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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I remember Buffalo '90 we had motel room like right across the street from the stadium I know it was in walking distance. Anyway we went up a day ahead and went to The Anchor Bar for wings and pizza. Then we went to The Falls Canadian side my buddy had family up there. That night we got back to the room we took the bed spread off the beds and went down where they were camping and stayed up all night eating Orange Sunshine and drinking Fosters.

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I know it’s a surprise, but the Highlight = Dark Star > St. Stephen > Eleven > Lovelight

The Infamous Dark Star Suite of ’69!

Dark Star
If I waxed poetic, I’d go on and on about this Dark Star, but mostly I wanna say, it’s got the Vibraslap, and I love the Vibraslap, especially in Dark Star, and therefore I love this Dark Star.

St. Stephen!
Can’t beat a Classic Version like this. You get the Xylophone, Cannon, William Tell Bridge, it’s all there. This is a great St. Stephen of old.

The Eleven
It’s good! Crazy good you ask? Well.. Crazy good might be a bit much, but it’s good I say!

Turn On Your Lovelight
Sir Ron McKernan aka Pigpen with his blues and soul. I’ve come to feel that Pigpen is a tragic figure, and the band would forever change with his passing, but here he is young and alive and that’s how I like to remember him.
Cause she’s got Box-backed nitties… what’s he say?!?!? (Let’s leave that for the scholars)
Calm down Bobby.. it’s no time for screaming like that!

Alright, well.. that was fun.
I guess I should put on the next show and follow my bliss.
5/24/69 you’re up next…

Note:
When they rehearsed and played St. Stephen with regularity, like in 1969, it was such an amazing song.. alas Jerry would remark that he felt that the song was a cop and due to that and less time spent rehearsing, St. Stephen would leave the garden.

If you watch the Grateful Dead Movie with the director’s commentary, Susan Crutcher tells a pretty fascinating story about how, she wanted to include St. Stephen in the section with the photo montage and Jerry was like, we don’t even play that song anymore, and Susan said yeah but it’s sooo good. And while listening to the song repeatedly during the editing process, Jerry’s interest got peaked and that led to the band resurrecting the song in 1976. The story holds water as they were editing the movie in ’76 when St. Stephen came back. Not to mention Susan strikes me as a cool person who would have no reason to embellish a story like that. I found that to be pretty cool and wanted to share.

I love St. Stephen of old!

FOURWINDSBLOW: How much of that there Orange Sunshine did you eat? That's the question...

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Enough! That's all I'm saying.

There were just the three of us out of ten that went to the camping site, we were the crazed of the group. The next morning when we went back to the motel room waking everyone up with a hearty breakfast of Orange Sunshine.

Good Show! CSN and The Dead! We went in early and sat right up in front of Jerry.

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FWB - That sounds like Good Times!

You seen that Doc on Orange Sunshine? Pretty fascinating.

That and Heads by Jesse Jarnow.

So much info. Such a Taboo subject... You gotta love it!

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I just remembered that right before set 2 the band on the stage and the camera rolling a camera guy center stage got me giving the thumbs up as he panned the crowed I know he saw me cause he smiled. Hope it makes it on the official video.

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In reply to by fourwindsblow

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....I'll fill you in later.
I have a pick to throw into the ring. It's not official, and I'm sure most have you have heard it, although maybe not in a long time (like me). 10.16.81 Club Melk Weg. Amsterdam. Bobby's birthday. One acoustic set. One electric. Borrowed instruments. High AF on hashish. Lovelight bustout after nine years. It's a really fun show. My two sense.
https://archive.org/details/gd1981-10-16.sbd.miller.110351.flac16/gd81-…

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In reply to by fourwindsblow

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Not sure why this would be a taboo subject here.. the band certainly didn't try to hide it. Besides.. most of this is folklore by now, happening between 55 and 25 years ago. It could be just because I am old and in the way.. but you don't see or hear of it that much these days.

I enjoy reading peoples stories, most of which (probably all that are told on these threads) by far predate any statute of limitation. Like it or leave it, this is American and World History. Let the good times roll (deja que los buenos tiempos pasen, deixe os bons tempos rolarem, laissez le bon temps rouler).

Edit: Speaking of LSD, I finished discs 1 and 2, 3 later. Still one of my favorite 69 releases behind FW and Fillmore Auditorium. I agree with the Good Ole GD.. disc one probably delivers the goods and is the highlight, but my favorite is disc 2 simply because He Was a Friend of Mine > The Eleven speaks to me... As for disc three, I have never met a Morning Dew or an Alligator I did not like. Even the squatty little yeller one with no tail.

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There was a video of both shows on Youtube, a few years ago, don't know if it is still out there!!

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I actually was awarded this for a prize back in 2010 for the inaugural version of 30 Days of Dead. It was on the 5th day and the song was Playing in the Band from 5/20/73 UCSB. As I recall it was a totally random guess! Funny the things we remember (and what we forget!)

Had a good time listening to 5/23 & 24/69 today.

The opening Lovelight almost seems to be a prankster response to the rookie mc telling people to be seated... never trust a prankster.

All the banter is fun. The difference between the closing Lovelight & opening Lovelight was interesting as well.
The opening Lovelight seemed to be much more exploratory with different themes being introduced, especially around 14:30, Jerry gets into a cool groove. The Drums > St. Stephen transition was a trip too.

Good stuff all around.

Milkweg is cool, I like Milkweg

11/17/73 Dap 5 is calling me too, I can feel it's pull.

WILFREDTJONES - 30 Days, look forward to it every year, and that's a good prize! Thanks Dead.net for being cool.

JIMINMD - I agree! That subject should not be taboo. May the human exploration into the cosmos and beyond continue!

Alright you all, keep on rockin' looking forward to the next pick here and in my mailbox.. shipping noticed received!

Be Well

What's on tap for tomorrow?

Jimbo, good to see you over here. Time for a pick. Send us one.

Still no shipping notice here.

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In reply to by DeadVikes

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Oh,.. the pressure. I am not good at this. But since we are on the best sounding of the road trips. I would humbly suggest either the WOS road trips (6/18/74) or the 5/15/70 Road Trips.

If I had my way.. I would pick Louisville 74 in honor of the eminent release (Road Trips Vol 2 No 4). One other ask.. on or about the first received date of the next Dave's Picks. Would it be possible / make sense to hold this show open for a week so both the folks that get it first have time to comment and the folks that get a day (or six) later have time to participate? Seems reasonable to me. So a week and day of 1974?

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We could do 'From Egypt With Love?' Mix it up a little.

Real great Stella Blue even with the audience patch.

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I want to pick a show Vguy saw. It was his second and it cooks!

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In reply to by fourwindsblow

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Good choice, let's do The RT.2.3. Shows from 6/16 and 6/18 74.

I like your idea for Dave's #34.

FourWinds, let's hit up The From Egypt with Love RT tomorrow. 10/21 and 10/22 78. I have not listened to this one in a while.

Thanks guys.

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How funny i was grilling last night and I listened to half of the first CD!! Now i have a reason to listen to the rest.. bob t

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there was orange sunshine in the 90's? I only remember it back in the 60's and early 70's and it was the bomb, 4 way hits, which meant you only needed to take a quarter of a hit and they were kinda small, so it was quite easy to take a bit too much. :o fun times indeed. Did some yellow sunshine back then too, it was suppose to be 8 way, never did more than a crumb of that stuff, talk about mind blown. They don't make it like that anymore.
Mexican quaaludes, mandrax I think they were called, not the same as 714's but still lots of fun, they had an antihistamine in the mix to help keep you awake the first 30 mins or so, then it was all fun and stumbling and falling and laughing and feeling invincible, sure wish they hadn't outlawed that drug, one on my favorites. Ever try ludes and acid together? wow, what an experience that was, add some black nepalese hash on top and you are now in heaven. Back in those days, it was ok to have a trove of drugs, like Hunter Thompson said in fear and loathing:
"We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers...and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls. Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can." and push it we did.

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If it wasn't O S it was very good and very clean. After our first dabble we stayed up all night looking for the girl that had it bought a bunch and ate it all day. Don't want to put misinfo out there but, thats what she called it, we had a good time.

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....cueing it up now on the Archive (i don't own the physical copy). Avatar updated. Four winds says he wants top pick a show i saw? I recently listed my attended shows if you want to look. Just don't choose 5.19.95. Yuck. Vocal drop outs during the Freedom Hall Promised opener. Good ole Wall Of Sound.

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Many happy Road Trips over the years. Just finishing 5/23/69 lovelight . Amazing all the changes from live-dead era into Workingman’s era , nothing short of phenomenal creative drive.
There were a few lackluster Dead shows in the 70s ,but I never went to one back then that was less than amazing.
Would like to see a board tape of UCSB May 74 with Great American String Band set official release. Maria was real hot also. 74 was a banner year.
Seminole Powwow kicked ass. Dark Star was super improvisational . The 11 was exciting . Love-Light was also reflective of the youthful vigor of the band at that time.
Miss Indian World ,Cheyenne Kippenberger 2019-2021, is from the Hollywood , Florida Band of Seminole Tribe. Met her in Albuquerque during Gathering of Nations Powwow a year ago. She’s a real good person from one of the strongest of all the tribes in the country.
I still nominate 5/2/70 for this Saturday on its 50th anniversary .

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I suggested the 2nd ever show you saw. I thought this show had some unique Jerry playing on it especially for the time period. If we don't get to listen to it I'll understand but, maybe you can give your take on it I thought it was good for the time.

Ps. Fun fact, though I've never counted till today I got 28 of the 39 I saw on video.

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....it's View From The Vault 1. Maybe a video of the day with discussion is in order?
6.18.74's Ramble-On Rose was so good, i played it twice!!
pm checked

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In reply to by Strider 808808

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Alright, firing up 6/16/74 and already WOW on Sound Quality and playing on China Cat..

My Completist OCD has prevented me from frequent listening of this & from Egypt with Love.
It might be cool to hear them both again in their compilation order... already struggling with the whole notion of rearranged songs.. Deep Breath.. they sound good.

Talking about Orange Sunshine, Mexican Quaaludes, Ludes & Acid, HST gave me a nice Contact Buzz!

Thanks UNKLE SAM & FWB for that.. Keep ‘em coming.

I was still tripping from the Great Pow Wow! Both nights rocked real good. I dug that.

He Was A Friend & Death Don't were real good too hear again, along with all the rest of that psychedelic stuff.

Good times!

Meet Up At The Movies Quarantine Style sounds Awesome!

Shake up the Shakedown Stream.. with a little bonus footage:)

This Eyes sounds real nice..

EDIT: And 5/2/70 Anniversary sounds promising as well!!

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Eyes, Playin. Nice! Nobodys Jam, now were going old school. Love it!

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VGUY - Saturday works for me! PST

And 6/16 Eyes > Stronger Than Dirt > Big River is super!

Keith's piano... is he using a pedal or what's going on there?

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If nobody has interest in the '87 Anaheim second choice would be in honor of the resident care-taker of the Vault, the man on the inside. With Dave's very first pick 'Truckin' Up To Buffalo' '89.

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FWB - 4/10/20 - Shakedown Stream was "Truckin' Up To Buffalo" but 7/7/89 "Crimson White & Indigo" might have you in the crowd somewhere? Haven't seen that in awhile.

I'm down for View From The Vault V1 or '87 or whatever, just maybe something other than "Truckin' Up To Buffalo" as I just watched that recent. Just sayin'

DL said this week Shakedown Stream would be Closing of Winterland.

Alright, stoked to hear this 6/16/74 PITB for 28 minutes, but gotta wait till later and take care of some business first...

Be Well you All

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Yeah I forgot they did the '89 show but , The one I was talking about that i could be on film was Buffalo '90. Sorry for any confusion. JFK '89 we were in the bleachers half way back Jerry, Brent side.

I have the opener and the main act on audience video from Buffalo '90.

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Had to cue this one up on archive too, (and will tomorrow's "From Egypt" pick.) I really don't know why I slept on these Road Trip releases - I guess I was put off by the cut-up nature. Oh well - LMA is a-ok with me :) Just now on "Roses."

I had to run out for my weekly grocery trip yesterday, and Sirius was playing "To Lay Me Down" from Jai-Alai - sounded very good, though I am not sure if it was the soon to be delivered version or not.

I know that many here already know this, but if not, the Freedom Hall show "Eyes" is the version that Holly Bowling does on solo piano. She apparently transcribed the whole jam. I have never directly compared them note for note, but her version is really great!

https://www.youtube.com/watch?v=voLdRQ-19dc

EDIT: She actually does her own "version" of the verses, but the jam is transcribed. On "BTW" and it looks like the WoS has settled in and is sounding better - still some vocal drops, but the band sounds incredible!

Peace

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In reply to by Thats_Otis

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Check your PM.

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In reply to by DeadVikes

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....better check it. lol.

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It's amazing the Jams and all then you get a China Doll that just melts your heart.

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One of my favorite road trips was this one... favorite bonus disc of the road trips was 12/6/73 with the 45 minute Dark Star from Cleveland.... bob t

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In reply to by Vguy72

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Am I the only one that still doesn't have a shipping notice?

Looks like Friday isn't happening for me.

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In reply to by DeadVikes

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....no. You're not the only one.

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In reply to by Vguy72

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Yeah, I don't see Friday happening for the new pick.

Even with the shipping notice the USPS tracking is still showing awaiting package so I think we're looking at early to mid next week arrival.

But that's give us more time to pick cool shows to listen too!

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Taking a listen on the 49th anniversary of this show. Beautiful SBD recording with the Charlie Miller touch. Certainly I think easily within the cream of the Grateful Dead crop. Making it hard to focus on "work from home" at the moment.

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The best Lucy I ever heard and I think Eyes is better than the 6/16 may have to listen to it again, but WRS Jam, O1, I's a Sin, Stella maybe the best ever.