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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Thu, 04/09/2020 - 18:46

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Please give the date of the show, not just the release identifier.
My shows are organized by date.
Thanks.

Edit:
Just figured out what DP22 is. I listened to those shows a few weeks ago and so will pass.

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Submitted by wilfredtjones on Thu, 04/09/2020 - 19:07

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Snowed here in WI, too. Yet, I finished the lawn raking. Go figure. Are you sure it wasn't Graupel (snow pellets)?

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Submitted by Vguy72 on Thu, 04/09/2020 - 21:24

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....got the Galaxy S20+ at the beginning of March. My old phone was circa 2014. Was time for an upgrade. Came with an early order credit of $150. Used that towards Buds+'s. Testing them now during 2.23/24.68 Tahoe. Not bad.
Then I heard about all the 5G shit. Can't win for losing i guess.

RT 3.1. Fun to revisit this one - been a long long time. Totally forgot that it had that awesome Terrapin > Playing. BITD I had a cassette from a friend who labeled it "Terrapin > Playing > Jam > Yikes!!" At one point it seems like Brent was channeling his inner Ned Lagin (fully approve!)

Looking forward to visiting Santa Fe later today. Never given that legendary show a deep listen. Anybody got rec as to what source? Notice that there's an Usborne matrix.

Pick of the day reminds me of a college literature class - 4 days in and it feels like already a week behind. Tahoe is gonna have to wait.

Wichita - real bounce in their step whole show. I think '72 is my favorite "era" for Other One. Some really great Keith piano in there. Always sweet when they drop from one of these into some slow heartfelt beauty like Brokedown. When are we gonna get 9-28-72?

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Submitted by fourwindsblow on Fri, 04/10/2020 - 07:41

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If I told you all that went down it would burn off both of your ears.

Viola Lee Blues 19:15 pure bliss
Hurts Me Too 4:13
Dark Star 6:49 nice transition>
China Cat Sunflower 4:38 best ever?
The Eleven 10:33 fantastic
Turn On Your Lovelight 12:40 nice little boogie
Born Cross-Eyed 2:32 yes
Spanish Jam 7:23 wow
Morning Dew 8:10 nice
Good Morning Little Schoolgirl 14:39 sweet blues jam
That's It For The Other One 8:13 okay
New Potato Caboose 9:08 Heavenly
Alligator 3:45 okay
China Cat Sunflower 4:14
The Eleven 7:17
Alligator 6:39 oh yeah, an 11 jam
Caution (Do Not Stop On Tracks) 11:49 see that train a comin', wow excellent!!
Feedback 4:55

Feb 1968 Jerry played a - Gold-top Les Paul with P-90 single coil p/u's. 3 Twin Reverbs, 2 Fender 4x12 cabinets, JBL D120 speakers

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Submitted by Oroborous on Fri, 04/10/2020 - 10:47

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Stoked, unfortunately have to make a death run first; ACE for varnish, and PO. Don’t ya know almost finished with more book shelves for Lovey and I’m out of Varnish, Doooaahh! At least it’s pre-order curb side. PO I’m afraid I might have to go in and stand in line for a package (clothes for her, to go to a wedding, that we already dropped non refundable mucho dineros, that were probably not going to be able to attend).....
But I’ll be firing that up this afternoon once I have the goods....going to try the Siemens matrix. Never been as enamored with SB recordings as most. I feel there is nothing like a good matrix, more natural sounding....

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Submitted by Vguy72 on Fri, 04/10/2020 - 11:39

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....actually does sound better boros. Thanks!✌
https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16
Opens with Music Never Stopped. Bobby botches half the lyrics, but, as usual, the boyz make up for it with a smoking end jam.
TLEO follows. Jerry and Brent in SYNC!! Thats my wedding song btw. 20 years strong!
I really, really dig these two shows.

....to end the first. Storm clouds were rolling in and rumor has it, this show had one of the longest set breaks of all time. Waiting for the weather. Pics show that they didn't have a covering over the stage, just the rigging (see my avatar). The China Rider segue is bopping!! Nothing left to do but smile, smile, smile.

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Submitted by fourwindsblow on Fri, 04/10/2020 - 12:49

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Music, holy crap, energy of a set 2 opener; TLEO, nice pace mellow and jammy; Esau, it's nice; Big RR and BIODTL fast songs didn't work here(maybe a Bird Song or Row J.); Tenn Jed back on track; Minglewood, smoking; China>Rider rockin' nice transition, wish I was a headlight...

Woman R, nice energy; Cumberland, foot stomping, Phil bombs; Playin, really nice jam; China Doll, beautiful; Jam Drums, Space really great; TOO, trembled and exploded; GDTRFB, OMSN, rockin'; CR&S the only time they encored with CR&S.

...."If its any comfort to anyone, on this date in 1890 in Cairo Illinois, it rained fish."
https://www.loc.gov/everyday-mysteries/item/can-it-rain-frogs-fish-and-…
Lolololol.
For the record, the fact that there is a second set Cumberland with bombs never swayed my opinion of this show. 😜

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Submitted by bolo24 on Fri, 04/10/2020 - 13:07

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Had some family issues to deal with the last couple days, so I'm behind a bit. Halfway through RT 3.1, hope to get through the rest of that one and Santa Fe by tomorrow morning. Kinda fun listening to shows that haven't been in the rotation for a few years. SO much good stuff - we are blessed indeed!

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:19

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....in all good time Bolo. Hope all is well. Meanwhile, Phil is laying some serious brickwork towards the project that is PITB.

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:47

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....the only ballad in the second set was China Doll. Albeit played at 1.5× speed, the outro jam is delicious. More Lost Sailor teases from Bobby during space with a dash of Heaven Help The Fool.
At the 9:10 mark they finally decide on The Other One. 9:10 mark. I still don't believe in coincidences. Cool Space.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:05

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....to be honest, I can't remember the last time I actually listened to one. Shame on me.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:17

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....and it gives me chills. Wonderful!!!
Phil steps up to Bobbys mic at 4:36.
Thanks for playing. See yall later.
9.11 up next, because why not?

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:41

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....features a raucous Greatest Story and an early Hell In A Bucket that was just spreading its wings. Good stuff.
Still enjoying the ride. Kinda bumpy lately, but enjoying nonetheless.
West LA up. One of the most covered songs by them, because West LA.
Saw a picture of LA today. No smog. Actually a beautiful looking city.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 15:34

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One of the high points of my life. Turbo Tom drove down from Kiowa, Montana , picked me up where I was living north of Taos and we made our way to the Santa Fe Downs. We camped next to the parking area where the Hog Farm was helping out. The Sikhs were security (Akal Security) for the Downs. Both days were amazing. And it was harvest season. The two shows were far from sold out. Many of the old guard long hairs from northern New Mexico were in attendance. Just thinking about those two concerts is like a memory from the Golden Eternity.
I’m most of the way through the first set. Earbuds , iPhone and cell tower signal up in the mountains to access this.
Great call V-guy 72!

....they played three shows there. These two, plus a one off in '82. On off as in no tour. 13 song first set if I recall correctly. Just decided to pop into Santa Fe. Plangent it and box it and ship it.
I'll pay $99.99 US dollars.
Alaska would work too. I'll pony up three moose pelts.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 16:51

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When I moved down from Montana in January 1982 I lived ten miles north of Taos on north Hondo Mesa in the “kiva” in the Grow-hole. (Built by the alternative school the Taos Learning Center TLC in the early 70s) Lived in a tipi and then the “Pyramid Cube” on El Salto Mountain for the next five years. Spring of 1987 I moved to Grant County and worked trails in the Gila. Also have worked many years up in Gallup. (Trail work and Public Radio)
Another side bar on the Santa Fe Dead shows. The state penitentiary is just a couple miles from the Santa Fe Downs. Bobby Petersen (Unbroken Chain, Pride of Cucamonga) arranged with the authorities at the prison to transmit a low wattage FM signal live broadcast direct from the Downs. Bobby used to live on Lama Mountain up in Taos County not to mention Robert Hunter spent time living on Canyon Road in Santa Fe in the 60s and visited Taos at different times. And contrary to rumors , the Dead did not play at New Buffalo Commune in the 60s. I asked one of the founders last summer , Rick Klein who helped start Buffalo in 67 that very question. Not the Dead but the Eagles played at New Buffalo. Also Laird Grant (Jerry’s longest time friend) used to live at Morning Star above Arroyo Hondo.
The skies are the most consistently clear of pollution day after day for the past three weeks than for the better part of the past 40 plus years. And I’m talking the mountain west.

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Submitted by Vguy72 on Fri, 04/10/2020 - 16:54

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....northern NM does have energy. The Taos hum proves that. Gallup was always a pit stop for me.
9.11.83 has a Morning Dew.
Where have all the people gone today??

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Submitted by DeadVikes on Fri, 04/10/2020 - 23:03

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Good work Vguy.

Looking forward to the next pick.

This has been a fun week, good idea Bolo.

Be well people.

Did you catch the Shakedown Stream?
Pretty cool. Dave, can't sit still. He mentioned 50-70 or so high quality video in the Vault from 89-95. Intriguing to me, not sure if they will put any more of it out, but I would love to see it. Man, how about putting out the Spring 90 Tour on video? I would volunteer to help out on that project.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 04:48

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Should not have passed this one by.

ps Feb '68 this is what I think heaven must be like.

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Submitted by Oroborous on Sat, 04/11/2020 - 10:58

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Been working in the garage last few days and the energy from both DP 22 and 9/10/83 has made things fly by!
Gave Santa Fe another listen last night because I was diggin it and wanted to give it a better listen than the first time. Great 83 show, fun, spirited show with interesting sets. Might just give the next night a spin today while I work.
Guessing perhaps partially why that China-rider is in overdrive might be due to the deluge that was obviously happening as Bob says something like “we’ll be back when it stops raining”. I might contribute the pace solely to “other” things except it’s not like all the songs were that fast and it wasn’t right after break? So to go from normal 83 tempo to warp drive just then, and since they didn’t have full canopy etc, makes me think they were trying hard to get the fug outta there lol.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 11:31

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I like 9/10 a little better both are great. There are two grate audience recordings of these shows in hi-rez maybe a matrix box.

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Submitted by Strider 808808 on Sat, 04/11/2020 - 12:20

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China Cat Sunflower / I Know You Rider had me dancing in the dark last night. Gonna listen to the second set today. You know, land of manana , New Mexico stylie. Damn this is a long set break!

May I make a suggestion inspired by Bolo's idea? I think a "Pick Of The Week" is more workable. I think one person should make the selection and at the same time designate the next picker. So on Monday let's say JiminMd makes a pick and names the next picker who will announce his pick the following Monday and the next picker etc etc. Hey I know I'm in social isolation at least through May and I think Bolo's idea is great but it needs some structure. I also know I've been drinking and I have no idea if anything I've said makes any sense. Also I just finished 4/11/72 and I think it's probably the weakest show of the tour.

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Submitted by daverock on Sun, 04/12/2020 - 02:38

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That appeals to me a bit more. I am still following my own unplanned trail through shows, so the pick of the day was on top of what I was already listening to. The result was I got left behind straight away and decided to drop out. A weekly pick would obviously give us more time, and wouldn't intrude on where we feel we are supposed to go.

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Submitted by DeadAreMyDealers on Sun, 04/12/2020 - 07:43

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Another vote for Mhammonds idea. Gives us all a chance to give these the attention they deserve. Goddamn work has been interfering with my listening sessions :-)

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Submitted by Strider 808808 on Sun, 04/12/2020 - 08:43

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Maybe finish 2nd set today. 9/11/83 was amazing also.
Happy Easter! Be safe everyone.

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Submitted by icecrmcnkd on Sun, 04/12/2020 - 11:14

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I listened to 12-28-79 a day late and haven’t done the others so far.
Looks like I have 9-10,11-83 on a HD but they haven’t migrated to my music player yet. Might do that later today, but first yard work calls.

For my easy-listening, coffee-drinking routine to get today going I went with 10-10-80 Acoustic.
But that just finished.

So onward with 1-24,25,26-69 % which is compiled from the AOXOMOXOA-50th bonus disc, AOXOMOXOA-Golden Road Box filler, and a portion of Live Dead. Such things are possible with my collection because I organize by show date, not by the arbitrary order that shows are released.

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Submitted by DeadVikes on Mon, 04/13/2020 - 06:06

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I think we only had 3-4 picks last week. Now that we are through the Holiday, maybe we could get back at it. Seems like every other day is doable for most. Either way we need a new pick from someone. I already had one last week. Would like us to stick to official releases. Just my thoughts.

Be well people.

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Submitted by icecrmcnkd on Mon, 04/13/2020 - 07:34

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12-2-73, part of DP14

The remainder of DP14, 11-30-73%, can also be done as extra credit.

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Submitted by Strider 808808 on Mon, 04/13/2020 - 08:23

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Not like I’m a regular here, but did jump in at (under)ground level. 50 year anniversary , 30 Trips around the Sun. Winterland. What’s not to love. “ let me hear you say; WAAAAA!!”

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Submitted by Thats_Otis on Mon, 04/13/2020 - 08:25

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Just started :)

I've always preferred this part of the pick to the 11/30 portion (which isn't to say the first part is any slouch!) I think a part of it is that "Morning Dew" always seems to work better as a closer than an opener, at least for me. The second disc of this portion (or disc 4 of the set,) is just exactly perfect!

Happy Listening!

EDIT: Oh yeah, this is the show where Phil hassles the guy in the audience - "Who are you? The heat? Someone shine a light on this guy..." Kind of a jerk..

Peace

I had to take a break for some work related conference calls just as Weather Report was moving into Let it Grow, but I picked back up and am now into "Nobody's Fault" jam territory. This was a great release of a great show! As I mentioned, I prefer this one to 11/30, but I think I will have to def. go back and hit some of those highlights (maybe all of disc 2,) after this.

That being said, it is really hard to beat this second set, that though very short, contains some FAR OUT there stuff... Wharf Rat, Playin, He's Gone, Truckin, Stella, Dew - all heavyweights in my all-time favorite GD tunes list.

Good choice, IceCream!

Peace

(EDIT: Whoops, I forgot 1/2 Step - another gem!)

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Submitted by Thats_Otis on Mon, 04/13/2020 - 13:07

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Matrix of 12/1/73 - the show Dick forgot.

https://archive.org/details/gd1973-12-01.124132.mtx.dusborne.flac16/gd7…

It's got a "Sugaree", a "China>Rider", and a "Playin'>UJB>Playin'" - and so far, this Matrix sounds pretty darn good. I've never listened to this show, so it's a treat :)

I suppose this is for those students that not only want extra-credit, but are looking to write a master's thesis, or simply polish them apples into a 110%.

Peace

EDIT: After LLR, Phil says to the crowd "Be quiet over there, can't you see our piano players trying to tune up?" Seriously, what crawled up his %%# during this run?