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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3231
    DeadVikes
    Joined:
    4/23/77 Springfield

    My first listen of this show and I think it is a solid show. Sound quality is good, not mind blowing, but good. A couple of patches but nothing substantial. You can definitely tell they are not in May form yet, but getting closer. Not sure this show will ever be released.

    What are we looking at next?

  • #3232
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3233
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3234
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3235
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3236
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3237
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3238
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3239
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3240
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by fourwindsblow on Sun, 04/26/2020 - 14:30

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Now when I go shopping I look like the uni-bomber hood up glasses on mask I'm afraid to go to the bank.

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Submitted by icecrmcnkd on Sun, 04/26/2020 - 14:31

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One typo, 3-22-93 was in ATL not Oakland. Don’t know how this site got that wrong.
Oh wait, not surprised that this site has errors.

7-31-74, Promised Land just ended, I have a lot to look forward to while cooking. Probably time for some beer.

....es no bueno. Plenty of alcohol though. Whew!
11.10.73 Bob T says? Twist my joint.
The Kinks were incredible. Every album is different! You go Davies Bros! Reminds me of another band. Too bad they fought so much.

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Submitted by Vguy72 on Sun, 04/26/2020 - 14:45

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....is a pic from the 7.31.74 booklet. Look at Garcia leaning back and blowing everyone's minds!! Yup. Kinda like that! Lookit him loving on Wolf.

I wasn’t saying to listen to it tomorrow, I was saying “Hey Dave, how about 12-18-73 for DaP36?”
But that doesn’t mean that you can’t listen to it tomorrow after 11-10-73.

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Submitted by icecrmcnkd on Sun, 04/26/2020 - 15:38

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You’re so lucky to live in a cool state.

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Submitted by Vguy72 on Sun, 04/26/2020 - 15:45

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....list shows attended. Pour some good bourbon, light a preroll and go!
Nevada is a cool state, Vegas mayor notwithstanding.
Prepping the grill for ribeyes.
I fear for my home city though.
I still have Primus tix for July in Vegas.
LMG says 10.6.20 will be a date to focus on. Kept it short and sweet. We shall see.

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Submitted by Thats_Otis on Sun, 04/26/2020 - 15:56

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My vote is for the Winterland show, though Curtis is incredible.

Maybe some Pig and/or Brent shows going forward?

Peace

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Submitted by bob t on Sun, 04/26/2020 - 16:45

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Bolo so incredibly envious i think is the word.... 11/10/73, first show wow!! Playing>Uncle John's>Morning Dew>Uncle John's>Playing, I think I would have passed out!!! Did you go the next night??? bob t

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Submitted by DeadVikes on Sun, 04/26/2020 - 16:57

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Still working my way through this monster. Love the Scarlet opener. Great first set. Nice China Rider. Love the Eyes, WPS.

Every time I listen to this show, I always think the fidelity is just a little off. Doesn't seem to match some of the other 74 releases like Dick's 31, RT2
2.3 or Dave's 9, the May MT show, which are all A+ in sound quality. What do you all think? Do I have a bad copy?

Winterland 73, wow Bolo that is pretty cool that was your first show.
I am in on 11/10/73 for tomorrow.

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Submitted by Vguy72 on Sun, 04/26/2020 - 18:00

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....I'm representing the Big Rock Pow Wow 5.23-24.1969. Road Trip Vol 4. No 1. I was one year old. Makes sense to me. Music to be birthed by.
You want the grease? There ya go.
Jimbo is especially fond of this release. Hard to argue.
If there are rules to this endeavor, I might have just broken them.

....was ahead of the curve.
Nuances. Jerry flutters the strings at the 1:50 mark of BE Women.....getting settled here.

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Submitted by The Good Ole G… on Mon, 04/27/2020 - 07:20

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11/10/73 - Fine start with Bertha, Jerry's solo says it's gonna be a good night out of the box.

BOLO tell us a first show story!

And when you say "official" show, is there un-official shows? Just trying to be hip, on all the jive;)

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Submitted by fourwindsblow on Mon, 04/27/2020 - 07:44

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Bertha grooving I can see Bolo dancing, Jack, Loser into a beautiful LLR, Deal still climbing, nice Mexicali, wonderful Tenn Jed & El Paso, Fair Thee Well I want to cry, BIODTL, hoping Row J, and Weather Report takes me home.

Set 2 dives right into the deep end. Stella Blue, Truckin' are they teasing Nobodys Fault, psychedelic Wharf Rat

I remember listening to this run when I first got it 11/9 I thought was great, the 10th was okay some nice parts played very well. I think they were holding back some so they could blow everyone's minds on the 11th. It's played with enough energy to carry from 9 into the incredible 11.

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Submitted by Thats_Otis on Mon, 04/27/2020 - 09:04

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... As you can see, being a rock n' roller ain't no bed of roses.

Love these guys! 11/10/73 commencing.

Peace

Set 1 was a real nice trip.

iTunes is telling me I haven't listened to this since 10/11/13 @ 12:41pm & I'm thinking I was probably pretty toasted then based on the time..

I'm really getting a lot out of these revisits... so many days between.

Crazy to think that in 2008 this was the 2nd big Box Set of a run of shows released. Previously planned for 2006 release, who remembers waiting?

Brokedown Palace 1 of 7 from '73.. real good.
Weather Report Suite was so good too.
(little tape flutter I'm hearing in there?).

Time for a Set Break.

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Submitted by JimInMD on Mon, 04/27/2020 - 11:05

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What show are we doing today, Winterland 73 or Big Rock Pow Wow? I'm so confused...

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Submitted by fourwindsblow on Mon, 04/27/2020 - 12:17

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I would be right at home at this one. Can't wait till tomorrow.

This site thinks I'm a robot. Do I look like a robot?

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Submitted by fourwindsblow on Mon, 04/27/2020 - 12:21

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I got a rabbit sits out front of the house everyday listening to the tunz. Them must be some good picks.

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Submitted by Strider 808808 on Mon, 04/27/2020 - 12:39

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Dillon Stadium had some kind of dynamic effect on the band. Exploratory China Cat /I Know you Rider . , think about 50 year anniversary of Harper College May 2 next Saturday . Considered one of the most amazing Dead concerts of all time.
Mark me down for Seminole Powwow, Alligator land.

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Submitted by DeadVikes on Mon, 04/27/2020 - 14:56

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November 73 is so damn good. This show is awesome. Again, the focused listen to get through the whole show in one day is fun. I will be checking out 11/9 and 11/11 again this week as well.
Sound quality is A+. First Plangent Box, what a great job and partnership with Dave and crew.

Always like hearing a Brokedown Palace. Of course the Playing/UJB/Dew/UJB/Playing sandwich is epic.

Great finish. Big River, Stella Truckin, etc. Casey Jones encore.

And you were there Bolo, wow! What a unbelievable first show.

Great Pick!
Thanks a lot folks.

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Submitted by bolo24 on Mon, 04/27/2020 - 15:43

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The sea was angry that day, my friends.

My brother and I arrived at the corner of Post and Steiner, queueing up to enter the vaunted Winterland Arena. It was my birthday present from him, and the first time I'd seen the Dead since 1/14/67, the Human Be-In (thats a whole 'nother story).

As we're waiting to go in, my brother ran into a college buddy of his, Dell Furano, who was working for Bill Graham at the time. He and his brother would go on to form Winterland Productions with Graham the following year.

Anyway, Dell decided that we should see the show from a unique vantage point - a wooden light/camera box perched on the side of the wall with a great view of the band, stage right. We had to climb up a less-than-stable wooden ladder mounted on the wall, and I'm pretty certain we and other friends of the Furanos exceeded the legal weight capacity of said box by at least 200%.

As the show went on, any beer that was confiscated at the front doors mysteriously found its way up to our little box. It was a pretty steady supply for the duration.

During the set break, we found ourselves in the middle of a spontaneous drum circle in the lobby. We were chanting and banging on anything we could find - trash cans, empty beer bottles, etc. After several minutes, a rather large security dude came toward us and pulled a wooden baton out of a hip holster. I thought we were in for it, but he just joined in, banging on a concrete column and grinning widely. The whole scene was as cool as one could possibly imagine - complete bliss!

After the famous Playin' sandwich to launch the second set, well, that was it for me. Plaster from the old ceiling was literally raining down on us as Phil dropped bomb after bomb, and I was in heaven - I'd officially found my seat on the bus!

After the show we hung around for a bit with a few folks, waiting until I felt it was OK to drive. I remember leaving through a side door, and I paused for a couple seconds and peeked out the door, because I wasn't entirely convinced that I was walking outside to the same planet Earth I'd departed a few hours earlier. Turns out my instincts were correct - the world would never look or feel or sound the same to this day. I, like all of you, was granted the extreme privilege of peeking behind the curtain. The soundtrack to my life had been established once and for all, and it's been a glorious journey ever since.

The End.

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Submitted by The Good Ole G… on Mon, 04/27/2020 - 16:33

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From where I was standing, I could see directly into the eye of the great fish.

A Great and Well told story!

You just can’t beat that, thank you sir.

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Submitted by fourwindsblow on Mon, 04/27/2020 - 16:54

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"Mammal." "Whatever!"

11/9 Takes most of set 1 to get it dialed in, some roughs spots here and there China> Rider, Playin' pretty good. HCS to open set2.

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Submitted by Thats_Otis on Mon, 04/27/2020 - 17:38

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The "Brokedown" is gorgeous, that whole 2nd disc is great, and the "Wharf Rat" is glorious. It was fun to dive into the boys towards the beginning of 73 (DiP28) and towards the end. What a great year!

I have (surprisingly) never listened to Big Rock, as I missed nearly all of the Road Trip series on the original go through, but I have found a way to stream it - looking forward to hearing what all of the hype is about!

Peace

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Submitted by Vguy72 on Mon, 04/27/2020 - 20:27

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....consists of beer brats with medium cheddar wrapped in crescent rolls and portobello mushrooms in a butter/garlic sauce with thyme and parmesian.
Looking for a chateau, 21 shrooms and one to go.
It works.
I'm no cook, but I spent last night at a Holiday Inn. Evens out.
Onto the second set.
Oh. And a merlot.

11/10/73 - Kidd Candelario’s tricked out 2-Track recording of Winterland ’73 along with Bolo24’s wonderful tale and copious recounts and reviews from GD scholars & fans took me there!

Said to be “maybe” the best 2-Track recordings from ’73 in the Vault quality wise

Set 2 Absolutely Rocks and the 1st of 3 PITB > UJB > Morning Dew > UJB > PITB palindrome is definitely the highlight. The rest of the set really sparkles too.
Really rockin’ Big River, nice Stella, top notch Truckin’ > Wharf > Sugar Mags, OMSN.
One of my favorite moments you ask?
Right before the Encore you hear a fan call for “Casey Jones!” and then “Drivin’ That Train…”
Ah.. Winterland that hallowed hall, I wish I knew you!

Ask and you shall be rewarded, right Bolo24?

Such a great first show story. Thanks again for sharing, I liked that firsthand account as much as the revisit, and the two together… Extra Sweet!

Yet another reason ’73 is mentioned as a “best” year for the GOGD.

Alright, onward you say? 5/23 & 24 of 1969 you say? Well, well, well…

After yesterdays revisit of '73 I'd like to hear that 11/11/73 Dark Star again & 11/17/73 DaP V5 Palindrome #2 again

So I’ll toss those two out to the wind and let’s see if they make it into our little revisit list..

But until then I will go with you all to the cosmic year of 1969!

PS - If no-one wants to listen to the two shows mentioned above 11/11/73 & 11/17/73 then, lmk cause I’ll listen to those in my “spare” time;)

ICECRMCNKD - 12/19/73 Complete Show Re-Issue / ReMaster. YES Please!!!

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Submitted by Thats_Otis on Tue, 04/28/2020 - 07:57

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Commencing now.

"Hard to Handle" right outta the gate!

Looking forward to this one... I'll be sure to keep my hands out of my pockets.

Also, got my shipping notice for Jai-Alai - looks like delivery by end-of-day Friday. Good stuff.

Peace

EDIT: Just saw that according to our friend Doc, 4/28/71 may be the best show in GD history. Well, I know what I am going to put on after the Pow Wow!

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Submitted by unkle sam on Tue, 04/28/2020 - 08:43

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What a show the 23rd is, how many times did they do St. Stephen>the Eleven outta Dark Star? This is a really good Dark Star and a very nice Morning dew, what's not to like. Plus I think this is the first Casey Jones. I have been to the Seminole Indian Reservation, went to the Phish show down there for the 1999 new years run, but that's a different story. I can only imagine how desolate and out in the middle of nowhere this show must have been, must have been a gas to drive on Alligator Alley to get to this show. I've also seen Alligators and Indians and have experienced Orange Sunshine, just not all together at the same time :)

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Submitted by fourwindsblow on Tue, 04/28/2020 - 11:42

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10 was dialed in so from Bertha on the sound was there maybe a few tweaks here and there, they were really able to hear each other very well kinda like 8-24-72 where you can hear all the nuances, and the band played very well. I made it to Eyes from the 9th it was late and things didn't seem to be clicking.

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Submitted by bob t on Tue, 04/28/2020 - 11:43

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Pigpen just heckles the shit out of the announcer.... "You ain't if you don't shut up!!" Listen closely if you never have... I threw a quote out from this show when i requested to listen to the Dave's Wichita 72 show, "Don't be programming it baby let's just get it on!!""" bob t

Running a little late, just getting into Set I of of 11-10-73. Bolo, that's quite the Origin Story!! Such a fun vivid picture to have painted for this collective listen. Wow, the sound is dialed in from the get go. Gorgeous. Another great pick o' the day. Disc 3 from the next night was in the road music rotation for a good while, but even that seems like ages ago. Looking forward to the Big Rock Pow Wow - that sequence with He Was A Friend Of Mine is sweet!

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Submitted by fourwindsblow on Tue, 04/28/2020 - 12:00

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The Spirit's are alive! The Katcinas here.

This show sound dialed I can hear everything twice the band is playing great, Dark Star through the roof. What i like most about the era is it goes right into it. Bear was The Sound Man I guess everybody else learned it from him.

When life gives you lemons you go put on Pow Wow from '69.

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Submitted by Thats_Otis on Tue, 04/28/2020 - 12:00

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I enjoyed today's listen - though I must admit that I did not do the back-to-back 30~min. "Lovelights."

"Death Don't" is a track that I need to listen to more often - one of my favorites from the earlier days, and I thought this one was haunting and perfect.

I too was at the Phish 1999 NYE shows in the Everglades, and yes, I did see some gators. What a trip it must have been to be there in 69.

Good stuff. And yes, the band really did seem to give that announcer hell.

Peace

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Submitted by fourwindsblow on Tue, 04/28/2020 - 12:19

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Sounds real nice. I hope that the 24th sounds good too but this Lovelight is pretty good.