• 8,068 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
    Joined:
    Old folks boogie

    Down on the farm. Sounds like a hoot! (Just teasing as one who’s been there)
    Hope they’ll be well soon!!

    Bluecrow: 6/24/70, I’ll mark that down and we’ll have to slip it in…you say it’s listenable?

  • JimInMD
    Joined:
    6/80

    I'm all over that. Just back from couple days in the hospital with one of my parents in their mid 80's, so an 80's show fits that bill. Also excited to hear the new price placed ever so gently on Archive.org. What a gift.

    Thanks all.. lots of good stuff these last few days.

    Over and out.

  • Oroborous
    Joined:
    DV +

    Glad your back. Sorry, just saw the PM. Haven’t had time for here lately.
    Great minds think alike though. I was going to inquire about checking out that 80s show of nitecat.

    Yeah, sorry but I’m with Jim and I think he handled it fine.
    Misinformation is not opinion, and it’s getting out of control.

  • bluecrow
    Joined:
    6/13/80

    yeah DV, let's jump on the John Deere and join nitecat in Seattle. I listened to Set II but it was just on my laptop speakers, which are decidedly not optimal so it would good to listen on my old Sennheisers. Wild that you got locked out. I find that as of late Recaptcha will suddenly get a wild hair and its just wave after wave of challenges.

    Bonner Springs makes me think of the next show on that tour - Lousiville 7/6/90, and specifically the He's Gone > jam. IIRC good friend's brother was front row in front of Jerry and was eyeballs deep and way way out there. Brother told my friend that Jerry was locked in on him during that jam and had the most gnarly crazed look about him as he played. And years ago as I listened to it I could feel the complete holy shit energy about it. That sequence got released as bonus material on View from the Vault I, which I don't own (low on funds, pick an choose guy back in the day.)

    Found myself listening to the Ken Lee source for electric set for 6/24/70 Capital Theatre. Yowza. I can't recall doing that show as a POTDWD but feel like it had to have happened given what a monster show that is. Whole show with all the acoustic material is up in a Hance/SirMick transfer.

  • daverock
    Joined:
    a strange one

    I can't for the life of me see how anyone could take offence at Gary's last post. Surely its the intention behind what we say that matters, not the accidental outcome - and there was obviously no harm intended.

  • DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • JimInMD
    Joined:
    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by fourwindsblow

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....between Four Winds and myself. Middle of TN Jed. I'm staring straight at that Morning Dew like a headlight on a northbound train.

What a release Jim, thanks for this pick. I am with Daverock on this one, might be one of the best releases.

I shied away from this one forever, because it was not a complete show. What a huge mistake that was.

Sound quality is A++. If Dave's 34 sounds anything like this we are in for a huge treat.

The China Rider is awesome. Two unreal Eyes. Yes, That Loose Lucy is really good. How about that Morning Dew. WRS, Truckin! All top notch stuff.
To the great soul that turned me on to this release, this one is for you!

Tommorow, we hit up FourWinds pick, From Egypt with Love!

Be well folks!

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....features an If I Had The World To Give. A top five song that I wish they played more often. The others?
Gentlemen, Start Your Engines (saw one and it was pretty cool)
Brother Esau (never saw one)
Built To Last (tough lyrics. I get it. Saw two)
Clementine (nada)
France (saw three. In dreams).
Dead & Co brought back World To Give. And they were pretty nice.

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On the waterproof shuffle, WOS Road Trips. Both shows are excellent as is the sound. 6/16 highlights for me are China>Rider (powerful), Race is On (one of the better versions, sometimes in these electric versions the vocals are all over the place.. this one is a ok), a monster Eyes (more on this later) and nice Big River and a monster PITB.

Excellent

But 6/18 delivers the goods. One of the all-time Eyes>China Dolls. The performance and transition flawless, poweful and seamless. A jazz masterpiece. I think the version on the GD Movie (10/19?) is more popular and certainly sounds better.. but on the movie soundtrack, they cut and edited out one of the jams. I think the transition from 6/18 is better, and it's my favorite. Not a wasted note or chord, everything on purpose and just exactly right. but I am biased. A high water mark.

WRSuite, TOO, I Know It's a Sin, Stella Blue, and perhaps the best Morning Dew of the period rounds out the release. There is a bit of mayhem but it works.. just be patient. I have gotten used to the I know it's a Sin jam and when I listen to it.. I fill in the words. Powerful stuff. A potent part of the set.

Too bad it's a chop job, but it's a great release.. also, to my ears, this was the show where Jeffrey Norman went from Jeffrey the Grey to Jeffrey the White. This was about the period when he really stepped up his game to wizard status. This sounds (to me) head and antlers above the best copies on the archive. Working directly from the Master Reels and by this point in his career having acquired quite the bag of tricks makes a big difference.

That's all I have. Also.. I was remiss last night asking for more time for the new 74 release. There is a whole other place for that on the Dave's Picks thread. We should keep this the way it is. I like the idea of 5/2/70 on it's birthday and I hope someone brings up the 5/15/70 road trips as well.

Edit: Thank goodness they deemed whitewater kayaking as an acceptable social distance sport.. but the shuttles in the truck are a bit taboo.. but not if you bike the shuttle, which just gives you a little extra alone time to grove to the GD.

On it for Saturday. Good idea Strider, Jim and Vguy.

Vguy, interesting you bring up "If I had the world to give", I used to sing this song to my daughter when she was really young.

Okay, never thought I would post that but you brought it up.

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?
If I had a song to sing, I'd sing it to you
As long as you live, lullaby or maybe a plain serenade
Wouldn't you laugh, dance, and cry or be afraid at the change you made
I may not have the world to give to you
But maybe I have a tune or two
Only if you let me be your world
Could I ever give this world to you
But I will give what love I have to give,
I will give what love I have to give,
I will give what love I have to give, long as I live.
If I had a star to give, I'd give it to you
Long as you live, would you have the time
To watch it shine, watch it shine
Or ask for the moon and heaven too? I'd give it to you.
Well maybe I've got no star to spare, or anything fine or even rare,
Only if you let me be your world, could I ever give this world to you.
Could I ever give this world to you....
....why they only played this live four or five times is beyond me. The lyrics remind me of Attics Of My Life. Which, incidentally, is a song I sung for my son when he was really young.
They brought that one back, to much rejoicing.

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In reply to by Vguy72

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A good time to check the mail. Got a package from Bolo24, CIA.

Gonna let it sit for the required time.. just in case it self destructs or something.

What a hoot. Thanks Bolo.

For what it's worth.. to wide awake to sleep.. youtube is serenading me with the acoustic set of 10/31/80. Works for me.

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In reply to by JimInMD

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That is cool Vguy! This band sure brings us all the emotions.

What we all wouldn't give right now to hear, "We will be back in just a little bit, so everybody hang loose." Man, I am trying real hard to hang loose.

Spill the beans Jim, what did Bolo send you for winning the contest?

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Great idea. Count me in. Extra credit for the NRPS set.

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In reply to by Gollum

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I've got the New Riders set.. I will do my best to send it as Alac or Flac to anyone interested. Just PM me.

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If I had the world to give, I'd give it to you
Long as you live, would you let it fall, or hold it all in your arms?

I guess we all know the answer. Sorry had to say it!

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You ever listen to the 10/17/78 version that is not on the bonus disc. If you haven't during space right before If I had the World to Give, you can hear a woman say to Jerry "I want to take banjo lessons" He responds that he doesn't do that anymore... bob t

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What a great show! Love the acoustic set . Garcia says something about demon rum right before Dire Wolf.

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Mark me down for it.

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You saw a lot of great shows!!! P.S. You will never believe it is raining in Rhode Island again!! Be good everyone bob t

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Winterland October 1978

Can any one or TPTB tell me why we can't get all 5 shows released like June '76 box??

Thanks.

PS, Wouldn't be funny if this was the fall box set to be released Oct 6 according to LMG.

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Bob T, I didn't make it to this show, I went to the shows on Oct 20 and 21. My brotther told me about this incident with the girl and the banjo lessons. Garcia used to give banjo lessons when he worked at Swain's House of Music down in Palo Alto, my brother knows a couple of guys who took banjo lessons from Garcia back in the early 60s.

I don't teach anymore..

How cool is that? Nice call Bob T and cool story BTK!

WOS Rocked me yesterday, both 6/16 & 6/18 were so great to hear again.
I am fully pumped now for the Jai-Alai Fronton Release.
Can't Wait and well executed stoke you good pickers you.

Waited until later in the day, to get the full effect, and it was wonderful.

The Eyes > China Doll & WRS > TOO > It's A Sin > Stella is such an incredible trip to take.

And having read your posts I knew what was coming all day, and the magic part, even with that and having heard the show many times in the past, I couldn't wait and was excited when they broke into Morning Dew and it is EPIC, better than I'd remembered.

And that's what this trip is all about!!

6/18/74 - Eyes, WRS & Morning Dew up there with best evers.

Alright set the time machine for Winterland October 1978 you say?!?!

Right away!

Had to start with If I Had The World To Give after that sweet serenade last night courtesy of you all.

JIMINMD - What's in the box?

It's gonna be a good day!

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Jim, If you're saying you have that day for NRPS, I'd take a copy. I don't have?

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In reply to by Dennis

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Got em.. will send later today.

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I too opted for the full 10/21/78 show - on "Roses" now, and I have enjoyed this show so far, save for Bobby's slide playing during "Sugaree" and "Stagger Lee." My copy of this show (the Miller one that Vguy posted,) sounds pretty darn good.

I know that 5/2/70 DiP 8 is on tap for it's 50th anniversary Saturday, but what about tomorrow? May I suggest DiP 5 - 12/26/79, one of my personal favorite picks, for Friday's listen?

Of course, I think a number of folks should be receiving DaP34 tomorrow... but if not...

Peace

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Thanks, my man!

Ouch - this patch in the climax of "Stella" hurts. Still - this has been a good listen!

Peace

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In reply to by Thats_Otis

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I have the complete shows on a HD but they aren’t loaded on the microSDXC card that is currently in my music player.
So, chop job it was.
Yes, definitely time for the whole run to be Plangentized, Normanized, and packed up in a nice little Box that fits on a shelf.

I didn’t initially go for RT because I wanted complete shows, not chop jobs. Probably the wrong choice because I missed out on the bonus disc which I believe allows you to reassemble a complete 10-21 set2.
But, all that can be remedied with the release of a Winterland Oct. 78 Box. Bring it on Dave.

Now I’ve ventured into torrent territory and am listening to 3-25-83 148801.Clugston.
Sound quality is not terrible, but the cymbals are a bit too loud.

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In reply to by Thats_Otis

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Definitely a different feel than our listen yesterday with the wonderful RT2.3.

Sound quality is mediocre at best and I agree the patches are rough.

Does anyone have a tracking arrival date for tomorrow for Dave's #34.

Mine still is saying label created.

Conekid, check your PM.

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In reply to by DeadVikes

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Agreed! Not the same high as yesterdays '74 trip.. But The Other One is ripping and has a moment of IT for sure.

Actually having listened again, I'm surprised that this got released with the number of patches that were required. I'm not holding my breath on a rerelease.. there's so much other stuff in that there Vault.

Fun to revisit.

12/26/79 tomorrow you say? So Be It!

I might have to dig in to some 5/1/70 for it's 50th as well.

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In reply to by DeadVikes

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I replied to PM

But I wasn’t into chop jobs.
I did start ordering when full shows started coming and I got those bonus discs.

I also didn’t order Rockin’ The Rhein, and missed out on that bonus disc. Still don’t know why I didn’t order it.

....just wrapped up. 6.8 goonie birds out of 10. Mojo working goes on a little too long, but everything after that was fire. Very nice Must have Been The Roses. Moving onto an anniversary of a show i attended. Irvine Meadows 4.30.89. Box Of Rain, Iko to open the second set.

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Thanks!

Luckily we have a new C. M. audience release so there is a better patch for the Stella Blue and some other small patches but, on a bad note the taper only got a partial set 1 so no new patch for Sugaree which sucks.

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If ya don't mind me calling you that. Is this the NRPS 5/2 you have?

nrps1970-05-02.sbd.reel master.cass.dat.flac16

Thanks!

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Ollin> Promised, Sugaree, Ramble On, Passenger, LLR, all good! Stagger- Miracle brings it down.

Bertha, Good Love it's back, MHBTR sweet, Estimated blowing the roof off! He's Gone okay, this show kinda goes up and down. Mojo starts out nice, TOO - Stella - Sugar Mag all good. I got them U.S. Blues.

I think I blew or singed a voice coil in the mid-range speaker yesterday. I got a Emotive xpa-2 amp 70lb monster (all most gave the Fedex guy a hernia). Hard to find speakers that this thing can't blow out. Thinking of going with Airmotiv T2+ loudspeaker anyone familiar with these speakers?

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In reply to by fourwindsblow

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Yes, there are two versions actually.. I haven't had time to see which one sounds better yet. I think the one that comes as a whole show is slightly better.. I need to figure that out a couple people hit me up.

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The one I have listed is the SIRMick seed.

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

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In reply to by fourwindsblow

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You might just have a better version than the two I have. It seems to be one or two steps closer to the master reel and my best, although it's a soundboard, has just a touch of hiss.

Shot you a message..

If you could compare All I Ever Wanted from yours to this..

https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac…

That should give us the answer. Yours seems to be a generation or two better.

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If there is any interest in the more complete version I am seeding it at the etree.

http://bt.etree.org/details.php?torrentId=588035

NeW Riders Of The Purple Sage
Harpur College
Binghampton, NY
Saturday, May 2, 1970

Source: Soundboard > Reel Master > Cassette > DAT (48k)

01 //Workingman's Blues
02 Brown Eyed Handsome Man
03 Truck Drivin' Man
04 If You Hear Me When I'm Leavin'
05 tuning
06 Whatcha Gonna Do//
07 All I Ever Wanted
08 Henry
09 Lodi
10 Weir intro and tuning
11 Saw Mill *
12 The Race Is On *
13 Mama Tried *
14 Me And My Uncle *
15 The Weight

John 'Marmaduke' Dawson - rhythm guitar, vocals
David Nelson - lead guitar, vocals
David Torbert - bass, vocals
Jerry Garcia - pedal steel guitar
Mickey Hart - drums

guest:

Bob Weir - guitar, vocals *

Notes:

- This has been provided by an anonymous source.
- There were several nasty high-pitched squeals caused by feedback, which have been removed and some level adjustments have been made.
- Although the start of "Workingman's Blues" is cut this is the first time that any of it has circulated. It's completely missing from the FM source.

edited and mastered
SIRMick
March 2013

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Along with 8/13/75 this made me a dead head... I love this version so much.... I use to listen to it every day in college before I started getting tapes... bob t.... P.S. i am excited to hear Donna tonight!!! bob t

Cool to hear your story re: Wharf Rat & 8/13/75

Definitely have some tunes like that, first Dead album I got was WALSTIB from the ole Columbia Records and Tapes club, 11 Albums for a Penny!

Anything from that album takes me back but in particular Born Cross-Eyed and that Europe '72 Jack Straw.

Despite heavy rotation in bootleg circles, never heard 8/13/75 until the Dead released One From The Vault.
But I was stoked when I did get it.

And I totally forgot about Donna tonight! She's a kick, thanks for the flash:)

How's 12/26/79 going everyone? I had to get some 50 year old 5/1/70 in my ear hole.