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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • Dennis
    Joined:
    Vera

    I'll be honest I was shocked she was still alive and made 103.

    How can you not have some Vera in your stuff AND be a Pink Floyd fan?

    Listening to the 1940 cut of We'll Meet Again. Next up Till There Was You.

  • stoltzfus
    Joined:
    Does anybody here remember Vera Lynn?

    remember how she said that we would meet again, some sunny day...

    Here's a raise of the glass to Ms. Lynn. 103!

    love the joke about the VL appreciation society, Colin

    her song was used to great effect at the end of "Dr. Strangelove".

    and I'm a middle-aged Yank.

  • Colin Gould
    Joined:
    Vera Lynn and Keith Tippett RIP

    I played the Ovary Lodge album on the Ogun label when I heard of the death of Keith Tippet.
    Having no music by Vera Lynn I can only share a joke taken from a cartoon in a recent issue of Private Eye magazine. Two people are looking at a billboard advertising a meeting of the Vera Lynn Appreciation Society. Venue: Don’t know where. Time: Don’t know when.
    If you get the joke you are probably British or quite old. She was a great morale booster for people in the UK during the 2nd World War.

  • The Good Ole G…
    Joined:
    Found A Clue

    Based on the below I think we’ll get either Workingman’s Era or Brent Era Dead for Volume 35.

    I’m pulling for the Workingman’s Era to celebrate the 50th Anniversary.

    During Seaside Chat: Dave’s Picks 2020 Subscriptions on 10/29/19 Dave states and I quote:

    “I like to look back on the previous year and I love this year, I love the 2019 as much as I’ve ever loved any of the years we’ve done. I really do, I think that the variety is quite perfect, it’s never gonna be absolutely perfect for everybody but I do feel that we hit every distinct era, not every distinct era, we hit most of the distinct eras in Grateful Dead history.. yada yada.. so I think we nailed a lot of things with this year."

    “Looking at what we have planned for 2020… it’s gonna be an exceptionally exciting year.”

    Goes on to describe eras and compare 2020 to 2019 (see below for sum up).

    So Dave doesn’t come right out and say it, but IMO he implies that the 2020 release schedule will be very similar to that “perfect” format.

    2019 - Eras
    1977-02-26 - Volume 29 - Keith & Donna 2 Drummer Era
    1970-01-02 - Volume 30 with Bonus - Workingman’s Era
    1979-12-03 - Volume 31 - Brent Era
    1973-03-24 - Volume 32 - Keith & Donna 1 Drummer Era

    2020 - Eras
    1977-10-29 - Volume 33 - Keith & Donna 2 Drummer Era
    1974-06-23 - Volume 34 - Keith & Donna 1 Drummer Era
    Volume 35 - Workingman’s Era?
    Volume 36 - Brent Era?

    I guess we’ll see.. getting pumped.

    RE: SIMONROB - Lucky! $0.95 plus $0.05 for shipping. That’s not bad, not bad at all.

  • simonrob
    Joined:
    Ralph J. Gleason's book...

    Just noticed that my copy cost $0.95. Yep, 95¢. In America, if you bought it mail order from the publisher then postage was a additional 5¢. Not bad for a 380 page book.

    That is the original price printed on the cover and the mail order details are inside. I got my copy in England in the early '70s. I can't remember what it cost but it was easy to order from my local bookshop as it was still in print at that time.

  • The Good Ole G…
    Joined:
    What’s It Gonna Be

    Between the years Dave has Picked for release, 1969-1983, every year is represented except 1982.
    Strong year and some strong shows in the vault.

    That being said, I’d love to hear some uncirculated gem freshly restored from once thought missing reels vs a highly circulated bootleg from a master cassette any day.

    But I like the brewing excitement…

    When are we gonna know more?

    Whose got the inside tip, the scoop, the rumors?

    BTW: BILLY THE KID keep the stories coming! I wanna see the Grisman kids documentary now.
    And thanks for that Anthem Art tip.. that is dope, if I had a random $4K laying around and nothing else to spend it on I would snatch one ;)

    Damn!

    Also since I digressed into expensive collectibles, in regards to Favorite Books, I love Volume 1-3 of the Taper’s Compendium, they’re worth seeking out if you can get them for a reasonable price. I think they retailed for around $35 bucks BITD, but are a bit pricey now so I wasn't gonna bring them up, but they should get some love. They're amazing.

    Anybody got the Taping Addendum?

    Man, I want to read that.

  • billy the kid
    Joined:
    Dave Rock/ Village Music Mill Valley

    DaveRock, for record collectors or just music collectors in general, Village Music was a place of worship. Type in to your computer Village Music Mill Valley and it should come up. You can see pictures of it and there is a story about it and owner John Goddard. David Grisman's kids did a documentary about the place. The owner, John Goddard knew that I collected Grateful Dead stuff, he asked me one day if I had a copy of the 45, Don't Ease Me In, because Justin Kreutzman was looking for a copy, I told him I did , so he took my phone # to give to Kreutzman. Kreutzman never called me, I would have given him the 45, make a trade for some copies of tapes out of the vault, but it never happened. Anyways, check it out, it was the place. It closed in 2007.

  • Charlie3
    Joined:
    Does Anybody Here...

    ...remember Vera Lynn? RIP

  • Mind-Left-Body
    Joined:
    Other top10

    Oh LMG I thought I read a post from you saying DaP 35 was Alaska 80. My bad.

    After 1974 Top10 would be (list does not include The Other One, Scarlet-Fire, Estimated-Eyes, or Help-Slipknot-Franklin)

    Feel Like a Stranger
    Terrapin Station
    The Wheel
    Samson and Delilah
    Touch of Grey
    Need a Miracle
    Stagger Lee
    Cassidy
    Althea
    Foolish Heart
    From the Heart of Me
    Blow Away
    Music Never Stopped
    Shakedown Street
    Throwing Stones

    I've been waiting for DaP 35 with expectations of Alaska 80. That no longer seems to be the what's happening, my best guess is something from November 1969. That period feels due.

  • Lovemygirl
    Joined:
    *RE/ Dave’s Picks #35

    Hello everyone in DeadHead land, hope you all are well on this beautiful day in June;) what will Dave’s 35performance be?! How about the Grateful Dead’s performance on August 3rd, 1982 in Kansas City, at the“Starlight Theater”!
    Complete Set-list is below! in my opinion, it has a PRIMO Setlist & The Band we’re playing very well as was Jerry who just happened to celebrated his birthday the day before!

    Set 1:
    1- Mississippi Half-Step Uptown Toodeloo ->
    2 - Franklin's Tower ->
    3- New Minglewood Blues
    4- Peggy-O
    5- El Paso ->
    6- Cumberland Blues
    7 - Althea
    8- Cassidy
    9- Big Railroad Blues ->
    10- Man Smart (Woman Smarter)
    11- Might As Well

    Set 2:
    12- Shakedown Street ->
    13- Samson And Delilah
    14- To Lay Me Down
    15- Let It Grow ->
    16 - Drums ->
    17- Space ->
    18- He's Gone ->
    19 - The Other One ->
    20- Stella Blue ->
    21 - Sugar Magnolia
    Encore:
    Casey Jones

    *** https://archive.org/details/gd1982-08-03.sbd.miller.77196.sbeok.flac16/…
    Excellent performances of
    ‘Althea’
    ‘Cassidy’
    ‘The Women are Smarter’
    ‘To Lay Me Down’
    ‘Let It Grow’
    ‘He’s Gone’
    ‘That’s it For The Other One’
    ‘Stella Blue’ & more!
    If you haven’t heard this Show I would give it a spin! It’s filled with surprises! 💀🌹
    Have a grateful day You’All! 🙏❤️

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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You're taking about 6/6/95 not 6/5 am i correct?

ps. Mustin don't miss The Dean Dome from 3/24, 3/25.

3/24 day in Dead history has a ton of good shows, AM Dew 3/24/86 WOW!

3/17 and 3/18 Cap Center, I was at the 18th fun show sheriff's were peaking around the stacks on Phil's side I think they were running over time or something so they encored with I Fought The Law and the place went nuts.

Please excuse me I see now you mentioned The Dean Dome 3/25.

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No, I started with 6/5/93. I'll listen to 6/6 next, but I'm enjoying the heck out of this show. A few iffy moments in Fire on the Mountain but they're playing with passion. Sugaree was nice. TMNS>Easy Answers>TMNS was interesting. Easy Answers my be my least favorite Bobby song, but when they come back into TMNS, Jerry is on FIRE! Way To Go Home, Crazy Fingers, and Estimated were all pretty solid. Space is pretty wild too...and morphs pretty nicely into the Other One...So, if 6/6 is that much better, I guess I'm in for a real treat!

and speaking of 3/24 dates...3/24/90 is pretty damn good. Amazing 1st set, with my favorite version of Loser ever. And the whole 2nd set, well, you know how it goes.

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You must-in be kidding about Broken Arrow being a "bad Robbie Robertson song," no?! To me that is a bee-U-tiful song, and it's from one amazing album. :)

Annalee, I loved your offer, but I'll bet quite a few folks on here already have that disc, thus the low response rate . . .

I think part of the struggle of loving 1992-1995 is that some shows were chock-full of new tunes. I saw plenty of shows where they trotted out four of them, plus a Dylan tune, plus a Wang Dang/Walkin', plus a Beatles tune, and before you knew it, the show was over without one "classic" being played. Had they only played one new tune per night or per set, those tunes would probably have been accepted faster. I have learned to love the later shows, but prefer those that don't cram EVERY new tune into one show.

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Let me know when you hit play I'll listen with you. If it's okay?

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So, today its been...
6/23/93 - Deer Creek - I wasn't at this show, but I'm a little biased because I grew up about 20 minutes away. But that might be the greatest jam out of Terrapin ever. And the whole Drums>Space>Dark Star is pretty great.
6/5/93 - Giants Stadium - Maybe not as good as any of the Deer Creek shows but some fine moments throughout. Estimated Prophet ->Drums -> Space -> The Other One -> Stella Blue -> One More Saturday Night was a lot of fun.
6/6/93 - Giants Stadium - Minglewood set the place on fire! -very nice Let it Grow. Bobby's voice sounds a little hoarse, but they are all locked and jammin' nicely. --- Playing in the Band going way out there! With the theme still bubbling under the surface. Real nice drums. extra special with headphones. That's certianly a wild ride. Interesting hearing Corrina come out of Space after hearing it go into Drumz on 6/11, & 6/21. Attics of my Life! Very nice. This show just keeps getter better. Very solid Throwing Stones>NFA

VGUY: Great story about Jack Straw at Eugene! I'll have to check out those shows too

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7 years 6 months
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"I'll have four fried chickens and a coke," "and an order of plain white toast."

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16 years 1 month
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I'm gonna check out the Eugene 93 show, thanks for that.

Mustin; Playin' just ripped my skull. Thanks for listening!

Love the Talking Drum.

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9 years 2 months
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Listened to the first two discs of DP 31 for the first time today, good stuff. Looking forward to the rest of it.

Watched my 15 year old daughter's favorite movie, the Perks of Being a Wallflower for the first time, pretty cool flick, kind of depressing, reminded me a little of Ordinary People. Now I have Bowie's Heroes stuck in my head.

Got some grapes today without really looking at the label - turns out they are Cotton Candy grapes, and as the name suggests they taste a lot like cotton candy. Pretty weird deal eating a handful of grapes and tasting a strong taste of cotton candy. Another first.

After taking several readings I'm surprised to find my mind's still fairly sound...right on Willie, not a first, but Willie never gets old.

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from Dick's 31 is nuts. Love it.
I hear '72 all over the place...in '74
8-5-74 Philly
:O)

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That China-Rider was in fact one of the things that jumped out at me during my first listen, kind of half distracted while listening and found myself thinking, well, that's pretty fucking hot, at some point in the transition from China to Rider. That Wharf Rat-US Blues hit the spot as well, that US Blues was just hot, had me flashing on the overalls dude from the Grateful Dead Movie jamming out to that tune on the movie.

Nice Blues Brothers references on here earlier. Funny, when I first saw that movie I was 14 and really did not grasp the number of blues and soul legends in that film, might be a good time to watch it again.

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Just seen the email:-)
In fact I’ve had 2 emails, one telling me #34 is on the way, the other saying that #33 has been sent. Let’s hope this is a glitch in the matrix.

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I also received 2 shipping notices, one for Dave's Picks Vol. 33 and one for Dave's Picks Vol. 34 and the Bonus disc. Both have identical tracking numbers which working yet. Curious to see how this will conclude. I suspect someone fucked up.

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Thanks for sneaking in that Jake Blues clip. Man I needed a good old fashioned heart felt laugh from the gut like that. As soon as I saw your reference to the bonus disc "competition", I knew something off the wall and funny was coming. Just from you post here, I guess you must be a riot to have over for company. Annalee, his performance must be worth another bonus disc ;-)

Shipping notice here. Best thing I did was subscribe.

We need a Dear Abby column for Dead Heads. Dear Dead Heads. I hate to admit it , and I know I sound like a blaphemer, but I get a little lost in most (not all) 1972 Europe Dark Stars. I feel like all of the weird noises that sometimes go on for 5 minutes or more leave me skipping forward a minute at a time, till something with a melody comes along. It's usually after the verse and before something like "feeling groovey" or something jazzy. Other times it'll be the last 5 minutes all together. Have I lost my Dead Head badge? Did I ever earn one? I have been buying up the Europe 72 Dark shows I don't have yet from Ebay for $99 each mostly (great prices). But they're not all 4/8 and 4/14. But I cherish the great Dark Star parts more than most of the concert. It is as if they would hace been better off without the "noize".

Sincerely,
Troubled Dark Star Fan.

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In reply to by Butch

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Butch....as long as you enjoy something in the Dead's music, I am sure you are fully entitled to have a badge. Not often you read someone dissing Dark Star on here. Makes a nice change.

I have just checked, and I've got shipping notices for DaP 33 and 34 , too. Maybe we are having it(33) twice.

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Hey rockers!!!!

Rare day off, not enough sleep, up too early, too much coffee, here we go...……….

Since this year will see the anniversary re-issues of WD and AB, what would people like to see as the bonus live material?

Suggestions:
For WD: acoustic selections from the June FW run. Would be interesting. Maybe with some electric Pig thrown in? Or hold the electric for possible box set release?
For AB: FE 11/16/70. Slightly uneven, but has some great great moments (Hard To Handle [check Weir's super snazzy playing], Truckin'/Other One) but would require the guest artists to sign off on it. That may be a challenge...…..

Rock on rockers!!!!

Doc

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Butch, I'm having the exact opposite response to my first traipse through the E72 set. The Dark Stars are pulling me in so deeply that I'm having trouble appreciating the REST of the music. And I used to not be a Dark Star lover!

Speaking of blasphemy, I keep falling behind on shows because I'm just enjoying all this family time without running to kids' baseball, orchestra, music lessons, school events, etc. So more than once I've wondered about listening to JUST the deep stuff on the anniversary, rather than the entire show. I haven't done it yet (I've heard every note), but I've been tempted to just put on the Dark Star of the day in the evening of the anniversary, and NOT listen to the other songs until some later date when there's more time.

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In reply to by Vguy72

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I first heard the Help>Slip>Franklin's portion from the 8/22 Eugene show on the Grateful Dead hour in college and recorded it; then I recall finding a bootleg box of that same show, as well as the sister show. Both are excellent recordings and I still have them. The night with the aforementioned H>S>F was very good; I also recall a killer TMNS, a great Althea and of course that very angry Jack Straw as VGuy mentioned. I definitely recall David Gans saying how Bobby had "major guitar troubles", hence the extended Jerry jamming in there. Only later did I realize that major guitar troubles was possibly an understatement. You can very clearly hear Bobby come back in a few measures before he then jumps to the final vocals.

These are two super solid shows for later era Dead:

https://archive.org/details/gd93-08-21.sbd.nawrocki.15035.sbeok.shnf

https://archive.org/details/gd93-08-22.sbd.nawrocki.562.sbefail.shnf

Beer stock in fridgie is running low. Time to get more beer delivery today. These things matter!

Be Well People
Sixtus

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Does anyone else’s tracking say USPS waiting for package...? Looking forward to this one, fascinated by the effort and creativity that went into building and perfecting the wall of soooouuunnndddd. Have a great day Dead heads :)

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I just saw John Lennon in the audience of a Pink Floyd show. It's on the first dvd of the Video Anthology Harvested.

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4 years 7 months
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Try pasting the tracking number into UPS tracking.

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No you are not a blasphemer. It's ok not to like every Dark Star ever done. Sometimes the songs that we hear are just really fucked up because of the brown acid we've ingested. There is no reason to hang your head in disgrace. I too was at a show once with a newbie, and would you believe halfway thru Drumz, he had to balls to ask, "are they going to play more songs?" I told him no and he left. Don't have to put up with that shit! I believe sometimes you'll find Viola Lee Blues can become the same beast. At least at the end of the feedback we find he has a friend out there. Shall we go indeed! Yeah, to the next fucking song. So don't let the maddening crowd influence your likes and dislikes, remember you are a child of the universe and have a right to be here.

Ann "the twirler" Landers

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Someone mentioned this combo from RT 2.3(?). Threw me for a loop. Dragged Eyes in winamp, then China. Listened to the 20 minute Eyes (very nice), but then the into for China was like a dead cut. After much data searching, finally figured out there were 2 Eyes on that one. I played the wrong one :-) Nice into on the right one! Sometimes we get shown the light and our eyes are closed.

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in not liking the cacophony. After all these years I still don’t really get into it. I used to FF as well. Now I grind through it or just go refill my drink.

Hell. I skip Casey Jones every time. Never got into that song.

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17 years 4 months

In reply to by Angry Jack Straw

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....three words. Bobby's. Slide. Work.

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14 years 10 months

In reply to by Vguy72

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you know what we do to blasphemers around here?

lock 'em in a room, tie 'em down, and play Wave to the Wind for 168 hours straight, at volume 11.

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In reply to by stoltzfus

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Everything should make sense then.

Those parts of Dark Star, Other One, MLBJ (6-28-74), some Playing in the Bands, are similar to what was called ‘Feedback’ in the 60’s.

Generally, the crazier it gets the more I like it. Probably because as a teenager I listened excessively to early Pink Floyd and found that the longer and stranger a song was, the more I liked it. Then I went to my first GD show and Drums/Space along with long jams showed me that there was something better than Pink Floyd. I dove onto that bus and never looked back.

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6 years 1 month

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@PKB, thanks! Now it shows everything. Hopefully coming Friday, just in time for the weekend.

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16 years 1 month
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That's a great story, Loved it!

The crazier the better. Yes! haha

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Sorry if this is an old debate, but several of my friends and I recently listened to both of these shows and were trying to decide which night was better. Both are obvioulsy amazing shows. But i'll do this every few years, give or take, and I always go with 10/16/89. Two of my friends chose 10/9/89 and another said that 10/8/89 is better than both...Sometimes the songs that we hear are just songs of our own

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E’72 Dark Stars are fabulous.... got both the guts and the grace.

For the abstracted portions, I always keep in mind how those moments fit into the overall framework. Like before entry of the first verse when they are playing around with the basic chordal-rhythmic-melodic structure of the song without actually leaving it entirely behind. Or then afterward when they go freeform to search out new ground to stand upon. I actually find it helpful to have the time clocking on the TV so I can see where they are within the usual 30 minute structure. Keeps my listening focused. Otherwise it can be difficult to wrap my head around what went on between points A and B.

Personal favorite is first night in Denmark. Probably the most accessible too. First 15 minutes is a beautiful, slow build up to the 'dark star crashes' verse. Second 15 minutes revolves around the formation and deconstruction of a thrilling Feeling Groovy jam that slightly hints at TOO. Quite simple really when broken apart. Perfectly played and very, very alive. Sugar Magnolia appropriately follows.

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I've always loved this particular Dark Star from Europe 72. Very energetic and I love the dissonant chords Bobby adds near the end, which spins it off into Sugar Magnolia. Only the 2nd show of the tour, starting out strong.

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or anything else that will get you to that place :) Give me all the strangeness, weirdness, just out of this worldness that can transpire during a dark star or drums>space or Playin' in the Band, I love it all and in my opinion we need the weirdness that is the out of this world sounds coming out of these songs. This was and still is my favorite part of the shows, there is never a drums>space>Dark Star TOO that I don't like. I was at a show too with a newbie and she asked me what they were doing during space, I did not answer until after the show because I did not want to miss any part of it, later, I told her that what they were doing was the best part of the show. She did not understand to say the least. She later got "it" and is now a die hard space head.
Just my opinion on another topic, 10-8 or 10-16? try 10/26, awesome dark star and just a fine show from Miami.

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9 years 2 months
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For me, the chaotic interludes in Dark Stars just serve to make the return of the melody that much sweeter a release after the tension of the chaos. Sort of like that transition from slipping around in your own skin peaking to that sweet feeling afterglow for the last few hours, when it feels like your skin fits again and you recognize that person in the mirror.

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In my journey through the entire E72 tour, that has been the one song that has moved up considerably on my "favorites" list. I somehow forgot how good it was. I've taken to listening again on the off nights.

One thing I find cool about this tour is the actual theaters in which the band played. I've spent a good deal of time this go-around reading more about the venues and looking at photos. Truly amazing places. That must have made the experience all the more special for those in attendance. They sure are nicer than the Rubber Bowl in Akron.

The other thing I find interesting is the location of the shows. Aside from Denmark and Munich, all the shows are heavily concentrated in the Northeast corner of Europe. It seems as though they could have spread out a bit more.
Hell, if you are going to play Munich and have five days off before your next show, you might as well play Salzburg.

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