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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • 1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
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    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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That one

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In reply to by bolo24

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....that is a good one. Been a while since I've played it. Hopping on that bus tomorrow.

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I’m on it, that will go good with morning coffee tomorrow.

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Man I dug those two shows!

I agree with OTIS, It's not so much Highlights as it is the Whole Trip .

For both nights.

I think I enjoyed 9/28/76 even more... coulda been the time of day it played as it is 4/20 after all.

Two comments:
Missing Bertha from 9/28/76 would make killer filler somewhere.. (hint, hint Lemieux)
The 9/28/76 Set 2 "Jam" tracks ("Jam", "Orange Wango Tango Jam") seem more like continuations on the PITB theme, anybody else hearing that?

If listed as such it makes that set look even greater on paper:
PITB > Wheel > Samson > PITB > Comes A Time > Drums > Eyes > PITB > Dancin' > PITB. Johnny B. Goode

GREAT Set either way you slice it, but.. that's what I was hearing and I love it when they weave in and out of a theme throughout a set like that. GREAT PICK!

I thought I had that JGB for a second, dug through the garage, but it's the Almost Acoustic from '88.

I found a few tracks on YouTube, so I'll kinda follow along and will look for the feedback.

I plan on doing an anniversary trip through 4/21/84, and maybe 4/20 & 4/19 too. Goin' back to Philly!

Happy 4/20

I've been really, ridiculously busy.. but I did finish Dicks Picks 18. Am I late to the party?

I will add.. I liked the Scarlet Fire so much, but it just didn't scratch the itch well enough. Perhaps it was the recording, perhaps, well.. it was missing some relevancy so I did a side-by-side comparison to the one from Dave's Picks 8, 11/30/80 Fox Theatre, Hot Lanta. Man.. that totally hit the spot. and the recording, to my ears at least, sparkled, which is amazing because half of it came from an audience master (thanks Dr. Bob!! bow of the head, tip of the glass.. much appreciatto).

So what's next? I guess I will have to read the last 18 pages since this one was mentioned.

Hoping to have some more free time soon.. perhaps I won't get so far behind.

Drinking an excellent bottle of red, and getting ready to put on some tunes? JGB? The best palate cleanser. Good golly miss molly.. I think I missed a lot here.

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In reply to by JimInMD

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Man.. great to see these shows get some love. Perhaps it was because it was back in the Dicks Picks days, when any release was a treasure trove of new and undiscovered magic.. I believe this release predates soundboard copies on Archive.org.. all this was new, but to the meat.. you have to add Jerry's guitar work during supplication as a high point. Crank it to 11, he shreds it and for the mellow vibe of 76, it's worth a listen.

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Fall 76! I remember the first time I heard the Cosmic Charlie out of Dancing and thought wow, 76 is really good. Still true today. Love the Sugaree, just a solid show throughout. The whole show is really smoking, solid finish.

Great choice WilfredTJones.

Stay well folks!

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In reply to by DeadVikes

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I haven't played it this week, but I just thought I'd chip in to say its my favourite 1976 show, and has been since whenever it came out.

Morning!

Waiting for A Miracle seems like such a relevant tune today.

Man, I know I’ve got this JGB CD somewhere.. or had it, but if I had it I woulda kept it. So.. hmm.

Feel ya BOBT them Dylan tunes are what I wanted to hear most. Found around 6 of these songs on YouTube but not that one.

VGUY yeah, you’re right I should prob get Spotify.. can I handle/afford 1 more sub in my life… I gotta think about that, meaning procrastinate longer until the next time:)

Anyhow, what I’m hearing is sounding GREAT, and real nice playing by Jerry.. Dear Prudence solo is sounding real good, sick drum fills too. I had this back in the day…

I’m gonna trip on over to the April 1984 Philly run per OTIS mention.

Have Fun today and Be Well!

Like others have mentioned.. the Dylan stuff shines for me, add in Dear Prudence, which blew me away the first time I listened to this version.. But my favorite cut of the album is Lucky Old Sun. and talk about a karma lift.. My Sisters and Brothers.

...definitely changed me. It came out at a time when I was also getting fully into the GD; these versions became staples against which all other versions were judged (I know we ALL do this from time to time...).

The Simple Twist of Fate is a definite favorite here as far as the covers. But my favorite of them all is I Shall Be Released. (right on VGuy)
Jerry's vocals are so heartfelt; sounding nearly broken at times, offset by his absolutely WAILING solos, especially that final one....total chills up the spine every time. When shit like that happens, you know it touches a deep part of your innards.

A++ for this release

Sixtus

P.S. Bolo Contest chin scratching commencing

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Yeah, definitely a game changer! I too was just really getting into the Dead, and when I got that CD (a year or two after it was released,) it cemented for me that Jerry was going to become my all-time favorite guitar player. In addition, as a big Dylan fan, it has so many great takes of his tunes, and it was Jerry's voice - fragile, sensitive, warm, - that totally sold me (still does.) The big highlight for me (though I LOVE every track) has always been "Senor." Makes me stand up and take notice, every time. Jerry's delivery and playing on that one... holy guacamole!

Oh, and "My Sisters and My Brothers." That song became a mantra for me in high school, and I think I am a better man for it now.

Great pick Bolo!

Peace

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Good pick Bolo.
On Lucky Old Sun now, all songs so far have been hitting the spot. Love the tone of Jerry’s guitar.

Don’t want to do any overkill today, but later this week I’m also going to spin the other compilation releases How Sweet It Is.... and Shining Star.

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In reply to by icecrmcnkd

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On sale now.

Nice bonus disc!

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Dusted off some classic releases a few weeks ago

~ Box of Rain ~ Fallout from the PhilZone+ Jerry Garcia Band double disc with John Kahn cover artwork.

Cool graphics and pics on the CDs and booklet

Hundred Year Hall + Don't Let Go

Dicks Picks 4 , 11 , 13 , 18 have been in my car for months.

China -> Rider -> China Doll from 12.29.77 is real nice

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Playing at home when i can - we've had sweet spring weather and been spending time in the garden and reveling in the real world outdoors. Bolo - great to hear things turned corner for better with friends and loved ones - scary times.

In the end caught some of these picks, missed a couple others, I'll get to 'em eventually, plus a few non-pick-of the-day musical detours. One detour that's been on repeated repeat is the '91 JGB show from Electric on the Eel. Love it love it love it! Been meaning to bring it up, its a big beautiful dose of carefree big smile summer fun. Cool to have Bolo rec the '91 JGB live release (Deal now.) This release got a lot of mileage back in the day, but its been long while. One song that stood out back then was Senor - totally unfamiliar to me as a Dylan or JGB song, super eerie and powerful. General later JGB thought - Melvin Seals organ playing is a freaking force of nature.

Finished Landover 9/25/76 this morning - awesome show, years since i last listened. That second set is out of this world! And somehow I'd totally lost track of how great 12/2/73 was - oh my goodness. That '83 Santa Fe show is like a train about to jump the tracks. On a non-pick-of-the-day closing note - had a delightful late evening with those 2 October '80 Warfield acoustic sets released last year.

Opening notes of Senor . . . .

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For what it's worth, of the three JGB compilations, most of the time I prefer this one. Perhaps at least partially due to nostalgia..

We more or less got Without a Net and then a year later Jerry Garcia Band (Live) within a year.. and before that there was a dearth of officially released live material going back a number of years. ..and if you were seeing shows, one couldn't help but notice how much better and more consistent the live performances were. It was a good time for all things Grateful Dead.

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So I just found this thread and am listening to the '91 JGB show. I'll write a full opinion review when I'm done with the album, but dang I had to say that was a GRATE jam in "The Way you do the things you do"!

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JGB 91, coming to a rocking close. What a fine release!

Have I missed Bolo's clue? Was it his post "Yeah - That one"? If so, that's a tough clue (or is it?) :)

So, what's on tap for tomorrow, folks? I've really been enjoying the picks so far!

Also, Good Ole Grateful... did you make it to Philly 84 yesterday? I really loved that 4/20 show - amazing Let it Grow, great Scarlet>Fire, overall fun two sets and I thought a really great sounding AUD. Also, that may be the best Esau I've heard - at least I can't recall a better one :)

Peace

EDIT: I now see that I posted my question about Bolo's clue at 11:48 PST, not 12 noon. My ability to do simple math seems to be slipping...

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Nice to meet everyone! Y'all rock and this platform is amazing!

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Time for America’s favorite game show, “Name That Grateful Dead Concert!”

Please read carefully: Following this post, a clue will appear that can be EASILY deciphered to reveal a particular Grateful Dead concert. To win the contest and receive some groovy and valuable Grateful Dead items (TBD), simply send me a PM with your guess of the date and venue of the concert. Also, you must include how you determined your guess, i.e., show your work! No work shown = no entry!

Do not post your guess on this forum as it won’t count. Earliest PM with the correct answer wins. And only one entry per screen name, so take your time to make sure your guess has merit as multiple guesses will be ignored. Screen names must pre-date the time stamp of this post.

Have fun with this, celebrate Dave’s 34 release, have a beer (or whatever), blow off some steam, turn off the TV, get some fresh air. Call your parent(s) and tell them you love them (if applicable).

Clue to follow.

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Foot

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....oops. hope no one saw that. Lol

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So the Clue is = "Foot"?
Or = "Fixable Foot"?

Not sure clarification will help me here, but.. figured it was worth a shot.

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Haven't listened to that Jerry release in a long time. Have it since it came out played it many times. We need more Jerry releases.

9/25: Started nice the rest of set 1 was okay. Set 2 Dancin' picks it up nice! Scarlet. Stephen> NFA> Drums>Jam> Stephen>Sugar Mag great!!

9/28: Have this one marked as an all-timer. Big River was nice Cassidy too this whole first set was excellent. Set 2 Playin' sandwich Awesome!!

Can hear '77 a comin'.

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In reply to by mbarilla

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Dave's Picks 34 with bonus disc and the box set should arrive about the same day.

Dave LSD you got one more job this year. fire up a 1984 show for release and include 7.13.84 second set with encore

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In reply to by JimInMD

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What's on tap for tomorrow?

Anybody get it right Bolo?

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In reply to by mhammond12

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I thought I had it... and got my reply

"missed it by that much"

Himey, kill the light.

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In reply to by DeadVikes

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Got nothin' on Fixable Foot

As for Tomorrow..
4/22/66 Trips Festival (I gotta trip through that:)
4/22/77 is looking like it should be listened too.. not official release though
4/22/78 DaP V15 is official though
4/22/79 Brent's First show might need some honoring

Just a few anniversary date themed thoughts in that regard.

Super curious about the fixable foot...

OTIS - I finished up 4/20/84 & 4/21/84.. they both had their '84 charm.. I'd say for me the highlight was that Slipknot! on 4/21/84... that's definitely worth a listen, dug the PITB too and Stranger from 4/20. Thanks for the reminder!

Gonna try and get 4/21/69 in today... but it might not happen, Hard To Handle with Jerry on Slide.. so far it's weird:)

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In reply to by The Good Ole G…

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....its an anniversary and official. On it. Righteous Wharf Rat on that one.
Also Brent's first show by date. Hmmm. People? We need to decide. Vote?
I think I have the right show, but bolo hasn't responded. This is good?

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Only a handful of guesses, so not much interest apparently. I'll give it another day to see if anyone gets inspired and claims some really good free stuff.

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In reply to by bolo24

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Interested!

Just stumped any secondary clues?

Fixable Foot.. that just.. I got nothin'

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In reply to by The Good Ole G…

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My suggestion:
So there is a great Jerry solo show from ‘82 that I’m obsessed with. He’s on acoustic and it’s amazing (4/10/82).
https://youtu.be/vMHXMRd1KTI

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In reply to by gr8fulgal77

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....check your pm. I did my homework. I'm inspired.
And if I'm wrong, I'm out.

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In reply to by Vguy72

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Sound like a good choice GOGD and Vguy. I am on it tomorrow.

Bolo, I am very interested, just do not have a clue.

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'Fixable Foot' I have no idea but will give it a guess.