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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3241
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3242
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3243
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3244
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • #3245
    rockthing
    Joined:
    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • #3246
    JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • #3247
    rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

  • #3248
    DeadVikes
    Joined:
    11/18/78

    Nice call on this show Bluecrow. Really good sound quality and great show. Late 78 is so different than the rest of the year. Love these early Stagger Lees and I Need a Miracle. Nice Scarlet Fire. Great second set .Probably will be a while before we get any late 78 shows released, but I am ready.

    Jim, yes, let's hit up some 91. Send us a pick.

  • #3249
    JimInMD
    Joined:
    Whew

    Good to hear. I've been a bit busy lately and I thought I might have been careless with something I wrote.. so all is good with the universe.. a great way to start the week.

    Missed the 78 yesterday, by late this afternoon I should be on track and have some free time. Not complaining though, I needed the and today will mark the 8th day in a row I've had river time. My listening has been heavily tilted to what was already loaded on my waterproof devices with a sprinkle of what they are pumping in the SiriusXM Grateful Dead channel. 1970 (Harpur and FE), 1972 - 1974, 84 and 85. Listened to a bit of 5/10/91 today in the truck.. I think we hit that one a year or so here. Definitely releasable, good quality audio and a good show. Perhaps we could hit another show from that run which includes Hornsby. The previous run, Cal Expo, was good also but alas.. it was sans Brucey.

    In any case.. keep on keeping on the good vibes and good picks. Looks like we are off to a great start to the new week.

  • #3250
    bluecrow
    Joined:
    11/18/78

    I first listened to this about time PITD was on the 11/24 video. Well played show, really nice sounding board even though its a couple generations down. There are a couple of poorly timed gaps (Fire, Olin Arageed come to mind.) What really perked my ears and brain up was the second set. Tasty Scarlet > Fire, and then that strange set placement of an early Miracle following that and wow Miracle has a blazing extended outro jam (where was that most of the time?) into a sweet He's Gone, followed by a pre-drumz Other One that has some crazy good space as it leads into drums. I really dig this show, this era, and it doesn't hurt that this was in the Uptown Theatre (hometown, though I was elsewhere at the time). Really hope the other two nights surface in similar sound quality and that the masters of this show don't have those gaps. Gotta run. Take care everyone.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Vguy72 on Wed, 04/29/2020 - 14:53

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....between Four Winds and myself. Middle of TN Jed. I'm staring straight at that Morning Dew like a headlight on a northbound train.

What a release Jim, thanks for this pick. I am with Daverock on this one, might be one of the best releases.

I shied away from this one forever, because it was not a complete show. What a huge mistake that was.

Sound quality is A++. If Dave's 34 sounds anything like this we are in for a huge treat.

The China Rider is awesome. Two unreal Eyes. Yes, That Loose Lucy is really good. How about that Morning Dew. WRS, Truckin! All top notch stuff.
To the great soul that turned me on to this release, this one is for you!

Tommorow, we hit up FourWinds pick, From Egypt with Love!

Be well folks!

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Submitted by Vguy72 on Wed, 04/29/2020 - 19:18

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....features an If I Had The World To Give. A top five song that I wish they played more often. The others?
Gentlemen, Start Your Engines (saw one and it was pretty cool)
Brother Esau (never saw one)
Built To Last (tough lyrics. I get it. Saw two)
Clementine (nada)
France (saw three. In dreams).
Dead & Co brought back World To Give. And they were pretty nice.

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Submitted by JimInMD on Wed, 04/29/2020 - 19:41

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On the waterproof shuffle, WOS Road Trips. Both shows are excellent as is the sound. 6/16 highlights for me are China>Rider (powerful), Race is On (one of the better versions, sometimes in these electric versions the vocals are all over the place.. this one is a ok), a monster Eyes (more on this later) and nice Big River and a monster PITB.

Excellent

But 6/18 delivers the goods. One of the all-time Eyes>China Dolls. The performance and transition flawless, poweful and seamless. A jazz masterpiece. I think the version on the GD Movie (10/19?) is more popular and certainly sounds better.. but on the movie soundtrack, they cut and edited out one of the jams. I think the transition from 6/18 is better, and it's my favorite. Not a wasted note or chord, everything on purpose and just exactly right. but I am biased. A high water mark.

WRSuite, TOO, I Know It's a Sin, Stella Blue, and perhaps the best Morning Dew of the period rounds out the release. There is a bit of mayhem but it works.. just be patient. I have gotten used to the I know it's a Sin jam and when I listen to it.. I fill in the words. Powerful stuff. A potent part of the set.

Too bad it's a chop job, but it's a great release.. also, to my ears, this was the show where Jeffrey Norman went from Jeffrey the Grey to Jeffrey the White. This was about the period when he really stepped up his game to wizard status. This sounds (to me) head and antlers above the best copies on the archive. Working directly from the Master Reels and by this point in his career having acquired quite the bag of tricks makes a big difference.

That's all I have. Also.. I was remiss last night asking for more time for the new 74 release. There is a whole other place for that on the Dave's Picks thread. We should keep this the way it is. I like the idea of 5/2/70 on it's birthday and I hope someone brings up the 5/15/70 road trips as well.

Edit: Thank goodness they deemed whitewater kayaking as an acceptable social distance sport.. but the shuttles in the truck are a bit taboo.. but not if you bike the shuttle, which just gives you a little extra alone time to grove to the GD.

On it for Saturday. Good idea Strider, Jim and Vguy.

Vguy, interesting you bring up "If I had the world to give", I used to sing this song to my daughter when she was really young.

Okay, never thought I would post that but you brought it up.

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Submitted by Vguy72 on Wed, 04/29/2020 - 21:15

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?
If I had a song to sing, I'd sing it to you
As long as you live, lullaby or maybe a plain serenade
Wouldn't you laugh, dance, and cry or be afraid at the change you made
I may not have the world to give to you
But maybe I have a tune or two
Only if you let me be your world
Could I ever give this world to you
But I will give what love I have to give,
I will give what love I have to give,
I will give what love I have to give, long as I live.
If I had a star to give, I'd give it to you
Long as you live, would you have the time
To watch it shine, watch it shine
Or ask for the moon and heaven too? I'd give it to you.
Well maybe I've got no star to spare, or anything fine or even rare,
Only if you let me be your world, could I ever give this world to you.
Could I ever give this world to you....
....why they only played this live four or five times is beyond me. The lyrics remind me of Attics Of My Life. Which, incidentally, is a song I sung for my son when he was really young.
They brought that one back, to much rejoicing.

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Submitted by JimInMD on Wed, 04/29/2020 - 21:42

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A good time to check the mail. Got a package from Bolo24, CIA.

Gonna let it sit for the required time.. just in case it self destructs or something.

What a hoot. Thanks Bolo.

For what it's worth.. to wide awake to sleep.. youtube is serenading me with the acoustic set of 10/31/80. Works for me.

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Submitted by DeadVikes on Wed, 04/29/2020 - 22:11

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That is cool Vguy! This band sure brings us all the emotions.

What we all wouldn't give right now to hear, "We will be back in just a little bit, so everybody hang loose." Man, I am trying real hard to hang loose.

Spill the beans Jim, what did Bolo send you for winning the contest?

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Submitted by Gollum on Wed, 04/29/2020 - 22:32

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Great idea. Count me in. Extra credit for the NRPS set.

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Submitted by JimInMD on Wed, 04/29/2020 - 23:17

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I've got the New Riders set.. I will do my best to send it as Alac or Flac to anyone interested. Just PM me.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 02:29

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?

I guess we all know the answer. Sorry had to say it!

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Submitted by bob t on Thu, 04/30/2020 - 04:40

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You ever listen to the 10/17/78 version that is not on the bonus disc. If you haven't during space right before If I had the World to Give, you can hear a woman say to Jerry "I want to take banjo lessons" He responds that he doesn't do that anymore... bob t

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Submitted by billy the kid on Thu, 04/30/2020 - 05:07

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What a great show! Love the acoustic set . Garcia says something about demon rum right before Dire Wolf.

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Submitted by Strider 808808 on Thu, 04/30/2020 - 05:11

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Mark me down for it.

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Submitted by bob t on Thu, 04/30/2020 - 05:56

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You saw a lot of great shows!!! P.S. You will never believe it is raining in Rhode Island again!! Be good everyone bob t

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Submitted by fourwindsblow on Thu, 04/30/2020 - 05:57

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Winterland October 1978

Can any one or TPTB tell me why we can't get all 5 shows released like June '76 box??

Thanks.

PS, Wouldn't be funny if this was the fall box set to be released Oct 6 according to LMG.

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Submitted by billy the kid on Thu, 04/30/2020 - 06:19

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Bob T, I didn't make it to this show, I went to the shows on Oct 20 and 21. My brotther told me about this incident with the girl and the banjo lessons. Garcia used to give banjo lessons when he worked at Swain's House of Music down in Palo Alto, my brother knows a couple of guys who took banjo lessons from Garcia back in the early 60s.

I don't teach anymore..

How cool is that? Nice call Bob T and cool story BTK!

WOS Rocked me yesterday, both 6/16 & 6/18 were so great to hear again.
I am fully pumped now for the Jai-Alai Fronton Release.
Can't Wait and well executed stoke you good pickers you.

Waited until later in the day, to get the full effect, and it was wonderful.

The Eyes > China Doll & WRS > TOO > It's A Sin > Stella is such an incredible trip to take.

And having read your posts I knew what was coming all day, and the magic part, even with that and having heard the show many times in the past, I couldn't wait and was excited when they broke into Morning Dew and it is EPIC, better than I'd remembered.

And that's what this trip is all about!!

6/18/74 - Eyes, WRS & Morning Dew up there with best evers.

Alright set the time machine for Winterland October 1978 you say?!?!

Right away!

Had to start with If I Had The World To Give after that sweet serenade last night courtesy of you all.

JIMINMD - What's in the box?

It's gonna be a good day!

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Submitted by Dennis on Thu, 04/30/2020 - 06:56

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Jim, If you're saying you have that day for NRPS, I'd take a copy. I don't have?

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Submitted by JimInMD on Thu, 04/30/2020 - 07:53

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Got em.. will send later today.

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Submitted by Thats_Otis on Thu, 04/30/2020 - 08:10

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I too opted for the full 10/21/78 show - on "Roses" now, and I have enjoyed this show so far, save for Bobby's slide playing during "Sugaree" and "Stagger Lee." My copy of this show (the Miller one that Vguy posted,) sounds pretty darn good.

I know that 5/2/70 DiP 8 is on tap for it's 50th anniversary Saturday, but what about tomorrow? May I suggest DiP 5 - 12/26/79, one of my personal favorite picks, for Friday's listen?

Of course, I think a number of folks should be receiving DaP34 tomorrow... but if not...

Peace

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Submitted by Thats_Otis on Thu, 04/30/2020 - 09:29

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Thanks, my man!

Ouch - this patch in the climax of "Stella" hurts. Still - this has been a good listen!

Peace

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 12:53

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I have the complete shows on a HD but they aren’t loaded on the microSDXC card that is currently in my music player.
So, chop job it was.
Yes, definitely time for the whole run to be Plangentized, Normanized, and packed up in a nice little Box that fits on a shelf.

I didn’t initially go for RT because I wanted complete shows, not chop jobs. Probably the wrong choice because I missed out on the bonus disc which I believe allows you to reassemble a complete 10-21 set2.
But, all that can be remedied with the release of a Winterland Oct. 78 Box. Bring it on Dave.

Now I’ve ventured into torrent territory and am listening to 3-25-83 148801.Clugston.
Sound quality is not terrible, but the cymbals are a bit too loud.

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Submitted by DeadVikes on Thu, 04/30/2020 - 13:23

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Definitely a different feel than our listen yesterday with the wonderful RT2.3.

Sound quality is mediocre at best and I agree the patches are rough.

Does anyone have a tracking arrival date for tomorrow for Dave's #34.

Mine still is saying label created.

Conekid, check your PM.

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Submitted by The Good Ole G… on Thu, 04/30/2020 - 14:30

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Agreed! Not the same high as yesterdays '74 trip.. But The Other One is ripping and has a moment of IT for sure.

Actually having listened again, I'm surprised that this got released with the number of patches that were required. I'm not holding my breath on a rerelease.. there's so much other stuff in that there Vault.

Fun to revisit.

12/26/79 tomorrow you say? So Be It!

I might have to dig in to some 5/1/70 for it's 50th as well.

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 15:30

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I replied to PM

But I wasn’t into chop jobs.
I did start ordering when full shows started coming and I got those bonus discs.

I also didn’t order Rockin’ The Rhein, and missed out on that bonus disc. Still don’t know why I didn’t order it.

....just wrapped up. 6.8 goonie birds out of 10. Mojo working goes on a little too long, but everything after that was fire. Very nice Must have Been The Roses. Moving onto an anniversary of a show i attended. Irvine Meadows 4.30.89. Box Of Rain, Iko to open the second set.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:05

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Thanks!

Luckily we have a new C. M. audience release so there is a better patch for the Stella Blue and some other small patches but, on a bad note the taper only got a partial set 1 so no new patch for Sugaree which sucks.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:54

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If ya don't mind me calling you that. Is this the NRPS 5/2 you have?

nrps1970-05-02.sbd.reel master.cass.dat.flac16

Thanks!

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:25

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Ollin> Promised, Sugaree, Ramble On, Passenger, LLR, all good! Stagger- Miracle brings it down.

Bertha, Good Love it's back, MHBTR sweet, Estimated blowing the roof off! He's Gone okay, this show kinda goes up and down. Mojo starts out nice, TOO - Stella - Sugar Mag all good. I got them U.S. Blues.

I think I blew or singed a voice coil in the mid-range speaker yesterday. I got a Emotive xpa-2 amp 70lb monster (all most gave the Fedex guy a hernia). Hard to find speakers that this thing can't blow out. Thinking of going with Airmotiv T2+ loudspeaker anyone familiar with these speakers?

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Submitted by JimInMD on Thu, 04/30/2020 - 18:33

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Yes, there are two versions actually.. I haven't had time to see which one sounds better yet. I think the one that comes as a whole show is slightly better.. I need to figure that out a couple people hit me up.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:46

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The one I have listed is the SIRMick seed.

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

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Submitted by JimInMD on Thu, 04/30/2020 - 20:40

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You might just have a better version than the two I have. It seems to be one or two steps closer to the master reel and my best, although it's a soundboard, has just a touch of hiss.

Shot you a message..

If you could compare All I Ever Wanted from yours to this..

https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac…

That should give us the answer. Yours seems to be a generation or two better.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 07:36

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If there is any interest in the more complete version I am seeding it at the etree.

http://bt.etree.org/details.php?torrentId=588035

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

01 //Workingman's Blues
02 Brown Eyed Handsome Man
03 Truck Drivin' Man
04 If You Hear Me When I'm Leavin'
05 tuning
06 Whatcha Gonna Do//
07 All I Ever Wanted
08 Henry
09 Lodi
10 Weir intro and tuning
11 Saw Mill *
12 The Race Is On *
13 Mama Tried *
14 Me And My Uncle *
15 The Weight

John 'Marmaduke' Dawson - rhythm guitar, vocals
David Nelson - lead guitar, vocals
David Torbert - bass, vocals
Jerry Garcia - pedal steel guitar
Mickey Hart - drums

guest:

Bob Weir - guitar, vocals *

Notes:

- This has been provided by an anonymous source.
- There were several nasty high-pitched squeals caused by feedback, which have been removed and some level adjustments have been made.
- Although the start of "Workingman's Blues" is cut this is the first time that any of it has circulated. It's completely missing from the FM source.

edited and mastered
SIRMick
March 2013

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Submitted by bob t on Fri, 05/01/2020 - 08:13

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Along with 8/13/75 this made me a dead head... I love this version so much.... I use to listen to it every day in college before I started getting tapes... bob t.... P.S. i am excited to hear Donna tonight!!! bob t

Cool to hear your story re: Wharf Rat & 8/13/75

Definitely have some tunes like that, first Dead album I got was WALSTIB from the ole Columbia Records and Tapes club, 11 Albums for a Penny!

Anything from that album takes me back but in particular Born Cross-Eyed and that Europe '72 Jack Straw.

Despite heavy rotation in bootleg circles, never heard 8/13/75 until the Dead released One From The Vault.
But I was stoked when I did get it.

And I totally forgot about Donna tonight! She's a kick, thanks for the flash:)

How's 12/26/79 going everyone? I had to get some 50 year old 5/1/70 in my ear hole.