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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3252
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3253
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • #3254
    rockthing
    Joined:
    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • #3255
    JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • #3256
    rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

  • #3257
    DeadVikes
    Joined:
    11/18/78

    Nice call on this show Bluecrow. Really good sound quality and great show. Late 78 is so different than the rest of the year. Love these early Stagger Lees and I Need a Miracle. Nice Scarlet Fire. Great second set .Probably will be a while before we get any late 78 shows released, but I am ready.

    Jim, yes, let's hit up some 91. Send us a pick.

  • #3258
    JimInMD
    Joined:
    Whew

    Good to hear. I've been a bit busy lately and I thought I might have been careless with something I wrote.. so all is good with the universe.. a great way to start the week.

    Missed the 78 yesterday, by late this afternoon I should be on track and have some free time. Not complaining though, I needed the and today will mark the 8th day in a row I've had river time. My listening has been heavily tilted to what was already loaded on my waterproof devices with a sprinkle of what they are pumping in the SiriusXM Grateful Dead channel. 1970 (Harpur and FE), 1972 - 1974, 84 and 85. Listened to a bit of 5/10/91 today in the truck.. I think we hit that one a year or so here. Definitely releasable, good quality audio and a good show. Perhaps we could hit another show from that run which includes Hornsby. The previous run, Cal Expo, was good also but alas.. it was sans Brucey.

    In any case.. keep on keeping on the good vibes and good picks. Looks like we are off to a great start to the new week.

  • #3259
    bluecrow
    Joined:
    11/18/78

    I first listened to this about time PITD was on the 11/24 video. Well played show, really nice sounding board even though its a couple generations down. There are a couple of poorly timed gaps (Fire, Olin Arageed come to mind.) What really perked my ears and brain up was the second set. Tasty Scarlet > Fire, and then that strange set placement of an early Miracle following that and wow Miracle has a blazing extended outro jam (where was that most of the time?) into a sweet He's Gone, followed by a pre-drumz Other One that has some crazy good space as it leads into drums. I really dig this show, this era, and it doesn't hurt that this was in the Uptown Theatre (hometown, though I was elsewhere at the time). Really hope the other two nights surface in similar sound quality and that the masters of this show don't have those gaps. Gotta run. Take care everyone.

  • #3260
    rockthing
    Joined:
    No offense taken. No offense meant.

    > JimInMD No, no, no. Absolutely not, dude. That "Hey man" shoulda been accompanied by " :) ". "Hey man" is pretty ambiguous when left only in text. I was reacting to a comment you made about how maybe you should be more descriptive... that comment was like weeks ago, though. I was tryin' to let ya off the hook, so to speak. :)

    I'm gonna hafta catch up on these recent picks. Goin' out the door for a little overnight at the beach and there's no time to DL and update the ipod. My smartphone has no service, so streaming on the beach is out of the question. My only life line is a flip phone. lol. Definitely gonna be jammin' some Shakedown Street while tossin' a Grateful Mahalo frisbee in the sun, though. The pod is also loaded with Bob Marley, Alpha Blondy, Burning Spear, and Lee Perry. Lost another legend yesterday. Was fortunate enough to see Scratch on a tour with Adrian Sherwood. A bit too electronic for me, but still, it was Lee Perry right in front of me telling me to "put your gadget away" because I was holding my little digital camera on my shoulder tryin' to shoot some fragmented video. The camera was crap, though, so the few seconds I got just sound like noise. Anyhoo... no offense taken. No offense meant.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Thats_Otis on Thu, 04/23/2020 - 11:44

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This 91 show is a real gem! Thanks for posting the link VGUY, I don't have Boxilla, but this Matrix sounds sweet!

Wrapping up Set 1 now! That Cassidy got DEEP! High Time was another highlight, but this has been an overall excellent listen!

Set II of Nashville yesterday went about as I expected. I enjoyed the energy of the LL>Supp opener, I'm always a sucker for Must Have Been the Roses, and then I admit I got a little lost in the Estimated jam, which does seem to just meander around. The Eyes is speedy, which is not my favorite type, but it was ok, then Drums, which in 78 is almost always too long, NFA, Wharf Rat (late set highlight) Sugar Mags, OMSN - all fine versions, but not too exciting. I think I do like this pick slightly more than DaP7 - Normal, but I agree with GOGD, it was nice to dust this one off, but I think it'll get popped back on the shelf for a while.

Also, Good Ole - I am planning on checking out that 4/22/77 show - I just DL'd it and I think I will cue it up after DiP12, though I know that one so well I may just pop in for some highlights (of which there are MANY!)

Loving this new board! Good vibes all around!

Gotta go - they just opened set II with Help On the Way!

Peace

...er, a, I can’t keep up! The posts, the POTDs, pant, pant, this is becoming like a job....so I’ve had to miss a few. That’s ok, I didn’t need to hear some of those.
Did dig the JGB live, always a favorite. Top shelf all the way; Audio, tunes, and the band is definetly peak period.
DPs 12: yeah, haven’t heard this one much, prolly too much other competing new stuff to constantly chase? But I’ve always loved this one. I don’t necessarily mind some of the chopped picks when their sort of sequential and/or make sense flow wise. Don’t dig the “cut up” method.
9/10/91: this will be next fo shure, whenever that might be! I might be a couple a few Mississippi Halfsteps behind, but I’m with ya! Rock on folks!

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Submitted by Thats_Otis on Thu, 04/23/2020 - 14:34

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... God, I love this song.
Engraved on my wedding ring - "I'd rather be with you."

Peace

EDIT: What an overall wonderful show! Great pick! What's on for tomorrow?

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Submitted by The Good Ole G… on Thu, 04/23/2020 - 15:50

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Yeah, I was bored.

I wanted to see how the audio spectrums reacted to Slipknot!

Thanks for watching!

Good show with B. M. Love the Shakedown opener, C.C Rider is good and that Dylan song was different. Help, Slip, Franklins was strong as well for that era. Definitely a change of pace. Thanks.

I think we owe FourWinds a pick?

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Submitted by Vguy72 on Thu, 04/23/2020 - 20:17

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....I've done two. I don't wanna bogart the joint here.
I'm in PST. At eleven, if there isn't a pick, my hand will be forced.

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Submitted by Vguy72 on Thu, 04/23/2020 - 23:07

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....looks fun!! No clue how fixable feet plays into it, but looks fun nonetheless!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 05:54

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Dave's Picks 3: 10/22/71 and filler from 10/21/71

Disc 3 from 10/21 only, Dark Star> Sitting> Dark Star and a St, Stephen> JBG

Thanks All

Maybe will here from Doc.

ps. Shake IT, Shake It, Sugaree!!!

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Submitted by Zomby Woof on Fri, 04/24/2020 - 06:13

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Bolo24, you didn't show your work!

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 06:29

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Morning!

Alright, got some good stuff peaking out here today. Nice Work You All!

FOURWINDSBLOW picks 10/22/71 & 10/21 Filler - Gonna Jam That

Also Mentioned: 04/29/80 - The Famous “Fixable Foot” show! (Wink, wink, nod, nod BOLO & Haha @Zomby Wolf)

Recorded by none other than famous Taper Joani Walker.

I’ve got a lot of tapes with her name on it as the source, not just the shows she recorded, but lots of 1st Generation SBDs!

It’s an honor to spin one of her recordings this morning.

And if this Jack Straw is any example of where this show goes… hold on to your hat!! WOW!

You’ve done it again people, another good day to listen to the Dead:)

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Submitted by JimInMD on Fri, 04/24/2020 - 06:53

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Yea bolo..

Didn't show your work, …… No Prize For You!

Now that I see the show, the clues were so obvious. Fixable Foot. Fixable, seven letters, 4/29/80 was the seventh performance of 1980

01/13/80- Oakland Coliseum Arena - Oakland, CA
03/30/80- Capitol Theater - Passaic, NJ
03/31/80- Capitol Theater - Passaic, NJ
04/01/80- Capitol Theater - Passaic, NJ
04/05/80- NBC Studios - New York City, NY
04/28/80- Boutwell Auditorium - Birmingham, AL
04/29/80- Fox Theater - Atlanta, GA

Foot. This involves a little history of the Fox Theatre. You see, when the theatre was built, the owners also purchased the “Mighty Mo”, the 3,622-pipe Möller organ or Foot Organ, "that remains the largest Möller theatre organ in the world even today. "

So simple.. of course, the fixable foot show. I can't believe we missed this. I am going out to amazon right now and ordering some of those processed from jellyfish memory enhancement pills. This sheltering in place stuff is making us all weak.

Have a good day all.

es·o·ter·ic
/ˌesəˈterik/ - adjective

1. intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Wow... That's amazing.

BOLO24.. @JIMINMD should get some kind of consolation prize?

Reading that made my morning.

So impressed.. and this Fox 4/29/80 show is good!

I think Jerry partied on the set break though, he seems to have forgotten some of the words...
but he still knows how to play and PITB Jam is super Cool sounding!

Thanks @JIMINMD for showing me how it's done!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 08:51

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9/10 a elegant show played very loud,
6/28 a rockin' show played very loud.

hahaha

Listened to the first few songs last night. That MNS starts off clunky but then really picks up. From what I heard last night it sounds more like an 84 than an 83. Will finish the show today.

While listening last night I remembered that a few days earlier I realized that I have video of that show. It’s partial and includes a few songs from 9/4. It’s a VTS folder which is used for burning DVD-R’s, but the file can also be mounted on a computer desktop and viewed that way.
If anyone wants a copy let me know, I already uploaded it to Google Drive.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:36

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This was another show I had in mind. Is it okay if we do this instead or for tomorrow?

I think I remember this show was pretty good.

ps. Jeez check out Phil on Bird Song don't know if I ever heard it played like that.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:41

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Maybe I had to much too fast.

Here's an Updated list of what's come before through today 4/24/20 (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DiP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-08-25 - Dap V24 - (SUGGESTED for 2020-04-25)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-02-26 & 28 DiP V28 (2020-04-18)
1973-11-30 & 12-02 - DiP 14 (2020-04-13)
1976-09-25 & 09-28 - DiP 20 (2020-04-20)
1978-02-03, 04 & 05 - DiP V18 (2020-04-06)
1978-04-22 - DaP V15 (2020-04-22)
1979-12-26 & 28 - DiP V5 & RT 3.1 (2020-04-07)
1980-04-29 - Audience by Joani Walker (2020-04-24)
1980-11-30 - DaP V8 (2020-04-19)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)
1990 - JGB Released 1991 (2020-04-21)
1991-09-10 - 30 Trips (2020-04-23)

The following shows were also Mentioned
1969-04-21
1973-02-09
1973-02-15
1973-09-08
1973-12-01
1974-06-26 & 28 - DiP V12
1977-04-21
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1982-04-10 - Jerry
1983-04-16 & 04-17
1984-04-20 & 21
1985-11-01
1989-07-13
1989-09-12

I’m listening to 10/22/71 now, as I don’t think I jumped on this thread until around 4/15 ish.. yeah the Days & the Dead are starting to blend together… it's the supplies!

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Submitted by Vguy72 on Fri, 04/24/2020 - 09:46

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....Don't Ease as a second set opener is pretty fun!! Passenger kicked ass!
8.25.72 for Saturday sounds grate. It even features a OMSN!!! Just exactly perfecto!
GOGD....Daves 15 was 4.22.78 not 77.

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Submitted by bolo24 on Fri, 04/24/2020 - 09:58

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Jim's answer is better - that took some work (and a slightly unhinged thought process - I like that!). I agree, he deserves a consolation prize, just for including the umlaut in Möller! Jim - send me your address and I'll shoot something your way.

OK, here's the original solution. The only two-word anagram for Fixable Foot that uses all the letters is Lifeboat Fox. A quick Google search would show that Oscar-nominated "Lifeboat" was the only film made for 20th Century Fox by Alfred Joseph Hitchcock. And, of course, Sir Hitchcock met his demise on April 29, 1980. But not at Atlanta's Fox Theater - he left in disgust after Jerry had that major brain fart during Terrapin Station!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:03

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That sounds good. Thanks.

4/29/80 Jack Straw!

Thanks for the list.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:11

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Bolo24 - Amazing & Funny in one post.. Nice Work!

VGuy72 - Gotta Love a Good Editor!! Thank you, Edit made.
My thoughts on Don't Ease & Passenger Exactly!
BTW Nice work keeping up on the Avatars, I'm enjoying that. Well Done

FOURWINDSBLOW - I think that Jack Straw is ultimately the best song played that night, SMOKER!
And Nice Pick... Anything '72 will do..
Lemieux sounded like '72 is essentially his favorite year, I mean I'm reading between the lines in his comments, but yeah.. that's what it sounded like.

And this 10/22/71 is sounding super GOOD, I love a '71 Black Peter, might be my favorite year for that song.. not sure about that.

This is fun you guys!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:11

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Sorry was not trying yo ignore you brother. Great pick!

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Submitted by Thats_Otis on Fri, 04/24/2020 - 10:15

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No harm, no foul, no worries :) Dave's 3 is one of my favorite of the series!

I really tried to get Bolo's game, but after seeing the rationale, I was not on the same plane of reasoning. Would have never gone the Hitchcock direction. I did originally get Fox Theater though!

So, is Bolo's "Fixable Foot" show, 4/29/80, today's pick?

Peace

Edit: It looks like the answer to my question is "yes." Firing it up now! Happy Friday, DeadLand!

Ditto on FOURWINDSBLOWS post

I think you said it perfectly yesterday -

Loving this new board! Good vibes all around!

And I gave special attention to SOTM yesterday in your honor :)

....but you are savage sometimes with these contests. (Lifeboat is a great movie btw). 4.29.80 is the pick of the day. I missed the Dave's 3 pick, so that will be next so i can ketchup.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:35

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Dave gets paid to do this.

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Submitted by Vguy72 on Fri, 04/24/2020 - 10:46

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laguna seca 5.9.87. Touch of grey video shot that night. Dog took drummers leg/foot. Roadie put it back.
That was my first one.
Googled fixable foot. Brought me to club feet. A foot is 12 inches. Club Twelve. A non-profit. Which happens to reside in San Antonio, Texas. San Antonio Civic Auditorium. 11.12.71.
That was my second one. I, apparently, need to think outside the box (of rain) more often for these.

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8 years 10 months

Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:51

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Mind Blown... Just Think!

Wow... I do it for free, I'd def do it for money.. but even BETTER!

@VGUY72, @OTIS @FOURWINDSBLOW, etc.. Dave's 3 is the SICK!

Early Comes A Time.. so good, extra verses, Jerry's reading of it, gots to be my favorite year for that song. So much good on this here release..

I'm glad this came on today cause it sounds just exactly perfect!

My 1st was 10/29/85 - Anagrams of Fox (Theater) and TOO - this show is at the Fox, has an Other One, and a Brokedown Palace (ref. something "fixable.") Also, the first set was cut short due to technical difficulties, another "fixable" problem.

Second guess was Lyceum 5/26/72 - It is the show that TOO was taken from to make-up the "Epilogue/Prelude" sections of the original E72 Lp, which prominently features a foot in need of fixing on the cover. I went this way after Bolo's comment that I needed to "go a little bit further" than I had before, so I went across the Atlantic.

Now I see that both guesses were woefully simple. Still, a fun game!

As to today's show - this raging Passenger is a perfect follow-up to that gorgeous Peggy-O! Another day, another great pick!

Peace

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13 years 5 months

Submitted by Thats_Otis on Fri, 04/24/2020 - 11:14

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Just wait til' you get to the "Dark Star>Sitting On Top of the World> Dark Star>Bobby McGee"! One of the best segments of any Dave's Pick so far, in my (very) humble opinion.

Glad you're digging on it! Forensic Doc's love of 71 inspired me to check it out more, and now it is one of my favorite years for the band.

Peace

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8 years 10 months

Submitted by The Good Ole G… on Fri, 04/24/2020 - 11:34

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Can't wait, 10/22 Rocked!

Early Keith TIFTOO Kills.. It's unreal that he'd just joined the band.

Hitting up 10/21 after lunch, can't wait!

'71 is special
One of my first bootlegs was 4/29/71, I played it to death.
When I got back into collecting Dead after a long break, I got a hold of that Houseboat RT release and the China > Rider brought tears to my eyes as I realized what I'd been missing.

It's not my go to year cuz there's just so many other great years.. but it'll always be special to me!

What a Year, What a Show, What a Band!

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17 years 3 months

Submitted by Vguy72 on Fri, 04/24/2020 - 11:38

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....i think i speak for all of us that we would have all been a sweaty mess. Nice Playin' jam in that second set too. I give this show 7.2 goonie birds out of 10. (if you went to shows in '88-'89, you know what i mean).

I got a Goonie Bird at my first show in '86.. It was totally Goonie, I wasn't sure if what I was seeing was real or not.

I agree.. that Bertha is full on!

Man, seeing a show. Those were the days.

I think it's a young persons game, but I was young and dug it!

Hi-Five!

You beat me by 2 1/2 months, went to Riverbend 6/30/86 shortly after my 16th birthday:)

I remember going into the place it looked like an amusement park or something, again I was having trouble trusting what I was seeing, it was super hot and there was tie-dye everywhere and that goonie bird..

I can't remember a lot of things, but I've got some memories from that day that I always smile about.

There was a running dialogue all day I kept picking up on. It went something like:
Man it's Hot Out, You got your ticket?, It's Gonna Be a Good Show.. Man it's Hot Out, You Got your ticket? It's Gonna Be a Good Show..

I'd check my pockets every time. It's funny what you remember.

EDIT: Supplication Jam > Let It Grow!! You lucky Dog You!

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16 years

Submitted by unkle sam on Fri, 04/24/2020 - 12:22

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I was at this show, soundboard was taking up our reserved seats so they pulled out some nice padded chairs and put us right at the soundboard. I would have never guessed this was the pick. 2 word anagram, was that part of the clue? Missed that. What I remember (almost 40 years now) about this show was the Jack Straw opener, always loved a Jack Straw opener, got the crowd into it right off, the Passenger being really good, but I'm bias, I've always loved that tune. The second set with Don't ease as the opener, we all looked at each other and went "odd", the Lost Sailor>Saint being very nice. Of course the most remembered part was the awesomeness of the Fox Theatre itself, what a beautiful place and the planetarium ...wow, the sun went down the band came on, it got dark, the stars came out and we went to space and the band played on as the dawn approached, all inside that beautiful theatre. I do believe it is the nicest venue I have ever seen a band at, early 20th century decor, that carpet and those drapes, those bathrooms with the attendant, just so cool. Maybe not the best dead show, but I will never forget it. I've got the ticket stub around here somewhere, sparkles on the Grateful Dead lettering, if I find it, I'll post a pic of it.