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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2351
    JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • #2352
    Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • #2353
    JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • #2354
    Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • #2355
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2356
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2357
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2358
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • #2359
    Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • #2360
    bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I believe that was the decision, but I know GOGD is also jamming the 50th of 5/1/70 today.

This one seems to be missing the 2nd set, but it has 1 and 3, and sounds typical Charlie Miller awesome!
https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16/…

I'm going with Dick's 5, as it was my suggestion, and one of my all-time favorites! Shakedown>UJB Reprise encore? Yes, please :)

Peace

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Submitted by Vguy72 on Fri, 05/01/2020 - 08:56

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....starts off with Cold Rain & snow, C.C. Rider and Dire Wolf. No complaints so far!

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 08:59

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@VGuy - Dick's 5 12/26/79 is gonna rock!

@OTIS - Nice PICK bro!

Didn't mean to muddy the waters I just had to listen to some acoustic Dead to start my day, anniversary and all.. so I hopped that train.

But that next train be passing later today and I'll be hopping aboard it to join you all fo sure!

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Submitted by fourwindsblow on Fri, 05/01/2020 - 09:01

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Nice pick and, the best thing is it's Betty Board.

Starts off with CR&S you know it's gonna be Hot!! haha

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Submitted by bolo24 on Fri, 05/01/2020 - 10:19

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Now maybe I can catch up with all theses great picks!

Wait...every day is like a weekend.

Never mind.

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Submitted by Thats_Otis on Fri, 05/01/2020 - 10:36

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Hot DAMN!

"Alabama>Promised Land" should have ended more sets. Scorching!!!

What a wonderful set - incredibly strong playing throughout. Aside from the closing duo, I particularly liked the opening combo of "CR&S" and "CC Rider," the "Brown-Eyed Women," and Bobby's reading of "LLR."

Got some meetings to pretend to care about, so Set 2 will have to wait for a bit.

Peace

the little brother in the Christmas story...trying to keep up with the bigger kids in his giant snow suite!
But I’m trying, lol

- 5/23&24/69 ✔️ Smoking! Got this a year or so ago. Gets lots of rotation...
RT 2.3 6/16&18/74: do not have yet. I’ve been catching up on the RTs I was missing as they were re-releasesing them regularly almost on schedule with Dave’s. Started at 4.5 and were moving forward until last year then it stopped for some mysterious reason? Started again this winter so I’m up, down, whatever to 3.2, but no news as to when they’ll do next one? This is a bummer because I’ve been drooling for all the volume 2s, which would of been out by now if they’d kept to their schedule. Doooaaaahhh! I have most of vol 1, and at least copies of everything except vol 2...did pick up Dicks 29 and 31 though. Have a copy of 31. Not a big 77 fan but most of 2 shows for $69, WTH....

RT 1.4 10/21&22/78 ✔️ Just went with the chop release, but easy enough with my trusty Album Player SW to put in correct sequence (including bonus disc material). This release is all over the place, but I mostly enjoyed it, and some parts, like most of 10/21 were fuggin ripping! Estimated, Mojo, TOO, and holy shit Batman, forgot how hot that Stella is, patches and all! The rest was ok, though I was preoccupied so maybe missed something. But 10/21 was a pleasant surprise as I don’t normally listen to 78 much. Nice pick, hadn’t heard in too long.
Oh, yeah, that Workd to Give >> A&A was awesome. That song has always been one of my favorite Jer tunes. Yes, it boggles the mind why they didn’t keep playing it? This and Believe it or not, though I like WTG better...I need to check out that 10/17 show as it gives me the “hot” vibe...

Also been sneaking in some E72 shows or at least the good parts. Looking forward to DP 5 12/26/79 today as I continue to sort through great piles of accumulated crap in the lower level. Hopefully get 4/29/72 in tonight on the big boy system. Definetly DP 8 5/2/70 tomorrow. Haven’t heard either of these Dicks in quite a while. Love them both so stoked. So enough rambling, let the tunes begin!
Rock on folks!

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Submitted by fourwindsblow on Fri, 05/01/2020 - 13:59

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I just got done with set 1 now I have to take a
break to put the fire out, that was blazing.

Takes a whole pail of water just to cool him down.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 14:11

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I just got the Sting openers from Sam Boyd '93

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Submitted by Thats_Otis on Fri, 05/01/2020 - 15:23

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DiP 5 was one of the first of the series that I got, and I have been in love with it ever since. The heat of the first set is only enhanced over the course of the next two discs - every tune is a highlight for me. The track after Drums, labeled "Jam 2" is a trip! Sweet "Brokedown", rocking "Around>JGB" (another pairing they should have done more often) and then the awesome "Shakedown>UJB Reprise" encore - just an all around killer show.

This pick is a big reason why I consider the Fall/Winter of 79 to be a pinnacle in the band's illustrious career. Thanks for jamming to this one with me today, and...

Happy Friday, DeadLand!

Peace

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 16:35

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You talkin' to me? :)

All 3 nights? I'd like to hear those.

How was Sting at RFK.. you got to see Jerry jam with.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 16:54

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I only got the last two nights at Sam Boyd and the second night at RFK so far they are from sbd and sbd-aud. The RFK is the one Jerry jammed on so I get to hear it now.

When I was at RFK '93 I unfortunately didn't go in for the openers. I only saw a few Dead show openers, CSN Buffalo '90, Little Feet Giants '91 and Steve Miller Giants '92.

ps. They sound good. Intermission music.
pss. I wish I could get them to you I can only go snail mail.

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Submitted by DeadVikes on Fri, 05/01/2020 - 17:56

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Good to see you Oroborous! What burn out?

Bolo, what did you send Jim?

When is the next mind bending contest?

79 has a lot to offer, good pick. Would love to see this one remastered.

Peace folks!

FWB: Nice! I had to look for a minute, but I do have that 5/16/93 opening set after all.

RFK '93: Were peeps raving about it when you got there that Jerry jammed with Sting? Curious

That was trip seeing Donna Jean! She's funny. Bobby Weir and 7/2/89 next week Bro!

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Submitted by bolo24 on Fri, 05/01/2020 - 18:15

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Don't want to say, as I'm not sure he's opened it yet.

Another contest (perhaps) after the warm glow of receiving DaP 34 has subsided a bit.

Does anyone have Dave's #34 yet?

Mine still just says label created, which is not a good sign.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 18:29

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'RFK '93: Where peeps raving about it when you got there that Jerry jammed with Sting? Curious'

I don't remember people saying much about it I don't think many peep's went in for Sting. I personally was a little worried that last night of the tour I hadn't planned on the RFK shows so I didn't have a plan on how I was going to get home after the show as I was hitch hiking that summer but, I new that I had friends there I tried for two days to find them to get a ride home. So I skipped out during Liberty on a last chance to find them in the lot it was like looking for a needle in a haystack so I started to go up and down the rows in the lot and I hear someone ask me If I would like a cold soda and here it was my buddy I was looking for I was so re-leaved I found them and was not stuck in D C.

Things always seemed to work out at the shows.

12/2679 remaster, I have the vinyl record of this show and that was supposed to be a remaster J. Norman

Have a goodnight everybody see ya tomorrow.

....we saw him the first night in Vegas '93. He was pretty good....Partied a little longer in the lot the second and third shows because we assumed they would be pretty much the same sets (which they were). Sting never sat in either.

FWB: that summer ‘93 story is great! Good times :)

DeadVikes - my tracking stayed shipping notified until today, looks like it might come tomorrow.. hang in there, it’s coming! :)

Reissue 5/2/70 now has CR&S said DL. (Remastered?)
I did not know that..

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 18:57

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There's a lil variety in those set lists, especially the 3rd night

Prob caught wind that he needed to try a little bit harder ;)

Race ya! Portland or Nevada... who gets there first?!?!

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Submitted by Vguy72 on Fri, 05/01/2020 - 19:06

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....had focused listening to the first set @ work. Solid. Then phones and clients. Home now. Second set starting. Very familiar with this release, but never got tired of it.

....it was right there! Then they decided to make a left hand turn into a Caution Jam. That then faded into a Mojo jam? (echoes of 10.21.78 sans Lee Oscar's harmonica)....for a few seconds there, is it Stella or a rat in a drain ditch? Ditch it is.

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Submitted by Vguy72 on Fri, 05/01/2020 - 20:36

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....good pick dude. Nothing Shaking on Shakedown Street. Ain't that the truth.
12.26.79 gets 8.8 out of 10 goonies.
Harpur College on tap. The cream.
Be safe people. Wash hands. Play Dead.

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Submitted by daverock on Sat, 05/02/2020 - 00:38

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Well, I'm ready when you are. In fact I've already listened to half of it.

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Submitted by fourwindsblow on Sat, 05/02/2020 - 03:22

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Poor Jim was probably sworn to secrecy by agent Bolo to never reveal what the prize was with threat of being put in front of firing squad.

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Submitted by fourwindsblow on Sat, 05/02/2020 - 05:15

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Thanks man!

The transition from U.J. into Estimated was perfect.

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Submitted by Thats_Otis on Sat, 05/02/2020 - 05:43

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Perhaps because the Dead are about to blow some college minds wide apart.

Dick's Picks 8, 50 years ago today. Acoustic set for breakfast - very nice indeed :)

Peace

.. sorry for the delay and for getting behind here. It all started a few days ago, when I got a parcel on my front porch addressed from:

Bolo24
CIA

I didn't think much of it.. I set it aside in the part of the front porch where I let mail age for a couple to three days before opening. Then at some point yesterday I got to that stack of mail that had cleared the quarantine period, I opened the package. Now.. I live in a quiet neighborhood for the most part, but immediately upon opening I heard the sound of three large vehicles pull down the street and stop in front of my house. Turned out to be three Lincoln Navigators with dark shaded windows. I did glance briefly at the contents of the package, which was sparse. A change in skivvies, an n95 mask, some minimal food, water a gps device, a high def portable music player with a small graphic of the 5/2/70 Dicks Picks cover, a Visine bottle marked for emergency use only and a new passport with my picture and the name Henry Spencer on it.

After getting in one of the Navigators, we proceeded several miles away to a clearing. When I went to get out of the vehicle, someone placed an ether soaked rag over my face. I am just waking up now from a tranquil dream state, my bed, a thin layer of straw covering the dirt floor. The structure, privative with a thatched roof. There is a stump next to my sleeping space with some items on it including a small laptop with access to the internet somehow.. The bottle of Visine is now empty and I have this strange taste in my mouth. The portable 5/2/70 music player is there, I can hear running water in the background.. rapids of some sort and a small booklet that appears to be instructions. I can hear monkeys howling in the background, something must be going on and it's quite hot and humid here.

Reading the instructions now.. "....barely time to wait.., grab your stuff, put the headphones on, hit play don't forget your passport. Walk out the door ..now. Watch out for the monkey's they are not friendly....." The monkey's all stopped howling in unison, not a good sign. more to co

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Submitted by fourwindsblow on Sat, 05/02/2020 - 06:55

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Your the tops! Your the tower of Pisa, your the smile on the Mona Lisa...

I don't how you do it but, keep it up brother.

I got to get out today so stay safe and everyone have a great show.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 07:33

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I Know You Rider, very spiritual ,
Kinda like that feeling I get when I listen to Iggy Pop. Just kidding.
Three set Grateful Dead was a rare bird . 1970 throw in NRPS and one had an awesome , exciting night of music.

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Submitted by Gollum on Sat, 05/02/2020 - 09:02

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I got a head start on this in the wee small hours this morning, starting with the Dead acoustic set. I realize now this must be my favorite Dead acoustic set. Every rendition here is an all-time favorite. There may be more carefully played "Rider" 's but none more heartfelt and urgent. Well, the whole show is heartfelt and urgent. A half acoustic/electric "Cumberland" - perfect! The crowd is electrified by the "Friend of the Devil". Note the band's half-hearted reprimands when it ends.

Next, the spectacular NRPS set. I didn't realize before that Mickey was still their drummer at this show. It's a treat to hear Mickey as the sole drummer, and I think he's perfect for this music. Marmaduke's vocals are always good for the head. David Nelson's picking is right on point. (dang, I was supposed to see Nelson for the first time last month before the Covid Kabosh) Garcia is tearing it up on pedal steel, you can tell he's having a blast. Here again, the crowd is electrified. McDuke seems pleasantly taken aback by it - witness his exclamation of "far out" after Lodi.

Both sets have a good amount of Dead Freak screams from the audience - like the Aoxomoxoa St. Stephen screams. These are always a welcome addition to the proceedings. For me this cosmic cowboy music is just as deep and profound as the psychedelic electric stuff - next up.

p.s. Jim have you been watching Ozark, or something? :)

Hey y’all! Last night’s show on shakedown stream was a blast! What’s today’s pick? I need to clean my apartment and need some tunes!

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 09:06

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"We're going through some transitions. Our music is not what it was: it's continually changing. What we've been doing in the States lately is having like 'an evening with the Grateful Dead.' We start off with acoustic music with Bobby and I playing guitars, light Drums and very quiet electric bass. Pigpen plays the organ. Then we have a band we've been traveling with, The New Riders of the Purple Sage, where I play pedal steel, not guitar, Mickey plays Drums, and three of our friends from the coast, musicians that we've known for a long time, are fronting the band. So we start off with acoustic music and then The New Riders of the Purple Sage - it's like very snappy electric country-rock, it's kinda hard to describe - and then we come on with the electric Dead, so it keeps us all really interesting, and it's six hours of this whole development thing. By the end of the night it's very high." - Jerry Garcia speaking to Dick Lawson 5/24/70 - England

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Submitted by Thats_Otis on Sat, 05/02/2020 - 09:08

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For those of you looking for some extra credit on this fine Saturday, here is a link to the Charlie Miller transfer of this immortal show, which contains the full NRPS set and sounds WAY better than the only other version of that set that I can seem to find. It also has the full Dead show, in case some of you don't have the actual release.

https://archive.org/details/gd1970-05-02.138227.sbd.miller.flac1648

JimBo - Letting your mail age for a couple - three days... priceless! I hear the news contained therein gets a little smoother that way. Stay safe out there, and watch out for those monkeys!

Peace

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 09:38

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Tell ya all a Story -
At some point shortly after High School, I got a hold of the Mama Tried, Me & My Uncle & The Weight with Bobby Ace from Harpur College, I think it was from the Grateful Dead Hour in around ’88 (can’t confirm that) or maybe it was just filler on a tape. Anyhow, it wasn't properly labeled and didn't have a date, so it was kind of a mystery. When I heard the harmonies & pedal steel on Mama Tried, MAMU I was mesmerized, what is THIS!?! Then The Weight came on, a song I’d grown up hearing on the radio, so familiar and yet never like this. Is that Bobby & Jerry singing? Is this the Grateful Dead playing The Weight (not sure I even knew the song title). I listened to that tape over and over and over. It was unlabeled, there was no internet, I was just a high school kid in Ohio, didn’t have a good trading connection, got most of my “quality” stuff off GD Hour at that point, would sit in front of my tape deck and anxiously wait & look forward to it every week. I loved listening & thinking about that tape. The tape would remain a cherished mystery for years. At some point I lost the tape, and would think about it from time to time, I wonder where that was from? what the hell was that?…

Flash to today. Well all these years later, on it’s 50th anniversary, I can hear that “tape” in it’s proper context along with the most Amazing evening with the Grateful Dead.

What A Long Strange Trip it’s Been!

Grateful Dead coming on in about 10 - 15 minutes.. Thank you!

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Submitted by billy the kid on Sat, 05/02/2020 - 09:41

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If I had to pick just one Dead show to attend out of all the Dead shows ever played, this would be the one. Only gripe, I wish they would have played the full version of Candyman, like the killer version on 5/15/70. Love the Dire Wolf.