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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2331
    JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • #2332
    Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • #2333
    JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • #2334
    Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • #2335
    JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • #2336
    Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • #2337
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2338
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2339
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2340
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Thats_Otis on Thu, 04/23/2020 - 11:44

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This 91 show is a real gem! Thanks for posting the link VGUY, I don't have Boxilla, but this Matrix sounds sweet!

Wrapping up Set 1 now! That Cassidy got DEEP! High Time was another highlight, but this has been an overall excellent listen!

Set II of Nashville yesterday went about as I expected. I enjoyed the energy of the LL>Supp opener, I'm always a sucker for Must Have Been the Roses, and then I admit I got a little lost in the Estimated jam, which does seem to just meander around. The Eyes is speedy, which is not my favorite type, but it was ok, then Drums, which in 78 is almost always too long, NFA, Wharf Rat (late set highlight) Sugar Mags, OMSN - all fine versions, but not too exciting. I think I do like this pick slightly more than DaP7 - Normal, but I agree with GOGD, it was nice to dust this one off, but I think it'll get popped back on the shelf for a while.

Also, Good Ole - I am planning on checking out that 4/22/77 show - I just DL'd it and I think I will cue it up after DiP12, though I know that one so well I may just pop in for some highlights (of which there are MANY!)

Loving this new board! Good vibes all around!

Gotta go - they just opened set II with Help On the Way!

Peace

...er, a, I can’t keep up! The posts, the POTDs, pant, pant, this is becoming like a job....so I’ve had to miss a few. That’s ok, I didn’t need to hear some of those.
Did dig the JGB live, always a favorite. Top shelf all the way; Audio, tunes, and the band is definetly peak period.
DPs 12: yeah, haven’t heard this one much, prolly too much other competing new stuff to constantly chase? But I’ve always loved this one. I don’t necessarily mind some of the chopped picks when their sort of sequential and/or make sense flow wise. Don’t dig the “cut up” method.
9/10/91: this will be next fo shure, whenever that might be! I might be a couple a few Mississippi Halfsteps behind, but I’m with ya! Rock on folks!

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Submitted by Thats_Otis on Thu, 04/23/2020 - 14:34

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... God, I love this song.
Engraved on my wedding ring - "I'd rather be with you."

Peace

EDIT: What an overall wonderful show! Great pick! What's on for tomorrow?

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Submitted by The Good Ole G… on Thu, 04/23/2020 - 15:50

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Yeah, I was bored.

I wanted to see how the audio spectrums reacted to Slipknot!

Thanks for watching!

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Submitted by DeadVikes on Thu, 04/23/2020 - 19:01

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Good show with B. M. Love the Shakedown opener, C.C Rider is good and that Dylan song was different. Help, Slip, Franklins was strong as well for that era. Definitely a change of pace. Thanks.

I think we owe FourWinds a pick?

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Submitted by Vguy72 on Thu, 04/23/2020 - 20:17

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....I've done two. I don't wanna bogart the joint here.
I'm in PST. At eleven, if there isn't a pick, my hand will be forced.

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Submitted by DeadVikes on Thu, 04/23/2020 - 21:17

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The Pick will come.

By the way Bolo, what was the answer to your contest?

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Submitted by Vguy72 on Thu, 04/23/2020 - 23:07

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....looks fun!! No clue how fixable feet plays into it, but looks fun nonetheless!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 05:54

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Dave's Picks 3: 10/22/71 and filler from 10/21/71

Disc 3 from 10/21 only, Dark Star> Sitting> Dark Star and a St, Stephen> JBG

Thanks All

Maybe will here from Doc.

ps. Shake IT, Shake It, Sugaree!!!

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Submitted by Zomby Woof on Fri, 04/24/2020 - 06:13

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Bolo24, you didn't show your work!

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 06:29

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Morning!

Alright, got some good stuff peaking out here today. Nice Work You All!

FOURWINDSBLOW picks 10/22/71 & 10/21 Filler - Gonna Jam That

Also Mentioned: 04/29/80 - The Famous “Fixable Foot” show! (Wink, wink, nod, nod BOLO & Haha @Zomby Wolf)

Recorded by none other than famous Taper Joani Walker.

I’ve got a lot of tapes with her name on it as the source, not just the shows she recorded, but lots of 1st Generation SBDs!

It’s an honor to spin one of her recordings this morning.

And if this Jack Straw is any example of where this show goes… hold on to your hat!! WOW!

You’ve done it again people, another good day to listen to the Dead:)

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Submitted by JimInMD on Fri, 04/24/2020 - 06:53

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Yea bolo..

Didn't show your work, …… No Prize For You!

Now that I see the show, the clues were so obvious. Fixable Foot. Fixable, seven letters, 4/29/80 was the seventh performance of 1980

01/13/80- Oakland Coliseum Arena - Oakland, CA
03/30/80- Capitol Theater - Passaic, NJ
03/31/80- Capitol Theater - Passaic, NJ
04/01/80- Capitol Theater - Passaic, NJ
04/05/80- NBC Studios - New York City, NY
04/28/80- Boutwell Auditorium - Birmingham, AL
04/29/80- Fox Theater - Atlanta, GA

Foot. This involves a little history of the Fox Theatre. You see, when the theatre was built, the owners also purchased the “Mighty Mo”, the 3,622-pipe Möller organ or Foot Organ, "that remains the largest Möller theatre organ in the world even today. "

So simple.. of course, the fixable foot show. I can't believe we missed this. I am going out to amazon right now and ordering some of those processed from jellyfish memory enhancement pills. This sheltering in place stuff is making us all weak.

Have a good day all.

es·o·ter·ic
/ˌesəˈterik/ - adjective

1. intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Wow... That's amazing.

BOLO24.. @JIMINMD should get some kind of consolation prize?

Reading that made my morning.

So impressed.. and this Fox 4/29/80 show is good!

I think Jerry partied on the set break though, he seems to have forgotten some of the words...
but he still knows how to play and PITB Jam is super Cool sounding!

Thanks @JIMINMD for showing me how it's done!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 08:51

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9/10 a elegant show played very loud,
6/28 a rockin' show played very loud.

hahaha

Listened to the first few songs last night. That MNS starts off clunky but then really picks up. From what I heard last night it sounds more like an 84 than an 83. Will finish the show today.

While listening last night I remembered that a few days earlier I realized that I have video of that show. It’s partial and includes a few songs from 9/4. It’s a VTS folder which is used for burning DVD-R’s, but the file can also be mounted on a computer desktop and viewed that way.
If anyone wants a copy let me know, I already uploaded it to Google Drive.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:36

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This was another show I had in mind. Is it okay if we do this instead or for tomorrow?

I think I remember this show was pretty good.

ps. Jeez check out Phil on Bird Song don't know if I ever heard it played like that.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:41

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Maybe I had to much too fast.

Here's an Updated list of what's come before through today 4/24/20 (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DiP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-08-25 - Dap V24 - (SUGGESTED for 2020-04-25)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-02-26 & 28 DiP V28 (2020-04-18)
1973-11-30 & 12-02 - DiP 14 (2020-04-13)
1976-09-25 & 09-28 - DiP 20 (2020-04-20)
1978-02-03, 04 & 05 - DiP V18 (2020-04-06)
1978-04-22 - DaP V15 (2020-04-22)
1979-12-26 & 28 - DiP V5 & RT 3.1 (2020-04-07)
1980-04-29 - Audience by Joani Walker (2020-04-24)
1980-11-30 - DaP V8 (2020-04-19)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)
1990 - JGB Released 1991 (2020-04-21)
1991-09-10 - 30 Trips (2020-04-23)

The following shows were also Mentioned
1969-04-21
1973-02-09
1973-02-15
1973-09-08
1973-12-01
1974-06-26 & 28 - DiP V12
1977-04-21
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1982-04-10 - Jerry
1983-04-16 & 04-17
1984-04-20 & 21
1985-11-01
1989-07-13
1989-09-12

I’m listening to 10/22/71 now, as I don’t think I jumped on this thread until around 4/15 ish.. yeah the Days & the Dead are starting to blend together… it's the supplies!

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Submitted by Vguy72 on Fri, 04/24/2020 - 09:46

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....Don't Ease as a second set opener is pretty fun!! Passenger kicked ass!
8.25.72 for Saturday sounds grate. It even features a OMSN!!! Just exactly perfecto!
GOGD....Daves 15 was 4.22.78 not 77.

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Submitted by bolo24 on Fri, 04/24/2020 - 09:58

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Jim's answer is better - that took some work (and a slightly unhinged thought process - I like that!). I agree, he deserves a consolation prize, just for including the umlaut in Möller! Jim - send me your address and I'll shoot something your way.

OK, here's the original solution. The only two-word anagram for Fixable Foot that uses all the letters is Lifeboat Fox. A quick Google search would show that Oscar-nominated "Lifeboat" was the only film made for 20th Century Fox by Alfred Joseph Hitchcock. And, of course, Sir Hitchcock met his demise on April 29, 1980. But not at Atlanta's Fox Theater - he left in disgust after Jerry had that major brain fart during Terrapin Station!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:03

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That sounds good. Thanks.

4/29/80 Jack Straw!

Thanks for the list.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:11

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Bolo24 - Amazing & Funny in one post.. Nice Work!

VGuy72 - Gotta Love a Good Editor!! Thank you, Edit made.
My thoughts on Don't Ease & Passenger Exactly!
BTW Nice work keeping up on the Avatars, I'm enjoying that. Well Done

FOURWINDSBLOW - I think that Jack Straw is ultimately the best song played that night, SMOKER!
And Nice Pick... Anything '72 will do..
Lemieux sounded like '72 is essentially his favorite year, I mean I'm reading between the lines in his comments, but yeah.. that's what it sounded like.

And this 10/22/71 is sounding super GOOD, I love a '71 Black Peter, might be my favorite year for that song.. not sure about that.

This is fun you guys!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:11

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Sorry was not trying yo ignore you brother. Great pick!

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Submitted by Thats_Otis on Fri, 04/24/2020 - 10:15

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No harm, no foul, no worries :) Dave's 3 is one of my favorite of the series!

I really tried to get Bolo's game, but after seeing the rationale, I was not on the same plane of reasoning. Would have never gone the Hitchcock direction. I did originally get Fox Theater though!

So, is Bolo's "Fixable Foot" show, 4/29/80, today's pick?

Peace

Edit: It looks like the answer to my question is "yes." Firing it up now! Happy Friday, DeadLand!

Ditto on FOURWINDSBLOWS post

I think you said it perfectly yesterday -

Loving this new board! Good vibes all around!

And I gave special attention to SOTM yesterday in your honor :)

....but you are savage sometimes with these contests. (Lifeboat is a great movie btw). 4.29.80 is the pick of the day. I missed the Dave's 3 pick, so that will be next so i can ketchup.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:35

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Dave gets paid to do this.

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Submitted by Vguy72 on Fri, 04/24/2020 - 10:46

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laguna seca 5.9.87. Touch of grey video shot that night. Dog took drummers leg/foot. Roadie put it back.
That was my first one.
Googled fixable foot. Brought me to club feet. A foot is 12 inches. Club Twelve. A non-profit. Which happens to reside in San Antonio, Texas. San Antonio Civic Auditorium. 11.12.71.
That was my second one. I, apparently, need to think outside the box (of rain) more often for these.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:51

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Mind Blown... Just Think!

Wow... I do it for free, I'd def do it for money.. but even BETTER!

@VGUY72, @OTIS @FOURWINDSBLOW, etc.. Dave's 3 is the SICK!

Early Comes A Time.. so good, extra verses, Jerry's reading of it, gots to be my favorite year for that song. So much good on this here release..

I'm glad this came on today cause it sounds just exactly perfect!

My 1st was 10/29/85 - Anagrams of Fox (Theater) and TOO - this show is at the Fox, has an Other One, and a Brokedown Palace (ref. something "fixable.") Also, the first set was cut short due to technical difficulties, another "fixable" problem.

Second guess was Lyceum 5/26/72 - It is the show that TOO was taken from to make-up the "Epilogue/Prelude" sections of the original E72 Lp, which prominently features a foot in need of fixing on the cover. I went this way after Bolo's comment that I needed to "go a little bit further" than I had before, so I went across the Atlantic.

Now I see that both guesses were woefully simple. Still, a fun game!

As to today's show - this raging Passenger is a perfect follow-up to that gorgeous Peggy-O! Another day, another great pick!

Peace

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Submitted by Thats_Otis on Fri, 04/24/2020 - 11:14

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Just wait til' you get to the "Dark Star>Sitting On Top of the World> Dark Star>Bobby McGee"! One of the best segments of any Dave's Pick so far, in my (very) humble opinion.

Glad you're digging on it! Forensic Doc's love of 71 inspired me to check it out more, and now it is one of my favorite years for the band.

Peace

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 11:34

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Can't wait, 10/22 Rocked!

Early Keith TIFTOO Kills.. It's unreal that he'd just joined the band.

Hitting up 10/21 after lunch, can't wait!

'71 is special
One of my first bootlegs was 4/29/71, I played it to death.
When I got back into collecting Dead after a long break, I got a hold of that Houseboat RT release and the China > Rider brought tears to my eyes as I realized what I'd been missing.

It's not my go to year cuz there's just so many other great years.. but it'll always be special to me!

What a Year, What a Show, What a Band!

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Submitted by Vguy72 on Fri, 04/24/2020 - 11:38

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....i think i speak for all of us that we would have all been a sweaty mess. Nice Playin' jam in that second set too. I give this show 7.2 goonie birds out of 10. (if you went to shows in '88-'89, you know what i mean).

I got a Goonie Bird at my first show in '86.. It was totally Goonie, I wasn't sure if what I was seeing was real or not.

I agree.. that Bertha is full on!

Man, seeing a show. Those were the days.

I think it's a young persons game, but I was young and dug it!

Hi-Five!

You beat me by 2 1/2 months, went to Riverbend 6/30/86 shortly after my 16th birthday:)

I remember going into the place it looked like an amusement park or something, again I was having trouble trusting what I was seeing, it was super hot and there was tie-dye everywhere and that goonie bird..

I can't remember a lot of things, but I've got some memories from that day that I always smile about.

There was a running dialogue all day I kept picking up on. It went something like:
Man it's Hot Out, You got your ticket?, It's Gonna Be a Good Show.. Man it's Hot Out, You Got your ticket? It's Gonna Be a Good Show..

I'd check my pockets every time. It's funny what you remember.

EDIT: Supplication Jam > Let It Grow!! You lucky Dog You!

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Submitted by unkle sam on Fri, 04/24/2020 - 12:22

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I was at this show, soundboard was taking up our reserved seats so they pulled out some nice padded chairs and put us right at the soundboard. I would have never guessed this was the pick. 2 word anagram, was that part of the clue? Missed that. What I remember (almost 40 years now) about this show was the Jack Straw opener, always loved a Jack Straw opener, got the crowd into it right off, the Passenger being really good, but I'm bias, I've always loved that tune. The second set with Don't ease as the opener, we all looked at each other and went "odd", the Lost Sailor>Saint being very nice. Of course the most remembered part was the awesomeness of the Fox Theatre itself, what a beautiful place and the planetarium ...wow, the sun went down the band came on, it got dark, the stars came out and we went to space and the band played on as the dawn approached, all inside that beautiful theatre. I do believe it is the nicest venue I have ever seen a band at, early 20th century decor, that carpet and those drapes, those bathrooms with the attendant, just so cool. Maybe not the best dead show, but I will never forget it. I've got the ticket stub around here somewhere, sparkles on the Grateful Dead lettering, if I find it, I'll post a pic of it.