• 8,101 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • 1stshow70878
    Joined:
    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • JimInMD
    Joined:
    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

  • daverock
    Joined:
    Give your right hand?

    If you were left handed you'd have nowhere to put your slide if you did that .

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Now when I go shopping I look like the uni-bomber hood up glasses on mask I'm afraid to go to the bank.

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One typo, 3-22-93 was in ATL not Oakland. Don’t know how this site got that wrong.
Oh wait, not surprised that this site has errors.

7-31-74, Promised Land just ended, I have a lot to look forward to while cooking. Probably time for some beer.

....es no bueno. Plenty of alcohol though. Whew!
11.10.73 Bob T says? Twist my joint.
The Kinks were incredible. Every album is different! You go Davies Bros! Reminds me of another band. Too bad they fought so much.

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....is a pic from the 7.31.74 booklet. Look at Garcia leaning back and blowing everyone's minds!! Yup. Kinda like that! Lookit him loving on Wolf.

I wasn’t saying to listen to it tomorrow, I was saying “Hey Dave, how about 12-18-73 for DaP36?”
But that doesn’t mean that you can’t listen to it tomorrow after 11-10-73.

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You’re so lucky to live in a cool state.

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....list shows attended. Pour some good bourbon, light a preroll and go!
Nevada is a cool state, Vegas mayor notwithstanding.
Prepping the grill for ribeyes.
I fear for my home city though.
I still have Primus tix for July in Vegas.
LMG says 10.6.20 will be a date to focus on. Kept it short and sweet. We shall see.

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My vote is for the Winterland show, though Curtis is incredible.

Maybe some Pig and/or Brent shows going forward?

Peace

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Bolo so incredibly envious i think is the word.... 11/10/73, first show wow!! Playing>Uncle John's>Morning Dew>Uncle John's>Playing, I think I would have passed out!!! Did you go the next night??? bob t

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Still working my way through this monster. Love the Scarlet opener. Great first set. Nice China Rider. Love the Eyes, WPS.

Every time I listen to this show, I always think the fidelity is just a little off. Doesn't seem to match some of the other 74 releases like Dick's 31, RT2
2.3 or Dave's 9, the May MT show, which are all A+ in sound quality. What do you all think? Do I have a bad copy?

Winterland 73, wow Bolo that is pretty cool that was your first show.
I am in on 11/10/73 for tomorrow.

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....I'm representing the Big Rock Pow Wow 5.23-24.1969. Road Trip Vol 4. No 1. I was one year old. Makes sense to me. Music to be birthed by.
You want the grease? There ya go.
Jimbo is especially fond of this release. Hard to argue.
If there are rules to this endeavor, I might have just broken them.

....was ahead of the curve.
Nuances. Jerry flutters the strings at the 1:50 mark of BE Women.....getting settled here.

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11/10/73 - Fine start with Bertha, Jerry's solo says it's gonna be a good night out of the box.

BOLO tell us a first show story!

And when you say "official" show, is there un-official shows? Just trying to be hip, on all the jive;)

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Bertha grooving I can see Bolo dancing, Jack, Loser into a beautiful LLR, Deal still climbing, nice Mexicali, wonderful Tenn Jed & El Paso, Fair Thee Well I want to cry, BIODTL, hoping Row J, and Weather Report takes me home.

Set 2 dives right into the deep end. Stella Blue, Truckin' are they teasing Nobodys Fault, psychedelic Wharf Rat

I remember listening to this run when I first got it 11/9 I thought was great, the 10th was okay some nice parts played very well. I think they were holding back some so they could blow everyone's minds on the 11th. It's played with enough energy to carry from 9 into the incredible 11.

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... As you can see, being a rock n' roller ain't no bed of roses.

Love these guys! 11/10/73 commencing.

Peace

Set 1 was a real nice trip.

iTunes is telling me I haven't listened to this since 10/11/13 @ 12:41pm & I'm thinking I was probably pretty toasted then based on the time..

I'm really getting a lot out of these revisits... so many days between.

Crazy to think that in 2008 this was the 2nd big Box Set of a run of shows released. Previously planned for 2006 release, who remembers waiting?

Brokedown Palace 1 of 7 from '73.. real good.
Weather Report Suite was so good too.
(little tape flutter I'm hearing in there?).

Time for a Set Break.

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What show are we doing today, Winterland 73 or Big Rock Pow Wow? I'm so confused...

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I would be right at home at this one. Can't wait till tomorrow.

This site thinks I'm a robot. Do I look like a robot?

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I got a rabbit sits out front of the house everyday listening to the tunz. Them must be some good picks.

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Dillon Stadium had some kind of dynamic effect on the band. Exploratory China Cat /I Know you Rider . , think about 50 year anniversary of Harper College May 2 next Saturday . Considered one of the most amazing Dead concerts of all time.
Mark me down for Seminole Powwow, Alligator land.

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In reply to by Strider 808808

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November 73 is so damn good. This show is awesome. Again, the focused listen to get through the whole show in one day is fun. I will be checking out 11/9 and 11/11 again this week as well.
Sound quality is A+. First Plangent Box, what a great job and partnership with Dave and crew.

Always like hearing a Brokedown Palace. Of course the Playing/UJB/Dew/UJB/Playing sandwich is epic.

Great finish. Big River, Stella Truckin, etc. Casey Jones encore.

And you were there Bolo, wow! What a unbelievable first show.

Great Pick!
Thanks a lot folks.

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The sea was angry that day, my friends.

My brother and I arrived at the corner of Post and Steiner, queueing up to enter the vaunted Winterland Arena. It was my birthday present from him, and the first time I'd seen the Dead since 1/14/67, the Human Be-In (thats a whole 'nother story).

As we're waiting to go in, my brother ran into a college buddy of his, Dell Furano, who was working for Bill Graham at the time. He and his brother would go on to form Winterland Productions with Graham the following year.

Anyway, Dell decided that we should see the show from a unique vantage point - a wooden light/camera box perched on the side of the wall with a great view of the band, stage right. We had to climb up a less-than-stable wooden ladder mounted on the wall, and I'm pretty certain we and other friends of the Furanos exceeded the legal weight capacity of said box by at least 200%.

As the show went on, any beer that was confiscated at the front doors mysteriously found its way up to our little box. It was a pretty steady supply for the duration.

During the set break, we found ourselves in the middle of a spontaneous drum circle in the lobby. We were chanting and banging on anything we could find - trash cans, empty beer bottles, etc. After several minutes, a rather large security dude came toward us and pulled a wooden baton out of a hip holster. I thought we were in for it, but he just joined in, banging on a concrete column and grinning widely. The whole scene was as cool as one could possibly imagine - complete bliss!

After the famous Playin' sandwich to launch the second set, well, that was it for me. Plaster from the old ceiling was literally raining down on us as Phil dropped bomb after bomb, and I was in heaven - I'd officially found my seat on the bus!

After the show we hung around for a bit with a few folks, waiting until I felt it was OK to drive. I remember leaving through a side door, and I paused for a couple seconds and peeked out the door, because I wasn't entirely convinced that I was walking outside to the same planet Earth I'd departed a few hours earlier. Turns out my instincts were correct - the world would never look or feel or sound the same to this day. I, like all of you, was granted the extreme privilege of peeking behind the curtain. The soundtrack to my life had been established once and for all, and it's been a glorious journey ever since.

The End.

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From where I was standing, I could see directly into the eye of the great fish.

A Great and Well told story!

You just can’t beat that, thank you sir.

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"Mammal." "Whatever!"

11/9 Takes most of set 1 to get it dialed in, some roughs spots here and there China> Rider, Playin' pretty good. HCS to open set2.

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The "Brokedown" is gorgeous, that whole 2nd disc is great, and the "Wharf Rat" is glorious. It was fun to dive into the boys towards the beginning of 73 (DiP28) and towards the end. What a great year!

I have (surprisingly) never listened to Big Rock, as I missed nearly all of the Road Trip series on the original go through, but I have found a way to stream it - looking forward to hearing what all of the hype is about!

Peace

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....consists of beer brats with medium cheddar wrapped in crescent rolls and portobello mushrooms in a butter/garlic sauce with thyme and parmesian.
Looking for a chateau, 21 shrooms and one to go.
It works.
I'm no cook, but I spent last night at a Holiday Inn. Evens out.
Onto the second set.
Oh. And a merlot.

11/10/73 - Kidd Candelario’s tricked out 2-Track recording of Winterland ’73 along with Bolo24’s wonderful tale and copious recounts and reviews from GD scholars & fans took me there!

Said to be “maybe” the best 2-Track recordings from ’73 in the Vault quality wise

Set 2 Absolutely Rocks and the 1st of 3 PITB > UJB > Morning Dew > UJB > PITB palindrome is definitely the highlight. The rest of the set really sparkles too.
Really rockin’ Big River, nice Stella, top notch Truckin’ > Wharf > Sugar Mags, OMSN.
One of my favorite moments you ask?
Right before the Encore you hear a fan call for “Casey Jones!” and then “Drivin’ That Train…”
Ah.. Winterland that hallowed hall, I wish I knew you!

Ask and you shall be rewarded, right Bolo24?

Such a great first show story. Thanks again for sharing, I liked that firsthand account as much as the revisit, and the two together… Extra Sweet!

Yet another reason ’73 is mentioned as a “best” year for the GOGD.

Alright, onward you say? 5/23 & 24 of 1969 you say? Well, well, well…

After yesterdays revisit of '73 I'd like to hear that 11/11/73 Dark Star again & 11/17/73 DaP V5 Palindrome #2 again

So I’ll toss those two out to the wind and let’s see if they make it into our little revisit list..

But until then I will go with you all to the cosmic year of 1969!

PS - If no-one wants to listen to the two shows mentioned above 11/11/73 & 11/17/73 then, lmk cause I’ll listen to those in my “spare” time;)

ICECRMCNKD - 12/19/73 Complete Show Re-Issue / ReMaster. YES Please!!!

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Commencing now.

"Hard to Handle" right outta the gate!

Looking forward to this one... I'll be sure to keep my hands out of my pockets.

Also, got my shipping notice for Jai-Alai - looks like delivery by end-of-day Friday. Good stuff.

Peace

EDIT: Just saw that according to our friend Doc, 4/28/71 may be the best show in GD history. Well, I know what I am going to put on after the Pow Wow!

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What a show the 23rd is, how many times did they do St. Stephen>the Eleven outta Dark Star? This is a really good Dark Star and a very nice Morning dew, what's not to like. Plus I think this is the first Casey Jones. I have been to the Seminole Indian Reservation, went to the Phish show down there for the 1999 new years run, but that's a different story. I can only imagine how desolate and out in the middle of nowhere this show must have been, must have been a gas to drive on Alligator Alley to get to this show. I've also seen Alligators and Indians and have experienced Orange Sunshine, just not all together at the same time :)

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10 was dialed in so from Bertha on the sound was there maybe a few tweaks here and there, they were really able to hear each other very well kinda like 8-24-72 where you can hear all the nuances, and the band played very well. I made it to Eyes from the 9th it was late and things didn't seem to be clicking.

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Pigpen just heckles the shit out of the announcer.... "You ain't if you don't shut up!!" Listen closely if you never have... I threw a quote out from this show when i requested to listen to the Dave's Wichita 72 show, "Don't be programming it baby let's just get it on!!""" bob t

Running a little late, just getting into Set I of of 11-10-73. Bolo, that's quite the Origin Story!! Such a fun vivid picture to have painted for this collective listen. Wow, the sound is dialed in from the get go. Gorgeous. Another great pick o' the day. Disc 3 from the next night was in the road music rotation for a good while, but even that seems like ages ago. Looking forward to the Big Rock Pow Wow - that sequence with He Was A Friend Of Mine is sweet!

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The Spirit's are alive! The Katcinas here.

This show sound dialed I can hear everything twice the band is playing great, Dark Star through the roof. What i like most about the era is it goes right into it. Bear was The Sound Man I guess everybody else learned it from him.

When life gives you lemons you go put on Pow Wow from '69.

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I enjoyed today's listen - though I must admit that I did not do the back-to-back 30~min. "Lovelights."

"Death Don't" is a track that I need to listen to more often - one of my favorites from the earlier days, and I thought this one was haunting and perfect.

I too was at the Phish 1999 NYE shows in the Everglades, and yes, I did see some gators. What a trip it must have been to be there in 69.

Good stuff. And yes, the band really did seem to give that announcer hell.

Peace

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Sounds real nice. I hope that the 24th sounds good too but this Lovelight is pretty good.