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    Anusha
    Default Avatar
    Joined:

    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
    Default Avatar
    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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Member for

6 years 5 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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Member for

9 years

In reply to by Dennis

Permalink

CD’s have unique serial numbers that identify them.
If someone types in the song names and uploads the info, it becomes available to everyone.
For that reason, when I import CD’s to my hard drive I do it on a computer that isn’t connected to the internet. I then type in the info in the format I want it in.

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Member for

6 years 11 months
Permalink

Hi all,

Is anyone looking to sell or trade their box set? I would love this set and unfortunately was unable to order it at the time it came out. It was up on the website, which got me excited, as I was hoping to purchase it for my birthday. Alas, it is on there but is totally sold out. Let me know. Thanks!

T

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Member for

8 years 6 months
Permalink

... I first mentioned this when the giants Boxset was released.
**🙏❤️💀🌹
https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…

*Jack Whatley·
**July 7, 2020
*** “Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session,
1987!”
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

Hi!

If anyone is interested in purchasing this box set please let me know. I have one I am looking to sell - never played. Going to post it on eBay but figured I would try here first.

product sku
081227923716
Product Magento URL
https://store.dead.net/special-edition-shops/giants-stadium/giants-stadium-1987-1989-1991-boxed-set.html