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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
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    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
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    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Got through both today, good pick Conekid. Listened to 12/2 first. Super mellow vibe. Could have dozed off during that super WRS. Stellar finish with that Truckin, Stella Blue and Morning Dew.

For some reason I prefer the 11/30 show, might be the Dew opener, which is so unique. Yes, Vguy, I agree the Dire Wolf is super mellow. Solid sound quality on this show as well, great job for these two, yes not complete shows from late 73, over twenty years old.

Looking forward to another pick, send us one Otis. This is giving me something to look forward to each day during this terrible time.
Maybe we will hear from Bolo again soon?
Nice new avatar Vguy, it is sweet.

Got a notice from Real Gone Music today, more Dick's picks coming back in stock, 31 and 28. That adds to the recent return of 33 and 29. These four, along with 36 are some of the best, IMO, they put out in the last two to three years. Good work Dave!

Otis, yes, Phil would get very vocal in the early days, through maybe 77. Then, we didn't hear from Phil for a long time.

Be well folks!

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It may only be me on this journey, but I'm glad to have you here...

Peace

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Might As Well fire up 10-21-71 next.

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Dave's #3 is in process. Started this morning. Good choice!

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....back to everyday. Was supposed to be off today, but a last minute corporate decision yesterday changed that. Otherwise I'd be halfway through 10.22.71. Listening to 4.14.71 at work though. These Buds+ earpieces are pretty sweet.

Very crisp recording! Good pick Otis, have not listened to this one in a while. Always interesting to listen to some of the classics in the early development phase. Jerry was very talkative in this release. "Hey this place is full of people, too weird."

Great Sugaree, Loser, Black Peter, stellar Comes a Time. Cumberland Blues is hot and than an old school That's it for the Other one.
Disc 3 from the previous night is no slouch, solid Truckin, Dark Star, St. Stephen! Great stuff.
Hard to believe how different they sounded when they got to Europe less than six months later, but that is what makes this so fun.

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This is what I’m listening to today. Great Dead show I highly recommend it. I think 5-6 people might be participating.

I've got a lot of work to get through today, so I think I will start with 7/13/89 RFK and finish up with 4/15/70. I wasn't able to get Boxilla, so I will have to archive it, but no biggie :) Then, perhaps a night cap of the 7/12 RFK show...

I'm excited because these RFK shows do not get the love they deserve, and it has been quite some time since they went for a spin. The 4/15 Winterland show will be a first listen for me, so I'm pumped for that too...

I am surprised that more people haven't jumped on the bandwagon here, what with all of the time many of us have on our hands. Perhaps you are correct in many people are going through E72, and how that takes a lot of time. Personally, I LOVE E72, but I need some more variety in my listening - even if 95% of it is one band :)

Happy listening!

Peace

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your comments, but haven’t been writing....so catch up time...
Loved 9/10/83, and think I liked 9/11 even more! Went for 10/17/82 for extra credit, but didn’t make it through....it was decent but didn’t seem to have the fire in the nuts that the 83s did and the sound wasn’t as good....still think there’s more hot stuff from that summer/fall 83 period. Remember thinking that I should do a real time comparison between the good matrix versions of those Sante Fe’s and the board cassette sourced DaP 27. or DP 6 for that matter. I’ve always felt many of these shows don’t resonate as well due to the flatness or compressed feel of those sources. They just don’t breathe, and 10/14/83 I was at so I’ve felt the recordings just don’t due the shows justice. Of course it’s been mentioned before, how would tptb get around this? Would it be such a big deal to throw a brother some cash for the use of their recordings? The more I hear good matrix’ the more I like better than SB only! Many of the Video discs and Spring 90 Terrapin Release 3/15/90 and perhaps Dozin at Knick? seem to use more ambient mics that to me make the instruments sound way more natural then SB only. I feel this is especially true during post Beatty years, which if they could solve this might make more of the later years available or useable...just a thought...

DP 14: what can I say, always been a favorite. Was one of the few must haves even back when I had the “whata i need more shows for” attitude. Not complete, but not so Frankensteined as some DPs, and from the great fall 73 tour, especially from the “the last ten”. These shows have always been top shelf for me; Amazing jams, true 5 piece during one of their most spectacular phases! Great pick, needed to get reacquainted!

DaP 3: this one is new to me so I’m not as intimate with it, but daddy like! Interestingly, understandably, not as tight as a week or 2 or 3 later, but surely made up for with enthusiasm, and neat look at many newish, work in progress material. Comes a time comes to mind, as well as One Mo Saturday....I must say, I think I like 10/21 better, but a Dark Star will do that to me....I’m realizing that my hangups with 70-71 is the outta tune guitars. Checked out that cool Calebration video someone posted, and same thing. Really dug it, cool transitional period, with great new songs, but Oy, those guitars sometimes are tough to take.....but so what, good pick!

Ok, today, we’ll try 4/15/70 first and follow up with 7/13/89. It’s the Mrs one allowed day a week to work from home (which is stupid because she has plenty more work but they’ll only allow 1 day, idiots)...so have to keep it down a bit, and have a new project to get on, so I’ll do the 4/15 first and wait to crank the 89 tonight.

4/16/72: I would love to do this one tomorrow! Can’t/haven’t taken the full E72 Pepsi challenge for various reasons, but have been trying to at least check out monster jams etc. So this way we get 2 birds stoned at the same time!

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Jerry’s Gibson SG really sings during the Other One . Big sound in a bigger space than ballrooms or theaters. Lovelight / NFA / Lovelight is spiritual . A favorite 30 trips.

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Average so far Pig Pen's blues picking it up. Candyman, how sweet!

Cryptical> Drums>Jam >The Other One>Cryptical>Dire Wolf and the rest of Disc 2 is great!

Multi Track bliss. Sounds so good. Great first set, really well played To Lay Me Down. I liked the LLR versions from this era, Bobby got after it on a lot of these. Love the Terrapin. Always makes me sad when I hear I will take you home, we lost Brent way too early. 79-90 was a very important era for the band. So many highs and lows. Good solid finish and I like this version of Good Lovin they did with some added vocals from Brent. Heard it a few times in 89.

Strider, I don't have 4/15/70, otherwise I would que it up.

I am down for 4/16/72 tomorrow, I have this one.

Be well!

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....4.15.70 is on the Archive. Doesn't sound as good, but decent enough. Couple cuts here and there.

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Proof that the band had solid performances later in their career .

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Rebirth of the Dead

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RFK - such good stuff! Sadly, I was not able to get in a listen to 7/12, but I am sure that will come along soon now that the set is back on my mind.

I really enjoyed the whole show, but especially that 2nd set!

Now, 4/15/70 - that was a whole different beast. I really enjoyed what I heard (only got through about 2/3) but I will be finishing it up today. Then, I suppose it is on to 4/16/72. Was that the pick for today?

Peace

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Didn't mean to abandon this thread - covid has hit a little too close to home.

2 family members (relatively mild to moderate symptoms and recovering, thankfully), and the wife of my walking/hiking buddy (not doing so well). He's awaiting test results for himself, and if he's positive I'll need to get tested as well. We are careful to keep our distance from each other, but you never know with this insidious virus. I feel great, by the way.

I'll check back in a few days. Glad to see y'all are still going back and re-visiting those gems that have been neglected for far too long!

Cheers and good health to all.

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Listen to GOGD to keep the spirits up.

Just finished 4-16-72, played it while working so sometimes I was listening to it and sometimes it was just background music. That Cumberland seemed like it was one Vguy would like.

Now what to listen to?
Think I will go with 7-12-89 to complement yesterday’s listen of 7-13.

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Bolo, very sorry to hear that and we hope you and your family will come through this okay on the other side. Just a terrible time and we hope to hear from you again soon.

Your idea for these picks have kept my spirits up here in MN.

Be well Bolo!

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....bolo apologizing for being away from these boards. You have zero reason to apologize. Take care of you and yours and we will survive. Wishing you well.
And yes, that Cumberland is very nice. The Cumberland from Europe '72 was the song that got me interested in the GOGD. Is 4.16 the version?

6-7-77
9-12-89
4-16-72

I get a lot more listening done when home in quarantine. I don’t listen to music when at work, so it’s just in the car and when at home.

The June 77 Box got a lot of listening years ago when it still had that new car smell, but then other stuff got released and that stuff got played a lot. It’s great to go back to stuff that hasn’t been played in a long time, it seems new but also familiar. The Morning Dew on 6-7-77 totally did for me today, had forgotten about that one.

Been a busy day. E72 shows speak for themselves, so good. Really good China- Rider, Dire Wolf, Cumberland, Truckin. Solid show with something like 750 people. Good choice!

Also got in the first set of 7/12/89 as well. Always liked Phil on Tom Thumbs Blues, stellar FOTD.

Looking forward to a new pick for tomorrow.

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I’ll probably have enough time for a least two, so 4-17-72 will be included.
I have another pick to suggest , but it can wait for any day, as it seems we’ll be here for a while.
I’ll throw it out tomorrow morning while drinking morning coffee if another suggestion hasn’t been made by then. Keep it to official releases because that’s what’s loaded on my music player.

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....better late than never!! A GSET opener is always welcome. Going frozen food tonight for din-din. Egg rolls and beer.
I totally missed the Daves 3 listen. Oops.
I have a pick for tomorrow! Winterland 10.22.67. The live bonus from the Anthem Of The Sun 50th. One disc. Surely we can find the time for that.
Edit....lets listen to the whole release!!!
I'm conekids wingman.

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Ah Youth. The band plays with youthful abandon and exuberance during Truckin . Haven't listened to Arhuus in a long time. Picked up this morning from almost where I left off last night. Restart Truckin. Will try and squeeze in 4/17/72 later.
I’ve never been across the big pond.
GD in Europe like Kesey said; “heads across the water.”

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Ok, I'll bite.. this is fun.

I'm usually just a lurker but you guys have inspired me, so Thank you!

1972-04-16 was killer diller yesterday, That was soo good! It just shows the quality of that tour that not a song from that show made the album.. wow.
1970-04-15 - It took a few songs for the boys to get going, but God Damn, that TIFTOO Jam is HUGELY epic. That was great to hear again.

I still gotta listen to the '89 show... but I went off on a different trip yesterday after 4/16/72 and revisited Dick's first pick, 1973-12-19, but wanted to hear the "full show" so listened to the Miller SBD, Dick was right on all his picks, those are indeed the best tracks..

LATVALA!

Another reason I wanted to go back to 12/19 was to listen to Phil's Bass solo that got edited out, I was listening to an interview & Gans mentioned that and I'd forgotten it was missing (nice editing!). After doing some diggin' I came across it... it's cool and worth a listen.. but it sounds like it was missing from the Master Reel anyway as the solo only circulates as an audience patch from what I could find. Anyhow.. definitely worth a revisit whether you're listening to DP V1 or the Miller SBD or the Partial patch.. or all 3 will take you places too:)

Alright now you know why I'm a lurker.. I start babbling and stuff.

So it's 1972-04-17 today you say? Followed by the Grateful Dead Movie on Shakedown Stream... Happy Friday!

Thanks everyone, I'm digging the synchronicity of listening to picks from knowledgable heads and going to far out places.

During times like these it's like Jerry says on 12/19/73 “Remember Your Hippie Training Folks! Be Cool!!”

Thank you for being Cool!

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I don’t know the first thing about it.
I used calculator and entered the date from my first GD concert plus date from last. 9181 days or twenty five years ,one month and twenty one days. Then I calculated 9181 days since my last Dead show 2/21/95 and came up with last Saturday .
Still trying to wrap my mind around that ole man time.

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4-17-72 playing now
10-22-67 and Anthem-50th completed.

Welcome The GOGD, glad you came out of hiding.

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Thanks icecrmcnkd!

Dig it here.

Got sidetracked with some fresh 1991 Preston.Miller upgrades on Archive.org.

As soon as I finish grooving to 1991-09-26, which is sounding pretty darn good, Ima gonna load up 1972-04-17 and enjoy the ride.

If we could lose the Virus I could get used to this... Be well everyone!

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Nice to see you here GOGD.

Send us a pick for tomorrow.

I am going to check out the Shakedown Stream at 7:00 CST for the Q&A.

Be well people!

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Thanks DeadVikes!

What about 1973-02-26 - Dick's Picks V28? (missing Set 1 songs on Archive.org)

I haven't listened to it in awhile and could use a fresh pair of ears on it, not much early '73 happening here yet from what I can tell. I listened to 1973-02-09 last week for the first time in forever and was taken away..

If that's not working I can always throw the hat in for 1972-09-16 or that can be a bonus pick.

Between this and watching old Bill Walton, David Lemieux & Gary Lambert I'm feeling some DeadHead pride. Good music can make sad times better. Hats off to you all for doing some good work here.

Here's a list of what's come before (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-11-30 & 12-02 - DP 14 (2020-04-13)
1978-02-03, 04 & 05 - DP V18 (2020-04-06)
1979-12-26 & 28 - DP V5 & RT 3.1 (2020-04-07)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)

The following shows were also Mentioned
1972-04-17
1973-09-08
1973-12-01
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1985-11-01
1989-07-13
1989-09-12

PS - That trip through 4/17/72 Dark Star > Sugar Mag > Caution > JBG was soooo sick today! I had to do that twice. Makes you think what could have been… Nobody stuck around to film Set 3.. forehead smack!!!

....you call it babbling. Here we call it crunching Dead numbers. I'm in. Lincoln has the slight advantage due to a GSET with a Dark Star chaser. Salt Lake has a Cold Rain opener (always an indication) and an Eyes->Dew. Tough call.

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I am in on this for tomorrow. Good choice GOGD. Dick's 28. Another super solid Dave release.

And this one is for sale again at Real Gone if anybody doesn't have an official copy. Wow!

Cool!

Since it’s the weekend and all here’s my pick:
1973-02-26 - Dick’s Picks V28
1973-02-28 - Dick’s Picks V28
Take your pick, do ‘em both… choice is yours

Extra Credit jam the missing tracks on archive.org or in your stash.

Filler:
1972-09-16 - Circulating SBD partial

Just getting to the 1967-10-22, had to save it for the right time, and the right time is now…
Morning Dew, NPC, Hurts Me Too, great young band version CR&S, Lovelight, sick BIODTL (Jerry fanning.. this S#*% is good!

Dig the Avatar and oh yeah provided this is all copacetic with the moderator... alligator!

Stay well and remember your hippie training.