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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2341
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2342
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2343
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2344
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • #2345
    Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • #2346
    bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • #2347
    Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • #2348
    JimInMD
    Joined:
    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • #2349
    daverock
    Joined:
    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

  • #2350
    Oroborous
    Joined:
    POTD 4/19/82

    In honor of Jim’s 40th anniversary.
    If you’ve never had the pleasure, grad some nitrous and check it out ; )

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Vguy72 on Wed, 04/29/2020 - 14:53

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....between Four Winds and myself. Middle of TN Jed. I'm staring straight at that Morning Dew like a headlight on a northbound train.

What a release Jim, thanks for this pick. I am with Daverock on this one, might be one of the best releases.

I shied away from this one forever, because it was not a complete show. What a huge mistake that was.

Sound quality is A++. If Dave's 34 sounds anything like this we are in for a huge treat.

The China Rider is awesome. Two unreal Eyes. Yes, That Loose Lucy is really good. How about that Morning Dew. WRS, Truckin! All top notch stuff.
To the great soul that turned me on to this release, this one is for you!

Tommorow, we hit up FourWinds pick, From Egypt with Love!

Be well folks!

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Submitted by Vguy72 on Wed, 04/29/2020 - 19:18

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....features an If I Had The World To Give. A top five song that I wish they played more often. The others?
Gentlemen, Start Your Engines (saw one and it was pretty cool)
Brother Esau (never saw one)
Built To Last (tough lyrics. I get it. Saw two)
Clementine (nada)
France (saw three. In dreams).
Dead & Co brought back World To Give. And they were pretty nice.

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Submitted by JimInMD on Wed, 04/29/2020 - 19:41

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On the waterproof shuffle, WOS Road Trips. Both shows are excellent as is the sound. 6/16 highlights for me are China>Rider (powerful), Race is On (one of the better versions, sometimes in these electric versions the vocals are all over the place.. this one is a ok), a monster Eyes (more on this later) and nice Big River and a monster PITB.

Excellent

But 6/18 delivers the goods. One of the all-time Eyes>China Dolls. The performance and transition flawless, poweful and seamless. A jazz masterpiece. I think the version on the GD Movie (10/19?) is more popular and certainly sounds better.. but on the movie soundtrack, they cut and edited out one of the jams. I think the transition from 6/18 is better, and it's my favorite. Not a wasted note or chord, everything on purpose and just exactly right. but I am biased. A high water mark.

WRSuite, TOO, I Know It's a Sin, Stella Blue, and perhaps the best Morning Dew of the period rounds out the release. There is a bit of mayhem but it works.. just be patient. I have gotten used to the I know it's a Sin jam and when I listen to it.. I fill in the words. Powerful stuff. A potent part of the set.

Too bad it's a chop job, but it's a great release.. also, to my ears, this was the show where Jeffrey Norman went from Jeffrey the Grey to Jeffrey the White. This was about the period when he really stepped up his game to wizard status. This sounds (to me) head and antlers above the best copies on the archive. Working directly from the Master Reels and by this point in his career having acquired quite the bag of tricks makes a big difference.

That's all I have. Also.. I was remiss last night asking for more time for the new 74 release. There is a whole other place for that on the Dave's Picks thread. We should keep this the way it is. I like the idea of 5/2/70 on it's birthday and I hope someone brings up the 5/15/70 road trips as well.

Edit: Thank goodness they deemed whitewater kayaking as an acceptable social distance sport.. but the shuttles in the truck are a bit taboo.. but not if you bike the shuttle, which just gives you a little extra alone time to grove to the GD.

On it for Saturday. Good idea Strider, Jim and Vguy.

Vguy, interesting you bring up "If I had the world to give", I used to sing this song to my daughter when she was really young.

Okay, never thought I would post that but you brought it up.

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Submitted by Vguy72 on Wed, 04/29/2020 - 21:15

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?
If I had a song to sing, I'd sing it to you
As long as you live, lullaby or maybe a plain serenade
Wouldn't you laugh, dance, and cry or be afraid at the change you made
I may not have the world to give to you
But maybe I have a tune or two
Only if you let me be your world
Could I ever give this world to you
But I will give what love I have to give,
I will give what love I have to give,
I will give what love I have to give, long as I live.
If I had a star to give, I'd give it to you
Long as you live, would you have the time
To watch it shine, watch it shine
Or ask for the moon and heaven too? I'd give it to you.
Well maybe I've got no star to spare, or anything fine or even rare,
Only if you let me be your world, could I ever give this world to you.
Could I ever give this world to you....
....why they only played this live four or five times is beyond me. The lyrics remind me of Attics Of My Life. Which, incidentally, is a song I sung for my son when he was really young.
They brought that one back, to much rejoicing.

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Submitted by JimInMD on Wed, 04/29/2020 - 21:42

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A good time to check the mail. Got a package from Bolo24, CIA.

Gonna let it sit for the required time.. just in case it self destructs or something.

What a hoot. Thanks Bolo.

For what it's worth.. to wide awake to sleep.. youtube is serenading me with the acoustic set of 10/31/80. Works for me.

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Submitted by DeadVikes on Wed, 04/29/2020 - 22:11

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That is cool Vguy! This band sure brings us all the emotions.

What we all wouldn't give right now to hear, "We will be back in just a little bit, so everybody hang loose." Man, I am trying real hard to hang loose.

Spill the beans Jim, what did Bolo send you for winning the contest?

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Submitted by Gollum on Wed, 04/29/2020 - 22:32

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Great idea. Count me in. Extra credit for the NRPS set.

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Submitted by JimInMD on Wed, 04/29/2020 - 23:17

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I've got the New Riders set.. I will do my best to send it as Alac or Flac to anyone interested. Just PM me.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 02:29

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?

I guess we all know the answer. Sorry had to say it!

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Submitted by bob t on Thu, 04/30/2020 - 04:40

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You ever listen to the 10/17/78 version that is not on the bonus disc. If you haven't during space right before If I had the World to Give, you can hear a woman say to Jerry "I want to take banjo lessons" He responds that he doesn't do that anymore... bob t

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Submitted by billy the kid on Thu, 04/30/2020 - 05:07

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What a great show! Love the acoustic set . Garcia says something about demon rum right before Dire Wolf.

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Submitted by Strider 808808 on Thu, 04/30/2020 - 05:11

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Mark me down for it.

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Submitted by bob t on Thu, 04/30/2020 - 05:56

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You saw a lot of great shows!!! P.S. You will never believe it is raining in Rhode Island again!! Be good everyone bob t

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Submitted by fourwindsblow on Thu, 04/30/2020 - 05:57

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Winterland October 1978

Can any one or TPTB tell me why we can't get all 5 shows released like June '76 box??

Thanks.

PS, Wouldn't be funny if this was the fall box set to be released Oct 6 according to LMG.

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Submitted by billy the kid on Thu, 04/30/2020 - 06:19

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Bob T, I didn't make it to this show, I went to the shows on Oct 20 and 21. My brotther told me about this incident with the girl and the banjo lessons. Garcia used to give banjo lessons when he worked at Swain's House of Music down in Palo Alto, my brother knows a couple of guys who took banjo lessons from Garcia back in the early 60s.

I don't teach anymore..

How cool is that? Nice call Bob T and cool story BTK!

WOS Rocked me yesterday, both 6/16 & 6/18 were so great to hear again.
I am fully pumped now for the Jai-Alai Fronton Release.
Can't Wait and well executed stoke you good pickers you.

Waited until later in the day, to get the full effect, and it was wonderful.

The Eyes > China Doll & WRS > TOO > It's A Sin > Stella is such an incredible trip to take.

And having read your posts I knew what was coming all day, and the magic part, even with that and having heard the show many times in the past, I couldn't wait and was excited when they broke into Morning Dew and it is EPIC, better than I'd remembered.

And that's what this trip is all about!!

6/18/74 - Eyes, WRS & Morning Dew up there with best evers.

Alright set the time machine for Winterland October 1978 you say?!?!

Right away!

Had to start with If I Had The World To Give after that sweet serenade last night courtesy of you all.

JIMINMD - What's in the box?

It's gonna be a good day!

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Submitted by Dennis on Thu, 04/30/2020 - 06:56

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Jim, If you're saying you have that day for NRPS, I'd take a copy. I don't have?

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Submitted by JimInMD on Thu, 04/30/2020 - 07:53

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Got em.. will send later today.

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Submitted by Thats_Otis on Thu, 04/30/2020 - 08:10

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I too opted for the full 10/21/78 show - on "Roses" now, and I have enjoyed this show so far, save for Bobby's slide playing during "Sugaree" and "Stagger Lee." My copy of this show (the Miller one that Vguy posted,) sounds pretty darn good.

I know that 5/2/70 DiP 8 is on tap for it's 50th anniversary Saturday, but what about tomorrow? May I suggest DiP 5 - 12/26/79, one of my personal favorite picks, for Friday's listen?

Of course, I think a number of folks should be receiving DaP34 tomorrow... but if not...

Peace

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Submitted by Thats_Otis on Thu, 04/30/2020 - 09:29

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Thanks, my man!

Ouch - this patch in the climax of "Stella" hurts. Still - this has been a good listen!

Peace

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 12:53

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I have the complete shows on a HD but they aren’t loaded on the microSDXC card that is currently in my music player.
So, chop job it was.
Yes, definitely time for the whole run to be Plangentized, Normanized, and packed up in a nice little Box that fits on a shelf.

I didn’t initially go for RT because I wanted complete shows, not chop jobs. Probably the wrong choice because I missed out on the bonus disc which I believe allows you to reassemble a complete 10-21 set2.
But, all that can be remedied with the release of a Winterland Oct. 78 Box. Bring it on Dave.

Now I’ve ventured into torrent territory and am listening to 3-25-83 148801.Clugston.
Sound quality is not terrible, but the cymbals are a bit too loud.

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Submitted by DeadVikes on Thu, 04/30/2020 - 13:23

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Definitely a different feel than our listen yesterday with the wonderful RT2.3.

Sound quality is mediocre at best and I agree the patches are rough.

Does anyone have a tracking arrival date for tomorrow for Dave's #34.

Mine still is saying label created.

Conekid, check your PM.

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Submitted by The Good Ole G… on Thu, 04/30/2020 - 14:30

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Agreed! Not the same high as yesterdays '74 trip.. But The Other One is ripping and has a moment of IT for sure.

Actually having listened again, I'm surprised that this got released with the number of patches that were required. I'm not holding my breath on a rerelease.. there's so much other stuff in that there Vault.

Fun to revisit.

12/26/79 tomorrow you say? So Be It!

I might have to dig in to some 5/1/70 for it's 50th as well.

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 15:30

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I replied to PM

But I wasn’t into chop jobs.
I did start ordering when full shows started coming and I got those bonus discs.

I also didn’t order Rockin’ The Rhein, and missed out on that bonus disc. Still don’t know why I didn’t order it.

....just wrapped up. 6.8 goonie birds out of 10. Mojo working goes on a little too long, but everything after that was fire. Very nice Must have Been The Roses. Moving onto an anniversary of a show i attended. Irvine Meadows 4.30.89. Box Of Rain, Iko to open the second set.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:05

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Thanks!

Luckily we have a new C. M. audience release so there is a better patch for the Stella Blue and some other small patches but, on a bad note the taper only got a partial set 1 so no new patch for Sugaree which sucks.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:54

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If ya don't mind me calling you that. Is this the NRPS 5/2 you have?

nrps1970-05-02.sbd.reel master.cass.dat.flac16

Thanks!

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:25

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Ollin> Promised, Sugaree, Ramble On, Passenger, LLR, all good! Stagger- Miracle brings it down.

Bertha, Good Love it's back, MHBTR sweet, Estimated blowing the roof off! He's Gone okay, this show kinda goes up and down. Mojo starts out nice, TOO - Stella - Sugar Mag all good. I got them U.S. Blues.

I think I blew or singed a voice coil in the mid-range speaker yesterday. I got a Emotive xpa-2 amp 70lb monster (all most gave the Fedex guy a hernia). Hard to find speakers that this thing can't blow out. Thinking of going with Airmotiv T2+ loudspeaker anyone familiar with these speakers?

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Submitted by JimInMD on Thu, 04/30/2020 - 18:33

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Yes, there are two versions actually.. I haven't had time to see which one sounds better yet. I think the one that comes as a whole show is slightly better.. I need to figure that out a couple people hit me up.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:46

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The one I have listed is the SIRMick seed.

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

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Submitted by JimInMD on Thu, 04/30/2020 - 20:40

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You might just have a better version than the two I have. It seems to be one or two steps closer to the master reel and my best, although it's a soundboard, has just a touch of hiss.

Shot you a message..

If you could compare All I Ever Wanted from yours to this..

https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac…

That should give us the answer. Yours seems to be a generation or two better.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 07:36

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If there is any interest in the more complete version I am seeding it at the etree.

http://bt.etree.org/details.php?torrentId=588035

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

01 //Workingman's Blues
02 Brown Eyed Handsome Man
03 Truck Drivin' Man
04 If You Hear Me When I'm Leavin'
05 tuning
06 Whatcha Gonna Do//
07 All I Ever Wanted
08 Henry
09 Lodi
10 Weir intro and tuning
11 Saw Mill *
12 The Race Is On *
13 Mama Tried *
14 Me And My Uncle *
15 The Weight

John 'Marmaduke' Dawson - rhythm guitar, vocals
David Nelson - lead guitar, vocals
David Torbert - bass, vocals
Jerry Garcia - pedal steel guitar
Mickey Hart - drums

guest:

Bob Weir - guitar, vocals *

Notes:

- This has been provided by an anonymous source.
- There were several nasty high-pitched squeals caused by feedback, which have been removed and some level adjustments have been made.
- Although the start of "Workingman's Blues" is cut this is the first time that any of it has circulated. It's completely missing from the FM source.

edited and mastered
SIRMick
March 2013

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Submitted by bob t on Fri, 05/01/2020 - 08:13

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Along with 8/13/75 this made me a dead head... I love this version so much.... I use to listen to it every day in college before I started getting tapes... bob t.... P.S. i am excited to hear Donna tonight!!! bob t

Cool to hear your story re: Wharf Rat & 8/13/75

Definitely have some tunes like that, first Dead album I got was WALSTIB from the ole Columbia Records and Tapes club, 11 Albums for a Penny!

Anything from that album takes me back but in particular Born Cross-Eyed and that Europe '72 Jack Straw.

Despite heavy rotation in bootleg circles, never heard 8/13/75 until the Dead released One From The Vault.
But I was stoked when I did get it.

And I totally forgot about Donna tonight! She's a kick, thanks for the flash:)

How's 12/26/79 going everyone? I had to get some 50 year old 5/1/70 in my ear hole.