producer Jimmy Miller playing drums on a couple of tracks, Mick Taylor and Keith Richards playing bass on half the tracks, Etc. If memory serves the song Happy was laid down by Mick Taylor Keith Richards and Jimmy Miller only, and then Mick Jagger laid down some support vocals later on in Los Angeles where the album was mixed and finished.

Just to give you an idea of what this place was the Keith rent it out, is described on Wiki like this:

"Nellcôte (often referred to as Villa Nellcôte) is a 16-room mansion built during the Belle Époque on a headland above the sea at Villefranche-sur-Mer on the Côte d'Azur in southern France."

There's a documentary called The Stones in Exile that is worthy of viewership to any rock and roll fan. You appreciate the album all the much more for seeing the documentary, and if you don't know the album you always be tempted to look it up on YouTube.

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