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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • JimInMD
    Joined:
    Re:

    Fivebranch.. well said.

    Sixtus, we are mutual fans of 4/16/78, Huntington WV. One of two times played the Mountain State.

    Ha.. if I had to keep just six Europe shows. Well.. I'd opt for the cyanide pill and be grateful for a life well lived. You can't limit yourself to just six shows from that tour, it's simply not possible.

  • FiveBranch
    Joined:
    my two cents

    So I’m finally getting around to throw out a few thoughts on June 1976 (Michigan's Stay at Home Order has made me oddly withdrawn from internet life as well... I guess I feed of external stimulus in ways I don't even realize). Hopefully I'm not repeating what has already been said!

    For the first set material, at times I found myself so absorbed by the nuances that I would briefly ‘forget’ what song they were actually on (jams in 6/19th’s Franklin’s and Tennessee Jed being memorable examples). And then some renditions are just executed masterfully, finding that perfect balance between structure and looseness (try 6/10th’s Cassidy, which is the first track in the box that I had to immediately listen to again). No doubt the clarity of the recordings helps tremendously to pick up the subtleties. Samson though took a few attempts before getting the groove dialed in (the 16th finally pulls it off but the previous are fledglings).

    For the second sets, my favorite GD shows are those where once the band steps up on stage, everything that follows rolls together as a complete performance and you would never want to skip or add anything. And you are starting to hear that in 1976 second sets. Perhaps it was the new momentum from Hart being back. I don’t think its coincidence that the last time they had this approach was back in the late 60’s. I honestly find ’72 – ’74 shows to be too long and I rarely listen to any front to back, as I do for shows from 1976 onward. Instead I look for great segments that can be lifted out for a splendid 80 minute sit-down.

    I was really looking forward to this release and its everything I hoped for. It captures such a distinct year for GD with Jerry’s new tone, the new songs, Hart being back, the fresh approaches after the hiatus. I’ll be returning to it a lot. If there was one song I wish they had in rotation though it would have been Bird Song. I’d love to know how that could have sounded seventy-sixed! I guess Crazy Fingers kind of filled that slot.

    [Side note: I’m a big fan of Aarhus, the jam after Truckin’ that eventually lands down into TOO is sublime, the entire Disc 3 is a great example for what I’m talking about above]

  • Sixtus_
    Joined:
    April Sixteenth

    As I am wont to do on this date, I've taken-in this bad boy today and I would like to encourage others to do the same. Would love to see this one some day, officially; it's among my personal favorites for a '78:

    https://archive.org/details/gd1978-04-16.sbd.miller.82273.sbeok.flac16

    Be Safe and Well, All

    Sixtus

    P.S. Aarhus ain't too shabby either, for a Sixteenth.
    Good one, Stoltzfus. I see what you did there.

  • stoltzfus
    Joined:
    Aarhus is very very very fine hus

    with two tour buses in the yard

  • sheik yerbones
    Joined:
    Hi Keith Fan

    I did exactly the same for Aarhus 16/04...and I love this show; I bought E72 à la carte, so a few shows are missing.
    if I had to save 6 lyceum 05/26 -Frankfurt 04/26 Tivoli 04/14 Paris 05/3or4 Amsterdam10/05 and Wembley 04/8
    (with good mention Rotterdam, Newcastle, Aarhus and underestimated Luxembourg)
    I found this interesting blog for Europe 72 ,
    http://bozosandbolos.blogspot.com/
    Now I am relistening the "small shows" Newcastle, and soon Hambourg, & Munich
    For June 76 Nothing on the shoreline...

  • fourwindsblow
    Joined:
    HDCD CD Player

    I use a Laptop with Foobar HDCD decoder witch allows me to cut the output volume even if peak extension is not enabled. This allows for more headroom and not brickwalled. Newer releases do not have peak extension enabled so it's good I still have the option to cut the output volume.

    Foobar HDCD decoded(halve output volume)to a USB SPDIF 24bit converter to a Marantz sr7005 DAC

    4/16/72 sounds pretty good I like these shorter PITB's they go far-out fast.

  • Lovemygirl
    Joined:
    1978

    Would Always welcome more 1978! 💀🌹

  • stoltzfus
    Joined:
    "Most of the time...

    ...we do songs to _death_."

    - Jerry Garcia

  • KeithFan2112
    Joined:
    The Dead in Denmark

    I am starting my walk through the woods with 4/16/72. This was the first Europe 72 CD I bought. I read it in the Rolling Stone top 20 list where it was noted that Donna was absent. This was a few weeks after I discovered Sunshine Daydream / Veneta and graduated from casual listener to hardcore DeadHead. In those days I didn't like the Donna vocals on Playing in the Band so I had two reasons to get this one first. I've done a 180 with Donna since then.

    This box that really is the gold standard. It was the perfect merging of excellent sound quality in excellent playing (not to mention great setlists). I really wish they had some multi-tracks from 1973, but I guess the closest we get is Winterland '73 box set. I always forget what the recording difference was on this one, but it's stated the liner notes - I believe it was wider tape at a faster speed + Plangent. Sometimes the mid-range comes through a little high, but that's what the equalizer is for.

    I really like Pigpen's organ chops on Sugaree. The whole Hammond / grand piano combination of PigPen pen and Keith is just sublime. Add Jerry's Stratocaster and Billy - I mean really, has anyone gotten more out of three drums than Billy? Okay maybe four drums. Donna was used just the perfect amount in my humble opinion. I think she was a little over involved in some of the post hiatus classics, but she's pretty much always right where she needs to be on this tour ( indeed, it's the last time you can hear Sunshine Daydream without her until 1979, boring that shows she missed during pregnancy oh, but you get my point). When Bobby was able to get his own screams down that song sounded incredible in 1971 and 72. This is actually the only show they didn't play it, come to think of it.

    This April 16th show is actually kind of an odd one for Rolling Stone to pick, considering there is no Dark Star and a very abbreviated The Other One. They really could have picked any show from this tour (I think they did pick Bickershaw as well in their list).

    My June 1976 t-shirt arrived. It's as good as it looks. It's cut and stitched like the Pacific Northwest t-shirt, which is a good thing. Excellent quality.

    I'm doing my Europe 72 run a little bit differently this year. After the full listen, I'm going back and replaying the highlights, which inevitably includes all of the Dark Stars and The Other Ones.

    I also have one of Doc's April '71 favorites queued up next - 4/8 at the Boston Music Hall. This is a great 15-minute Dark Star that goes into St. Stephen. My PhD is not in Dead '71, but I have noticed that the St. Stephens started rocking out after they dropped the William Tell section and the Mickey Hart. The instrumental outro that leads up to the "answer man" vocal is kick-ass, and some of Bobby's best chord playing. The first rule of 1971 is 1971 St. Stephens are not to be missed!

    Well it's almost time to work so I have to wrap up this walk which was all too short. Fortunately I don't live in the city or anything so I have not seen a single person. It's 45 degrees sunny and no wind. I'm surrounded by huge pine trees (which only fall occasionally) and the 4/16/72 China Rider is playing on my headphones. This is one of the best of the tour. Jerry and Keith are extra busy.

    June 1976 t shirt. You're going to want that cowbell. I feel like I'm on the Oakland A's or at least part of the Dick's Picks 33 album cover. Speaking of the Dick's Picks 33 album cover - do the last 5 seconds of the Breaking Bad opening credits evoke that album cover image in anyone else's head besides mine? There's something about the color and the drifting smoke the triggers the DP 33 imagery. Every time. Kind of like every time Jack Straw ends, I expect the opening chords of Franklin's Tower to start up; this is because Grateful Dead go to Nassau was one of my first Dead CDs.

    Strider88 - I saw your comment about the Gibson SG. It sounded like you actually saw the February 18th 1971 show at Port Chester? Did I catch that right? If so... I'd love to hear some stories about that one.

    With all the tape they use throughout their career to record the shows, it would have been cool if they had spent 60 Seconds after each set to comment about how things went. Okay maybe I'll just stop being greedy and be satisfied they recorded the shows at all. This was just an unheard-of practice. We're so blessed.

  • Deadheadbrewer
    Joined:
    HDCD

    Vikes, et al. Interestingly enough, the Marantz HD-CD1 does NOT decode discs encoded with HDCD format. Finding HDCD players is getting more and more difficult, unless one searches the used market for older equipment, or unless one spends boku bucks.

    After doing some research and trying some listening experiments on a Cambridge Blu-Ray player I purchased on EBay (ended up coming from a Head, who kindly hooked me up with stickers and shows when he saw he was shipping to "DeadheadBrewer"), I determined that I no longer care about HDCD. On the Cambridge one can choose whether the HDCD decoding is on or off, and I used the RFK box with its immaculate sound as a test to go back and forth. I'll be darned if my 50-year old ears can tell one iota of difference.

    So I learned to quit worrying about HDCD, and now just enjoy the music coming through the Maverick tube DAC (no HDCD decoding), which has a DAC that is much newer/better(?) than most DACs in older players that DO decode HDCD. A guy at a boutique audio shop told me that the new DACs are so improved as to render older "tricks" like HDCD meaningless. Your mileage may vary.

    As I mentioned previously, I also could not discern any difference between the SACD layer and Redbook layer on a DVD player that allows me to choose which version to listen to. And I "failed" a blind listening test I set up, whereby my wife randomly played me Mp3 and WAV files of the same song. I guessed which file it was five times out of ten.

    If HDCD makes a difference and someone can appreciate it, then more power to her/him. I've decided to never give another thought as to whether my equipment decodes it or not. Buy better headphones and speakers, and ignore nearly everything else is my new audio mantra.

    Be kind, rewind.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Listened to 4/22/69 from 30 Trips yesterday, and I would say it earns its reputation. I love its low key, meditative start with Dupree's Diamond Blues, and how this segues into Mountains of the Moon and on into Dark Star. The music seems to cast a beautiful unearthly glow. It occurred to me that, whereas the 1972 Playing's have the effect of containing infinity within finite boundaries-the songs intro and triumphant return - Dark Star was more framed by the songs on either side of it than by the verses of the actual Dark Star song. And my favourite entry point to Dark Star, from any point in their career, is Mountains of the Moon.

This morning I went through the great Lovelight from Frankfurt 4/26/72, and its superb journey to Goin' Down the Road.

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On my Black Lab waking me up at 5am to take a leak. He usually makes some dog noises at the door, but last night I fell asleep with the noise cancellation headphones on. I was having a Spicoli dream with a babe on each arm, except instead of being a surfer I was Mick Taylor right before he joined the Stones. It was all I could do to get away from an interviewer and back to my room with these women, one who is actually my neighbor's wife (wtf???) and the other was one of the Playboy centerfold's who adorned my room when I was 10 years old (wall2wall). Weird situation in hindsight - my dad had long since flown the coup and the lady next door used to bring over her husband's last month's Playboy magazines (story for another day). So lol, I'm chuckling just writing this - I'm in this dream trying to get away from this interviewer so I can get these ladies back to my room, and the logic in my mind about the neighbor's wife was if we got caught, we would just tell him she was with the centerfold woman and I was showing them how to read a map to get back home. But the interviewer wouldn't stop asking questions. I felt myself getting impatient in the dream and my manners ran out. I finally said, "listen man, they're licking my face for fuck's sake - we're ready to head out man - come to my room in the morning; we'll have coffee and room service and I'll answer all your questions". The guy told me it was cool and we headed off to a limo. I said ladies, you can stop licking my face now, he's gone. And then all of the sudden they were gone - poof - and my wife was standing there in my dream telling me the dog reaally has to go out. I woke up to this Black Lab licking my face, trying desperately to wake me and let him out.

Jimbo - I read your notes on 6/17/75 and it's definitely the one I have. Just all of the patchwork in Crazy Fingers and the patch at the beginning of U.S. Blues is enough to prove it out. Sounds like I have the best available.

I didn't actually start the morning with the requisite E72 show, which is the one disc "Dead Beat Club" show. This has a fantastic Othe One; at 21 minutes it's short and sweet. I went with Dave's Picks Berkeley, specially modified to kick off with the great Promised Land => Bird Song that DP 36 graced us with. I continue to screw with the set list, going so far as to move Sugar Magnolia up in the order and replace Sunshine Daydream with Bertha, which comes in perfectly on queue (I love Jerry's soloing at the end of Bertha). Heck I even included the soundboard Dark Star => Morning Dew from the night before, simply because "why not?" Audio's almost as good.....

Daverock - I can't wait to get to that 4/26 show Other One you mentioned. If I had to try to come up with some original words to describe its quality.....hmmm.....I guess I would say "it's everything". I mean really, it almost plays out like a '72 Dark Star during the improv bits. I think Jerry was REALLY inspired by Dark Star, Part II on the 24th, and just wanted to continue that unplanned 15 minute bit of genius after Me and My Uncle. Just maybe . Come to think of it, "it's everything" doesn't really describe that 4/26 version of The Other One with the blend of quality and originality I was aiming for- I'd say it's more like "everything AND a bag of chips".

I also recently learned to appreciate 30 Trips 1969 show as so much more than a two-track inferior spin-off of the Fillmore West Complete box set. Set lists are obviously very similar, but this show has some bite to it. I may revist today. Thanks for the reminder.

Stage Banter (Jerry) "This ain't Kentucky man!"

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In reply to by daverock

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Curiously, considering I mentioned them on here last week, and then got a recommendation for their album by Simon, on the inner sleeve of the 30 Trips cd 4/22/69, their is a reproduction of a concert poster featuring the Dead...and topping the list...Country Weather. Never noticed it before.

Still haven't ordered their album, although I am clearly being led to do so. I'm gradually getting over my worries about ordering things through the post being contaminated. Although, not to make light of things-and apologies for any offence caused - it would be a curiously apposite way for a bloke like me to meet his maker. Being offed by a rare psychedelic album. "It was that Country Weather album", they will say, "he didn't stand a chance."

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Authorities in Bavaria have cancelled this year's Oktoberfest in München. Bad news for Gerd, Gerhard and others. Where will it all end?

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KF, your 'dream sequence' had me guffawing-out-loud by the end; don't you just LOVE how things in ones dream never truly seem to translate into reality? The dog licking translation from your dream was too funny. Adds some levity to my morning.

Now, what to jump into. Was looking for inspiration going through the most recent comments and I realized I hadn't listened to the Giants box/pre-91 shows in a while (thx Jimmy) so that just might hit the spot.

Otherwise, dive into a great Dark Star or Other One today and take a ride.

Be Well People
Sixtus

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In your cellar or in your garden, a solo bierfest doesn't sound like a lot of fun. Would you have to wear a dirndl to fetch the beer then change into lederhosen to drink it? Whatever, strange times call for strange measures.

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... I’m listening to Dicks Picks #26 ;recoded on
4/26/69 & 4/27/69! What a Primo Pick of the dicks Pick series! Man, this is where it’s at! 🙏❤️🤠💀🌹

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In reply to by simonrob

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Simonrob - top part 'hosen, bottom part St. Pauli Girl dress - amirite? Or is it the other way around?
I know I've got a litre glass mug around here somewhere.

Solo Beer Fest = pretty much every day at Clan Sixtus these days.

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In reply to by simonrob

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Simonrob,
well, good thing is I have a garden and I have a cellar.
Another good thing is, I have lederhosen and I have liter steins, -mugs, -glasses and a large variety of fantastic, unique brew around to buy. And I have the choice to get it in bottles or small kegs.
And, there are brothers around in the same miserable position.
So we could get together and listen to e. g. the '76 box and have some fun.
But, box hasn't arrived yet!
A bummer is, no Dirndl serving. Gotta figure something out.
Take care

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Stepping Out w The Dead and Keith's missing piano. Finally got a copy of this (through the magnificent benevolence of a board member)

And wow keith, quite glaring. More like they just forgot to put his track on.

The other day we mention about cd labeling when ripping, how some there, some not, some wrong. While ripping in "stepping out", and I've had this with other albums, but always get a laugh. Songs that have [Live] after the title, ok, on a studio album with a couple of live cuts thrown on, but when I see a live show with chuckle.

TV shows went by the other day. I just caught "first man" (about Neil Armstrong) and the moon stuff. Brought back a memory (which I have every 10 years or so), but who remembers Andy Griffith in a show called "savage 1"?

Andy was a junkyard/scrap dealer who decides he's gonna build a rocket and savage all the stuff left behind on the Moon. I liked as a kid. They only made 20 and only showed 16 before being cancelled. I ended up looking for the show up to see if it was available on disc and like most net lookups you go far too deep and read too much. We all know (or should know) one of the big lines from the moon landing was "the eagle has landed". Well in the Andy show when he makes it to the moon to savage all the shit he says, "the vulture has landed". I certainly didn't remember this from back in the day but had a good laugh.

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In reply to by Dennis

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Pre-order is open

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In reply to by icecrmcnkd

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ICECRMCKD
Have just received message, too. 28 Minutes later. The Pond!

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In reply to by gratefulgerd

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You have got to have a German Beauty wearing a Dirndl serving the beer. Anything else is unacceptable!

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In reply to by deadegad

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@ deadegad
right! Preferably with a lot of Holz vor der Hütt'n.
Less will do, too.
Ha, ha.

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Slow Dog Noodle, deadegad, Dennis and all, thank you.

I see I'm not the only one waiting for the boxset to be delivered. Nevermind, I got many releases to listen to. I'll wait for it.

I've just read the track listing of the Dave's Picks 34, it seems spectacular, and the bonus disc could be one of the best.

Meanwhile, I think I will listen again to Dave's Picks 24, I like this show.

Be well.

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In reply to by luis

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Jesus,

It's great to see you back man - one cool Galacean cat. Stay safe my friend.

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In reply to by daverock

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Couldn't agree more DaveRock.

Mountains and Duprees.. I love those subtle soft, flexible songs into the calm waters of Dark Star in the Constantan years . Dicks Picks 26 has some similar moments but this one hasn't grabbed me quite as hard yet.. but give it some time. I really think we are due for another 1969.. and they are in the vault.

As for the transition into GDTRFB from 4/26, it's an all-timer. A couple years ago, I found myself with some free time in the middle of winter on a work day and ended up doing something crazy and fun stuff alone in the backcountry in an enhanced state.. my playlist that fateful day contained the same passage (Lovelight>GDTR) but from Bickershaw. I might just like this a little better. The transition is not quite as good, but just by a hair and I think the Lovelight is stronger, perhaps the strongest of the tour. ..but that segment of music, really Jack Straw though GDTRFB/NFA is amazing. A creative, tight, succinct fluid piece of music. SimonRob was there that day, the longest show of the tour. I think it was a post from VGuy that prodded me to put that show on my device that fateful day. But Bickershaw, wow.. a historic performance, as was Jahrhundert Halle. Well they all were historic performances, weren't they.

Jim...I have just dusted off 4/22/69 for an anniversary listen, and noticed there's one on here too. This is a run, the Ark, Boston April 1969, that is often suggested for a box, and it would be a great choice. If what you say about more 1969 shows possibly being released soon, this would be a perfect run to centre on.

Although Bickershaw was in my general area of growing up-the North West of England, and I had started going to gigs that year, it was before my festival going years started-with Pink Floyd, Knebworth 1975. But the photographs of Bickershaw, with all the cold looking, bedraggled, long haired people reminds me of the mood of the times. Its no wonder Black Sabbath and Hawkwind were so popular. They reflected the stoned North Western British experience to perfection.
But, I digress... Bickershaw was a great show.

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No, there's still no sign of the '76 Box in France. How long will it take for the Dave's Pick to get here?

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51 years ago, unbelievable. Just listened to it.
Turn On Your Lovelight got me.
Pigpen wound up, full of energy, awesome.

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In reply to by gratefulgerd

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A great run.. a very popular box suggestion. I do think we are do and I also think there is a good bit of quality 69 in the vault.

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Box No. 9146 arrived safely to my home today, south of Germany close to the austrian border, what a good timing......yiiiiipiiiih!!!
Still waiting for the DaP33, had contact to CustomerService, they are doing home office they said, once they are
back the will send a replacement to me - well, I got time, hope......and a BOX!
Grateful Greetings to all of you out there,
Stay home
Stay healthy
Keep calm
Play Dead

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But my tracking has been updated for the first time since 28 march(!)
Repeating the exact same message yesterday as 28 march: parcel has left the international distribution center.
(Which it had already done on march 28!)
So still the wrong side of the pond.....

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As of yesterday this is the tracking message:

Your item arrived at an origin transfer airport in LOS ANGELES, UNITED STATES on April 24, 2020 at 9:39 pm. The item is currently in transit to the destination.

By the end of March the package was in New York. I made a phone call to USPS Sweden a week ago or so and they said the box set was being shipped by boat to Europe. So I guess I still have to expect a long wait?

Micke Östlund,
Växjö, Sweden

I was waiting too.
What I found out, the transatlantic shipping to Germany was made by UPS/air on behalf of USPS.
Domestic shipping was done by regular postal Service, here DHL.
Funny thing is, tracking says arrival Germany on March 28, same day as yours, but on this side of the Atlantic.
I guess, box was probably held up at the customs office because of staff shortage in these strange days. But who knows?
Dogon I'd sent you a pm. Gerd

Great to hear the boxes are beginning to arrive in Europe (and hopefully elsewhere).. Fill us in on what you think, to me it exceeded expectations, always a bonus. I think I liked the first two shows the best.. Lucky Boston.

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My Box arrived in Germany on 3/23 via UPS. Yesterday I received a note from DHL that my box finally arrived on my island. Will pick it up tomorrow. Taxes EUR 20.85 and addtitional costs of EUR 6.00. About EUR 12. 00 less as expected. Stay safe
JJ

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In reply to by JJ Fehmarn

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Great news for you!!! Are you on Ost Friesenland?? Enjoy the music JJ!

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I'm living on the Isle Of Fehmarn, famous for Jimi Hendrix last official concert at the "Love & Peace Festival" 1970.
The Isle Of Fehmarn in the northern part in Germany is situated on the east coast of Mecklenburg Bay, your mentioned Friesland is on the west coast - where the water is running away in regulary terms.
By the way, my last five:
Derek & The Dominoes - Live Fillmore (Vinyl)
David Crosby - Here If You Listen (Vinyl)
Eddie Vedder - Berlin 2019 (CDR)
GD - Dominguez Hills 5/5/90 (CDR)
Tamikrest - Tamotait

Let there be songs to fill the air

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In reply to by JJ Fehmarn

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way up in the North, only a short step to Sweden.
I'll bet, boxes will arrive in Sweden next week.
Gerd

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I just took the Google Earth trip to Fehmarn and it looks wonderful!

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I hope I will get my box soon. And I do hope it hasn't already been here and gone back to Rhino and that's why it was last seen in Los Angeles. I have been in contact as well with the Swedish postal service and due to them it hadn't arrived yet 1-2 weeks ago. They could find one of the tracking numbers but so could I and we had the same information about the package. But my feeling is that I will eventually get it ... :-)

Micke Östlund,
Växjö, Sweden

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Well Micke, Skåne is closer to Fehmarn than Växjö...
The race is on!
(And not for the first time)

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will continue when DaP 34 is shipped
G.

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Not only in Sweden folks are waiting. Also here in Franconia, Southern Germany not the bloodiest wee clue where this box might be and when it eventually may arrive. Congratulations to all of you who got already. Enjoy it and stay healthy and do not use bad chemicals. May be not funny.

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No sign of the box in Norway either - and no further information on either ups or usps pages. I wonder why they can't just admit that the whole corona-situation causes huge delays. As I have understood the situation, this time Dead.net store chose to send the european packages via UPS mail innovation (what a misleading name...). There'is probably a big container somewhere with all our boxes in it - and hopefully they arrive before the release of the next box this year. My box was for many weeks in LA, then prosessed through a facility in New York and is now in transit from april 22nd.
For the good of all our nerves, please keep posting updates on shipment here, there is allways better to share the anxiety of not getting boxes and cds than sit alon and press refresh on tracking several times a day.

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box is on it's way. I'm positive, you'll get your box this week.
Bavarian authorities, if customs, police, etc., are always more strictly than the ones in the rest of Germany.
Well, that's the only bad thing about Bavaria.
Today, my wife and I did some hiking in the Rhön-Mountains.
For some reason I didn't lock the car. After we returned I had a ticket on my driver's seat, 15 Euros punishment, issued by Bavarian police, for not locking the car.
Nevertheless I can be lucky, they didn't take the CD's I had with me, out of the box, June 14, '76.
I wonder if you could get a ticket in the US, Sweden, Netherlands or elsewhere, for not locking your car.
Gerhard, alles wird gut
G.

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Especially for the germanheads who are still waiting here comes the delivery itinerary of #5928:

3/17/20 Fantana, CA -> UPS
3/23/20 landing in Germany (probably Frankfurt)
From this date on no further informations available till 04/25/20. As far as I can sort it out today:
04/18/20 costums check
04/23/20 box -> DHL
04/25/20 box arrived, got a notice on my front door
04/27/20 box could picked up at post Office

Glad dead.net put on a value of USD 120 on the declaration so it saved about EUR 12 on taxes.

Hope all others who are still waiting will receive their box within the next days and maybe DP34 more faster.

Greetings to all from the sunny Isle of Fehmarn, stay safe

JJ

you're right. Good luck, CD's were still there.
Cops probably got high on issueing a ticket for that crimnal act of not locking the car and failed to see the gems.

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