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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #871
    Oroborous
    Joined:
    Proper

    Proper!

  • #872
    JimInMD
    Joined:
    excellent

    excellent

  • #873
    wilfredtjones
    Joined:
    OK

    OK

  • #874
    1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • #875
    daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • #876
    Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • #877
    JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • #878
    daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • #879
    Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • #880
    daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Vguy72 on Wed, 04/29/2020 - 14:53

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....between Four Winds and myself. Middle of TN Jed. I'm staring straight at that Morning Dew like a headlight on a northbound train.

What a release Jim, thanks for this pick. I am with Daverock on this one, might be one of the best releases.

I shied away from this one forever, because it was not a complete show. What a huge mistake that was.

Sound quality is A++. If Dave's 34 sounds anything like this we are in for a huge treat.

The China Rider is awesome. Two unreal Eyes. Yes, That Loose Lucy is really good. How about that Morning Dew. WRS, Truckin! All top notch stuff.
To the great soul that turned me on to this release, this one is for you!

Tommorow, we hit up FourWinds pick, From Egypt with Love!

Be well folks!

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Submitted by Vguy72 on Wed, 04/29/2020 - 19:18

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....features an If I Had The World To Give. A top five song that I wish they played more often. The others?
Gentlemen, Start Your Engines (saw one and it was pretty cool)
Brother Esau (never saw one)
Built To Last (tough lyrics. I get it. Saw two)
Clementine (nada)
France (saw three. In dreams).
Dead & Co brought back World To Give. And they were pretty nice.

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Submitted by JimInMD on Wed, 04/29/2020 - 19:41

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On the waterproof shuffle, WOS Road Trips. Both shows are excellent as is the sound. 6/16 highlights for me are China>Rider (powerful), Race is On (one of the better versions, sometimes in these electric versions the vocals are all over the place.. this one is a ok), a monster Eyes (more on this later) and nice Big River and a monster PITB.

Excellent

But 6/18 delivers the goods. One of the all-time Eyes>China Dolls. The performance and transition flawless, poweful and seamless. A jazz masterpiece. I think the version on the GD Movie (10/19?) is more popular and certainly sounds better.. but on the movie soundtrack, they cut and edited out one of the jams. I think the transition from 6/18 is better, and it's my favorite. Not a wasted note or chord, everything on purpose and just exactly right. but I am biased. A high water mark.

WRSuite, TOO, I Know It's a Sin, Stella Blue, and perhaps the best Morning Dew of the period rounds out the release. There is a bit of mayhem but it works.. just be patient. I have gotten used to the I know it's a Sin jam and when I listen to it.. I fill in the words. Powerful stuff. A potent part of the set.

Too bad it's a chop job, but it's a great release.. also, to my ears, this was the show where Jeffrey Norman went from Jeffrey the Grey to Jeffrey the White. This was about the period when he really stepped up his game to wizard status. This sounds (to me) head and antlers above the best copies on the archive. Working directly from the Master Reels and by this point in his career having acquired quite the bag of tricks makes a big difference.

That's all I have. Also.. I was remiss last night asking for more time for the new 74 release. There is a whole other place for that on the Dave's Picks thread. We should keep this the way it is. I like the idea of 5/2/70 on it's birthday and I hope someone brings up the 5/15/70 road trips as well.

Edit: Thank goodness they deemed whitewater kayaking as an acceptable social distance sport.. but the shuttles in the truck are a bit taboo.. but not if you bike the shuttle, which just gives you a little extra alone time to grove to the GD.

On it for Saturday. Good idea Strider, Jim and Vguy.

Vguy, interesting you bring up "If I had the world to give", I used to sing this song to my daughter when she was really young.

Okay, never thought I would post that but you brought it up.

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Submitted by Vguy72 on Wed, 04/29/2020 - 21:15

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?
If I had a song to sing, I'd sing it to you
As long as you live, lullaby or maybe a plain serenade
Wouldn't you laugh, dance, and cry or be afraid at the change you made
I may not have the world to give to you
But maybe I have a tune or two
Only if you let me be your world
Could I ever give this world to you
But I will give what love I have to give,
I will give what love I have to give,
I will give what love I have to give, long as I live.
If I had a star to give, I'd give it to you
Long as you live, would you have the time
To watch it shine, watch it shine
Or ask for the moon and heaven too? I'd give it to you.
Well maybe I've got no star to spare, or anything fine or even rare,
Only if you let me be your world, could I ever give this world to you.
Could I ever give this world to you....
....why they only played this live four or five times is beyond me. The lyrics remind me of Attics Of My Life. Which, incidentally, is a song I sung for my son when he was really young.
They brought that one back, to much rejoicing.

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Submitted by JimInMD on Wed, 04/29/2020 - 21:42

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A good time to check the mail. Got a package from Bolo24, CIA.

Gonna let it sit for the required time.. just in case it self destructs or something.

What a hoot. Thanks Bolo.

For what it's worth.. to wide awake to sleep.. youtube is serenading me with the acoustic set of 10/31/80. Works for me.

That is cool Vguy! This band sure brings us all the emotions.

What we all wouldn't give right now to hear, "We will be back in just a little bit, so everybody hang loose." Man, I am trying real hard to hang loose.

Spill the beans Jim, what did Bolo send you for winning the contest?

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Submitted by Gollum on Wed, 04/29/2020 - 22:32

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Great idea. Count me in. Extra credit for the NRPS set.

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Submitted by JimInMD on Wed, 04/29/2020 - 23:17

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I've got the New Riders set.. I will do my best to send it as Alac or Flac to anyone interested. Just PM me.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 02:29

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?

I guess we all know the answer. Sorry had to say it!

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Submitted by bob t on Thu, 04/30/2020 - 04:40

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You ever listen to the 10/17/78 version that is not on the bonus disc. If you haven't during space right before If I had the World to Give, you can hear a woman say to Jerry "I want to take banjo lessons" He responds that he doesn't do that anymore... bob t

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Submitted by billy the kid on Thu, 04/30/2020 - 05:07

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What a great show! Love the acoustic set . Garcia says something about demon rum right before Dire Wolf.

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Submitted by Strider 808808 on Thu, 04/30/2020 - 05:11

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Mark me down for it.

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Submitted by bob t on Thu, 04/30/2020 - 05:56

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You saw a lot of great shows!!! P.S. You will never believe it is raining in Rhode Island again!! Be good everyone bob t

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Submitted by fourwindsblow on Thu, 04/30/2020 - 05:57

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Winterland October 1978

Can any one or TPTB tell me why we can't get all 5 shows released like June '76 box??

Thanks.

PS, Wouldn't be funny if this was the fall box set to be released Oct 6 according to LMG.

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Submitted by billy the kid on Thu, 04/30/2020 - 06:19

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Bob T, I didn't make it to this show, I went to the shows on Oct 20 and 21. My brotther told me about this incident with the girl and the banjo lessons. Garcia used to give banjo lessons when he worked at Swain's House of Music down in Palo Alto, my brother knows a couple of guys who took banjo lessons from Garcia back in the early 60s.

I don't teach anymore..

How cool is that? Nice call Bob T and cool story BTK!

WOS Rocked me yesterday, both 6/16 & 6/18 were so great to hear again.
I am fully pumped now for the Jai-Alai Fronton Release.
Can't Wait and well executed stoke you good pickers you.

Waited until later in the day, to get the full effect, and it was wonderful.

The Eyes > China Doll & WRS > TOO > It's A Sin > Stella is such an incredible trip to take.

And having read your posts I knew what was coming all day, and the magic part, even with that and having heard the show many times in the past, I couldn't wait and was excited when they broke into Morning Dew and it is EPIC, better than I'd remembered.

And that's what this trip is all about!!

6/18/74 - Eyes, WRS & Morning Dew up there with best evers.

Alright set the time machine for Winterland October 1978 you say?!?!

Right away!

Had to start with If I Had The World To Give after that sweet serenade last night courtesy of you all.

JIMINMD - What's in the box?

It's gonna be a good day!

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Submitted by Dennis on Thu, 04/30/2020 - 06:56

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Jim, If you're saying you have that day for NRPS, I'd take a copy. I don't have?

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Submitted by JimInMD on Thu, 04/30/2020 - 07:53

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Got em.. will send later today.

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Submitted by Thats_Otis on Thu, 04/30/2020 - 08:10

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I too opted for the full 10/21/78 show - on "Roses" now, and I have enjoyed this show so far, save for Bobby's slide playing during "Sugaree" and "Stagger Lee." My copy of this show (the Miller one that Vguy posted,) sounds pretty darn good.

I know that 5/2/70 DiP 8 is on tap for it's 50th anniversary Saturday, but what about tomorrow? May I suggest DiP 5 - 12/26/79, one of my personal favorite picks, for Friday's listen?

Of course, I think a number of folks should be receiving DaP34 tomorrow... but if not...

Peace

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Submitted by Thats_Otis on Thu, 04/30/2020 - 09:29

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Thanks, my man!

Ouch - this patch in the climax of "Stella" hurts. Still - this has been a good listen!

Peace

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 12:53

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I have the complete shows on a HD but they aren’t loaded on the microSDXC card that is currently in my music player.
So, chop job it was.
Yes, definitely time for the whole run to be Plangentized, Normanized, and packed up in a nice little Box that fits on a shelf.

I didn’t initially go for RT because I wanted complete shows, not chop jobs. Probably the wrong choice because I missed out on the bonus disc which I believe allows you to reassemble a complete 10-21 set2.
But, all that can be remedied with the release of a Winterland Oct. 78 Box. Bring it on Dave.

Now I’ve ventured into torrent territory and am listening to 3-25-83 148801.Clugston.
Sound quality is not terrible, but the cymbals are a bit too loud.

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Submitted by DeadVikes on Thu, 04/30/2020 - 13:23

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Definitely a different feel than our listen yesterday with the wonderful RT2.3.

Sound quality is mediocre at best and I agree the patches are rough.

Does anyone have a tracking arrival date for tomorrow for Dave's #34.

Mine still is saying label created.

Conekid, check your PM.

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Submitted by The Good Ole G… on Thu, 04/30/2020 - 14:30

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Agreed! Not the same high as yesterdays '74 trip.. But The Other One is ripping and has a moment of IT for sure.

Actually having listened again, I'm surprised that this got released with the number of patches that were required. I'm not holding my breath on a rerelease.. there's so much other stuff in that there Vault.

Fun to revisit.

12/26/79 tomorrow you say? So Be It!

I might have to dig in to some 5/1/70 for it's 50th as well.

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Submitted by icecrmcnkd on Thu, 04/30/2020 - 15:30

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I replied to PM

....just wrapped up. 6.8 goonie birds out of 10. Mojo working goes on a little too long, but everything after that was fire. Very nice Must have Been The Roses. Moving onto an anniversary of a show i attended. Irvine Meadows 4.30.89. Box Of Rain, Iko to open the second set.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:05

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Thanks!

Luckily we have a new C. M. audience release so there is a better patch for the Stella Blue and some other small patches but, on a bad note the taper only got a partial set 1 so no new patch for Sugaree which sucks.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 16:54

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If ya don't mind me calling you that. Is this the NRPS 5/2 you have?

nrps1970-05-02.sbd.reel master.cass.dat.flac16

Thanks!

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:25

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Ollin> Promised, Sugaree, Ramble On, Passenger, LLR, all good! Stagger- Miracle brings it down.

Bertha, Good Love it's back, MHBTR sweet, Estimated blowing the roof off! He's Gone okay, this show kinda goes up and down. Mojo starts out nice, TOO - Stella - Sugar Mag all good. I got them U.S. Blues.

I think I blew or singed a voice coil in the mid-range speaker yesterday. I got a Emotive xpa-2 amp 70lb monster (all most gave the Fedex guy a hernia). Hard to find speakers that this thing can't blow out. Thinking of going with Airmotiv T2+ loudspeaker anyone familiar with these speakers?

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Submitted by JimInMD on Thu, 04/30/2020 - 18:33

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Yes, there are two versions actually.. I haven't had time to see which one sounds better yet. I think the one that comes as a whole show is slightly better.. I need to figure that out a couple people hit me up.

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Submitted by fourwindsblow on Thu, 04/30/2020 - 18:46

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The one I have listed is the SIRMick seed.

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

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Submitted by JimInMD on Thu, 04/30/2020 - 20:40

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You might just have a better version than the two I have. It seems to be one or two steps closer to the master reel and my best, although it's a soundboard, has just a touch of hiss.

Shot you a message..

If you could compare All I Ever Wanted from yours to this..

https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac…

That should give us the answer. Yours seems to be a generation or two better.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 07:36

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If there is any interest in the more complete version I am seeding it at the etree.

http://bt.etree.org/details.php?torrentId=588035

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

01 //Workingman's Blues
02 Brown Eyed Handsome Man
03 Truck Drivin' Man
04 If You Hear Me When I'm Leavin'
05 tuning
06 Whatcha Gonna Do//
07 All I Ever Wanted
08 Henry
09 Lodi
10 Weir intro and tuning
11 Saw Mill *
12 The Race Is On *
13 Mama Tried *
14 Me And My Uncle *
15 The Weight

John 'Marmaduke' Dawson - rhythm guitar, vocals
David Nelson - lead guitar, vocals
David Torbert - bass, vocals
Jerry Garcia - pedal steel guitar
Mickey Hart - drums

guest:

Bob Weir - guitar, vocals *

Notes:

- This has been provided by an anonymous source.
- There were several nasty high-pitched squeals caused by feedback, which have been removed and some level adjustments have been made.
- Although the start of "Workingman's Blues" is cut this is the first time that any of it has circulated. It's completely missing from the FM source.

edited and mastered
SIRMick
March 2013

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Submitted by bob t on Fri, 05/01/2020 - 08:13

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Along with 8/13/75 this made me a dead head... I love this version so much.... I use to listen to it every day in college before I started getting tapes... bob t.... P.S. i am excited to hear Donna tonight!!! bob t

Cool to hear your story re: Wharf Rat & 8/13/75

Definitely have some tunes like that, first Dead album I got was WALSTIB from the ole Columbia Records and Tapes club, 11 Albums for a Penny!

Anything from that album takes me back but in particular Born Cross-Eyed and that Europe '72 Jack Straw.

Despite heavy rotation in bootleg circles, never heard 8/13/75 until the Dead released One From The Vault.
But I was stoked when I did get it.

And I totally forgot about Donna tonight! She's a kick, thanks for the flash:)

How's 12/26/79 going everyone? I had to get some 50 year old 5/1/70 in my ear hole.