• 8,099 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • JimInMD
    Joined:
    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • daverock
    Joined:
    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Cool! This is a pick that I have not spun since its release. I am not a huge fan of 78 in general (though the July Box is great,) but I remember thinking that this one was better than I was expecting. Anyway, I am looking forward to diving in and giving it some fresh ears! If I recall, I preferred the 1st set to the 2nd on this one, but I'll reassess today.

BOLO - I threw my (most likely erroneous) hat in the ring and sent you a PM.

Peace

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I've never heard that before! That made a really nice warm-up for the day, making coffee, and watching the sun come out listen! Thank you! I especially loved the "Gomorrah" - what a gorgeous tune and what a great version!

Peace

GRATEFULGAL7277 - Thanks for suggesting Jerry's only solo acoustic show! I plan to give that a spin today for sure.

Bootleg notes.. A lone voice in the crowd shouts out "Maestro" and that about sums it up!

Supposedly Jerry was terrified and never did it again, the show fills a nice gap in a hot Spring '82 GD tour.. Bob & Jerry would play Letterman together 3 nights later. Love this stuff!

I'm with OTIS - '78 can run pretty hot or cold and the set lists tend to be a bit pedestrian, I don't think I gave this release a lot of attention, it probably got a listen and then I moved on to the next thing.

But from the sounds of the Opening Bertha > Good Lovin' through.. I'm up to Tennessee Jed, this sounds like a hot one! I think most of April is real good?!?

It's gonna be a good day to listen to the Dead!

PS - BOLO24 did you get my guess?
I tried to send a PM with my Fixable Foot Show Guess, being new at this participation thing and all, message system is kinda hooky... Can't tell if it got sent to you or not?

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Bertha> Good Love rocks, Candyman LLR was nice, rest of set 1 was just okay,

Lazy Supp. nice jam, Estimated>Eyes was nice, Drums into NFA love that, Wharf Rat Sugar Mag
OMSN blow out.

Nashville is a fine choice for a revisit, anniversary no less! Cool cover art also, psychedelic river boat and Wharf Rat. Anybody looking for an excellent paddlewheel side trip should take a listen to the album Mark Twang by the late great John Hartford. Gratefulgal - def will check out the solo Jerry show. I saw tail end of a Garcia & Kahn show a couple months later at Auditorium Theater in Chicago. Rowdy happy crowd. End of show, people yelling for Jerry to play Ripple. Then someone yells out loud and clear -"Play what you want!" Jerry looks up, says "Thank you!" and then plays Ripple! As to "Fixable Foot" - i got nothing Bolo.

I'm glad you enjoyed. I love the Gomorrah as well! I think the announcer saying "This is a rare musical experience" is very true for this show. Going Going Gone is also hauntingly beautiful.

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In reply to by gr8fulgal77

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....i provided two guesses. Both wrong. I have no idea.
Working today, so unable to listen to the physical Nashville, so firing up a Miller SB of the Archive.

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In reply to by gr8fulgal77

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Rare Musical Experience indeed!

I think that's John Scher (promoter) doin' that introduction.

There's a couple of videos of Rubin & Cherise (Spelling seems to be subjective) & Ripple floating around on the interwebs.. They'll definitely bring a smile to your face.

Jerry!

I wonder if the whole set / both sets video is out there somewhere?

I'm diggin' this! Thanks for the tip..

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I sent a reply to your PM - I hope that it went through this time. I don't know what happened to the first one.

Peace

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In reply to by The Good Ole G…

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Thank you so much! So cool to see Jerry playing! That song is one of my favs from that set so that was a real treat!

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In reply to by gr8fulgal77

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I sent my answer in last night! I can't wait to see what show it is, such an interesting hint!

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In reply to by gr8fulgal77

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Synchronicity

Thanks for the mention > triggered some research > stumbled on video > had to share.

Love that song too, and haven't heard this show in years and years.. so good!

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In reply to by Vguy72

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Yay Work! The economy needs you.

Let us know what you listen too.. maybe we'll join you.

Not working & shit, but in spirit you know?

BTW Miller has been dropping some nice Don Pearson Cassette Master Upgrades lately... there's some freshies out there! Especially if you like 1989, 90 & 91... 9/26/91 comes to mind.. I know that run gets pretty panned by history and in McNally's book, but I dug that show the other day... for '91 sounded pretty sweet.

Best wishes.

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I sent my guess to your inbox. This is my first time sending a message, so I hope I did it correctly.

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Me too, Looks like PM aren't working.

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Rocking Bertha>Good Lovin! Very nice Candyman (what a great song! This version is stellar.) Donna sounding great on LLR. Tenn Jed - why so sllllooooowwww? It is such a great tune, but at this pace, it is a bit of a bore. Jack Straw is pretty standard, Peggy-O is always welcome, and this one is pretty good- Jerry's singing is solid. Minglewood is high-energy, rock-star Weir, and Deal closes things out nicely. Overall, I enjoyed it... It does get dragged down in the middle of the set with Tenn Jed serving as the the third "slow" tune in a row, then followed by an average Jack Straw and another slow tune Peggy-O. Miglewood and Deal bring the energy back up, but neither are "must-hear" versions, IMO. Overall, a solid 7/10.

"That's it, we quit." Sounded like Bob was actually kinda pissed!

Now onto Set II...

Peace

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I received a PM from Bolo saying that he did not get my original, so it looks like PMs are working (at least in some capacity.)

I replied to his PM, but have yet to hear anything. I think my problem was that the site didn't recognize that I had sent the message to Bolo. The original is in my Messages folder, but I am the only recipient. I know that I typed his username into the "To:" portion, but for some reason, it didn't register.

Peace

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In honor of our newest release, do to ship in a week may I suggest
a trip to June '74 with Dick's Picks Vol 12. 6/26 - 6/28 1974.

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In reply to by bolo24

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PM Resent, this one includes you on the thread.. so I think it worked.

LMK and Thanks!
Best,
The GOGD

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In reply to by fourwindsblow

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I like the idea of some '74 pre-partying.

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Have now received the missing messages.

No winner yet, although That's Otis was on the right track - he just needed to try a "little bit harder, just a little bit more, a little bit further than he gone before."

EDIT: No, "The Wheel" isn't in the setlist.

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In reply to by bolo24

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Thanks Bolo24!

Dang it.. I knew my attempt was weak 😬 🌹⚡️🌈

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Garcia's solos on virtually every song of that JGB 91 release were immaculate. Whether slow, fast, bluesy or funky, each song was performed darn near flawlessly. Melvin and David were beasts on their respective instruments, with the ladies adding beauty to the vocal palette. A great latter-day release!

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Had not listened to this show in a long time. Also on my iPod . Lazy Lightning - Supplication was exciting.
Happy Earth Day 50 today. Was at Central Park bandshell for first Earth Day celebration 50 years ago when I 16. Saw the Jefferson Airplane play a free concert a few weeks later at the same venue.

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In reply to by bolo24

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Hiya Bolo! Sent another PM your way... (fingers crossed!)

Set II for today's listen has been delayed (how is it that I seemingly have more work when I am not at work?!?) Anyway, about to walk the pups and start dinner. Set II will have to be my cooking jams for the night :)

Peace

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In reply to by Strider 808808

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Dave's Picks #15. One more Saturday night in Nashville. Damn right! Like Otis and Strider, I don't listen to this one often, but I should. I usually pull 4/24/78, Dave's #7.
But this wonderful exercise is forcing me to listen to these shows again in full.

Nice first set, yes Otis, that New Minglewood blues really rocks. Bob definitely kicked it up a notch on this one.
I have to say I really like Deal, however, this version and other 78 versions with Donna's high pitch squeal of Deal, just makes me want to turn it off. Sounds like yodeling.
Second set is sweet, great start and I like the Estimated, but Jerry kind of wanders a bit in these 78 versions. Really good Eyes, love the Wharf Rat and great finish with Sugar Magnolia and One More Saturday Night.

These picks have been fun for me people. Thanks!

I think Conekid maybe had some suggestions for next picks? I have a few more as well, but I will wait until others get some more in.

Oh, one more thing, I believe we will be getting another early April 78 release soon.

Be well folks!

Edit, sorry I didn't see Dicks #12. Rats, another one I don't have.

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At this point, it's fairly apparent that the odds of someone solving this riddle based on the sole clue provided are pretty low. On a positive note, some of the guesses have been quite clever and somewhat entertaining!

So, below you'll find a further (furthur?) clue. A consolation prize will go to the first accurate guess. I'll save the better goodies for a future giveaway. Again, show your work, one guess per screen name.

Here it is:

2 word anagram, no leftover letters.

Good luck!

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"guesses have been quite clever and somewhat entertaining!"

Bolo, I bet you pissed your pants when you saw my answer.

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In reply to by fourwindsblow

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....holee shit Garcia! Tell us how you really feel!! As Jim Carrey said in The Mask, "Smokin!!"

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I'm still trying to figure out Liberace on a ostrich running in a garbage dump in Virginia from last year... I guess i need easier clues, like Alpine Valley is in this state!!! Just kidding... bob t

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Yeah Deadvikes, the pick I was holding on to is 8-13-75. I was looking for a reason to listen to the vinyl copy I have.
But we don’t have to listen to it this week.
Alternatively, maybe we need to throw in a more modern show at this stage of the game. Say, something with Bruce?
Maybe spiced up with some Branford in honor of his father being taken by Covid?
9-10-91 for tomorrow?

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....what was up with that clue last year involving Liberace??
EDIT. 9.10.91 for Thursday? Okee-dokey. I'm easy to please.

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Milton the Toaster was a spokesman! Just kidding i have not even come close to guessing a riddle of yours.... be safe everyone... bob t

Well..... That narrows it down.

Narrows it down to what show?
I, for one, do not know.

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In reply to by icecrmcnkd

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I can think of at least six shows that fit this bill. The US Festival in 82.. a few Fillmore East shows, Sunsplash '82 and of course the Closing of Winterland just to name a few. None of them contain fixable feet anagrams though.

I think all the clues are carefully documented if you take a magnifying glass and do a deep dive on Blotter Art. That's all I've got. Be safe all.

http://www.key-z.com/special.html

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So, as the whole family is extremely fortunate and working from home and going to school, my 11 year had a very asoute observation. I have been working in our basement and playing a ton of GD. I don't do the headphones due to fear of hearing issues (yes, might be old lame reasoning). "Your music is so loud and annoying." Of course I said, "No it is not and if it was why do you always dance every time you hear it and sing along?"

"I don't like it, it is just stuck in my head."

For AJS and Carlo, Jerry! Jerry Garcia!

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Grateful Dead music is highly infectious before you no it you can have symptoms like singing out loud dancing around collecting massive amounts of live shows.

ps. 6/28/74 To Lay Me Down last Jam almost blew my walls out.

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In reply to by fourwindsblow

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About to fire it up.

Deadvikes, don’t let those kids push you around.

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In reply to by icecrmcnkd

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https://archive.org/details/gd1991-09-10.mtx.amdig.gems.98132.flac16/gd…
....just started. At work again today, so i will be pausing it here and there, but I'll make in though.
On a side note, the mayor of Las Vegas embarrassed the shit out of herself and our city during an interview on CNN yesterday. Holy cow. I just put both my hands in my head and shook it. Technically, i live in Henderson, so she's not MY mayor. Lol.
Avatar changed accordingly for todays listen.

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In reply to by icecrmcnkd

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Hey there!

I've enjoyed reading the back and forth and tripping through these live Dead picks. It's like a smorgasbord:)

Follow Up on Yesterdays listening & comments:
4/22/78 - I agree with everything you all been laying down in regards to that pick and don't have anything better to add, nice work! It was fun to dust it off.. I think it might get dusty again.

4/10/82 - Jerry Acoustic, man is that a treat! Both sets, so intimate and special, flawed and personal. Kinda like the maestro himself a multi-faceted jewel.

I took a detour along the route to today and I'd highly recommend it -
4/22/77 - What a killer show!

After tripping through June '76 box set & DiP V20 - 9/25 & 9/28/76 followed by DaP V15 - 4/22/78 this show lands right in the middle and gives them a run for their money.

The 1st show of the legendary Spring Tour, an AMAZING 20 minute PITB to close Set 1, The 2nd ever FOTM, 1st ever Mojo. It's definitely worth the trip. And... it's so cool to hear the difference between 1976 & 1978. Ever changing ever evolving. It's the same band, but it's not. Check out the solo in IMHBTR (playing right now), wow Good Stuff! The launching point for some of their most legendary shows that will follow in the next coming weeks. This show feels like it's a bit off the radar, can't remember really settling into it before, probably collected in a fever to get everything and.... well check it out!

Alright, sounds like today is packed with more good listening suggestions -
1991-09-10 - 30 Trips
1974-06-26 & 1974-06-28 - DiP V12

I've got my work cut out for me, but I'm hip to the challenge.

Be Well you all and keep the good times rolling!