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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • alvarhanso
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    Re: Winterland '74

    Agreeing with the agreement of Jim and all those that are agreeable vis a vis 2/24/74, great show, wish it had been part of a box, but an all timer Dave's Pick instead as numero 13. The Dark Star> Dew goes without saying as a highlight, but I especially love the Weather Report Suite> Row Jimmy, and the Bertha. Phil has a great bomb in that Bertha, just once, but well placed, and I rewind it back at least twice every time. Really good China Rider, too. Really good sound once the issues are fixed, which if memory serves, is after Mexicali. Hard to believe this was the first Pick of the year 5 whole years ago. I'm sure those who were there can't believe that was 46 years ago today...

    Also, that Dijon show from 30 Trips does sound amazing. Not my favorite setlist, but when it starts with that Uncle John's, it's like butter, and pretty soon, who cares what they played, the sound on the tape is one of the absolute best captures of a Wall of Sound show to my ears, and what they do play, they play well. And worth noting both shows have a nice Ship of Fools.

  • JimInMD
    Joined:
    Winterland '74

    Count me in as a huge fan of 2/24/74 and probably the first in the echo chamber wishing they had saved it for a full box treatment including all three shows. I was listening to Dijon '74 last night, another very well recorded 74 show..

    What a great year.. so many good shows.

    Edit: I finished Dijon on a bike ride today.. Has anyone else noticed that just before Phil breaks into his 11 bass riff Bobby starts a Mind Left Body sequence and they both play off each other for a minute and a half to two minutes before The Eleven dominates the direction. Incredible little ditty.. just a couple minutes but it really fubbs with your mind (in a the best possible way). What an interesting little jam.

  • bob t
    Joined:
    4/27/71 Was on Sirius today at noon

    Turned it on right when Riot In Cell Block #9 came on.... also heard Help me Rhonda and then Okie from Muskogee... Haven't listened to this show in years. Riot in Cell Block #9 was a tad painful with the synthesizer! bob t

  • Dennis
    Joined:
    Wishbone Ash

    A neighbor went to see these guys the other night in Austin I believe. I don't think I ever heard of them. He raved about them. Much to my chagrin, I don't have any! Anyone out there have a bunch you wish to share?

  • Mr. Ones
    Joined:
    DAVEROCK

    DAVEROCK, I think you are my brother from another British mother. Besides being close in age, our tastes are similar and quite broad. I was heartened that you could enjoy a little GFR at this late stage of the game(well, not THAT late:)
    And yes, Mel Schacher is a monster on the bass, but also, that SOUND. That deep, fuzzy, distorted sound. I've always loved it, but also, his bass lines are very close to a lead line, and quite inventive.
    To whoever mentioned MMW's Radiolarians 1 in their last 5, brilliant. All 3 Radiolarians cds are super fun and spontaneously creative. If you read up on the history of that series, it's intriguing, and makes you want to give 'em a listen. Happy Monday.

  • Sixtus_
    Joined:
    re: Mrs. VGuy

    ...that was me, with the MMW references last week...

    You're welcome? You Y-axis inverting freak.

    Sixtus

  • Dennis
    Joined:
    keithfan the man

    check pm's

  • KeithFan2112
    Joined:
    Skeleton Skaters

    It's 2/24/74 day. In the immortal words of Bill Graham, "A peaceful Sunday night with the Grateful Dead". Possibly my favorite single show from 1974. A+ performance and setlist. Also one of the best sounding shows from 1974. Nuff said. Except that I added Here Comes Sunshine, Truckin' The Other One and Eyes of the World from the night before's soundboard. The audio quality on that board is so good, how could I not right?

    Agree with RogueDeadGuy's statement that Exile on Main St. is one of the greatest rock and roll albums of all time. All the better because it was the last record in the Stones' library that I grew to like. I mean, it took me forever to understand what the fuss was about with that album. Then I had some wisdom teeth extracted and some pain killers and it all made sense. Not advocating anything, just saying what happened.

    And let's face it, there is hardly a better rock and roll story than the one that accompanies the recording of that record.

    Most rock fans who are into the Stones know the title refers to their move to France to avoid the high tax laws in England. But the greatest thing about that album in my mind is the environment and manner in which it was recorded. Keith Richards rented a mansion in the south of France and they recorded it there on, I think Ronnie Lane's Mobile recording studio, which was basically a big truck. So I imagine this thing sitting out front with zillions of wires running down into the basement for a couple of months. Tons of people in the Stones' orbit hung out at this place and just partied and recorded the record - in fact they eventually had to ask Gram Parsons to leave. The dragon can take anyone down I suppose - but man I can't think of any other LP I'd rather go back in time and hang out with the band as they recorded it. Only Keith lived there the rest of them where nearby, probably within an hour's Drive. Batiste was a vampire those days and just recorded whenever he was awake, which was sometimes for days on end. You ended up with Producer Jimmy Miller playing drums on a couple of tracks, Mick Taylor and Keith Richards playing bass on half the tracks, Etc. If memory serves the song Happy was laid down by Mick Taylor Keith Richards and Jimmy Miller only, and then Mick Jagger laid down some support vocals later on in Los Angeles where the album was mixed and finished.

    Just to give you an idea of what this place was the Keith rent it out, is described on Wiki like this:

    "Nellcôte (often referred to as Villa Nellcôte) is a 16-room mansion built during the Belle Époque on a headland above the sea at Villefranche-sur-Mer on the Côte d'Azur in southern France."

    There's a documentary called The Stones in Exile that is worthy of viewership to any rock and roll fan. You appreciate the album all the much more for seeing the documentary, and if you don't know the album you always be tempted to look it up on YouTube.

  • Roguedeadguy
    Joined:
    Last 5

    I've always done these from least to most recent -- "peaking" at No. 1 which is often what I'm listening to as I'm typing. Not this time tho.

    5) The Complete Ric & Ron Recordings Vol. 1 & 2. (Technically two albums worth but I'm counting as one). Vintage New Orleans R&B to get in the Mardi Gras spirit. Livened up a boring ass Friday afternoon entering a bunch of tasks into the backlog list for work. (Not actually doing any of the tasks . . . just entering them . . . because that's what *someone* wanted)

    4) Dylan - Slow Train Coming.
    There was a slow train running through my head Saturday morning. It mighta been The Devil, mighta been The Lord, it mighta been too much Mardi Gras spirit, I dunno but this album seemed to fit the mood nicely.

    3) Chuck Berry "In London". This was a Record store Day release from last year that I bough on impulse. I thought it would be a live set (its not) and not all of it was recorded in London, but that doesn't matter. Its a parade of one great Chuck Berry tune after another. The man was simply incapable of writing a bad tune. The sound is terrific on the LP too. If someone is looking to freshen up their Chuck Berry stash, highly recommended.

    2) Rolling Stones "Exile On Main Street". One of the all time great albums in rock history. Nuff said. There's a really nice new vinyl reissue out there, if you're into that sort of thing. It was right below the Chuck Berry In London at the bookstore that day, so I HAD to get it too :)

    1) GOGD 02-02-70 from St Louis, aka the first half of Dave's 6.

    I've been doing my own personal deep dive into 1970 this year, in anticipation of the American Beauty / Workingman's drop. Last weekend I listened to all 3 of the New Orleans Busted On Bourbon Street shows, so I picked up where that left off. This has an interesting Dark Star . . . its not an intense mind-melter, but more like a pleasant, afternoon matinee type of Dark Star. Coming out of that St Stephen is a little wobbly, but he finds his footing at the end heading into a scorching Mason's Children. It concludes with a replacement level Lovelight - Not Fade Away sandwich which pales in comparison to the epic from the night before.

    2-6-70 from the good ole Fillmore West is gonna be my next foray into 1970. I might not get to every last 70 show out there but Ima try to hit at least one from each run over the course of the year.

    LOL Vguy -- "Mrs Vguy hates MMW now." I feel your pain, my man :)

    Happy Lundi Gras everyone. Laissez les bon Temps Roulez.

  • daverock
    Joined:
    Last 5 -70s rock

    Yes, its the most recent on down for me, too.
    Mr Ones...I think you are right that for a lot of bands you had to have been there a the time to really get it. It also seems to me that part of this is the age we are when we first hear things. There are a lot of bands I liked in the 70s that I would hesitate to recommend now. They fit me like glove when I was a teenager...but the likelihood of some of my opera loving friends, who are in their 60s appreciating a first listen to something like "What a Bunch of Sweeties" by the Pink Fairies now is slight indeed. Having said that, I only heard Grand Funk for the first time last year - their first 6 albums, and I like them. A proper band. Curiously, I don't like heavy rock bands that recorded after about 1975, though.
    Last 5? Of course.....
    Live in Paris 3/22/74 King Crimson
    Freddy King Sings Freddy King
    Live Wire Blues Power Albert King
    Feelin' Good Jessie Mae Hemphill
    Survival Grand Funk Railroad

    Next stop....Cactus.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Is there any music more heart-breaking than Pigpen singing "Two Souls in Communion"?

Is there any music more lovely than a 1972 "Looks Like Rain" with Jerry playing pedal steel guitar?

Is there any music more enchanting than the Grateful Dead?

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In reply to by stoltzfus

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...Stolzfus beat me to it. I really dig that one a lot; it has that cool vocal harmony going on, very reminiscent of 'the times'; perhaps those same times of which Jerry was apparently referencing in that quote someone dug out below. I don't recall ever hearing that one anywhere else other than that Rarities CD from very early primordial Dead-times. But I imagine they must've played it live at some point prior to it's demise with Said Times.

I also enjoy The Golden Road - much more nowadays; I had never really listened to it honestly back in the day; then I read the lyrics within the past decade and was like: "Ahhh! Now I get it." This song is about a giant continuous party. How fun, indeed! Trey also killed it on Cream Puff War for Fare Thee Well - one of the few he actually sang on. But that song MOVES. It's fun. They shoulda played it.

Hope People are well and taking care & caution do not step on the tracks.

Deadhead Brewer. You are correct, Sir.
Now, communal beverage toast at an appropriate time in mass appreciation.

-Sixtus

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In reply to by carlo13

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Furthur played them and I enjoyed them. I remember a Help>Slipknot>Golden Road>Slipknot> Franklin's that was was smokin'! It was quite a surprise. I think it was at The Beacon Theater? It was perhaps the first time they played that combination and the crowd was ecstatic! Cream Puff was well played too and they worked that rhythm into an unrelated jam in a different second set at a Brooklyn show. I miss Furthur.

According to my Deadbase- number 10, so its quite old - the last time the Dead played it was 3/18/67. So it was dropped even earlier than I expected.

I watched the dvd "Festival Express" last night, featuring that train journey across Canada in summer 1970. There are some great clips of The Dead on this-the highlight for me is the Hard to Handle, but there is also a full version of Easy Wind on here. its a strange film, though. I did like The Band's version of "Slipping and Sliding", a Little Richard song, but its a bit of a depressing film in a way. They all seem to be having a whale of a time-Rick Danko looks as though he knew how to enjoy himself, but...maybe its hindsight, knowing that quite a few of the participants died young. It sounds patronising, but I find it hard to watch Janis Joplin without feeling sorry for her. Maybe its the fact that watching people out of their heads at a party doesn't really do it for me. It might have done once-but not now.

The one exception, with Janis Joplin, I should add, is that clip of her doing "Ball and Chain" at Monterey in 1967. That is glorious.

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Good playong
Nice thick sound

The jam out of drums is really hot
But
Then
Cut
Ouch
NFA

That jam is so yummy
Then
PSYCHE!

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whether the focus is on the first night or second night, with the other as filler?

I see from Taper's Compendium that the two shows together clock in at just over 6 hrs of music. And that the second show is considered more improvisational than the first.

So, 4 CDs have the potential for 320 minutes and 6 hrs is 360 minutes, indicating a big cut in the sum total. With sequencing/medley issues, we might get 1 1/2 shows. Then there's the fact that they cannot put non-Dead compositions on a bonus disc.

Anyone got this figured out yet? I am looking forward to a fresh injection in ~two weeks.

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If Rhino put out a complete box set of both the October 1974 Winterland shows and the April 1971 Fillmore East shows ,( not at the same time), they would sell out in hours. I don't care that a lot of this material has already been released, they would be gone in a flash. They could limit it to 7 thousand copies each, and then all the people who didn't get on the boat could buy the music only editions.

@Hendrixfreak
this is what I read:
''….to include nearly 80 minutes of music from 6/22/74 as the 2020 Dave's Picks Bonus Disc, including "China>Rider," "Eyes Of The World," "Wharf Rat," and a 30 minute (!) "Playing In The Band," amongst other greatness.''
David Lemieux
So DP 34 ist 6/23

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Fuckin around on the guitar with Bertha over the weekend and cameout with this little diddy...sorry R.H. but what else is there to do!

Here it goes in my best Jerry voice:

I had a hard run, runnin from New COVID
I was all night runnin....High fever, need urgent-care
I had a Run in, run around and I’m Run Down
Run around the corner, run smack into 19, COVID 19

I had to move, move....really had to
moo-ove
That’s why this disease, got me on my bended knees
Corona don’t you come around here anymore

Dressed myself in PPE, Went searchin for a vaccine
Had to see what’s goin down, hit the unemployment line
I felt the stock market fallin...fallin, fallin, fallin, turned around to see
Heard that virus callin...callin, callin, callin
It was comin after me

I had to move, move....really had to
moo-ove
That’s why this disease, got me on my bended knees
Corona don’t you come around here anymore

Ran into a rain storm, ducked back into the drug store
Wife was all night coughin, but not a drop on me
Test me, test me...test me, test me, test me, throw me in the quarantine
Sheltered up in my own house, on 30 days Lock Down, 30 days Lock Down

I had to move, move....really had to
moo-ove
That’s why this disease, got me on my bended knees
Corona don’t you come around here anymore

Be well and stay safe Dead People!

KCJ

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It's all ya really need from 6/22, sick Sugar Mag to end set 2.

Fits perfectly on a 80 min disc.

Playing In The Band 28:48
China Cat Sunflower -> 9:51
I Know You Rider 5:38
Eyes Of The World -> 15:14
Wharf Rat -> 9:51
Sugar Magnolia 9:28

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I was hoping 6-23-74 was the main attraction and 6-22 the add-on.

Just finished the '76 box. The Wheel on 6-15 was pretty supreme, among many highlights.

On another topic, I pulled out the 2001 re-issues of Workingman's and AB. The live bonus tracks derive from the following dates, possibly indicating more from same or completeness from same. Though I note the exceptions, which have been released. Apologies if anyone already pointed this out:
1-10-70
1-16-70
1-17-70
1-24-70 (DaP 19)
4-15-70
5-15-70 (Rd Trips v.3,n.3)
6-6-70
10-4-70
12-23-70
12-26-70

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Something tells me we are getting a fall '70 box with both acoustic and electric Dead.

Bonus Disc. Thanks BOB T

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That makes sense. It's kind of like 'incense and peppermints' fits only the psychedelic era and cant be taken out of that era. I don't believe the other guy who thought mabey they were embarrassed by 'CPW' or 'the golden road'. There is nothing embarrassing about them at all. They just dont fit any other era. Just an opinion.

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Had a midnight kickoff for 4/14/72. Gave it a rest after Cumberland Blues and some classic stage banter with the audience, when they announced they'd be taking a few minutes to fix an issue.

AUD Member: "Bulllll-shit!"

PigPen: "That man must be from America"

Jerry: "Well it's just that we want to get high between songs, is that alright? Thank ya!"

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Mornin', rockers!!!

Speaking of rockers, hop in the way back machine and go back 49 years...…………

A powerful and deep show, wonderfully designed and perfectly executed by the Dead, crackling with energy, a supernova of a show that blows away almost everything else played that month. How did they do it? Did they all drop acid? I’ll even ignore the fact that there are only two Pigpen tunes. The band is on fire, every tune here works, cosmic reflections of all that was good and pure about the Dead’s music that month. Rocking all over the place, with wonderful slices of soul and psychedelia, on this night everything the Dead touches turns to gold and pure bliss. Somehow, some way, on April 14 1971, in Lewisburg, Pennsylvania, the Dead played a show for the ages………

X-Factor deluxe,

Rock on my friends!

Doc
You know where to find me

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In reply to by stoltzfus

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Stoltzfus…...it just goes to show how differently people can perceive things. I played Happy Trails by Quicksilver last week for about the millioneth time, and I still think its astonishing. It was the first West Coast album I bought, back in 1974, and there hasn't been a time or season since when I haven't played it. Beauty is in the eye ( or in this case ear) of the beholder, as they say.

Carlo...agree on that. Cream Puff was of its era, although I think it would have fitted in alright up to 1969. It would have stuck out like a sore thumb when they started on the Working Man's era. A lot of band disowned their psychedelic past as the 70s kicked in. See Emily Play is my favourite Pink Floyd record...but it wouldn't have fit into their sets too well when they moved into progressive rock with Atom Heart Mother in 1970. It seems form this distance that American psyche bands moved towards more traditional musical forms in the 1970s-country rock, blues rock etc. Shame...I preferred the stuff they were doing a bit earlier.
There are many great compilations of Psychedelic bands from 1966-1969 out there. A great one featuring San Francisco bands is "Love is the Song We Sing", a 4 cd set with a great hard back book released by Rhino about 10 years. Its got many well known songs on it--all time classics like Omaha by Moby Grape, Bass Strings (EP version) by Country Joe and the Fish as well as records that are really obscure- Fly to New York by Country Weather is out of this world.

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Surprised to see them get a mention on here. Indeed a fine group, but what else would you expect with Greg Douglass on guitar. Almost all their recorded output was collected on the CD "San Francisco 1969-1971" on Classic Music Vault from 2014. This can be found at silly prices, and I mean silly. For instance, you can buy it new from Amazon UK for 1372.95 pounds or used for 1280.01 pounds. However, there appears to be a new copy on Amazon US for $31.97 There was a 2LP set "Country Weather" released on RD Records in Switzerland in 2005 which contains 2 tracks not on the later CD release. Conversely the CD contains one track not on the vinyl version. This is even harder to find than the CD. Greg Douglass then went on to play with John Cipollina in Terry Dolan's "Terry and the Pirates", one of my all time favourite Bay Area bands. Get some!

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Feels like last year all over again.
UPS has nothing on its system since 03/24, when it says In transit by post office.
No one manning UPS phone lines, no tracking number for post office, no way to find out what has happened.

Anyone else in the UK got theirs or in same position?

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In reply to by simonrob

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I had never heard of them until I got this compilation. Their "Flight To New York" is a stand out track - and that's in the company of all the San Francisco heavy weights of the era. I had a look at Amazon UK last night and noticed how much it was going for. I'm not paying that much. ! The vinyl edition you mention is available on Discogs from Germany, I think, for about £35.00, which seems a bit more reasonable. I am a bit wary of getting things through the post at the moment, though. Its available as a download-the cd version-on iTunes for only £7.99, so maybe that's the best way forward.
Another characteristic of this global crisis is that I have been a lot less acquisitive over the last four weeks. I don't think I have bought a new album/cd whatever, in all that time. I don't think I have gone such a long time doing without since I was 14. Might not be such a bad thing.

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In reply to by daverock

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Dave sorry if I'm pointing out the obvious but if you haven't already tried Quicksilver's eponymous 1st lp you should give it a spin. Outside of The Fool the songs are shorter, tighter. I really enjoy it and play it at least monthly to this day. And with Nick Gravenites as a producer it wouldbe hard to go wrong. 1 more ascetic benefit proving once again lps are better the 1st pressing ( which miraculously has survived incredibly well) has a foil type cover

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If you can get the LP for that price, I would not hesitate - Go for it. It is beautifully packaged in a heavyweight gatefold sleeve and comes with a booklet containing essays by the band members and loads of pictures. Additionally the album was a limited edition of 500 copies so it is as rare as hen's teeth.

You are not alone!
Here in Sweden I am also waiting.
Nothing on tracking for more than 2 weeks. Post Nord recognises neither of the 2 supplied tracking numbers....

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This is probably the wrong forum but what the heck. I'm in the necessary worker category but my job in the Transportation industry requires we work but there isn't 5% of the pre wuhan virus work to do. Luckily for the junior employees which at 42 years I am not my company is doing everything it can to not forcibly involuntarily get rid of workers at least until 9/30. Contrast that with a southern company that laid off 25%of its workforce and cut those left pay by 25% just before the law trying to protect as many workers as possible passed. One of the stipulations was no changes until 9/30. After that we'll see how things are going. Obviously the government can't keep this up forever.
Any way what to do with shelter in place. I'm single live alone and one of the plans my company has come up with is 2 weeks on and 2 weeks off with pay to lessen exposure. With 2 at risk points age and emphysema that's a good thing. Here's my plan. Starting from Freak Out! I am playing in chronological order all of Franks albums. Since I own them all it will be quite a ( worthwhile) project. Ad to that the stack of books I have I will also cut the pile down quite a bit. Right now I'm finishing vol. 3 of Sydney Blumenthal's 5 vol Lincoln bio and vol 3 of Charles Moore's bio of Thatcher. Next up England's Glorious revolution and the '48 presidential election. Finally if time Mark Lewinson's 2 book vol 1 of the Beatles. Readers are never boared. Hahahahaha
Hopefully by then we will have a better picture of where we are heading. Treatment by the end of the summer, vaccine by the end of the year. Sure would be nice
I feel especially lucky since I was in Thailand the 1st 2 weeks of February with the " non human to human " transmissible virus. With my lung issue it could have been bad.
Stay safe everyone and don't let down your guard until Fauci and Birtz and the feds say it's ok. Even we're going to move slowly.

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Four Winds, thanks for posting this. I was thirteen years old when I first saw this on the tv. The Dead at their best!

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As a brewer, this might be interesting to you.
Look for ''Kellerbier'' on the English Wikipedia site.
Thats the good stuff from Franconia and a good addition to our beloved GD-Music.
Cheers

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Thanks--I always love reading about beer!

Here in Minnesota we're lucky to have two great breweries that each produce a delightful Keller Pils: the aforementioned Utepils and a brewery called Summit.

Now I have to finish the Newcastle show, then figure out where the Danish beers are in my stash so that I can leave for Copenhagen this evening . . .

Those 10-minute versions of Playin' from E72 are so good. They pack a complete interstellar voyage into a compact little package.

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Something else is telling me that Dave will scratch that fall '72 itch this year with 11/19/72 even with the mix issues in Bertha it's a good one too. It's been three years since last '72.

Calebration; You're Welcome Billy enjoy!

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Deadheadbrewer,

I've never hever heard of a Keller Pils. No such beer around here.
Wonder what the difference is between a Keller Bier and a Keller Pils?
Do you have an idea?

Wish you could taste the Keller Bier I just poured in my stein (Frammersbacher Waldschloss-Bräu), while still waiting for DP 33 and the '76 box.
I'll put on Winterland 74/02/23 now.

(The Jerry photo was taken on Oct. 13, 1981, Ruesselsheim, Germany)

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Dave, I wish I had your determination. Even as society comes to a virtual standstill, I cannot completely stop acquiring new music. I realized that I was unable to rationalize the June ‘76 box, but have spent almost as much on eBay/Amazon since February 29th. Maybe it’s because I can’t buy concert tickets right now. But realistically, I should probably stop. Especially since I am going to great lengths to keep these purchases hidden from my wife’s prying eyes. But damn!! There’s so much out there I don’t have!! “I need MORE SHOWS”. Thanks Jim for putting that video out for a second time a few weeks back. That guy in the video is me!!

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Last night was just another reminder that Better Call Saul is the best show on television.

Kim is the deal.

Wow.

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It's 27* F and snowing here in MinneSNOWta. Average high today is 57.

The Keller Pils is just a pilsner made without pasteurization or filtration; here's the guidelines used in homebrew competitions:
https://dev.bjcp.org/style/2015/7/7C/kellerbier/

It is probably similar to what you're drinking. I wish I could bring my copies of DaP 33 and the 1976 box to your house, and we could listen to them while drinking your Frammersbacher Waldschloss-Bräu! :)

FourWinds--Dave has mentioned that 11/19/72 does not exist in the vault, and is likely never coming home. :(

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Sorry to hear about your work situation. A lot of people are in similar jams and its going to take the world a lot of time and effort to sort this all out. I especially feel for people who have to ride this out who live alone. A week or two in isolation is manageable, but more than that is just not a natural human condition. Glad to hear you have some tunes and good books to help you get through. If you get through your current pile I could suggest Edmond Morris's three-part bio of Teddy Roosevelt. Its amazing. Also on my list for Presidential bios is Ron Chernow's of Ulysses S Grant and Amity Shales's of Calvin Coolidge. Robert Caro's of Lyndon Johnson is said to be good too. Hit me up on the chat if you want to. Its going to be a long year and good music and good vibes are going to be important for us all.

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Acid Month, I tell ya.

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All these biographical tomes about presidents are all very well but do you remember the 1981 LP "The wit and wisdom of Ronald Reagan". One side was dedicated to his wit, the other side to his wisdom. Both sides were blank. Surprisingly it sold a lot of copies. Not much help in passing the time in the current crisis though.

Edit: Just a thought - if a companion album "The wit and wisdom of Donald Trump" comes out, will it be pressed on orange vinyl?

Snafu - thanks for the heads up about the first Quicksilver album. To be honest, I bought this shortly after I got Happy Trails back in the 70s. I agree, its a great album. Mine has "Capitol Reissue" printed in the top left hand corner, which devalues it somewhat-but it still sounds great. Much better than the cd I got, issued by Culture Factory. In England, round about 1983, there was another great Quicksilver album released. It was called "Maiden of The Cancer Moon" and featured live recordings from June 1968, a few months before the shows recorded for Happy Trails. The balance of instruments is a bit eccentric, but it works well. Higher energy and more aggressive than Happy Trails. Its been re-released countless times-I have it on a double cd called "Lost Gold and Silver" too.

Simon - that Country Weather album sounds great on vinyl. Maybe I am being a bit over zealous in not ordering things through the post at the moment. Maybe I should be led by you, Mr Ones!

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In 2005 Toshiba in Japan remastered and reissued the first 5 Quicksilver albums in those cool "papersleeve" miniature replicas of the original LP sleeves. The first album and Happy Trails sound great. I was never much impressed by their subsequent albums. Maiden of the Cancer Moon and the CD reissue Lost Gold and Silver are definitely essential listening. Some of the plethora of more recently released live albums are also excellent but others are not. Exercise care if you are considering purchasing any of them.

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John Adams by David McCullough was fantastic. Truman was not quite as enjoyable. Too much minutia.

My favorite quote from Adams was when the founding fathers were constructing the form of democratic government to be put in place, based largely on the Roman format.

Paraphrasing from memory 20 years ago - As long as those elected to government act in the best of the people, democracy will succeed. Once those elected to office act in their own self interest, democracy will fail.

Pretty cool foresight.

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Looking into taking the tapes digital. Saw a Teac AD850 that can record tapes to a flash drive. Seen conflicting info on sound quality and storage size. Anyone know how many C-90 cassettes you can fit on a 16GB flash drive? Anyone sell a lightning bolt flash stick? The Teac has adjustable tape speed which will be vital as many of my traded tapes have speed issues; almost always sound too fast if they're off. Most of us didn't have dubbing decks in the early days. One of my two decks was speed adjustable and one was not. Had some issues until I figured that one out back in the day. Thanks to all and play dead.

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