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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • carlo13
    Joined:
    Mini winterland box

    I would buy it too. Plangentized and normanized. It should also be martinized. I love dry cleaning.

  • bluecrow
    Joined:
    Plangentized/Normanized

    that's my mantra
    right there with you Jim - I'm in on a Winterland Feb. 74 box. Same for a BCT '72 box.

  • JimInMD
    Joined:
    Winterland 74

    If they did up a three show mini box and Plangentized/Normanized the whole affair, I'd buy it.

    They missed an opportunity not packaging those three shows together. Just my opinion, but....

    Releasing the stand-alone BCT 72 and Winterland 2/24/74 as Dave's Picks just makes me scratch my head and ponder.

    Anyway, as for a Winterland '74 mini-box... I'd buy it. Especially if they included an oversized, fathead, stick-on Wall of Sound wall cover.

  • bluecrow
    Joined:
    2/22/74 (2/23/74) 2/17/79

    2/22/74 and 2/23/74 are exquisite. A box with 2/24 would easily have been up there with the Winterland Nov. '73 box. Beautifully played, great sound. Among all that beauty my ear was caught up in the keyboard work by Keith. The 2/22 Playing with the Slipknot got my attention back last fall. And then listening to 2/23 yesterday damn its there again in that (if I remember correctly) monster Other One. A full blown pre-1st verse (only verse) meltdown and out of that Jerry's running through Slipknot again (but its a different flavor from 2/22).
    2/17/79 is a one-off crazy good show. Set list caught my eye years ago but only did a bookend run through it today at work (and running through parts again now.) First will say that it does seem to have a sound quality issue - partial show boards from earlier that winter seem cleaner - lineage notes for Clugston seed indicate a Master Cassette so maybe cassette vs reel for master is the issue.
    But that aside, yes, a dreamy set list for that era (e.g. Wheel > Shakedown!!??!! in the middle of a jammed out Terrapin > Playing> Drums ........ > Playing reprise !!??!!) Yeah they cross the center line from time to time in their excitement but all along just a fully out there gorgeous show. To me it feels like the departure of Keith and Donna is an agreed upon thing by the band going in and this is a heartfelt sweet final show.
    RockThing - welcome to the party!!

  • proudfoot
    Joined:
    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
    Joined:
    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
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    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
    Joined:
    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
    Joined:
    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

  • billy the kid
    Joined:
    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by fourwindsblow

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....between Four Winds and myself. Middle of TN Jed. I'm staring straight at that Morning Dew like a headlight on a northbound train.

What a release Jim, thanks for this pick. I am with Daverock on this one, might be one of the best releases.

I shied away from this one forever, because it was not a complete show. What a huge mistake that was.

Sound quality is A++. If Dave's 34 sounds anything like this we are in for a huge treat.

The China Rider is awesome. Two unreal Eyes. Yes, That Loose Lucy is really good. How about that Morning Dew. WRS, Truckin! All top notch stuff.
To the great soul that turned me on to this release, this one is for you!

Tommorow, we hit up FourWinds pick, From Egypt with Love!

Be well folks!

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....features an If I Had The World To Give. A top five song that I wish they played more often. The others?
Gentlemen, Start Your Engines (saw one and it was pretty cool)
Brother Esau (never saw one)
Built To Last (tough lyrics. I get it. Saw two)
Clementine (nada)
France (saw three. In dreams).
Dead & Co brought back World To Give. And they were pretty nice.

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On the waterproof shuffle, WOS Road Trips. Both shows are excellent as is the sound. 6/16 highlights for me are China>Rider (powerful), Race is On (one of the better versions, sometimes in these electric versions the vocals are all over the place.. this one is a ok), a monster Eyes (more on this later) and nice Big River and a monster PITB.

Excellent

But 6/18 delivers the goods. One of the all-time Eyes>China Dolls. The performance and transition flawless, poweful and seamless. A jazz masterpiece. I think the version on the GD Movie (10/19?) is more popular and certainly sounds better.. but on the movie soundtrack, they cut and edited out one of the jams. I think the transition from 6/18 is better, and it's my favorite. Not a wasted note or chord, everything on purpose and just exactly right. but I am biased. A high water mark.

WRSuite, TOO, I Know It's a Sin, Stella Blue, and perhaps the best Morning Dew of the period rounds out the release. There is a bit of mayhem but it works.. just be patient. I have gotten used to the I know it's a Sin jam and when I listen to it.. I fill in the words. Powerful stuff. A potent part of the set.

Too bad it's a chop job, but it's a great release.. also, to my ears, this was the show where Jeffrey Norman went from Jeffrey the Grey to Jeffrey the White. This was about the period when he really stepped up his game to wizard status. This sounds (to me) head and antlers above the best copies on the archive. Working directly from the Master Reels and by this point in his career having acquired quite the bag of tricks makes a big difference.

That's all I have. Also.. I was remiss last night asking for more time for the new 74 release. There is a whole other place for that on the Dave's Picks thread. We should keep this the way it is. I like the idea of 5/2/70 on it's birthday and I hope someone brings up the 5/15/70 road trips as well.

Edit: Thank goodness they deemed whitewater kayaking as an acceptable social distance sport.. but the shuttles in the truck are a bit taboo.. but not if you bike the shuttle, which just gives you a little extra alone time to grove to the GD.

On it for Saturday. Good idea Strider, Jim and Vguy.

Vguy, interesting you bring up "If I had the world to give", I used to sing this song to my daughter when she was really young.

Okay, never thought I would post that but you brought it up.

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In reply to by DeadVikes

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?
If I had a song to sing, I'd sing it to you
As long as you live, lullaby or maybe a plain serenade
Wouldn't you laugh, dance, and cry or be afraid at the change you made
I may not have the world to give to you
But maybe I have a tune or two
Only if you let me be your world
Could I ever give this world to you
But I will give what love I have to give,
I will give what love I have to give,
I will give what love I have to give, long as I live.
If I had a star to give, I'd give it to you
Long as you live, would you have the time
To watch it shine, watch it shine
Or ask for the moon and heaven too? I'd give it to you.
Well maybe I've got no star to spare, or anything fine or even rare,
Only if you let me be your world, could I ever give this world to you.
Could I ever give this world to you....
....why they only played this live four or five times is beyond me. The lyrics remind me of Attics Of My Life. Which, incidentally, is a song I sung for my son when he was really young.
They brought that one back, to much rejoicing.

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In reply to by Vguy72

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A good time to check the mail. Got a package from Bolo24, CIA.

Gonna let it sit for the required time.. just in case it self destructs or something.

What a hoot. Thanks Bolo.

For what it's worth.. to wide awake to sleep.. youtube is serenading me with the acoustic set of 10/31/80. Works for me.

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In reply to by JimInMD

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That is cool Vguy! This band sure brings us all the emotions.

What we all wouldn't give right now to hear, "We will be back in just a little bit, so everybody hang loose." Man, I am trying real hard to hang loose.

Spill the beans Jim, what did Bolo send you for winning the contest?

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Great idea. Count me in. Extra credit for the NRPS set.

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In reply to by Gollum

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I've got the New Riders set.. I will do my best to send it as Alac or Flac to anyone interested. Just PM me.

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?

I guess we all know the answer. Sorry had to say it!

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You ever listen to the 10/17/78 version that is not on the bonus disc. If you haven't during space right before If I had the World to Give, you can hear a woman say to Jerry "I want to take banjo lessons" He responds that he doesn't do that anymore... bob t

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What a great show! Love the acoustic set . Garcia says something about demon rum right before Dire Wolf.

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Mark me down for it.

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You saw a lot of great shows!!! P.S. You will never believe it is raining in Rhode Island again!! Be good everyone bob t

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Winterland October 1978

Can any one or TPTB tell me why we can't get all 5 shows released like June '76 box??

Thanks.

PS, Wouldn't be funny if this was the fall box set to be released Oct 6 according to LMG.

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Bob T, I didn't make it to this show, I went to the shows on Oct 20 and 21. My brotther told me about this incident with the girl and the banjo lessons. Garcia used to give banjo lessons when he worked at Swain's House of Music down in Palo Alto, my brother knows a couple of guys who took banjo lessons from Garcia back in the early 60s.

I don't teach anymore..

How cool is that? Nice call Bob T and cool story BTK!

WOS Rocked me yesterday, both 6/16 & 6/18 were so great to hear again.
I am fully pumped now for the Jai-Alai Fronton Release.
Can't Wait and well executed stoke you good pickers you.

Waited until later in the day, to get the full effect, and it was wonderful.

The Eyes > China Doll & WRS > TOO > It's A Sin > Stella is such an incredible trip to take.

And having read your posts I knew what was coming all day, and the magic part, even with that and having heard the show many times in the past, I couldn't wait and was excited when they broke into Morning Dew and it is EPIC, better than I'd remembered.

And that's what this trip is all about!!

6/18/74 - Eyes, WRS & Morning Dew up there with best evers.

Alright set the time machine for Winterland October 1978 you say?!?!

Right away!

Had to start with If I Had The World To Give after that sweet serenade last night courtesy of you all.

JIMINMD - What's in the box?

It's gonna be a good day!

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Jim, If you're saying you have that day for NRPS, I'd take a copy. I don't have?

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In reply to by Dennis

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Got em.. will send later today.

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I too opted for the full 10/21/78 show - on "Roses" now, and I have enjoyed this show so far, save for Bobby's slide playing during "Sugaree" and "Stagger Lee." My copy of this show (the Miller one that Vguy posted,) sounds pretty darn good.

I know that 5/2/70 DiP 8 is on tap for it's 50th anniversary Saturday, but what about tomorrow? May I suggest DiP 5 - 12/26/79, one of my personal favorite picks, for Friday's listen?

Of course, I think a number of folks should be receiving DaP34 tomorrow... but if not...

Peace

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Thanks, my man!

Ouch - this patch in the climax of "Stella" hurts. Still - this has been a good listen!

Peace

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In reply to by Thats_Otis

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I have the complete shows on a HD but they aren’t loaded on the microSDXC card that is currently in my music player.
So, chop job it was.
Yes, definitely time for the whole run to be Plangentized, Normanized, and packed up in a nice little Box that fits on a shelf.

I didn’t initially go for RT because I wanted complete shows, not chop jobs. Probably the wrong choice because I missed out on the bonus disc which I believe allows you to reassemble a complete 10-21 set2.
But, all that can be remedied with the release of a Winterland Oct. 78 Box. Bring it on Dave.

Now I’ve ventured into torrent territory and am listening to 3-25-83 148801.Clugston.
Sound quality is not terrible, but the cymbals are a bit too loud.

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In reply to by Thats_Otis

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Definitely a different feel than our listen yesterday with the wonderful RT2.3.

Sound quality is mediocre at best and I agree the patches are rough.

Does anyone have a tracking arrival date for tomorrow for Dave's #34.

Mine still is saying label created.

Conekid, check your PM.

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In reply to by DeadVikes

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Agreed! Not the same high as yesterdays '74 trip.. But The Other One is ripping and has a moment of IT for sure.

Actually having listened again, I'm surprised that this got released with the number of patches that were required. I'm not holding my breath on a rerelease.. there's so much other stuff in that there Vault.

Fun to revisit.

12/26/79 tomorrow you say? So Be It!

I might have to dig in to some 5/1/70 for it's 50th as well.

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I replied to PM

But I wasn’t into chop jobs.
I did start ordering when full shows started coming and I got those bonus discs.

I also didn’t order Rockin’ The Rhein, and missed out on that bonus disc. Still don’t know why I didn’t order it.

....just wrapped up. 6.8 goonie birds out of 10. Mojo working goes on a little too long, but everything after that was fire. Very nice Must have Been The Roses. Moving onto an anniversary of a show i attended. Irvine Meadows 4.30.89. Box Of Rain, Iko to open the second set.

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Thanks!

Luckily we have a new C. M. audience release so there is a better patch for the Stella Blue and some other small patches but, on a bad note the taper only got a partial set 1 so no new patch for Sugaree which sucks.

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If ya don't mind me calling you that. Is this the NRPS 5/2 you have?

nrps1970-05-02.sbd.reel master.cass.dat.flac16

Thanks!

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Ollin> Promised, Sugaree, Ramble On, Passenger, LLR, all good! Stagger- Miracle brings it down.

Bertha, Good Love it's back, MHBTR sweet, Estimated blowing the roof off! He's Gone okay, this show kinda goes up and down. Mojo starts out nice, TOO - Stella - Sugar Mag all good. I got them U.S. Blues.

I think I blew or singed a voice coil in the mid-range speaker yesterday. I got a Emotive xpa-2 amp 70lb monster (all most gave the Fedex guy a hernia). Hard to find speakers that this thing can't blow out. Thinking of going with Airmotiv T2+ loudspeaker anyone familiar with these speakers?

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In reply to by fourwindsblow

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Yes, there are two versions actually.. I haven't had time to see which one sounds better yet. I think the one that comes as a whole show is slightly better.. I need to figure that out a couple people hit me up.

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The one I have listed is the SIRMick seed.

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

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In reply to by fourwindsblow

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You might just have a better version than the two I have. It seems to be one or two steps closer to the master reel and my best, although it's a soundboard, has just a touch of hiss.

Shot you a message..

If you could compare All I Ever Wanted from yours to this..

https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac…

That should give us the answer. Yours seems to be a generation or two better.

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If there is any interest in the more complete version I am seeding it at the etree.

http://bt.etree.org/details.php?torrentId=588035

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

01 //Workingman's Blues
02 Brown Eyed Handsome Man
03 Truck Drivin' Man
04 If You Hear Me When I'm Leavin'
05 tuning
06 Whatcha Gonna Do//
07 All I Ever Wanted
08 Henry
09 Lodi
10 Weir intro and tuning
11 Saw Mill *
12 The Race Is On *
13 Mama Tried *
14 Me And My Uncle *
15 The Weight

John 'Marmaduke' Dawson - rhythm guitar, vocals
David Nelson - lead guitar, vocals
David Torbert - bass, vocals
Jerry Garcia - pedal steel guitar
Mickey Hart - drums

guest:

Bob Weir - guitar, vocals *

Notes:

- This has been provided by an anonymous source.
- There were several nasty high-pitched squeals caused by feedback, which have been removed and some level adjustments have been made.
- Although the start of "Workingman's Blues" is cut this is the first time that any of it has circulated. It's completely missing from the FM source.

edited and mastered
SIRMick
March 2013

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16 years 10 months
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Along with 8/13/75 this made me a dead head... I love this version so much.... I use to listen to it every day in college before I started getting tapes... bob t.... P.S. i am excited to hear Donna tonight!!! bob t

Cool to hear your story re: Wharf Rat & 8/13/75

Definitely have some tunes like that, first Dead album I got was WALSTIB from the ole Columbia Records and Tapes club, 11 Albums for a Penny!

Anything from that album takes me back but in particular Born Cross-Eyed and that Europe '72 Jack Straw.

Despite heavy rotation in bootleg circles, never heard 8/13/75 until the Dead released One From The Vault.
But I was stoked when I did get it.

And I totally forgot about Donna tonight! She's a kick, thanks for the flash:)

How's 12/26/79 going everyone? I had to get some 50 year old 5/1/70 in my ear hole.