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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • deadegad
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    Lot's of great ideas for box sets. . ..

    And I would buy all of them! Watkins Glen complete with the other bands and sound check would be, if, I had to pick only one, would be The One! Yet RFK 73 would be a runner up.

    I still daydream about Radio City/Warfield tapes being rediscovered.

  • Shadeyguy
    Joined:
    Requests

    And since this seems to be request time, I'll throw my hat in the ring for san antonio 72. I think its 11-26? Fantastic dark star, playing, etc. Unfortunately the only version available sounds like hot garbage. Definitely needs an upgrade

  • Shadeyguy
    Joined:
    Hello Deadland!

    Hope everyone is doing well, I'm just hanging out digging on this box. It's a bit of slow process when no one in the house but me "gets it". "Theres 5 versions of the same song in 5 shows?" Haha. Also listening to some anniversary shows, love me some 4/2/73. And just to switch it up I've been listening to the island tour. I was lucky enough to hit the first 2. If u want some deep outer space, I highly recommend the twist from 4/2, man that version takes me places! Stay safe, and keep washing those hands!!

  • KeithFan2112
    Joined:
    Releases

    Just give me the remaining Dark Star shows Plangentized ASAP. Give it its own series. Or make a big box set. Or periodic mini box sets. The rest will take care of itself.

    I'm also on board with the Watkins Glen release that was mentioned. And the RFK '73 double dose. I'm also good with the April '71 box set idea - and make sure it's engineered to sound exactly like Ladies and Gentlemen. Might as well mention Port Chester '71 since the wish list is out.

    At the moment I'm listening to Dave's Picks 17, Selland July '74. Keith sounds so good on Weather Report Suite. I've been a big fan of this show since it arrived on my doorstep. I wish Bertha wasn't fucked up. If I had my old easy CD Creator software, I'd be able to patch it by overdubbing the opening chords. Anyway....It's been a few months since I put this one on. Now I'm wondering if I like it better than the 1974 shows in the Pacific Northwest box set. I may need to do a side-by-side comparison. I'm also experiencing some runner's high at the moment, and that never hurts a show. I know it's not a popular choice but it just catches me the right way. I wonder why they didn't call "Jam" "Spanish Jam". Blah blah, blah blah blah blah.....

    Ironically Carlo, it was a Sunshine Daydream sitting on a Barnes & Noble shelf that converted me from being a casual fan to holding a PhD in Europe '72. Ah yes, that fateful day in B & N. I've barely put another band on since April 2014. Something weird happened in January of this year and I started listening to the Best of INXS. But by February the spell had passed and I'm right back on the bus with Cowboy Neil at the wheel.

  • carlo13
    Joined:
    Oro

    I agree with you on what you are saying but general releases dont do well in brick and mortar stores. I have seen a sunshine daydream veneta at barnes and noble sit there for months with no buyers. Same with a few other that dont sell (Cornell and long strange trip vid.). Its weird.

  • hendrixfreak
    Joined:
    Greetings bob t, could you extrapolate on your remark?

    "I wish but i don't have confidence on the June 10, 1973 show getting release."

    I read way back that the GD and ABB had put together a box of the best from 6/9, 6/10, 7/27 and 7/28, but nixed it. Of course, it's harder to do those deals with two bands and sets of heirs. But why do you say this of 6/10?

    Just curious. Have you read something about the tape or other issue?

  • billy the kid
    Joined:
    Junior Brown / Party Lights

    Great tune, check it out!

  • Oroborous
    Joined:
    The Futures here, we are it...

    Great points all, and though I agree on saturation and absorption issues, I think they could step up production if they wanted to. Yes the production team are truly wizards, but at the same time it’s not rocket science. If they have the tapes and know their good to use, the rest is doable.
    Personally, I think adding one or 2 more Dave’s a year, and doing say one “bigger” box i.e., June 76, and one smaller i.e., RFK 89 a year, if staggered properly, and marketed properly (like dont release 2 competing sets in a year?and price accordingly) could work.
    Maybe not 2 “boxes” every year, maybe years like this with 2 50th anniversary albums you don’t do 2, but say years that don’t have a 50th release get another release/box/from the vault? Whatever....but something above and beyond say a Dave’s or Dicks type release.
    Sure you might not be able to do 15 or 20K units, but you could make up for with the additional releases...
    I mean I agree with all you have said, except at current pace they could run out of hardcore absolute buyers so that by 20 years they can’t even sell out a 5K box run? Just a thought.....
    As far as the rest, I get what Jim’s saying about the quality and easy accessibility issues, but I think if they could figure out some kind of economy of scale to make it work, so that you could at least get out some of the later source shows, enough folks would want at least certain shows, say ones they were at, or those that were really stand outs.
    So if they could find a way to digitize and improve quality enough, with added packaging/marketing, to be enough of a step up above the online stuff, while of course turning at least a fair profit, it might work?
    I think there’s enough low tech geezers like me that would totally buy enough shows overall to do this. I’m not going to spend time I don’t have downloading tons of stuff via my horrible net service. But I would buy say a few dozen ala carte releases like a Road trips or even the download series quality, but on a disc. (I’m talking full or most of shows here, not chop jobs).
    With everything digitized, using a low budget universal packaging system you could do say pre-sale order only.
    Like “next month only, order your 7/13/84” ...you get your money up front, and you don’t have to guess about run numbers. You take your universal packaging, change the labeling slightly, and you sell however many so that at least it will pay for itself. Might not be huge money maker, but you repay the fans for 50 plus years of ridiculous spending, plus in some ways you keep those interested that aren’t hardcore, or all ready feel they have plenty of older shows.
    Just look at how well the response was for the Giants box? No ones going to argue that any of this would compare or replace say FW69 or E72 leval stuff, but I would argue that there is potentially enough interest for late generation folks who aren’t going to drop $200 for a 1970 Beatty box, but who would definetly buy the 3 or 4 ala carte shows they were at from later years. 4 or 5 $30 purchases, along with added shipping profits, by 10s of thousands of buyers overall, could equal or surpass the high production limited profits of said $200 box.
    Sorry, rambling, I guess I’m trying to say their ignoring a potentially large audience by only offering product they don’t want!
    Obviously it means doing this somehow affordably/profitably, and I also think you have to do it sooner than later because I agree with Kid that someday it will all be upgraded and availabilie via download, but will there still be a economically viable market by then? Who knows, hell, no way I thought 30 years ago the Dead would still be this relevant now....
    Anyway, just a thought, and interesting stuff for sure!

    Thanks and R.I.P. Eliis and the Great Bill Withers...
    May the four winds blow them safely home!

  • Vguy72
    Joined:
    Black Mirror....

    ....some awesome stuff there. My favorite was the episode where everyone's life status was dependent on other peoples upvotes/down votes and that lady just gets wrecked.
    "Science Fiction?"
    edit. Found it. "Nosedive". Season 3. Ep 1. A must see imo.
    The USS Callister is also 👌. Season 4. Ep 1.

  • deadegad
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    Europe Autumn 1990 Box?

    Now I could go for that!

    Dear Dave an N.Y.C. September 1979 @ MSG would make a great mini box set!!! Think about, please kind Sir.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

to Deadheadbrewer, after 50 it’s just a matter of maintenance! Lol, just kidding hope you enjoy the milestone!

and to SIMONROB: enjoy! 50 years is a crazy long time, you’ve earned it!

I’m so jealous!...this being at home has made me contemplate retirement in a new way....like I want to start now, but can’t. Mostly because of Health Insurance.....if this country would pull its head outta its arse maybe we’d join the other top nations etc, sorry, I digress. Anyway, just ment to mention that I could really get used to this staying at home thing....

9/11/81: Billy, you’ve got me intrigued? That was a bold pronouncement.

McCoy Tyner: another great that’s slipped through the cracks, going to have to git some.

Thanks again to Mr Smith for the awesome work.

DOC: nice to see ya!

JUNE 76: through first three shows so far. Was going to take notes and all that but about first or second song in decided to just let go and get Zen with the music. This shit is like Musical Valium, and I mean that in the best possible way. It’s the perfect anecdote to what’s going on these days.....spark one up, fire up the sonic blaster, and melt!
I’ve been working through Spring 90 also, which is great in very different ways, but this box is a much needed tonic.
I was trying to come up with the right word for the vibe/playing etc: relaxed or mellow can perhaps be seen as a negative,....eventually the one word that comes to mind is the band is in no hurry. It’s like they set up at a family gathering say at Mickeys ranch and decided to play a few tunes before dinner. I put one of these on and it’s like a drug that washes over me and brings calm for a while, something that’s been desperately needed after all that’s happened personally the last couple years and now this crazy new world we live in....aaaaaaaa, just what the Doctor ordered!
So just off the top of my pointy little head I’d say 6/10 really seemed to resonate, 6/11 not so much, didn’t hold me the same way, though there was more “noise” going on that day. 6/14 seems like top dog so far, but again I’m just trying to groove first time through. Really surprised and loved the spacey parts.
As some have mentioned overall perhaps not the tightest tour, and yes even a month later things are tighter, and yes there are repeats, which as has been said was often the case, especially when they were breaking out new material. Also there is a completely different feel and energy. So why pick these shows and this tour?
Because of the huge historical relevance in the progression of the band, music, and logistics. This tour has to represent the biggest outwardly noticeable differences and changes the Dead ever did at once. Sure band members, songs, PA’s, etc changed, but I’d dare anyone to list one time in Dead history when so many different things changed all at once? There are so many variables that make this one of the most unique tours they ever did, and to me, that’s what makes this tour so special. That and because of the place some of these shows have in my early Dead development. The 12th and especially the 19th were some of my first big influences as these were some of the first tapes I had starting out, and of course back then you’d play em ad nauseum lol. Also 7/18 really seems to cut through the fog of memory.
So the nostalgic, as well as the historical hugeness of this tour, combined with the ridiculous sound of these recordings, perhaps the best vocal harmonies of the “Mickey Godchaux” era, Phenomenal new material, aided by a bunch of new gear, and marinated in the intamate vibe of the tiny theatres, make this a slam dunk as far as archival box sets pertaining to the band beyond description!
Sure another offering from later 76, say late June and/or July would be appropriate some day, but for the overall cosmic bang this release is a no brainer! In its own way, this tour is just as relevant as FW69, or GSTL, even if one opinions that the music pales.
Ok, just got myself all worked up for show number four......see ya all on the other side! Happy Friday! It is Friday right? Dates/time etc another weird side affect of this new order...
Stay safe, stay well, stay home!...
And crank some Dead!

EDIT: yasssss, !! What HF and Seventy-Sixtus said, that’ smore of what I’m trying to get at about THIS tour!

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WTF
Fresh Air
Your Favorite Band Sucks
The Band A History
WTF

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Hi I have a ton of Dead cassettes, soundboard and audience. I also have a ton of Dead reel to reel recordings.

I live in San Francisco. These cassettes and reels can be yours.

I also have 2 cool library file card catalogs ( think when you looked up a book in a card catalog at the library). These are perfect for storing cassettes, they fit great. Come pick them up!

email gratecat@gmail.com

thanks,
Scott

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Anyone hear the dude coughing during PITB jam? Wonder what could have precipitated that spell...

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In reply to by Oroborous

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Hi all. I hope everyone reading this is safe and well. I checked the number of box sets left and it looks to be 2,128 units at this writing. There also appears to be a 50% discount off all items including the June 1976 box and ancillary products such as the gold foil poster. I just ordered one of the posters yesterday without the discount. So this looks like a propitious time to order your box set now that its available at a deeply discount price of only $74.99 per unit.

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I had a chopped version of set two on cassette for years. This show always made me tense...I felt like the band wasn't "on".

Well, I listened to the show from start to finish on archive yesterday, and it is a great show. Strong musicianship and varied song selection.

GD

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In reply to by andoverdeadhead

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really?

wow.

Those who paid full price are going to be a liiiiiiiiittle bit peeved.

(five minutes later...)

I don't see a discount...where did you see it?

I tried the see-how-many-you-can-put-in-the-shopping-cart technique and then proceeded to checkout. The 50% discount shows up at that point in the process. To be sure, I dropped the items in the cart to just one item, and when I went to the next step, there it was again, only $74.99 for one of the box sets. To be sure, I did the same with the limited edition print, and the price came down to $22.50 from the list price of $45. Of course I didn’t go furthur as I already purchased both the box and the poster at list prices as I said. Get them while you can, as the saying goes..

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In reply to by andoverdeadhead

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I gotta check that out

If it's truly true...how do you full-pricers feel about that?

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In reply to by stoltzfus

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I thought to check out the remaining numbers of units of the box set because of an email that came to me earlier today from Dr Rhino. The email said something to the effect that the items that I was looking at are going, going, almost gone. After I saw the deep discount offered with these items, it caused me to think that maybe TPTB are doing their part to help those who are being hard hit in one way or the other by COVID-19. Just a thought. Anyway, Stoltzie, I am glad that you were able to replicate what I saw

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I tried adding one copy to the cart and it showed as full price, but then moving on to the next page where personal details are requested the price had halved! I don’t know if it continues at that price because I ordered one on the day it was announced. I’d be happier about a price reduction if they had waited until all the early orders had been delivered. As far as I can tell from the UPS site my copy is still in the US. I am sure it will eventually get to the UK but is a little upsetting to know I could have saved such a large amount of money. Particularly since the expected VAT charge is based on the cost so will be much higher at full price than at the reduced one. Who decided to do this so quickly after the release date?

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In reply to by stoltzfus

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....so, if my math is correct, I should be able to get the print for free, because I ponied up for the full price for the box. Makes sense to me!
Still no shipping notice for the keychain bottle openers I ordered to fulfill my Super Bowl bet w/ KC Janes. Hmm. Gimme a twofer one dead.net!!

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tried several times with multiple items and cards. the discount shows up the entire way through the order but the payment failed each time.

I just tried and yes it appears at half price in the cart, but is full price on the billing page when you enter credit card info.

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In reply to by hbob1995

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How could I forget? We did so much tootskie that afternoon, we coulda crashed Casey Jone's train with no help from no damn monkey...

Wasn't there some kind of violence or rioting or maybe just gate crashing during the show? Vague memory.

After the show my buddy Tommy and I ran something like a 200-yard dash to see who was mas machista after four hours of spleef and blow. I'm about a foot taller than old Tom-o, but he had less wind resistance. Still can't remember who won. But we rocked. Oh boy did we rock it in those days. I was 18 and a wizened Deadhead of five years standing. Or sitting. Or snorting. Whatever.

Be safe folks. Gonna roll a fatty tonight, pour the Jameson and spin the Capitol first. If only there was real "Help on the way..."

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In reply to by icecrmcnkd

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It still looks like full price to me. I just entered the order up to the point when you are supposed to enter your credit card details, and at that stage its still seems to cost $149.99.

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I just ordered two and it went through for the price of one. I have the email confirmation.
I will gift them at Xmas. Certainly is weird though.

Rock on

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I don't think June 3, 4 Portland shows sound like Boston 6/9 through the end of Chicago 6/29 shows. I know there are issues with the boards and the recordings from Portland. The Orpheum shows from 7/12 through 7/18 also have a different feel also. Those 17 shows between June 9 and June 29 1976... One of my favorite periods..... bob t

So we have the Tower Theatre shows and Chicago. I always liked the last show in Chicago a lot too. Great Playin' Sammy and that Mission in the Rain is stupendous.

Between the two cities there are eight shows. mmmm…. I bet the reels exist and I bet they sound pretty much just as good.

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I've listened to the whole thing on headphones and the coughing is going on between just about every song on 6/10, then a few more times on one or more of the other shows. For some reason I assumed it was Bobby.

I switched away from June 1976 for a day and then was right back on it today. Dog woke me up at 2:22 a.m. and I listen to the whooole thing. Now that's something I've never done before - five consecutive shows. Now I'm listening to Dave's Picks Volume 2. Doesn't sound tinny at all, I presume because I've worn out that spot in my hearing range today. This is some Truckin' => MLB => Spanish Jam => Wharf Rat. I'm jonesing for Dark Star though, so if mixed in the one from Dave's Picks Volume 9. I pretty much need to get a Dark Star, Bird Song, and China Rider in on a daily basis. I'm also feeling like Mississippi Half Step from 5/25/77 and the quacking duck Scarlet Fire from 5/17.

Oh and I got in the Road Trips 1973 bonus disc 12/6/73 with that 43 minute Dark Star. Hot stuff, can't get enough. Need to go check out the tapers section.

Hendrixfreak - I'm pretty sure one of us would be dead if we have grown up together. 200 yard dashes LOL, that only happened after alcohol with me. The other stuff, LOL, that led me and my college buddies into the regular hopping of a cargo train that used to stop a few hundred yards from a bar we used to frequent, and then again a few hundred yards from our off-campus house. At least that's the way it played out the first dozen times. Lucky 13 took us all the way from Salisbury Maryland to some unknown Farmland in Virginia. I don't know if they had a new driver that week or what but it did not stop near our house as usual. When we realized we were in it for the long haul, my buddy rolled a joint on the back of the train. That takes some talent. Keep in mind we're on the back of this thing hanging on for dear life. They don't look like they're going that fast when they drive through town, but when you're actually on the thing contemplating jumping off, 35 MPH feels awfully fast. But to roll a joint with one arm looped through a rail on the back, where there's this pocket of wind free space, like the eye of a hurricane - sheer talent. Wish I could claim that one for myself. I guess my toughest joint rolling exercise occurred Pink Floyd's Division Bell Tour in the high winds of the 700 level at Vet stadium in Philadelphia. Very high winds up there, but time is of the essence because they kicked off unexpectedly with Astronomy Domine. One of the high-pressure situation was at the TLA in Philadelphia seeing Guided by Voices since 2004. Ran into the bass player and Robert Pollard after the show. I probably shouldn't tell this story.....

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In reply to by KeithFan2112

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Almost finished w/ the second show in the box.

I don't think this box will change anyone's mind on the year, i.e. if you aren't a 76 person this won't change your mind. Unlike July 78, these shows are well known and good recordings did circulate. ...but boy does this box sound good.

One other random observation.. I have listened to this in my car, in my truck, on my iPod (w/ good headphones), in my living room, in my kitchen and in the tub with my good Sennheiser's. This thing shines brightest with headphones, the way Betty listened to it while she recorded it. I guess if I monkeyed around with an EQ, I could get Phil's bass to phil the room on the big boy speakers, but on headphones it shines right out of the shrink wrap. Or perhaps spend another ten grand and get a bigger, bad ass system then the one I have.

Of course, I could be wrong.. but those are my thoughts of the moment. I'd love to hear other people comments on the sound that have different/better systems than what I have and compare to headphone sound.

The sound quality comments remind me of the first listen reports from Dave's Picks 15, April 22, 1978 Nashville TN. The sound quality of this box is the big deal. It's practically perfect in every way.

Ok.. back to your regularly scheduled Friday mayhem.

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Thank you all for the birthday wishes! IceCream, the funny thing is that I work for myself from home, so could listen to GD all darn day. But I usually don't, because I'm "saving" the shows for late night, full-focus listening sessions. But I'm realizing that those evenings are few and far between, so I should start just jamming the Dead into every moment I can. Listened to 3/18/95 today while working, and it's a darn fine show.

But last night, after the fam-damily was in bed, I got tuned up and put in disc 3 of DaP 33 (anyone still remember that one?) :) I had listened to only the first two discs before, and HOLY MOLY!! That Estimated-->Eyes-->Saint Stephen!! That is some of the best stuff I've heard.

p.s. Last night I returned to DaP disc 3 to finish it. Wow. Every version on this disc is a candidate for BOAT. The Black Peter?! Nuts. Everyone is doing unique and challenging things in this second set. Best SHOW of all time . . . ?

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The Dead covered alot of different songs by a lot of different artists. I would love to have seen some of those artists. Here's a list of some of the cover artists I would like to see who I haven't seen. The Beatles, Hank Williams, Howliin Wolf, Jimmy Reed, Johnny Cash, Light ning Hopkins, Otis Redding, Sam Cooke, Freddie King, Elmore James, Derek & the Dominos (with Duane Allman), Reverend Gary Davis, James Brown, Gus Cannon & his Jug Stompers, Sonny Boy Williamson, & Slim Harpo. I'm sure I forgot somebody, but the list is already long and it's very late at night.

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Billy...great list. Two others that come to mind are Blind Willie Johnson and Robert Johnson-did he write "Walking Blues"? Maybe it was Son House-in which case maybe he could go in there instead.

I think you said in an earlier post that you had seen Muddy Waters. Which must have been like seeing someone out of the Bible in a local church.

Jim...nice sense of levity, suggesting that people who don't really care so much for `1976 won't be swayed by this box.

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17 years 4 months
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I did get to see him once. It was under the best possible circumstances. He was part of Eric Clapton's European "Backless" tour in 1979. Effectively the tour finished in London but the real last show was a little later in Guildford, a small town just south of London in the stockbroker belt, close to where Eric and many of his friends lived in their mansions. I managed to get tickets from a friend who ran the local record store. Guildford Civic Hall was small venue with a capacity of maybe 1000 and no seats that evening. As well as Muddy Waters, Eric's special guests were Pinetop Perkins, George Harrison, Elton John, Jerry Portnoy and Bob Margolin. The whole spectacle was just one big end-of-tour hometown party and a jolly fine time was had by all!

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17 years 5 months
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I like playing on headphones because I can generally hear more nuance. I do also like listening on the stereo rather loud, but I generally don't out of consideration for my neighbors. One of my favorites to crank on the stereo, is the Drums>Space>Wharf Rat segment from the 3rd show in the July '78 Box. That one has some prime weirdness.

(I don't always listen to the grateful dead, but when I do, my neighbors do too :-)

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4 years 11 months
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Simon Rob, what a special show you saw, my goodness, I wish I could have been there! I've never seen Eric Clapton, my brother saw him play at the Frost Amptheatre in 1975, he opened the show with a ripping version of Layla. But to see him play in such a small place like you did, and with the other musicians who were with him, is truly amazing. You were very lucky. That is truly one that didn't get away! DaveRock, I saw Muddy Waters play two times, once at the 1839 Theatre in S.F. in 1977, John Hammond opened the show. You're absolutley right, he was like someone out the bible, truly bigger than life.

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17 years 5 months
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Clapton played Layla at the Guildford gig and it was such a delight to see and hear. He played a wide range of songs including a couple of Cream numbers. The setlist was:

01. Loving You is Sweeter Than Ever
02. Worried Life Blues
03. Badge
04. Tulsa Time
05. Early in the Morning
06. Wonderful Tonight
07. Crossroads
08. Cocaine
09. Double Trouble
10. Layla
11. Standing Around Crying
12. Sad Sad Day
13. Further On Up the Road

Eric's band was also an all star affair. If I recall correctly the line-up was:

Eric Clapton (guitar / vocals), Albert Lee (guitar / vocals), Chris Stainton (keyboards), Gary Brooker (keyboards), Henry Spinetti (drums), and Dave Markee (bass) as well as the aforementioned special guests.

Muddy Waters was great but Eric's set, not surprisingly, overshadowed Muddy. I also recall being amused by Eric's attempts to keep up with Albert Lee's lightning fast guitar.

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17 years 5 months
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Coughing present on 6/11 as well. :-P

As is the remark 'I have', after the 'Street cats making love' line in Looks Like Rain (nice segue from Scarlet by the way. Nice to hear the opening chords of LL Rain start up as the audience is cheering the conclusion of Scarlet)

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16 years
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Are you saying that someday we might get a June 1976 (TOO)???

After one pass through, personal taste of course.

6/14 Loose, Jazzy, Jammy, I like Jerry's playing
6/19 reminds me of 6/14, gets dark fast
6/15 played well, drops in the end set 2, but a good JBG
6/10 good first set, and a jaz, jam set 2
6/11 big river, scarlet, all of set 2

And the awesome sound of these recordings, Betty I'd like to marry your ears?

Edit: 6/15 after 6/19

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10 years 8 months
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This box is swaying me! Thank you Betty! For the umpteenth time, thanks for amazing tapes.

The band sounds more '75 than '77...

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4 years 11 months
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Hendrix freak, what a great description of the new box , when you say it sounds more like 1975 then 1977. I agree with you 100%, and they only had this sound for a short period of time. I really dig this sound!

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7 years 8 months
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I love Eric Clapton. Clapton fans would do well to check out Crossroads II: Live in the Seventies, as well as Give Me Strength: The '74 - '75 Studio Recordings deluxe box. Both of these sets are vast and outstanding for E.C. fans.

Saw him only once, around 1990 in Denver on the Journeyman tour. My girlfriend at the time had a bad reaction to something we took and I had to spend half the show outside the arena comforting her. Ah, so it goes sometimes.

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4 years 7 months
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Greetings,
Question about something Dave L. said In the Rhino interview about June 1976 box not being soundboard but that Betty was looking for a live sound. Was that common for the Betty Boards or other releases? Thanks, I’m old for reading but new for writing to the forum/comments.

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13 years 9 months

In reply to by LedDed

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I was fortunate enough to see Clapton and Winwood together in New jersey and they were fantastic, The cd release from that tour is well worth buying.

With that in mind, The Dead tour "Wave that Flag(?)" with Winwood opening was great too! Winwood and some of his band joining The Dead made for a really rich musical-tapestry! Example: The Beatles Tomorrow Never Knows with Joan Osborne singing and Winwood and Co. playing a along was fabulous. I return to the cds of those shows gladly every now and then.

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17 years 4 months

In reply to by icecrmcnkd

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Kid: perfect! If only folks would listen!

MUDDY WATERS: saw him open up for Clapton in probably 79? I was still pretty young and had no clue who Muddy really was, but after that night I knew. He fried my teenage brain and pretty much blew Clapton off the stage!

6/15/76: was really diggin this one then the air kinda went outta it at the end? Last one on deck today...
Think I might finally get around to PNW next week? I’ve heard all of it at some point or another, but never a proper sitting. Usually it was parts played in the background while packing for moving etc. Realky stoked to fully dig into this one!

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10 years 4 months
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Okay, nobody probably really needs these, but, as promised, I updated the link to the June 1976 cover art with images of the "unfolded" box itself and the book. They turned out kinda cool – sort Magic-Carpety – check it out at:
https://www.dropbox.com/sh/uwfam4nud0ttbv0/AACPr9g_hY-wklEMfwor73mua?dl…
(the cover art for individual shows that I posted earlier is still there too.)

Because the box has multiple overlaps, I took some small liberties when I unfolded Justin Helton's fine & shiny box (like I did when I unfolded the July '78 box).

Let the music play and smile, smile, smile. Onward (carefully)!

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17 years 5 months
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Anyone figure out where that intro. to St. Stephen came from yet? The original is much weirder.

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11 years 5 months
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I'm really liking the mix on this box. Not too much reverb, not too "hot", not too instrument/vocal-centric.

And I think Donna never sounded better. At times I'm getting the vibe that Bob is stepping back a bit and letting her shine.

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16 years 1 month
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Was a great year. The bicentennial was a big thing and we had made plans back in 72 to all meet up at the washington monument for the big fourth of July party that was going to happen there. We hitch hiked up there and got some pretty wild rides, one on the back of a tow truck, another that got us thru Georgia. Spent 12 hours on the beltway in
washington trying to get to my hitch hiking companions house. Turned down a few rides, lots of partiers out on the road that day. Nixon was gone, Ford was in office, 4% inflation, the buck was worth a buck back then. It was a great year. I hope you all enjoy the music sure sounds like everyone is.
COVID-19 has caused me to leave my part time job, due to COPD I can not contract this virus, my Dr. says it would put me in the hospital at the least and could be lethal. So I resigned, telling my employers of 7 years that I had to go due to health reasons. The said they understood and said we will lay you off. I get the separation notice and it says I quit, which makes me ineligible for unemployment. I spoke to them and they said, that's the way it is, too bad. So no income means no box for me.
They don't even have to pay back the unemployment money so it would not hurt them to lay me off, but they would not. So now, I'm sitting at home quarantined for 2 weeks with not even the tidbit of money that unemployment would have given. I am appealing the decision and will have to wait until they respond. What a world, I usually only work part time seasonal and this is a big hit financially as by the time this virus is suppose to be out of here, my work window will be close to being closed if not all ready closed. After this quarantine is over, I will go back to work, but not at that place. Be safe everyone and be thankful if you work for a company that cares about their employees.

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15 years 1 month

In reply to by deadegad

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You’re thinking of the 2003 Summer Getaway Tour. The Wave That Flag tour was 2004 and didn’t include Joan Osborne. I must dig out the discs and have a re-listen.

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13 years 5 months
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Thank you JS. I was just about to ask if anyone had posted that.

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