• 2,627 replies
    clayv
    Default Avatar
    Joined:

    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

Comments

sort by
Recent
Reset
  • andoverdeadhead
    Default Avatar
    Joined:
    # Box Sets Left

    Hi all. I hope everyone reading this is safe and well. I checked the number of box sets left and it looks to be 2,128 units at this writing. There also appears to be a 50% discount off all items including the June 1976 box and ancillary products such as the gold foil poster. I just ordered one of the posters yesterday without the discount. So this looks like a propitious time to order your box set now that its available at a deeply discount price of only $74.99 per unit.

  • Oroborous
    Joined:
    Wilfredt

    ...perhaps one of those “Hero Rips” as Jim would say 😆

  • wilfredtjones
    Joined:
    6/10/76 on headphones

    Anyone hear the dude coughing during PITB jam? Wonder what could have precipitated that spell...

  • nitecat
    Joined:
    Dead Cassettes and Reels Offered Free

    Hi I have a ton of Dead cassettes, soundboard and audience. I also have a ton of Dead reel to reel recordings.

    I live in San Francisco. These cassettes and reels can be yours.

    I also have 2 cool library file card catalogs ( think when you looked up a book in a card catalog at the library). These are perfect for storing cassettes, they fit great. Come pick them up!

    email gratecat@gmail.com

    thanks,
    Scott

  • Erikandjenn
    Joined:
    Last 5 podcasts

    WTF
    Fresh Air
    Your Favorite Band Sucks
    The Band A History
    WTF

  • DaveStrang
    Default Avatar
    Joined:
    MR. ONES

    Check your PM - Sorry for not getting back to you sooner.

  • Oroborous
    Joined:
    Congrats, and 76 so far

    to Deadheadbrewer, after 50 it’s just a matter of maintenance! Lol, just kidding hope you enjoy the milestone!

    and to SIMONROB: enjoy! 50 years is a crazy long time, you’ve earned it!

    I’m so jealous!...this being at home has made me contemplate retirement in a new way....like I want to start now, but can’t. Mostly because of Health Insurance.....if this country would pull its head outta its arse maybe we’d join the other top nations etc, sorry, I digress. Anyway, just ment to mention that I could really get used to this staying at home thing....

    9/11/81: Billy, you’ve got me intrigued? That was a bold pronouncement.

    McCoy Tyner: another great that’s slipped through the cracks, going to have to git some.

    Thanks again to Mr Smith for the awesome work.

    DOC: nice to see ya!

    JUNE 76: through first three shows so far. Was going to take notes and all that but about first or second song in decided to just let go and get Zen with the music. This shit is like Musical Valium, and I mean that in the best possible way. It’s the perfect anecdote to what’s going on these days.....spark one up, fire up the sonic blaster, and melt!
    I’ve been working through Spring 90 also, which is great in very different ways, but this box is a much needed tonic.
    I was trying to come up with the right word for the vibe/playing etc: relaxed or mellow can perhaps be seen as a negative,....eventually the one word that comes to mind is the band is in no hurry. It’s like they set up at a family gathering say at Mickeys ranch and decided to play a few tunes before dinner. I put one of these on and it’s like a drug that washes over me and brings calm for a while, something that’s been desperately needed after all that’s happened personally the last couple years and now this crazy new world we live in....aaaaaaaa, just what the Doctor ordered!
    So just off the top of my pointy little head I’d say 6/10 really seemed to resonate, 6/11 not so much, didn’t hold me the same way, though there was more “noise” going on that day. 6/14 seems like top dog so far, but again I’m just trying to groove first time through. Really surprised and loved the spacey parts.
    As some have mentioned overall perhaps not the tightest tour, and yes even a month later things are tighter, and yes there are repeats, which as has been said was often the case, especially when they were breaking out new material. Also there is a completely different feel and energy. So why pick these shows and this tour?
    Because of the huge historical relevance in the progression of the band, music, and logistics. This tour has to represent the biggest outwardly noticeable differences and changes the Dead ever did at once. Sure band members, songs, PA’s, etc changed, but I’d dare anyone to list one time in Dead history when so many different things changed all at once? There are so many variables that make this one of the most unique tours they ever did, and to me, that’s what makes this tour so special. That and because of the place some of these shows have in my early Dead development. The 12th and especially the 19th were some of my first big influences as these were some of the first tapes I had starting out, and of course back then you’d play em ad nauseum lol. Also 7/18 really seems to cut through the fog of memory.
    So the nostalgic, as well as the historical hugeness of this tour, combined with the ridiculous sound of these recordings, perhaps the best vocal harmonies of the “Mickey Godchaux” era, Phenomenal new material, aided by a bunch of new gear, and marinated in the intamate vibe of the tiny theatres, make this a slam dunk as far as archival box sets pertaining to the band beyond description!
    Sure another offering from later 76, say late June and/or July would be appropriate some day, but for the overall cosmic bang this release is a no brainer! In its own way, this tour is just as relevant as FW69, or GSTL, even if one opinions that the music pales.
    Ok, just got myself all worked up for show number four......see ya all on the other side! Happy Friday! It is Friday right? Dates/time etc another weird side affect of this new order...
    Stay safe, stay well, stay home!...
    And crank some Dead!

    EDIT: yasssss, !! What HF and Seventy-Sixtus said, that’ smore of what I’m trying to get at about THIS tour!

  • hbob1995
    Joined:
    Hartford 8/2/76

    While I missed these smaller theatre shows, I did see the first return of the band to a large, outdoor venue, Colt Park,
    and it was awesome! Lots of craziness here as I have relayed before. Suffice it to say that somehow I ended up with a Japanese flag on a long 10" pole which I waved high & wide as instructed during the encore of U.S. Blues.

    This was also the show where one of my buddies passed out on the ground for a couple of hours. As people stepped over him they kept asking if he was ok. I assured them he was fine and had just imbibed one too many capsules. Upon awakening, he began to shimmy up one of the guide ropes of the sound tower. The guys in the tower were none too happy and they began to shake the rope to get him off! Luckily we talked him down. Crisis averted. Nothing out of the norm for one of my Dead shows! Lol

    Rock on

  • cancar
    Default Avatar
    Joined:
    otis, oh totally cool my…

    otis, oh totally cool my friend. i was slow as heck on that one!! head in my butt with everything going on. be safe and have a great weekend. we are on lockdown in pa, and taking care of those that need it.

  • Sixtus_
    Joined:
    I'm with You HF...

    ...on your assessment of the early part of this '76 tour. I mean, I love it all, but the first two or three weeks of this tour definitely sound different to my ears than later in the year, even the end of the summer.

    As you've noted, the early shows have this languid, loping, utterly drippy feel to them. The slower tempos obviously allow for more breathing room; each beat is seemingly stretched to it's limit with both care and aplomb. Songs are explored in new ways, providing new auditory avenues that help to open our ears and minds. By the time they hit the end of June and early July, songs were already morphing, speeding up as the summer progressed (see Eyes of the World as a good example, or even Dancin' In The Street by the time we hit Dick's Picks 20 in September). Notably different sounds, and they are already well on their way to congealing into that '77 sound.

    I dunno, I've always been fond of this period for these exact reasons. Merely a snapshot in time, but it provides an extremely unique take on the band at a turning point in their bountiful history.

    Happy Friday DeadFreaks.

    Sixtus

user picture
Default Avatar

Member for

6 years 6 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

user picture

Member for

17 years 3 months

In reply to by Deadheadbrewer

Permalink

Well, I'm Living in Germany and know, and tried, all the listed beers. Some are, what we call: Industrial Beers, like Veltins or Bitburger (Bitburger is made in the Eifel). Industrial beers are considered as mass production beers, all similar in taste and no soul.
Aecht Schlenkerla comes from Franconia (town of Bamberg). Franconia, part of Bavaria (North), has largest brewery density in the world.
There are still over 300 breweries in operation. I'd say they have the best. Just real tasty beer.
All the German beers I've had in the U.S. were different in taste, compared to what you get here.
If you find Augustiner from Munich, try it, preferably 'Edelstoff'. It's a good one.
Take care and best wishes

user picture

Member for

17 years 3 months
Permalink

Have you come across Kemptener Alt? It is... er... an Alt beer from Kempten naturally. Kempten is in Allgäu in southern Germany.

user picture
Default Avatar

Member for

13 years 7 months

In reply to by gratefulgerd

Permalink

Thank You! I will check them out. Some of the Dutch brands recommended I have seen them here in New York City, others not. I will try some and search out the others.

I will look into the beers of Franconia Germany too. I lived in Heidelberg for a few years. At that time I discovered among so many others Koning Pilsners which perhaps had a larger market share at that time throughout Germany than the smaller breweries. It was not available here in U.S.A. until perhaps a decade ago -- give or take. Now it is common in little 4 packs of cans. The bottles which I prefer are harder to find. GRATEFULGERD (CORRECTION, OOPS) how is Konig Pilsener perceived in Germany? Is it another least common denominator beer for the masses? I do like Gaffel Kolsh and Reissdorf Kolsch which can be found here too. Kulmbacher was another brand which I liked when I lived in Heidelberg and can be found here if you really look for it but unlike other German beer brands it is hard to find. Once upon a time, Es war einmal, that the german supermarket Nanz had a brown bottle of Kulmbacher which had ceramic flip top bottle ( Keramikflasche mit Klappdeckel) with a little chain and shield on the bottle like a Halskette mit Schild. When I look at the Kulmbacher website it is hard to know which of the currently available beers is closest to the one I used to like? Kulmbacher Schweizerhof does not seem to make that exact bottle style anymore.

Well, I guess I will just have to try them all!!!! While listening to E72 or, God willing, Europe Autumn 1990! Dave are you reading this?

Stay safe everyone: We will surrvive.

Peace.

user picture

Member for

17 years 3 months

In reply to by simonrob

Permalink

Simonrob,
just checked Webpage. Haven't had one yet.
Alt Kemptener Weisse is a Weissbier (no Alt). Hope you know the difference.
Nice color, it should be a good one. That amber-colored type of Weissbier is my favourite.
Did you notice, we joined the forum the same day?
Best Wishes

user picture

Member for

11 years 11 months

In reply to by gratefulgerd

Permalink

You are correct. Beers in Germany taste very differently than here in the U.S. Much better when sampled locally. We in fact were able to try a few Augustiners last year in Munich on the recommendation of locals. Very good indeed. I have never been able to find any of my favorite German beers here in the U.S.

Same goes for Guinness. The taste in Ireland is far different than here in the U.S. I suspect that is the case for most beers (and wines).

4/8 is one of my favorite shows of the tour. Dark Star>Sugar Mag>Caution is one of the finest jam segments of all (IMHO). All these years later, I still can't get over the transition from DS to SM. I've never heard anything so smooth and precise.

user picture
Default Avatar

Member for

13 years 7 months

In reply to by gratefulgerd

Permalink

Thanks for the beer advice!

Deadegad,
Kulmbach is also located in Franconia (Oberfranken). König Pilsner is not too bad. It is still around
and comes from Oberhausen, about 20 Min. away from the Grugahalle, Essen, where the Dead played in 1981.
Due to the Covid Situation we all need to stay home for some more time.
The Bierkeller and the Biergärten remain closed for a while. Normally they open up end of April. I was waiting a long winter to get back, but now this.
I'm dreamin' of a cold Mass in an original stein under shady trees. Last year's price for a Mass (1 Liter) was between Euro 4,20 and Euro 4,50 (about $ 4,50/5,00). Can't wait!
No nice pictures fron NY at the moment.
Best Wishes - We will survive!

user picture

Member for

17 years 3 months
Permalink

No, I hadn't noticed that we both joined this site on the same day, almost 13 years ago.

Yep, Alt Kemptener Weisse is the one. Amber coloured. Unfortunately I have not tried any other Dunkelweizen beers so I don't know if the Kempten one is good or not. I do know that I enjoyed it.

user picture

Member for

8 years 1 month
Permalink

I never heard much about him until recently when the news came out that he was sick. Obviously a huge loss. Ima hafta take a couple days hiatus from my April 71 / E72 regimen to get acquainted with his work.

user picture

Member for

14 years 7 months
Permalink

Gerd--I was figuring that what I could find here was not considered great bier where you live, but beggars can't be choosers! :)

I just returned from getting fresh growlers (half-gallon jugs) at Utepils, a great local brewery that attempts to emulate German styles. The owners travel to Germany to drink bier every year. I grabbed some Dunkelweizen, some Alt, and some Keller (Cellar) Pils, along with a SpringBok and a red lager. I like to imagine that I'm drinking something CLOSE to what you get over there.

user picture

Member for

8 years 11 months

In reply to by Deadheadbrewer

Permalink

My favorite type of beer is Wheat Beer.

I was in Dresden in 2017 and drank a lot of Maisel’s Weisse.
There was a local Pilsner also that I had a lot of and it was good, but don’t remember the name.

user picture

Member for

8 years 11 months

In reply to by icecrmcnkd

Permalink

The reference to Lowenbrau made me think of the Surf Punks and the mention of “a case of Lowee’s”.
Glad I helped send you on a side tangent palate cleanser.

user picture

Member for

17 years 2 months

In reply to by icecrmcnkd

Permalink

....that sells excellent brews. All the big liquor stores are shut down here. The corner market or grocery stores are the places to go, and grocery stores are like walking on a different planet these days. So, you go Speedee Mart!!
Surf Punks? Thats Aldo Nova level!! Lol.
Alert. Calling for 9.10.83 for the daily listen for Friday. Can you hear me Santa Fe? Not an official release, but you can find it.
https://relisten.net/grateful-dead/1983/09/10

user picture

Member for

14 years 8 months
Permalink

is one excellent show

China Rider....oh, yeah....

So when two posts, back to back reference China Riders I had to check them out and compare.

5/10/80 vs. 9/10/83 China Rider. Both good, but what kind of pixie dust was in the in Santa Fe that fateful September night in 1983? Must have been rocket fuel, blistering guitar work. A worthy side by side and both are really good versions but nothing close to the same. What a difference three years makes.

user picture

Member for

7 years 7 months
Permalink

Dirty Honey is the best new band I've heard and seen live in ages. It's too goddamn bad about this thing going around, shutting everything down, as they were just beginning to break.

A rock band is nothing, relative, to what's going on - people's lives - but goddammit I'm a rock freak and this music will never, ever die.

May all of you be well and Carry On.

Ultimos Cinco:

Dirty Honey - Dirty Honey
Santana - Abraxas
Metallica - Black Album
The Cult - Electric
Doors - L.A. Woman

\m/

user picture

Member for

10 years

In reply to by LedDed

Permalink

My heart goes out to all who are bearing the brunt of this weird attack we are all being subject too.

From a purely selfish perspective, it occurred to me this morning that hoarding records, cds and books for the last 48 years has been quite prescient as things have turned out. Its like being locked up in a music museum, with an emphasis on 1965-75, but going back to Blind Lemon Jefferson.

user picture

Member for

17 years 3 months
Permalink

My favourite is Orval - a Belgian beer from the monastery of the same name. My aunt lives near there and I first tasted it when we visited the restaurant which is very popular in the region. You can get it from a few select mail order outlets in the U.K. but they don’t make many. Pure heaven (which is appropriate considering its place of production).

I once visited a monastery in Italy (what is it with monasteries with me?) where they had a notice in Italian asking people not to talk. They made lovely wine which made me think that the monks couldn’t handle loud chatter after a night on the tiles!

user picture

Member for

16 years 10 months
Permalink

Sorry can't really contribute too much since i like Bud Light... I know... Growing up in the middle of nowhere Ohio in the 70's and 80's... We had two kinds of beer, Budweiser or Miller... Unless you were really "wealthy" you drank Michelob!!! lol.. When we travel I do drink the local stuff.. Alhambra 1925 was a good beer in Spain!! And Carib in the brown bottle was good in Tobago..

user picture
Default Avatar

Member for

7 years 7 months
Permalink

anyone have a problem with iTunes not finding the song names on the 76 box when you try to rip the CDs?

I had no problem, but I always end up editing the hell out of what they decided for me anyway. I haven't heard that since the first day or two these things were shipped..

Is your internet connection strong?

Has any one in Europe got their June '76 Box yet? I got the grey customs charge letter today for £30.27. The card said the post office would be open - so I walked a mile and half there to find it wasn't, and never had the intention of; at least it is a very sunny day. Walked home and went on-line to pay the customs charge; the first delvery day is 5 days away - next Tuesday :( and to cap it all the Royal Mail site wouldn't open the payment page, so I can't pay on-line. Only waiting 4 weeks but hell it could be a hell of a lot worse in these strange times of orange men and CV19.

user picture

Member for

4 years 9 months
Permalink

There is an interview done by music writer Ralph Gleason with Garcia on 4/8/67. I just typed in 4/8/67 and it came up. It's on You Tube.

user picture
Default Avatar

Member for

7 years 7 months
Permalink

JimInMD - yea internet is strong. but, just got a new windows 10 computer and latest version iTunes but my external CD drive is about 12 years. maybe a driver issue with the old CD drive so I ordered a new CD drive to see if that helps. settings in iTunes is set correctly so ill have to wait and see

thanks- at least I know that the CD's contain the info

and yea, I wish these dead box sets had consistent information. My PNW box was very inconsistent from one disc to another

HAPPY WILL

The Royal Mail sorting offices have changed their opening hours for the collection of parcels during the current difficulties. According to their website they are only open between 07:00 to 11:00 Mon - Sat and closed on Sunday. The Easter holidays may cause these times to alter. I doubt they will be delivering any mail during Easter. I managed to pay on-line and they delivered two days later. Good luck getting the delivery.

user picture
Default Avatar

Member for

13 years 7 months

In reply to by Colin Gould

Permalink

Here in The U.S.A.: I like Samuel Smith Pure Brewed Lager ( and the other S. Smith varieties). How is Samuel Smith Pure Brewed Lager regarded in The U.K.??? I am curious about that after reading GratefulGerd's reporting that some German beer brands which are well regarded outside of Germany are actually regarded as average within Germany.

@Happy Will(?) and other Euro-Heads: My heart goes out to you with "The Wait" and "The Shakedown Street" $$ import taxes and resulting delays. Government? Can't' live with it; can't live without it!!! A little less government here and there should be a welcomed thing. In my humble opinion, anyway.

I got the monthly GD Bulletin and am looking forward to the next Dave's Picks from Florida Spring 1974.

Since I am jogging more and laying off beer and all of those calories when the new Dave's arrive I will be ready to try some of these great beer recommendations.

Be well everyone. Peace.

user picture

Member for

10 years 6 months
Permalink

Had to share this:

Last night in Denver, I've got the 6-14-76's Franklin's Tour blasting when I noticed it was minutes to 8 pm. Denver has a group howl every night at 8 p.m. (Mysterious origins, but helpful somehow.) So Franklin's is reaching a crescendo, I open the back door and the howl blends in perfectly with the music. Eerily well.

And a couple neighbors and I had a call-and-response howl or two.

To tie it all in: I had a Guinness in my hand.

Is Jimi Hendrix Stages Box a good purchase?? I am getting BOG Groovy Children soon too.

Want to freak your Neighbors out? Open that back door and read out loud Allen Ginsberg's poem "Howl!" That should do the trick. And, yes, Guinness is Good For You!

user picture

Member for

10 years 6 months

In reply to by deadegad

Permalink

So Stages -- amazed you can find it -- I got mine in 1990 off the backshelf of a Chicago used CD store, but it was new. It's long been OOP. The box has four shows:

Stockholm (5 Sept '67) -- may have been superceded by a boot tape, but this is only official release
Paris (29 January '68) -- superceded by an official Dagger Records re-release, check official website for availability
San Diego (24 May '69) -- only official release
Atlanta (4 July '70) -- offers only partial show; superceded by official CD, "Freedom: JH at Atlanta Pop"

To be honest, I'd grab Stages if its under $100, and ALSO buy the Paris/Dagger release and Atlanta/official&complete release.

As for the performances, the fall '67 in Sweden is beautiful because Jimi's young and the audience is polite and it's got The Wind Cries Mary and Burning of the Midnight Lamp among the crowd-pleaser hits.

Paris is a ferocious performance with blues like Killing Floor, Catfish Blues, Red House AND includes Wind Cries Mary and Little Wing.

San Diego has a Spanish Castle Magic>>Sunshine of Your Love and one of the best Red Houses he ever played.

The giant Atlanta Pop festival show might be uneven, but with 16 songs and some of his best '70 repertoire in the mix, there's enough brilliance to make that a must-have.

Not that I have an opinion on the matter. Let me know where you find/found Stages and the price.

I don't think it's Rhino that creates the metadata (but could be wrong). I think it's populated by people, perhaps the first to get CDs??

In any case, something was weird with your setup. I saw similar the message in the first days people started receiving the box sets. Mine imported with data, which I immediately changed because I'm sort of OCD about how it's all stored.

Interesting.. good luck.

user picture

Member for

8 years 4 months
Permalink

...oh man, I’m a Gonnie ...
I’m not ready for a 93’ 🌹💀

user picture

Member for

4 years 9 months
Permalink

Boy, you could make a great box set from April 1969. One big box, 6 shows, from the Avalon ballroom and the Ark for those of us that like it all. Or, a smaller more affordable box for those that want that, a combination box from both venues. More the merrier,as far as I'm concerned and the sooner the better.

user picture

Member for

17 years 3 months

In reply to by billy the kid

Permalink

Must admit I’ve never seen or heard of this. I do like Samuel Smiths beers though. My favourite U.K. beers are Fullers London Pride and Black Sheep from the brewery in Yorkshire.

user picture

Member for

17 years

In reply to by Roguedeadguy

Permalink

I think you will enjoy getting to know his music. Since you're a deadhead, you clearly understand and appreciate good lyrics. John delivers the goods. His catalogue is extensive, so have fun. Others artists who know how to string words together....

Dylan (duh)
Townes Van Zandt
Richard Thompson (his work is both acoustic and electric. He is a master guitar player. Be prepared to have bruises on your chin from your jaw dropping)
Joni
Leonard Cohen

I must be missing quite a few....keep the list going!!!

user picture

Member for

16 years 10 months
Permalink

And just like that I have pulled into Europe 72 trunk....... listened to 4/8/72 early this morning... jumped to 5/7/72... I am a big fan of the Good Lovin's from this tour... bob t

user picture
Default Avatar

Member for

13 years 7 months

In reply to by hendrixfreak

Permalink

I will let you know if I mange to buy the Stages box set and thanks for the advice on the others because it is hard to know with so many Jimi H live releases where to begin. Deferring to your opinion is helpful to decide. From Dimeadozen I do have quite a few audience boots.

The new live cream release is something I have my eye on. It is like blood in the water for a shark . . .. Swimming around. . .. Eye balling a target . . .. And then "Bite!"

user picture

Member for

17 years 3 months
Permalink

Favourite U.K. beer: Greene King's Abbot Ale.

Orval is indeed a fine Belgian beer.

Bottled Guiness is nowhere near as good as the draught version. This applies to almost every beer.

Class songwriter: Guy Clark (r.i.p.)

April '69 box: YES!

user picture

Member for

13 years 10 months
Permalink

JimInMD - no rocket fuel - an impending thunder storm
and wicked sky was driving that China -> Rider! My theory
on how we got the Bosie '83 show instead of one the
Red Rocks or Santa Fe shows from this run is that they
can sneak a dud in the subscripscipton that would
never sell as a stand alone release. All part of the 20 + year
master plan.

user picture

Member for

17 years 3 months

In reply to by cmd

Permalink

Thanks Deadegad - I’ll try it out after lockdown.

user picture

Member for

17 years 3 months

In reply to by frankparry

Permalink

What a great call. I’d buy this in an instant. Missed out on the Fillmore 69 but bought it later minus one show on Discogs for a small fortune.

user picture

Member for

10 years 6 months
Permalink

I happen to have one of the largest collections of circulating Hendrix recordings in the world, thanks to 15 years of global tape trading and 15 years of digital trading (mostly CDRs through the mail). I bought my first Jimi album in summer '69.

You are most welcome to anything I have. The hitch is, my CD duping machine is track by track with two second gaps, so that sucks for live shows. A friend can always do this for me/you. But let's wait for the virus to blow over as I want to reduce any need for sending/receiving mail and for those who do the work in between.

I spent many years tracking down and buying $25+ bootlegs of Jimi. It was really fun, though expensive. At that time, 15-20 years ago, small independent record stores would have 'em "in the back." They had to know you were a real collector and not a copyright policeman. Kinda like buying reefer in Memphis in the '30s. So I'd display my knowledge of Jimi as kinda the password. (I did not resort to "swordfish," if you like the Marx Bros.)

I probably have something like 250 discs of Jimi boots and another 150 legit releases. Wild guess.

I did get the Cream '68 farewell box. Three killer West Coast shows in top sound and the final Royal Albert Hall show, which is boot-quality because it was taken from a video feed. Well worth the money. Try Bullmoose.

Happy hunting! Note that I checked the official Hendrix site and they still sell Paris, 29 January '68. Do yourself a favor and order that NOW! And prepare properly when the laser hits the plastic.

user picture

Member for

15 years
Permalink

I agree with all the names so far, so I’ll just add a few, perhaps, lesser known people:

Nigel Blackwell - The songwriter with Half Man Half Biscuit, great use of imagery and funny as well.

Bridget St John - I like her debut album ‘Ask me no questions’ but they’re all good.

John Martyn - Great guitarist and songwriter.

Jeffrey Lewis - Cartoonist and songwriter. I like the line from ‘Moving Day’. “The kitchen looked good when we cleaned the floor, I wonder why we never did it before” ( this is from memory so may not be entirely right )

Then there are those little known writers from my home town, Lennon, McCartney and Harrison :)

user picture

Member for

17 years 2 months

In reply to by Colin Gould

Permalink

....as a "listen of the day" tomorrow. I've touted both these shows forever. 9.10.83 is slightly better imo. My new avatar is Phil stepping up to share Bobby's mic during Cold Rain & Snow to sing for the first time since the hiatus.

user picture

Member for

13 years 4 months
Permalink

I discovered this show thanks to your many mentions of it! Thanks, my man! It really is killer show! LOVE to see this as a release!

Peace

product sku
081227908911
Product Magento URL
https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-boxed-set-1.html