• 8,079 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
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    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • JimInMD
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    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • daverock
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    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I remember Buffalo '90 we had motel room like right across the street from the stadium I know it was in walking distance. Anyway we went up a day ahead and went to The Anchor Bar for wings and pizza. Then we went to The Falls Canadian side my buddy had family up there. That night we got back to the room we took the bed spread off the beds and went down where they were camping and stayed up all night eating Orange Sunshine and drinking Fosters.

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I know it’s a surprise, but the Highlight = Dark Star > St. Stephen > Eleven > Lovelight

The Infamous Dark Star Suite of ’69!

Dark Star
If I waxed poetic, I’d go on and on about this Dark Star, but mostly I wanna say, it’s got the Vibraslap, and I love the Vibraslap, especially in Dark Star, and therefore I love this Dark Star.

St. Stephen!
Can’t beat a Classic Version like this. You get the Xylophone, Cannon, William Tell Bridge, it’s all there. This is a great St. Stephen of old.

The Eleven
It’s good! Crazy good you ask? Well.. Crazy good might be a bit much, but it’s good I say!

Turn On Your Lovelight
Sir Ron McKernan aka Pigpen with his blues and soul. I’ve come to feel that Pigpen is a tragic figure, and the band would forever change with his passing, but here he is young and alive and that’s how I like to remember him.
Cause she’s got Box-backed nitties… what’s he say?!?!? (Let’s leave that for the scholars)
Calm down Bobby.. it’s no time for screaming like that!

Alright, well.. that was fun.
I guess I should put on the next show and follow my bliss.
5/24/69 you’re up next…

Note:
When they rehearsed and played St. Stephen with regularity, like in 1969, it was such an amazing song.. alas Jerry would remark that he felt that the song was a cop and due to that and less time spent rehearsing, St. Stephen would leave the garden.

If you watch the Grateful Dead Movie with the director’s commentary, Susan Crutcher tells a pretty fascinating story about how, she wanted to include St. Stephen in the section with the photo montage and Jerry was like, we don’t even play that song anymore, and Susan said yeah but it’s sooo good. And while listening to the song repeatedly during the editing process, Jerry’s interest got peaked and that led to the band resurrecting the song in 1976. The story holds water as they were editing the movie in ’76 when St. Stephen came back. Not to mention Susan strikes me as a cool person who would have no reason to embellish a story like that. I found that to be pretty cool and wanted to share.

I love St. Stephen of old!

FOURWINDSBLOW: How much of that there Orange Sunshine did you eat? That's the question...

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Enough! That's all I'm saying.

There were just the three of us out of ten that went to the camping site, we were the crazed of the group. The next morning when we went back to the motel room waking everyone up with a hearty breakfast of Orange Sunshine.

Good Show! CSN and The Dead! We went in early and sat right up in front of Jerry.

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FWB - That sounds like Good Times!

You seen that Doc on Orange Sunshine? Pretty fascinating.

That and Heads by Jesse Jarnow.

So much info. Such a Taboo subject... You gotta love it!

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I just remembered that right before set 2 the band on the stage and the camera rolling a camera guy center stage got me giving the thumbs up as he panned the crowed I know he saw me cause he smiled. Hope it makes it on the official video.

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....I'll fill you in later.
I have a pick to throw into the ring. It's not official, and I'm sure most have you have heard it, although maybe not in a long time (like me). 10.16.81 Club Melk Weg. Amsterdam. Bobby's birthday. One acoustic set. One electric. Borrowed instruments. High AF on hashish. Lovelight bustout after nine years. It's a really fun show. My two sense.
https://archive.org/details/gd1981-10-16.sbd.miller.110351.flac16/gd81-…

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Not sure why this would be a taboo subject here.. the band certainly didn't try to hide it. Besides.. most of this is folklore by now, happening between 55 and 25 years ago. It could be just because I am old and in the way.. but you don't see or hear of it that much these days.

I enjoy reading peoples stories, most of which (probably all that are told on these threads) by far predate any statute of limitation. Like it or leave it, this is American and World History. Let the good times roll (deja que los buenos tiempos pasen, deixe os bons tempos rolarem, laissez le bon temps rouler).

Edit: Speaking of LSD, I finished discs 1 and 2, 3 later. Still one of my favorite 69 releases behind FW and Fillmore Auditorium. I agree with the Good Ole GD.. disc one probably delivers the goods and is the highlight, but my favorite is disc 2 simply because He Was a Friend of Mine > The Eleven speaks to me... As for disc three, I have never met a Morning Dew or an Alligator I did not like. Even the squatty little yeller one with no tail.

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There was a video of both shows on Youtube, a few years ago, don't know if it is still out there!!

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I actually was awarded this for a prize back in 2010 for the inaugural version of 30 Days of Dead. It was on the 5th day and the song was Playing in the Band from 5/20/73 UCSB. As I recall it was a totally random guess! Funny the things we remember (and what we forget!)

Had a good time listening to 5/23 & 24/69 today.

The opening Lovelight almost seems to be a prankster response to the rookie mc telling people to be seated... never trust a prankster.

All the banter is fun. The difference between the closing Lovelight & opening Lovelight was interesting as well.
The opening Lovelight seemed to be much more exploratory with different themes being introduced, especially around 14:30, Jerry gets into a cool groove. The Drums > St. Stephen transition was a trip too.

Good stuff all around.

Milkweg is cool, I like Milkweg

11/17/73 Dap 5 is calling me too, I can feel it's pull.

WILFREDTJONES - 30 Days, look forward to it every year, and that's a good prize! Thanks Dead.net for being cool.

JIMINMD - I agree! That subject should not be taboo. May the human exploration into the cosmos and beyond continue!

Alright you all, keep on rockin' looking forward to the next pick here and in my mailbox.. shipping noticed received!

Be Well

What's on tap for tomorrow?

Jimbo, good to see you over here. Time for a pick. Send us one.

Still no shipping notice here.

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Oh,.. the pressure. I am not good at this. But since we are on the best sounding of the road trips. I would humbly suggest either the WOS road trips (6/18/74) or the 5/15/70 Road Trips.

If I had my way.. I would pick Louisville 74 in honor of the eminent release (Road Trips Vol 2 No 4). One other ask.. on or about the first received date of the next Dave's Picks. Would it be possible / make sense to hold this show open for a week so both the folks that get it first have time to comment and the folks that get a day (or six) later have time to participate? Seems reasonable to me. So a week and day of 1974?

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We could do 'From Egypt With Love?' Mix it up a little.

Real great Stella Blue even with the audience patch.

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I want to pick a show Vguy saw. It was his second and it cooks!

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In reply to by fourwindsblow

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Good choice, let's do The RT.2.3. Shows from 6/16 and 6/18 74.

I like your idea for Dave's #34.

FourWinds, let's hit up The From Egypt with Love RT tomorrow. 10/21 and 10/22 78. I have not listened to this one in a while.

Thanks guys.

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How funny i was grilling last night and I listened to half of the first CD!! Now i have a reason to listen to the rest.. bob t

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there was orange sunshine in the 90's? I only remember it back in the 60's and early 70's and it was the bomb, 4 way hits, which meant you only needed to take a quarter of a hit and they were kinda small, so it was quite easy to take a bit too much. :o fun times indeed. Did some yellow sunshine back then too, it was suppose to be 8 way, never did more than a crumb of that stuff, talk about mind blown. They don't make it like that anymore.
Mexican quaaludes, mandrax I think they were called, not the same as 714's but still lots of fun, they had an antihistamine in the mix to help keep you awake the first 30 mins or so, then it was all fun and stumbling and falling and laughing and feeling invincible, sure wish they hadn't outlawed that drug, one on my favorites. Ever try ludes and acid together? wow, what an experience that was, add some black nepalese hash on top and you are now in heaven. Back in those days, it was ok to have a trove of drugs, like Hunter Thompson said in fear and loathing:
"We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers...and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls. Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can." and push it we did.

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If it wasn't O S it was very good and very clean. After our first dabble we stayed up all night looking for the girl that had it bought a bunch and ate it all day. Don't want to put misinfo out there but, thats what she called it, we had a good time.

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....cueing it up now on the Archive (i don't own the physical copy). Avatar updated. Four winds says he wants top pick a show i saw? I recently listed my attended shows if you want to look. Just don't choose 5.19.95. Yuck. Vocal drop outs during the Freedom Hall Promised opener. Good ole Wall Of Sound.

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Many happy Road Trips over the years. Just finishing 5/23/69 lovelight . Amazing all the changes from live-dead era into Workingman’s era , nothing short of phenomenal creative drive.
There were a few lackluster Dead shows in the 70s ,but I never went to one back then that was less than amazing.
Would like to see a board tape of UCSB May 74 with Great American String Band set official release. Maria was real hot also. 74 was a banner year.
Seminole Powwow kicked ass. Dark Star was super improvisational . The 11 was exciting . Love-Light was also reflective of the youthful vigor of the band at that time.
Miss Indian World ,Cheyenne Kippenberger 2019-2021, is from the Hollywood , Florida Band of Seminole Tribe. Met her in Albuquerque during Gathering of Nations Powwow a year ago. She’s a real good person from one of the strongest of all the tribes in the country.
I still nominate 5/2/70 for this Saturday on its 50th anniversary .

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I suggested the 2nd ever show you saw. I thought this show had some unique Jerry playing on it especially for the time period. If we don't get to listen to it I'll understand but, maybe you can give your take on it I thought it was good for the time.

Ps. Fun fact, though I've never counted till today I got 28 of the 39 I saw on video.

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....it's View From The Vault 1. Maybe a video of the day with discussion is in order?
6.18.74's Ramble-On Rose was so good, i played it twice!!
pm checked

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Alright, firing up 6/16/74 and already WOW on Sound Quality and playing on China Cat..

My Completist OCD has prevented me from frequent listening of this & from Egypt with Love.
It might be cool to hear them both again in their compilation order... already struggling with the whole notion of rearranged songs.. Deep Breath.. they sound good.

Talking about Orange Sunshine, Mexican Quaaludes, Ludes & Acid, HST gave me a nice Contact Buzz!

Thanks UNKLE SAM & FWB for that.. Keep ‘em coming.

I was still tripping from the Great Pow Wow! Both nights rocked real good. I dug that.

He Was A Friend & Death Don't were real good too hear again, along with all the rest of that psychedelic stuff.

Good times!

Meet Up At The Movies Quarantine Style sounds Awesome!

Shake up the Shakedown Stream.. with a little bonus footage:)

This Eyes sounds real nice..

EDIT: And 5/2/70 Anniversary sounds promising as well!!

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Eyes, Playin. Nice! Nobodys Jam, now were going old school. Love it!

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VGUY - Saturday works for me! PST

And 6/16 Eyes > Stronger Than Dirt > Big River is super!

Keith's piano... is he using a pedal or what's going on there?

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If nobody has interest in the '87 Anaheim second choice would be in honor of the resident care-taker of the Vault, the man on the inside. With Dave's very first pick 'Truckin' Up To Buffalo' '89.

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FWB - 4/10/20 - Shakedown Stream was "Truckin' Up To Buffalo" but 7/7/89 "Crimson White & Indigo" might have you in the crowd somewhere? Haven't seen that in awhile.

I'm down for View From The Vault V1 or '87 or whatever, just maybe something other than "Truckin' Up To Buffalo" as I just watched that recent. Just sayin'

DL said this week Shakedown Stream would be Closing of Winterland.

Alright, stoked to hear this 6/16/74 PITB for 28 minutes, but gotta wait till later and take care of some business first...

Be Well you All

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Yeah I forgot they did the '89 show but , The one I was talking about that i could be on film was Buffalo '90. Sorry for any confusion. JFK '89 we were in the bleachers half way back Jerry, Brent side.

I have the opener and the main act on audience video from Buffalo '90.

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Had to cue this one up on archive too, (and will tomorrow's "From Egypt" pick.) I really don't know why I slept on these Road Trip releases - I guess I was put off by the cut-up nature. Oh well - LMA is a-ok with me :) Just now on "Roses."

I had to run out for my weekly grocery trip yesterday, and Sirius was playing "To Lay Me Down" from Jai-Alai - sounded very good, though I am not sure if it was the soon to be delivered version or not.

I know that many here already know this, but if not, the Freedom Hall show "Eyes" is the version that Holly Bowling does on solo piano. She apparently transcribed the whole jam. I have never directly compared them note for note, but her version is really great!

https://www.youtube.com/watch?v=voLdRQ-19dc

EDIT: She actually does her own "version" of the verses, but the jam is transcribed. On "BTW" and it looks like the WoS has settled in and is sounding better - still some vocal drops, but the band sounds incredible!

Peace

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In reply to by Thats_Otis

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Check your PM.

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....better check it. lol.

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It's amazing the Jams and all then you get a China Doll that just melts your heart.

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One of my favorite road trips was this one... favorite bonus disc of the road trips was 12/6/73 with the 45 minute Dark Star from Cleveland.... bob t

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Am I the only one that still doesn't have a shipping notice?

Looks like Friday isn't happening for me.

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....no. You're not the only one.

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Yeah, I don't see Friday happening for the new pick.

Even with the shipping notice the USPS tracking is still showing awaiting package so I think we're looking at early to mid next week arrival.

But that's give us more time to pick cool shows to listen too!

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6 years 7 months
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Taking a listen on the 49th anniversary of this show. Beautiful SBD recording with the Charlie Miller touch. Certainly I think easily within the cream of the Grateful Dead crop. Making it hard to focus on "work from home" at the moment.

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Member for

16 years
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The best Lucy I ever heard and I think Eyes is better than the 6/16 may have to listen to it again, but WRS Jam, O1, I's a Sin, Stella maybe the best ever.