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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1281
    rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • #1282
    daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • #1283
    rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • #1284
    daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • #1285
    Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • #1286
    daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • #1287
    PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • #1288
    daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • #1289
    DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • #1290
    rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Got through both today, good pick Conekid. Listened to 12/2 first. Super mellow vibe. Could have dozed off during that super WRS. Stellar finish with that Truckin, Stella Blue and Morning Dew.

For some reason I prefer the 11/30 show, might be the Dew opener, which is so unique. Yes, Vguy, I agree the Dire Wolf is super mellow. Solid sound quality on this show as well, great job for these two, yes not complete shows from late 73, over twenty years old.

Looking forward to another pick, send us one Otis. This is giving me something to look forward to each day during this terrible time.
Maybe we will hear from Bolo again soon?
Nice new avatar Vguy, it is sweet.

Got a notice from Real Gone Music today, more Dick's picks coming back in stock, 31 and 28. That adds to the recent return of 33 and 29. These four, along with 36 are some of the best, IMO, they put out in the last two to three years. Good work Dave!

Otis, yes, Phil would get very vocal in the early days, through maybe 77. Then, we didn't hear from Phil for a long time.

Be well folks!

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Submitted by Thats_Otis on Tue, 04/14/2020 - 10:16

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It may only be me on this journey, but I'm glad to have you here...

Peace

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Submitted by icecrmcnkd on Tue, 04/14/2020 - 11:10

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Might As Well fire up 10-21-71 next.

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Submitted by DeadVikes on Tue, 04/14/2020 - 11:34

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Dave's #3 is in process. Started this morning. Good choice!

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Submitted by Vguy72 on Tue, 04/14/2020 - 12:53

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....back to everyday. Was supposed to be off today, but a last minute corporate decision yesterday changed that. Otherwise I'd be halfway through 10.22.71. Listening to 4.14.71 at work though. These Buds+ earpieces are pretty sweet.

Very crisp recording! Good pick Otis, have not listened to this one in a while. Always interesting to listen to some of the classics in the early development phase. Jerry was very talkative in this release. "Hey this place is full of people, too weird."

Great Sugaree, Loser, Black Peter, stellar Comes a Time. Cumberland Blues is hot and than an old school That's it for the Other one.
Disc 3 from the previous night is no slouch, solid Truckin, Dark Star, St. Stephen! Great stuff.
Hard to believe how different they sounded when they got to Europe less than six months later, but that is what makes this so fun.

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Submitted by Strider 808808 on Wed, 04/15/2020 - 06:13

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This is what I’m listening to today. Great Dead show I highly recommend it. I think 5-6 people might be participating.

I've got a lot of work to get through today, so I think I will start with 7/13/89 RFK and finish up with 4/15/70. I wasn't able to get Boxilla, so I will have to archive it, but no biggie :) Then, perhaps a night cap of the 7/12 RFK show...

I'm excited because these RFK shows do not get the love they deserve, and it has been quite some time since they went for a spin. The 4/15 Winterland show will be a first listen for me, so I'm pumped for that too...

I am surprised that more people haven't jumped on the bandwagon here, what with all of the time many of us have on our hands. Perhaps you are correct in many people are going through E72, and how that takes a lot of time. Personally, I LOVE E72, but I need some more variety in my listening - even if 95% of it is one band :)

Happy listening!

Peace

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Submitted by Oroborous on Wed, 04/15/2020 - 10:01

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your comments, but haven’t been writing....so catch up time...
Loved 9/10/83, and think I liked 9/11 even more! Went for 10/17/82 for extra credit, but didn’t make it through....it was decent but didn’t seem to have the fire in the nuts that the 83s did and the sound wasn’t as good....still think there’s more hot stuff from that summer/fall 83 period. Remember thinking that I should do a real time comparison between the good matrix versions of those Sante Fe’s and the board cassette sourced DaP 27. or DP 6 for that matter. I’ve always felt many of these shows don’t resonate as well due to the flatness or compressed feel of those sources. They just don’t breathe, and 10/14/83 I was at so I’ve felt the recordings just don’t due the shows justice. Of course it’s been mentioned before, how would tptb get around this? Would it be such a big deal to throw a brother some cash for the use of their recordings? The more I hear good matrix’ the more I like better than SB only! Many of the Video discs and Spring 90 Terrapin Release 3/15/90 and perhaps Dozin at Knick? seem to use more ambient mics that to me make the instruments sound way more natural then SB only. I feel this is especially true during post Beatty years, which if they could solve this might make more of the later years available or useable...just a thought...

DP 14: what can I say, always been a favorite. Was one of the few must haves even back when I had the “whata i need more shows for” attitude. Not complete, but not so Frankensteined as some DPs, and from the great fall 73 tour, especially from the “the last ten”. These shows have always been top shelf for me; Amazing jams, true 5 piece during one of their most spectacular phases! Great pick, needed to get reacquainted!

DaP 3: this one is new to me so I’m not as intimate with it, but daddy like! Interestingly, understandably, not as tight as a week or 2 or 3 later, but surely made up for with enthusiasm, and neat look at many newish, work in progress material. Comes a time comes to mind, as well as One Mo Saturday....I must say, I think I like 10/21 better, but a Dark Star will do that to me....I’m realizing that my hangups with 70-71 is the outta tune guitars. Checked out that cool Calebration video someone posted, and same thing. Really dug it, cool transitional period, with great new songs, but Oy, those guitars sometimes are tough to take.....but so what, good pick!

Ok, today, we’ll try 4/15/70 first and follow up with 7/13/89. It’s the Mrs one allowed day a week to work from home (which is stupid because she has plenty more work but they’ll only allow 1 day, idiots)...so have to keep it down a bit, and have a new project to get on, so I’ll do the 4/15 first and wait to crank the 89 tonight.

4/16/72: I would love to do this one tomorrow! Can’t/haven’t taken the full E72 Pepsi challenge for various reasons, but have been trying to at least check out monster jams etc. So this way we get 2 birds stoned at the same time!

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Submitted by Strider 808808 on Wed, 04/15/2020 - 12:49

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Jerry’s Gibson SG really sings during the Other One . Big sound in a bigger space than ballrooms or theaters. Lovelight / NFA / Lovelight is spiritual . A favorite 30 trips.

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Submitted by fourwindsblow on Wed, 04/15/2020 - 13:12

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Average so far Pig Pen's blues picking it up. Candyman, how sweet!

Cryptical> Drums>Jam >The Other One>Cryptical>Dire Wolf and the rest of Disc 2 is great!

Multi Track bliss. Sounds so good. Great first set, really well played To Lay Me Down. I liked the LLR versions from this era, Bobby got after it on a lot of these. Love the Terrapin. Always makes me sad when I hear I will take you home, we lost Brent way too early. 79-90 was a very important era for the band. So many highs and lows. Good solid finish and I like this version of Good Lovin they did with some added vocals from Brent. Heard it a few times in 89.

Strider, I don't have 4/15/70, otherwise I would que it up.

I am down for 4/16/72 tomorrow, I have this one.

Be well!

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Submitted by Vguy72 on Wed, 04/15/2020 - 17:33

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....4.15.70 is on the Archive. Doesn't sound as good, but decent enough. Couple cuts here and there.

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Submitted by Strider 808808 on Thu, 04/16/2020 - 05:40

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Proof that the band had solid performances later in their career .

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Submitted by fourwindsblow on Thu, 04/16/2020 - 08:28

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Rebirth of the Dead

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Submitted by Thats_Otis on Thu, 04/16/2020 - 10:42

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RFK - such good stuff! Sadly, I was not able to get in a listen to 7/12, but I am sure that will come along soon now that the set is back on my mind.

I really enjoyed the whole show, but especially that 2nd set!

Now, 4/15/70 - that was a whole different beast. I really enjoyed what I heard (only got through about 2/3) but I will be finishing it up today. Then, I suppose it is on to 4/16/72. Was that the pick for today?

Peace

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Submitted by bolo24 on Thu, 04/16/2020 - 11:14

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Didn't mean to abandon this thread - covid has hit a little too close to home.

2 family members (relatively mild to moderate symptoms and recovering, thankfully), and the wife of my walking/hiking buddy (not doing so well). He's awaiting test results for himself, and if he's positive I'll need to get tested as well. We are careful to keep our distance from each other, but you never know with this insidious virus. I feel great, by the way.

I'll check back in a few days. Glad to see y'all are still going back and re-visiting those gems that have been neglected for far too long!

Cheers and good health to all.

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Submitted by icecrmcnkd on Thu, 04/16/2020 - 11:33

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Listen to GOGD to keep the spirits up.

Just finished 4-16-72, played it while working so sometimes I was listening to it and sometimes it was just background music. That Cumberland seemed like it was one Vguy would like.

Now what to listen to?
Think I will go with 7-12-89 to complement yesterday’s listen of 7-13.

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Submitted by DeadVikes on Thu, 04/16/2020 - 12:20

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Bolo, very sorry to hear that and we hope you and your family will come through this okay on the other side. Just a terrible time and we hope to hear from you again soon.

Your idea for these picks have kept my spirits up here in MN.

Be well Bolo!

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Submitted by Vguy72 on Thu, 04/16/2020 - 13:12

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....bolo apologizing for being away from these boards. You have zero reason to apologize. Take care of you and yours and we will survive. Wishing you well.
And yes, that Cumberland is very nice. The Cumberland from Europe '72 was the song that got me interested in the GOGD. Is 4.16 the version?

6-7-77
9-12-89
4-16-72

I get a lot more listening done when home in quarantine. I don’t listen to music when at work, so it’s just in the car and when at home.

The June 77 Box got a lot of listening years ago when it still had that new car smell, but then other stuff got released and that stuff got played a lot. It’s great to go back to stuff that hasn’t been played in a long time, it seems new but also familiar. The Morning Dew on 6-7-77 totally did for me today, had forgotten about that one.

Been a busy day. E72 shows speak for themselves, so good. Really good China- Rider, Dire Wolf, Cumberland, Truckin. Solid show with something like 750 people. Good choice!

Also got in the first set of 7/12/89 as well. Always liked Phil on Tom Thumbs Blues, stellar FOTD.

Looking forward to a new pick for tomorrow.

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Submitted by icecrmcnkd on Thu, 04/16/2020 - 18:46

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I’ll probably have enough time for a least two, so 4-17-72 will be included.
I have another pick to suggest , but it can wait for any day, as it seems we’ll be here for a while.
I’ll throw it out tomorrow morning while drinking morning coffee if another suggestion hasn’t been made by then. Keep it to official releases because that’s what’s loaded on my music player.

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Submitted by Vguy72 on Thu, 04/16/2020 - 19:16

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....better late than never!! A GSET opener is always welcome. Going frozen food tonight for din-din. Egg rolls and beer.
I totally missed the Daves 3 listen. Oops.
I have a pick for tomorrow! Winterland 10.22.67. The live bonus from the Anthem Of The Sun 50th. One disc. Surely we can find the time for that.
Edit....lets listen to the whole release!!!
I'm conekids wingman.

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Submitted by Strider 808808 on Fri, 04/17/2020 - 08:30

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Ah Youth. The band plays with youthful abandon and exuberance during Truckin . Haven't listened to Arhuus in a long time. Picked up this morning from almost where I left off last night. Restart Truckin. Will try and squeeze in 4/17/72 later.
I’ve never been across the big pond.
GD in Europe like Kesey said; “heads across the water.”

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Submitted by The Good Ole G… on Fri, 04/17/2020 - 08:49

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Ok, I'll bite.. this is fun.

I'm usually just a lurker but you guys have inspired me, so Thank you!

1972-04-16 was killer diller yesterday, That was soo good! It just shows the quality of that tour that not a song from that show made the album.. wow.
1970-04-15 - It took a few songs for the boys to get going, but God Damn, that TIFTOO Jam is HUGELY epic. That was great to hear again.

I still gotta listen to the '89 show... but I went off on a different trip yesterday after 4/16/72 and revisited Dick's first pick, 1973-12-19, but wanted to hear the "full show" so listened to the Miller SBD, Dick was right on all his picks, those are indeed the best tracks..

LATVALA!

Another reason I wanted to go back to 12/19 was to listen to Phil's Bass solo that got edited out, I was listening to an interview & Gans mentioned that and I'd forgotten it was missing (nice editing!). After doing some diggin' I came across it... it's cool and worth a listen.. but it sounds like it was missing from the Master Reel anyway as the solo only circulates as an audience patch from what I could find. Anyhow.. definitely worth a revisit whether you're listening to DP V1 or the Miller SBD or the Partial patch.. or all 3 will take you places too:)

Alright now you know why I'm a lurker.. I start babbling and stuff.

So it's 1972-04-17 today you say? Followed by the Grateful Dead Movie on Shakedown Stream... Happy Friday!

Thanks everyone, I'm digging the synchronicity of listening to picks from knowledgable heads and going to far out places.

During times like these it's like Jerry says on 12/19/73 “Remember Your Hippie Training Folks! Be Cool!!”

Thank you for being Cool!

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Submitted by Strider 808808 on Fri, 04/17/2020 - 09:36

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I don’t know the first thing about it.
I used calculator and entered the date from my first GD concert plus date from last. 9181 days or twenty five years ,one month and twenty one days. Then I calculated 9181 days since my last Dead show 2/21/95 and came up with last Saturday .
Still trying to wrap my mind around that ole man time.

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Submitted by icecrmcnkd on Fri, 04/17/2020 - 11:29

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4-17-72 playing now
10-22-67 and Anthem-50th completed.

Welcome The GOGD, glad you came out of hiding.

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Submitted by The Good Ole G… on Fri, 04/17/2020 - 11:56

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Thanks icecrmcnkd!

Dig it here.

Got sidetracked with some fresh 1991 Preston.Miller upgrades on Archive.org.

As soon as I finish grooving to 1991-09-26, which is sounding pretty darn good, Ima gonna load up 1972-04-17 and enjoy the ride.

If we could lose the Virus I could get used to this... Be well everyone!

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Submitted by DeadVikes on Fri, 04/17/2020 - 16:23

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Nice to see you here GOGD.

Send us a pick for tomorrow.

I am going to check out the Shakedown Stream at 7:00 CST for the Q&A.

Be well people!

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Submitted by The Good Ole G… on Fri, 04/17/2020 - 20:36

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Thanks DeadVikes!

What about 1973-02-26 - Dick's Picks V28? (missing Set 1 songs on Archive.org)

I haven't listened to it in awhile and could use a fresh pair of ears on it, not much early '73 happening here yet from what I can tell. I listened to 1973-02-09 last week for the first time in forever and was taken away..

If that's not working I can always throw the hat in for 1972-09-16 or that can be a bonus pick.

Between this and watching old Bill Walton, David Lemieux & Gary Lambert I'm feeling some DeadHead pride. Good music can make sad times better. Hats off to you all for doing some good work here.

Here's a list of what's come before (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-11-30 & 12-02 - DP 14 (2020-04-13)
1978-02-03, 04 & 05 - DP V18 (2020-04-06)
1979-12-26 & 28 - DP V5 & RT 3.1 (2020-04-07)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)

The following shows were also Mentioned
1972-04-17
1973-09-08
1973-12-01
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1985-11-01
1989-07-13
1989-09-12

PS - That trip through 4/17/72 Dark Star > Sugar Mag > Caution > JBG was soooo sick today! I had to do that twice. Makes you think what could have been… Nobody stuck around to film Set 3.. forehead smack!!!

....you call it babbling. Here we call it crunching Dead numbers. I'm in. Lincoln has the slight advantage due to a GSET with a Dark Star chaser. Salt Lake has a Cold Rain opener (always an indication) and an Eyes->Dew. Tough call.

I am in on this for tomorrow. Good choice GOGD. Dick's 28. Another super solid Dave release.

And this one is for sale again at Real Gone if anybody doesn't have an official copy. Wow!

Cool!

Since it’s the weekend and all here’s my pick:
1973-02-26 - Dick’s Picks V28
1973-02-28 - Dick’s Picks V28
Take your pick, do ‘em both… choice is yours

Extra Credit jam the missing tracks on archive.org or in your stash.

Filler:
1972-09-16 - Circulating SBD partial

Just getting to the 1967-10-22, had to save it for the right time, and the right time is now…
Morning Dew, NPC, Hurts Me Too, great young band version CR&S, Lovelight, sick BIODTL (Jerry fanning.. this S#*% is good!

Dig the Avatar and oh yeah provided this is all copacetic with the moderator... alligator!

Stay well and remember your hippie training.