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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1901
    Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • #1902
    JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • #1903
    daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • #1904
    1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • #1905
    1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • #1906
    bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • #1907
    Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • #1908
    JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • #1909
    DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • #1910
    1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Thats_Otis on Thu, 04/23/2020 - 11:44

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This 91 show is a real gem! Thanks for posting the link VGUY, I don't have Boxilla, but this Matrix sounds sweet!

Wrapping up Set 1 now! That Cassidy got DEEP! High Time was another highlight, but this has been an overall excellent listen!

Set II of Nashville yesterday went about as I expected. I enjoyed the energy of the LL>Supp opener, I'm always a sucker for Must Have Been the Roses, and then I admit I got a little lost in the Estimated jam, which does seem to just meander around. The Eyes is speedy, which is not my favorite type, but it was ok, then Drums, which in 78 is almost always too long, NFA, Wharf Rat (late set highlight) Sugar Mags, OMSN - all fine versions, but not too exciting. I think I do like this pick slightly more than DaP7 - Normal, but I agree with GOGD, it was nice to dust this one off, but I think it'll get popped back on the shelf for a while.

Also, Good Ole - I am planning on checking out that 4/22/77 show - I just DL'd it and I think I will cue it up after DiP12, though I know that one so well I may just pop in for some highlights (of which there are MANY!)

Loving this new board! Good vibes all around!

Gotta go - they just opened set II with Help On the Way!

Peace

...er, a, I can’t keep up! The posts, the POTDs, pant, pant, this is becoming like a job....so I’ve had to miss a few. That’s ok, I didn’t need to hear some of those.
Did dig the JGB live, always a favorite. Top shelf all the way; Audio, tunes, and the band is definetly peak period.
DPs 12: yeah, haven’t heard this one much, prolly too much other competing new stuff to constantly chase? But I’ve always loved this one. I don’t necessarily mind some of the chopped picks when their sort of sequential and/or make sense flow wise. Don’t dig the “cut up” method.
9/10/91: this will be next fo shure, whenever that might be! I might be a couple a few Mississippi Halfsteps behind, but I’m with ya! Rock on folks!

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Submitted by Thats_Otis on Thu, 04/23/2020 - 14:34

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... God, I love this song.
Engraved on my wedding ring - "I'd rather be with you."

Peace

EDIT: What an overall wonderful show! Great pick! What's on for tomorrow?

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Submitted by The Good Ole G… on Thu, 04/23/2020 - 15:50

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Yeah, I was bored.

I wanted to see how the audio spectrums reacted to Slipknot!

Thanks for watching!

Good show with B. M. Love the Shakedown opener, C.C Rider is good and that Dylan song was different. Help, Slip, Franklins was strong as well for that era. Definitely a change of pace. Thanks.

I think we owe FourWinds a pick?

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Submitted by Vguy72 on Thu, 04/23/2020 - 20:17

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....I've done two. I don't wanna bogart the joint here.
I'm in PST. At eleven, if there isn't a pick, my hand will be forced.

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Submitted by Vguy72 on Thu, 04/23/2020 - 23:07

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....looks fun!! No clue how fixable feet plays into it, but looks fun nonetheless!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 05:54

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Dave's Picks 3: 10/22/71 and filler from 10/21/71

Disc 3 from 10/21 only, Dark Star> Sitting> Dark Star and a St, Stephen> JBG

Thanks All

Maybe will here from Doc.

ps. Shake IT, Shake It, Sugaree!!!

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Submitted by Zomby Woof on Fri, 04/24/2020 - 06:13

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Bolo24, you didn't show your work!

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 06:29

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Morning!

Alright, got some good stuff peaking out here today. Nice Work You All!

FOURWINDSBLOW picks 10/22/71 & 10/21 Filler - Gonna Jam That

Also Mentioned: 04/29/80 - The Famous “Fixable Foot” show! (Wink, wink, nod, nod BOLO & Haha @Zomby Wolf)

Recorded by none other than famous Taper Joani Walker.

I’ve got a lot of tapes with her name on it as the source, not just the shows she recorded, but lots of 1st Generation SBDs!

It’s an honor to spin one of her recordings this morning.

And if this Jack Straw is any example of where this show goes… hold on to your hat!! WOW!

You’ve done it again people, another good day to listen to the Dead:)

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Submitted by JimInMD on Fri, 04/24/2020 - 06:53

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Yea bolo..

Didn't show your work, …… No Prize For You!

Now that I see the show, the clues were so obvious. Fixable Foot. Fixable, seven letters, 4/29/80 was the seventh performance of 1980

01/13/80- Oakland Coliseum Arena - Oakland, CA
03/30/80- Capitol Theater - Passaic, NJ
03/31/80- Capitol Theater - Passaic, NJ
04/01/80- Capitol Theater - Passaic, NJ
04/05/80- NBC Studios - New York City, NY
04/28/80- Boutwell Auditorium - Birmingham, AL
04/29/80- Fox Theater - Atlanta, GA

Foot. This involves a little history of the Fox Theatre. You see, when the theatre was built, the owners also purchased the “Mighty Mo”, the 3,622-pipe Möller organ or Foot Organ, "that remains the largest Möller theatre organ in the world even today. "

So simple.. of course, the fixable foot show. I can't believe we missed this. I am going out to amazon right now and ordering some of those processed from jellyfish memory enhancement pills. This sheltering in place stuff is making us all weak.

Have a good day all.

es·o·ter·ic
/ˌesəˈterik/ - adjective

1. intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Wow... That's amazing.

BOLO24.. @JIMINMD should get some kind of consolation prize?

Reading that made my morning.

So impressed.. and this Fox 4/29/80 show is good!

I think Jerry partied on the set break though, he seems to have forgotten some of the words...
but he still knows how to play and PITB Jam is super Cool sounding!

Thanks @JIMINMD for showing me how it's done!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 08:51

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9/10 a elegant show played very loud,
6/28 a rockin' show played very loud.

hahaha

Listened to the first few songs last night. That MNS starts off clunky but then really picks up. From what I heard last night it sounds more like an 84 than an 83. Will finish the show today.

While listening last night I remembered that a few days earlier I realized that I have video of that show. It’s partial and includes a few songs from 9/4. It’s a VTS folder which is used for burning DVD-R’s, but the file can also be mounted on a computer desktop and viewed that way.
If anyone wants a copy let me know, I already uploaded it to Google Drive.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:36

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This was another show I had in mind. Is it okay if we do this instead or for tomorrow?

I think I remember this show was pretty good.

ps. Jeez check out Phil on Bird Song don't know if I ever heard it played like that.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:41

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Maybe I had to much too fast.

Here's an Updated list of what's come before through today 4/24/20 (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DiP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-08-25 - Dap V24 - (SUGGESTED for 2020-04-25)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-02-26 & 28 DiP V28 (2020-04-18)
1973-11-30 & 12-02 - DiP 14 (2020-04-13)
1976-09-25 & 09-28 - DiP 20 (2020-04-20)
1978-02-03, 04 & 05 - DiP V18 (2020-04-06)
1978-04-22 - DaP V15 (2020-04-22)
1979-12-26 & 28 - DiP V5 & RT 3.1 (2020-04-07)
1980-04-29 - Audience by Joani Walker (2020-04-24)
1980-11-30 - DaP V8 (2020-04-19)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)
1990 - JGB Released 1991 (2020-04-21)
1991-09-10 - 30 Trips (2020-04-23)

The following shows were also Mentioned
1969-04-21
1973-02-09
1973-02-15
1973-09-08
1973-12-01
1974-06-26 & 28 - DiP V12
1977-04-21
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1982-04-10 - Jerry
1983-04-16 & 04-17
1984-04-20 & 21
1985-11-01
1989-07-13
1989-09-12

I’m listening to 10/22/71 now, as I don’t think I jumped on this thread until around 4/15 ish.. yeah the Days & the Dead are starting to blend together… it's the supplies!

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Submitted by Vguy72 on Fri, 04/24/2020 - 09:46

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....Don't Ease as a second set opener is pretty fun!! Passenger kicked ass!
8.25.72 for Saturday sounds grate. It even features a OMSN!!! Just exactly perfecto!
GOGD....Daves 15 was 4.22.78 not 77.

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Submitted by bolo24 on Fri, 04/24/2020 - 09:58

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Jim's answer is better - that took some work (and a slightly unhinged thought process - I like that!). I agree, he deserves a consolation prize, just for including the umlaut in Möller! Jim - send me your address and I'll shoot something your way.

OK, here's the original solution. The only two-word anagram for Fixable Foot that uses all the letters is Lifeboat Fox. A quick Google search would show that Oscar-nominated "Lifeboat" was the only film made for 20th Century Fox by Alfred Joseph Hitchcock. And, of course, Sir Hitchcock met his demise on April 29, 1980. But not at Atlanta's Fox Theater - he left in disgust after Jerry had that major brain fart during Terrapin Station!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:03

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That sounds good. Thanks.

4/29/80 Jack Straw!

Thanks for the list.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:11

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Bolo24 - Amazing & Funny in one post.. Nice Work!

VGuy72 - Gotta Love a Good Editor!! Thank you, Edit made.
My thoughts on Don't Ease & Passenger Exactly!
BTW Nice work keeping up on the Avatars, I'm enjoying that. Well Done

FOURWINDSBLOW - I think that Jack Straw is ultimately the best song played that night, SMOKER!
And Nice Pick... Anything '72 will do..
Lemieux sounded like '72 is essentially his favorite year, I mean I'm reading between the lines in his comments, but yeah.. that's what it sounded like.

And this 10/22/71 is sounding super GOOD, I love a '71 Black Peter, might be my favorite year for that song.. not sure about that.

This is fun you guys!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:11

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Sorry was not trying yo ignore you brother. Great pick!

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Submitted by Thats_Otis on Fri, 04/24/2020 - 10:15

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No harm, no foul, no worries :) Dave's 3 is one of my favorite of the series!

I really tried to get Bolo's game, but after seeing the rationale, I was not on the same plane of reasoning. Would have never gone the Hitchcock direction. I did originally get Fox Theater though!

So, is Bolo's "Fixable Foot" show, 4/29/80, today's pick?

Peace

Edit: It looks like the answer to my question is "yes." Firing it up now! Happy Friday, DeadLand!

Ditto on FOURWINDSBLOWS post

I think you said it perfectly yesterday -

Loving this new board! Good vibes all around!

And I gave special attention to SOTM yesterday in your honor :)

....but you are savage sometimes with these contests. (Lifeboat is a great movie btw). 4.29.80 is the pick of the day. I missed the Dave's 3 pick, so that will be next so i can ketchup.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:35

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Dave gets paid to do this.

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Submitted by Vguy72 on Fri, 04/24/2020 - 10:46

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laguna seca 5.9.87. Touch of grey video shot that night. Dog took drummers leg/foot. Roadie put it back.
That was my first one.
Googled fixable foot. Brought me to club feet. A foot is 12 inches. Club Twelve. A non-profit. Which happens to reside in San Antonio, Texas. San Antonio Civic Auditorium. 11.12.71.
That was my second one. I, apparently, need to think outside the box (of rain) more often for these.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:51

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Mind Blown... Just Think!

Wow... I do it for free, I'd def do it for money.. but even BETTER!

@VGUY72, @OTIS @FOURWINDSBLOW, etc.. Dave's 3 is the SICK!

Early Comes A Time.. so good, extra verses, Jerry's reading of it, gots to be my favorite year for that song. So much good on this here release..

I'm glad this came on today cause it sounds just exactly perfect!

My 1st was 10/29/85 - Anagrams of Fox (Theater) and TOO - this show is at the Fox, has an Other One, and a Brokedown Palace (ref. something "fixable.") Also, the first set was cut short due to technical difficulties, another "fixable" problem.

Second guess was Lyceum 5/26/72 - It is the show that TOO was taken from to make-up the "Epilogue/Prelude" sections of the original E72 Lp, which prominently features a foot in need of fixing on the cover. I went this way after Bolo's comment that I needed to "go a little bit further" than I had before, so I went across the Atlantic.

Now I see that both guesses were woefully simple. Still, a fun game!

As to today's show - this raging Passenger is a perfect follow-up to that gorgeous Peggy-O! Another day, another great pick!

Peace

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Submitted by Thats_Otis on Fri, 04/24/2020 - 11:14

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Just wait til' you get to the "Dark Star>Sitting On Top of the World> Dark Star>Bobby McGee"! One of the best segments of any Dave's Pick so far, in my (very) humble opinion.

Glad you're digging on it! Forensic Doc's love of 71 inspired me to check it out more, and now it is one of my favorite years for the band.

Peace

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 11:34

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Can't wait, 10/22 Rocked!

Early Keith TIFTOO Kills.. It's unreal that he'd just joined the band.

Hitting up 10/21 after lunch, can't wait!

'71 is special
One of my first bootlegs was 4/29/71, I played it to death.
When I got back into collecting Dead after a long break, I got a hold of that Houseboat RT release and the China > Rider brought tears to my eyes as I realized what I'd been missing.

It's not my go to year cuz there's just so many other great years.. but it'll always be special to me!

What a Year, What a Show, What a Band!

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Submitted by Vguy72 on Fri, 04/24/2020 - 11:38

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....i think i speak for all of us that we would have all been a sweaty mess. Nice Playin' jam in that second set too. I give this show 7.2 goonie birds out of 10. (if you went to shows in '88-'89, you know what i mean).

I got a Goonie Bird at my first show in '86.. It was totally Goonie, I wasn't sure if what I was seeing was real or not.

I agree.. that Bertha is full on!

Man, seeing a show. Those were the days.

I think it's a young persons game, but I was young and dug it!

Hi-Five!

You beat me by 2 1/2 months, went to Riverbend 6/30/86 shortly after my 16th birthday:)

I remember going into the place it looked like an amusement park or something, again I was having trouble trusting what I was seeing, it was super hot and there was tie-dye everywhere and that goonie bird..

I can't remember a lot of things, but I've got some memories from that day that I always smile about.

There was a running dialogue all day I kept picking up on. It went something like:
Man it's Hot Out, You got your ticket?, It's Gonna Be a Good Show.. Man it's Hot Out, You Got your ticket? It's Gonna Be a Good Show..

I'd check my pockets every time. It's funny what you remember.

EDIT: Supplication Jam > Let It Grow!! You lucky Dog You!

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Submitted by unkle sam on Fri, 04/24/2020 - 12:22

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I was at this show, soundboard was taking up our reserved seats so they pulled out some nice padded chairs and put us right at the soundboard. I would have never guessed this was the pick. 2 word anagram, was that part of the clue? Missed that. What I remember (almost 40 years now) about this show was the Jack Straw opener, always loved a Jack Straw opener, got the crowd into it right off, the Passenger being really good, but I'm bias, I've always loved that tune. The second set with Don't ease as the opener, we all looked at each other and went "odd", the Lost Sailor>Saint being very nice. Of course the most remembered part was the awesomeness of the Fox Theatre itself, what a beautiful place and the planetarium ...wow, the sun went down the band came on, it got dark, the stars came out and we went to space and the band played on as the dawn approached, all inside that beautiful theatre. I do believe it is the nicest venue I have ever seen a band at, early 20th century decor, that carpet and those drapes, those bathrooms with the attendant, just so cool. Maybe not the best dead show, but I will never forget it. I've got the ticket stub around here somewhere, sparkles on the Grateful Dead lettering, if I find it, I'll post a pic of it.