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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
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    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
    Joined:
    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Cool! This is a pick that I have not spun since its release. I am not a huge fan of 78 in general (though the July Box is great,) but I remember thinking that this one was better than I was expecting. Anyway, I am looking forward to diving in and giving it some fresh ears! If I recall, I preferred the 1st set to the 2nd on this one, but I'll reassess today.

BOLO - I threw my (most likely erroneous) hat in the ring and sent you a PM.

Peace

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I've never heard that before! That made a really nice warm-up for the day, making coffee, and watching the sun come out listen! Thank you! I especially loved the "Gomorrah" - what a gorgeous tune and what a great version!

Peace

GRATEFULGAL7277 - Thanks for suggesting Jerry's only solo acoustic show! I plan to give that a spin today for sure.

Bootleg notes.. A lone voice in the crowd shouts out "Maestro" and that about sums it up!

Supposedly Jerry was terrified and never did it again, the show fills a nice gap in a hot Spring '82 GD tour.. Bob & Jerry would play Letterman together 3 nights later. Love this stuff!

I'm with OTIS - '78 can run pretty hot or cold and the set lists tend to be a bit pedestrian, I don't think I gave this release a lot of attention, it probably got a listen and then I moved on to the next thing.

But from the sounds of the Opening Bertha > Good Lovin' through.. I'm up to Tennessee Jed, this sounds like a hot one! I think most of April is real good?!?

It's gonna be a good day to listen to the Dead!

PS - BOLO24 did you get my guess?
I tried to send a PM with my Fixable Foot Show Guess, being new at this participation thing and all, message system is kinda hooky... Can't tell if it got sent to you or not?

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Bertha> Good Love rocks, Candyman LLR was nice, rest of set 1 was just okay,

Lazy Supp. nice jam, Estimated>Eyes was nice, Drums into NFA love that, Wharf Rat Sugar Mag
OMSN blow out.

Nashville is a fine choice for a revisit, anniversary no less! Cool cover art also, psychedelic river boat and Wharf Rat. Anybody looking for an excellent paddlewheel side trip should take a listen to the album Mark Twang by the late great John Hartford. Gratefulgal - def will check out the solo Jerry show. I saw tail end of a Garcia & Kahn show a couple months later at Auditorium Theater in Chicago. Rowdy happy crowd. End of show, people yelling for Jerry to play Ripple. Then someone yells out loud and clear -"Play what you want!" Jerry looks up, says "Thank you!" and then plays Ripple! As to "Fixable Foot" - i got nothing Bolo.

I'm glad you enjoyed. I love the Gomorrah as well! I think the announcer saying "This is a rare musical experience" is very true for this show. Going Going Gone is also hauntingly beautiful.

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In reply to by gr8fulgal77

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....i provided two guesses. Both wrong. I have no idea.
Working today, so unable to listen to the physical Nashville, so firing up a Miller SB of the Archive.

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In reply to by gr8fulgal77

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Rare Musical Experience indeed!

I think that's John Scher (promoter) doin' that introduction.

There's a couple of videos of Rubin & Cherise (Spelling seems to be subjective) & Ripple floating around on the interwebs.. They'll definitely bring a smile to your face.

Jerry!

I wonder if the whole set / both sets video is out there somewhere?

I'm diggin' this! Thanks for the tip..

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I sent a reply to your PM - I hope that it went through this time. I don't know what happened to the first one.

Peace

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In reply to by The Good Ole G…

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Thank you so much! So cool to see Jerry playing! That song is one of my favs from that set so that was a real treat!

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In reply to by gr8fulgal77

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I sent my answer in last night! I can't wait to see what show it is, such an interesting hint!

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In reply to by gr8fulgal77

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Synchronicity

Thanks for the mention > triggered some research > stumbled on video > had to share.

Love that song too, and haven't heard this show in years and years.. so good!

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In reply to by Vguy72

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Yay Work! The economy needs you.

Let us know what you listen too.. maybe we'll join you.

Not working & shit, but in spirit you know?

BTW Miller has been dropping some nice Don Pearson Cassette Master Upgrades lately... there's some freshies out there! Especially if you like 1989, 90 & 91... 9/26/91 comes to mind.. I know that run gets pretty panned by history and in McNally's book, but I dug that show the other day... for '91 sounded pretty sweet.

Best wishes.

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I sent my guess to your inbox. This is my first time sending a message, so I hope I did it correctly.

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Me too, Looks like PM aren't working.

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Rocking Bertha>Good Lovin! Very nice Candyman (what a great song! This version is stellar.) Donna sounding great on LLR. Tenn Jed - why so sllllooooowwww? It is such a great tune, but at this pace, it is a bit of a bore. Jack Straw is pretty standard, Peggy-O is always welcome, and this one is pretty good- Jerry's singing is solid. Minglewood is high-energy, rock-star Weir, and Deal closes things out nicely. Overall, I enjoyed it... It does get dragged down in the middle of the set with Tenn Jed serving as the the third "slow" tune in a row, then followed by an average Jack Straw and another slow tune Peggy-O. Miglewood and Deal bring the energy back up, but neither are "must-hear" versions, IMO. Overall, a solid 7/10.

"That's it, we quit." Sounded like Bob was actually kinda pissed!

Now onto Set II...

Peace

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I received a PM from Bolo saying that he did not get my original, so it looks like PMs are working (at least in some capacity.)

I replied to his PM, but have yet to hear anything. I think my problem was that the site didn't recognize that I had sent the message to Bolo. The original is in my Messages folder, but I am the only recipient. I know that I typed his username into the "To:" portion, but for some reason, it didn't register.

Peace

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In honor of our newest release, do to ship in a week may I suggest
a trip to June '74 with Dick's Picks Vol 12. 6/26 - 6/28 1974.

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PM Resent, this one includes you on the thread.. so I think it worked.

LMK and Thanks!
Best,
The GOGD

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In reply to by fourwindsblow

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I like the idea of some '74 pre-partying.

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Have now received the missing messages.

No winner yet, although That's Otis was on the right track - he just needed to try a "little bit harder, just a little bit more, a little bit further than he gone before."

EDIT: No, "The Wheel" isn't in the setlist.

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Thanks Bolo24!

Dang it.. I knew my attempt was weak 😬 🌹⚡️🌈

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Garcia's solos on virtually every song of that JGB 91 release were immaculate. Whether slow, fast, bluesy or funky, each song was performed darn near flawlessly. Melvin and David were beasts on their respective instruments, with the ladies adding beauty to the vocal palette. A great latter-day release!

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Had not listened to this show in a long time. Also on my iPod . Lazy Lightning - Supplication was exciting.
Happy Earth Day 50 today. Was at Central Park bandshell for first Earth Day celebration 50 years ago when I 16. Saw the Jefferson Airplane play a free concert a few weeks later at the same venue.

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Hiya Bolo! Sent another PM your way... (fingers crossed!)

Set II for today's listen has been delayed (how is it that I seemingly have more work when I am not at work?!?) Anyway, about to walk the pups and start dinner. Set II will have to be my cooking jams for the night :)

Peace

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In reply to by Strider 808808

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Dave's Picks #15. One more Saturday night in Nashville. Damn right! Like Otis and Strider, I don't listen to this one often, but I should. I usually pull 4/24/78, Dave's #7.
But this wonderful exercise is forcing me to listen to these shows again in full.

Nice first set, yes Otis, that New Minglewood blues really rocks. Bob definitely kicked it up a notch on this one.
I have to say I really like Deal, however, this version and other 78 versions with Donna's high pitch squeal of Deal, just makes me want to turn it off. Sounds like yodeling.
Second set is sweet, great start and I like the Estimated, but Jerry kind of wanders a bit in these 78 versions. Really good Eyes, love the Wharf Rat and great finish with Sugar Magnolia and One More Saturday Night.

These picks have been fun for me people. Thanks!

I think Conekid maybe had some suggestions for next picks? I have a few more as well, but I will wait until others get some more in.

Oh, one more thing, I believe we will be getting another early April 78 release soon.

Be well folks!

Edit, sorry I didn't see Dicks #12. Rats, another one I don't have.

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At this point, it's fairly apparent that the odds of someone solving this riddle based on the sole clue provided are pretty low. On a positive note, some of the guesses have been quite clever and somewhat entertaining!

So, below you'll find a further (furthur?) clue. A consolation prize will go to the first accurate guess. I'll save the better goodies for a future giveaway. Again, show your work, one guess per screen name.

Here it is:

2 word anagram, no leftover letters.

Good luck!

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"guesses have been quite clever and somewhat entertaining!"

Bolo, I bet you pissed your pants when you saw my answer.

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In reply to by fourwindsblow

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....holee shit Garcia! Tell us how you really feel!! As Jim Carrey said in The Mask, "Smokin!!"

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I'm still trying to figure out Liberace on a ostrich running in a garbage dump in Virginia from last year... I guess i need easier clues, like Alpine Valley is in this state!!! Just kidding... bob t

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Yeah Deadvikes, the pick I was holding on to is 8-13-75. I was looking for a reason to listen to the vinyl copy I have.
But we don’t have to listen to it this week.
Alternatively, maybe we need to throw in a more modern show at this stage of the game. Say, something with Bruce?
Maybe spiced up with some Branford in honor of his father being taken by Covid?
9-10-91 for tomorrow?

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....what was up with that clue last year involving Liberace??
EDIT. 9.10.91 for Thursday? Okee-dokey. I'm easy to please.

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Milton the Toaster was a spokesman! Just kidding i have not even come close to guessing a riddle of yours.... be safe everyone... bob t

Well..... That narrows it down.

Narrows it down to what show?
I, for one, do not know.

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In reply to by icecrmcnkd

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I can think of at least six shows that fit this bill. The US Festival in 82.. a few Fillmore East shows, Sunsplash '82 and of course the Closing of Winterland just to name a few. None of them contain fixable feet anagrams though.

I think all the clues are carefully documented if you take a magnifying glass and do a deep dive on Blotter Art. That's all I've got. Be safe all.

http://www.key-z.com/special.html

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In reply to by DeadVikes

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So, as the whole family is extremely fortunate and working from home and going to school, my 11 year had a very asoute observation. I have been working in our basement and playing a ton of GD. I don't do the headphones due to fear of hearing issues (yes, might be old lame reasoning). "Your music is so loud and annoying." Of course I said, "No it is not and if it was why do you always dance every time you hear it and sing along?"

"I don't like it, it is just stuck in my head."

For AJS and Carlo, Jerry! Jerry Garcia!

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Grateful Dead music is highly infectious before you no it you can have symptoms like singing out loud dancing around collecting massive amounts of live shows.

ps. 6/28/74 To Lay Me Down last Jam almost blew my walls out.

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In reply to by fourwindsblow

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About to fire it up.

Deadvikes, don’t let those kids push you around.

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In reply to by icecrmcnkd

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https://archive.org/details/gd1991-09-10.mtx.amdig.gems.98132.flac16/gd…
....just started. At work again today, so i will be pausing it here and there, but I'll make in though.
On a side note, the mayor of Las Vegas embarrassed the shit out of herself and our city during an interview on CNN yesterday. Holy cow. I just put both my hands in my head and shook it. Technically, i live in Henderson, so she's not MY mayor. Lol.
Avatar changed accordingly for todays listen.

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In reply to by icecrmcnkd

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Hey there!

I've enjoyed reading the back and forth and tripping through these live Dead picks. It's like a smorgasbord:)

Follow Up on Yesterdays listening & comments:
4/22/78 - I agree with everything you all been laying down in regards to that pick and don't have anything better to add, nice work! It was fun to dust it off.. I think it might get dusty again.

4/10/82 - Jerry Acoustic, man is that a treat! Both sets, so intimate and special, flawed and personal. Kinda like the maestro himself a multi-faceted jewel.

I took a detour along the route to today and I'd highly recommend it -
4/22/77 - What a killer show!

After tripping through June '76 box set & DiP V20 - 9/25 & 9/28/76 followed by DaP V15 - 4/22/78 this show lands right in the middle and gives them a run for their money.

The 1st show of the legendary Spring Tour, an AMAZING 20 minute PITB to close Set 1, The 2nd ever FOTM, 1st ever Mojo. It's definitely worth the trip. And... it's so cool to hear the difference between 1976 & 1978. Ever changing ever evolving. It's the same band, but it's not. Check out the solo in IMHBTR (playing right now), wow Good Stuff! The launching point for some of their most legendary shows that will follow in the next coming weeks. This show feels like it's a bit off the radar, can't remember really settling into it before, probably collected in a fever to get everything and.... well check it out!

Alright, sounds like today is packed with more good listening suggestions -
1991-09-10 - 30 Trips
1974-06-26 & 1974-06-28 - DiP V12

I've got my work cut out for me, but I'm hip to the challenge.

Be Well you all and keep the good times rolling!