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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • daverock
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    Credit where credits due

    Frank on the Bickershaw review below.....much as I'd like to take credit, its Simon, not me, what wrote it.

    I also attended a mud bath, though-Reading 1977. After three days or so of trekking through the mud, the soles of my shoes literally fell off. Hawkwind-also veterans of Bickershaw 1972- played mid afternoon one day, but it was a bit of a mess all round. I can remember Wayne/Jayne County and the Electric Chairs tried to play and got bottled off. The same thing happened with a reggae band-possibly Steel Pulse. The atmosphere was dominated by loud ,drunk, white, men in their late teens and early 20s-and anything they didn't like they smashed or bottled. Heavy metal and punk were the defining sounds.
    Round about that time it became very unhip to be tolerant of anything. And that mood, as far as I could tell, permeated the 1980s, too. That's in England, I should say- I am not assuming it was like that in America.

  • frankparry
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    Bickershaw

    Great write up Daverock! The closest I ever came to such a scene was a Genesis ‘reunion’ at Milton Keynes Bowl which was a fundraiser for Peter Gabriel’s Womad which, in it’s first year lost a packet. It rained like there was no tomorrow and mud pies were thrown at anyone with a brolly. Got home soaked and caked in mud but very happy even though I had to listen to Talk Talk before Genesis came on.

  • simonrob
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    Bickershaw liner notes for Mustin and others...

    For Mustin123, who asked about how it was to be at Bickershaw and seemingly doesn't have the show on CD, here below are the liner notes that I wrote for that. Indeed Wilfred was correct in identifying me as the responsible party.

    There has been some discussion on here recently about bad shows, fun shows etc. Bickershaw was neither of these. Due to the meteorological combination of a monsoon and an ice age, being there certainly was not fun. I doubt that any of the attendees would say it was a fun experience, but there was some great music played so it certainly wasn't a bad experience either. That the weather had improved by the time the Dead got to play was a big bonus but their performance ensured that the climatic conditions could easily be forgotten. Incidentally, tickets for all three days cost a mere 2.25 pounds

    Anyway, here are the liner notes (note: I was asked to provide more a general overview of the festival than to focus specifically on the Dead's performance) :

    Bickershaw was a place that I had never heard of, but it was hosting a festival and the Grateful Dead were going to be there for the only festival appearance of their European tour. This was too good to miss. While the good-time peace-and-love festival ethos had come to an abrupt end in America at Altamont in late 1969 (indeed the Dead had been scheduled to play there but had declined shortly before their performance due to the situation), festivals in England were still pretty cool and relaxed.
    Bickershaw turned out to be a small coal-mining village that time had largely forgotten. The festival site was on the wrong side of the tracks, literally. Having crossed the colliery railway sidings it was immediately apparent that the site was a desolate swamp complete with reed beds and a lake. There was also a lake at Woodstock and we had all seen the beautiful people skinny-dipping in the sunshine. Here it was different. Here there was a sign by the lake with the terse warning “Crap in water, do not drink”. To make matters worse, the weather was bad. It was unseasonably cold with frequent rain that continued for most of the three days of the event and there was a bitter wind. At least nobody was likely to consider swimming in the toxic pond. As I recall, most of the site was covered in a layer of mud and in places it was seriously deep. There was no way the mud at Woodstock could compare with this stuff. This was going to be all about survival and it was obvious from the outset that only the music could provide salvation. We just had to hope.
    During the first two days there was enough good music and other distractions to keep the hypothermia at bay. The other distractions included such oddities as fire-eaters, acrobats, high-wire cyclists, an aerial display and high divers. Friday’s highlights included a fine performance from Dr. John who liberally sprinkled the audience with mystical gris-gris powder. The final act on Saturday was Captain Beefheart and his Magic Band who played an awesome and astonishing set the likes of which I had never seen before – or since. Large video screens on either side of the stage added to the experience. Finally Sunday – the day of the Dead – dawned, cold and grey. Still trying to come to terms with what the Captain had done to my brain, I evicted a frog from my wet sleeping bag and settled down to listen to the day’s musical offerings. In front of the stage things had taken a distinct turn for the worse when the tank used by the divers was simply emptied onto the already muddy ground creating a quagmire of unprecedented proportions. In the afternoon the New Riders of the Purple Sage played a fine set, but it was more suited to sunny California than the tempest that we were enduring in northern England. Despite the conditions, the crowd remained, defying the weather. It was obvious why most people stuck it out to the end – they wanted to see the Grateful Dead and a bit of inclement weather was not going to get in the way of that.
    At last it was time for the grand finale – and the Dead did not disappoint. The first set was powerful enough to drive away the rain clouds and for the first time in three days the sun appeared. Things were definitely looking good. Around this time the fences around the site disappeared, presumably blown down by the arctic winds or stolen for scrap metal. This allowed the villagers come and see what was happening and whole families showed up to gaze at the spectacle. It must have looked like Armageddon to them. By now the Dead were back on stage for their second set, playing to this surreal mixture of mud-caked long-haired freaks and coal miners in their best Sunday clothes with their wives and kids in tow. As the set progressed, the music ascended to ever higher planes. Cultural differences melted away as hippies and miners grooved together. Things got even better as Dark Star > The Other One was complimented by an impressive firework display. The band were obviously up for it as they played on and on despite the cold. Sadly, all good things must come to an end and after a seemingly endless performance it was all over and we were left standing in a dark, cold swamp trying to take in what we had just experienced. It was true – there really was nothing like a Grateful Dead performance. Due to the magic of the music and the resilience of the estimated 30,000 attendees, the vast majority appeared to have had a great time despite the conditions which, by the end, had paled into insignificance.

  • fourwindsblow
    Joined:
    DeadVikes - Warlocks Box Mix

    Mixing - Mike McGinn, He also did JFK '89 and maybe one other. These don't sound as good as they should have. The Don Pearson Ultramatrix cassettes sound way better.

  • carlo13
    Joined:
    Jasmine

    I was just burning some jasmine incense and remembered coming home in the mid eighties from a stretch of dead shows on the east coast and reeking of jasmine and patchouli sweat. I remember those religious fliers that were passed around with the cool illustrations even though I was always an atheist. also passing around Greenpeace fliers and stickers that
    we would get from donations to GP. I'm sure some of you guys remember those fliers. Everytime I smell jasmine and frankincense it reminds me of those days.

  • Vguy72
    Joined:
    😊🙃🙂😉❣✌🤙...

    ....Thank you Mustin. You are correct, kind sir. I stand corrected,, for all the right reasons. All lumped together though, but I can figure it out.
    Another reason why this is the kindest corner of the internet.

  • wilfredtjones
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    mustin321

    Sent you a PM.

  • mustin321
    Joined:
    VGUY

    All of the Road Trips are on Spotify as well. You gotta look under the compilations section.

  • Vguy72
    Joined:
    E72 is on Spotify....

    ....as Mustin said. DP's too. No Daves or Road Trips.

  • billy the kid
    Joined:
    Bob T / Cassidy

    The song Cassidy, is also written partly about Neal Cassidy, besides Cassidy Law. Also, some of the lyrics refer to the death of John Barlow's father. But your right the song is named after Cassidy Law.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Track list is just exactly perfect!

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Yay I got here in time to get one of these Dave's Picks plus a cool T-shirt! Cost is not an issue with my stimulus money! Can't wait to hear the Jai Alai Fronton show in HDCD!!! I wanna learn some jai alai moves too, I could use a new hobby.

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Really looking forward to this one. This is why subscribing is the way to go.

Too soon to request an 80s show for #35?

I've been quarantined for over 5 weeks now. Anything is good news when it comes to music and entertainment.

Hope everyone is staying safe and staying in.

Also...yes...that bonus disc...looks nice.

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In reply to by Vguy72

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Can you really have too much 1974?
No.

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In reply to by JimInMD

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Sub.
Scribe.

Very happy to see this come alive. We've all been looking forward to this Dark Star since God knows when. I am not familiar with anything else here except for the one and only Let It Rock.

Sixtus

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Only thing that is a bummer about 74, is they only played 40 shows!!!! Daddy I want a golden goose!!! I mean every song from 74!!!!! bob t

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Happy Spring Fellow Heads,

Hope that everyone is holding up well out there. Beautiful spring day in NorCal today.

I love this show. I dove deep in this one years ago when I was really getting into Dead shows. Haven't listed to it in several years. Gonna be a real treat to crank this version on the home system.

Less familiar with the bonus show but great to see that Dave picked all the heavies off of that one for us. Grinning as I right this. Love me some 1974 Grateful Dead.

Listening has been all over the map in these quarantine times. Ejoying the last Dave's pick, jazz of all sorts, a couple of Yo La Tengo Lps, some tasty old time Appalachian discs, etc. Also been enjoying solo guitar music recently. Two artists that I learned about this year that I think others on dead.net would enjoy are Elkhorn and William Tyler. Tylers instrumental guitar pieces are really fantastic.

Peace to you and yours.

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A little bit of gold heading to us during The Great 2020 Shutdown! SpaceBro I could go for an 80s too. In the end, and, when all is said and done, these subscriptions never fail to bring me joy. Thanks Dave and GD.net.

I would want an 80s release from 85 or earlier

86 has little that is Dave's-worthy, unless there were a bunch-in-one, like the BCT run.

87-89 is good and all; 85 or earlier, please.

regardless of my 80s thoughts, I am _psyched_ for 6/23/74 and 6/22/74!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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In reply to by stoltzfus

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Putting my 2 cents into the convo about what makes a good show, I would like to say I think an exceptional Dead show occurred when the band played rare songs, were on form and cohesive in their playing, and the jams are smooth and unique. I personally love watching shows where the band are goofing around (Copenhagen clowns anyone?) or just smile as they jam really well are gems in their catalog of live shows 💙

Also...I would love to see some solo, acoustic Jerry shows released (my fav is his tour from '82!). And I can't wait for the new Dave's Picks!

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All web-based sound on my laptop is on the blink, so I can't listen to Dave's rap.

Did he drop any hints or just the usual "more greatness to come"?

Definitely looking forward to blasting DaP 34 when it arrives.

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Wall of Sound you say? I'm in too! 😁

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Hey now,
Audio quality is absolutely SUBLIME! Jerry's guitar and vocals on To Lay Me Down are stellar and Bobby''s Weather Report Suite is so fresh -it is def not my era of Dead given I got on Bus in Binghamton in 79 on Brent's first tour, but I will give this a really interesting A rating -sound quality is so hard to improve if the board tapes you started with aren't clear and guessing Jai Lai is small lean venue and so they did not crank sound as boxy rooms (well saw Thorogood in a gym once and could not hear words even) and so it wound up giving a better quality audio..anyway so far so good...thx I am looking forward to mail...thx Dave!

been a while, hope everyone is well during these crazy times.

Can't wait for this one to hit my mailbox. 74 is one of my favorite years and this is one of my favorite shows from that year. Music (and wine) has played a big part in keeping my sanity during quarantine. Between the 76 box set, the dead & co and phish shows being streamed online, and everything in between, live music is one thing I look forward to each day. Bummed I won't be able to see a live band again until god knows when but in the absence of that, these shows really hit the spot.

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Sounds great to these rock-n-roll damaged ears. Keith killing it....All good......

--GratefulGal7277, we need a "Wall of Sound" emoji stat!

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Forgot about "the Beast" -too bad they had to abandon it after Parrish was nearly killed driving over night to Texas (if I recall his memoir correctly)...NEVER had benefit of hearing good old "Wall of Sound." but my college roommate used to talk endlessly about it...i think he saw it in Englishtown show 1976 (lucky boy)...I could have seen Dead back in 1976 and 77 but idiot I was in HS thought Dead was country music...lol--well it was a bit...but not more than a bit...

Dave mentioned at the end, not an exact quote, but close, "See you sometime soon, we will have more announcements coming for other releases later in the year."
This came after he discussed #35, #36 and working on ideas for next year's #37.

I still think this leads to a fall box for this year. But who knows. We already know Workingman's Dead and American Beauty are slated for the anniversary release this year, so what could be the other surprise left for 2020?

Be well folks.

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Hi guys, I'm considering updating my address for this delivery. I worry that the post office won't forward the release. I'm wondering if this is advisable, and also, how do I do it? Thanks in advance, nitecat.

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Early on, I would eat up Dave's release vids. Then I only scrolled to the end to hear whatever tantalizing hint(s) he might drop. After I lost the sound on my laptop, no way I was going to try to lip read.

Aside from WD and AB re-releases (and tasty live '70 material), I would not be greatly surprised if they dished up another (6) June '76 shows.

On my wish list, as always, is more '66-'71 with Pigpen. But close behind is fall '72. I think the 5-6 show box for $150 or less is the sweet spot. I couldn't justify something gargantuan in this period of complete financial uncertainty.

Okay, be well everyone.

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My usual Dark Star listenings happen when I find myself with a half hour or so with absolutely nothing to do and not a thing planned. That's when they seem to sound their best. Needless to say, in the past month I've listened to more Dark Stars than what I would typically listen to in an entire year. Looking forward to including Jai Alai Fronton's (followed by Spanish Jam > US Blues, of course).

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In reply to by nitecat

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Hey Nitecat - we moved back in September of last year, I had similar anxiety. I contacted deadnet customer service, providing the order number that was in the queue and asked them to confirm the new address back to me after explaining the situation, which they promptly did. Never had to worry, everything has made it to me since. This was in conjunction with completing an online Post Office forwarding notification. You should get an email confirmation from that.

https://www.usa.gov/post-office#item-37197

Be well people.

Sixtus

P.S. Dead & Co. Summer tour officially canceled. As of this afternoon. Not all that surprised.

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One of the best months in one of the best years. With several shows from earlier, and just past (6/26, 6/28) these two shows already released, I can feel the pull forward from Europe 72.

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I moved twice in 2018 and didn’t have a problem getting my DaPs.
I responded to the order confirmation email for my DaP subscription and gave them my new address each time.

In 2018 3 of 4 DaPs went to different addresses and I didn’t have any problems. Glad it wasn’t 2019 when I moved because I probably wouldn’t have received the last 3 releases.

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Wow, what a treat. We are lucky fans.

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Hey y'all
How do I subscribe to Dave's picks? I want to preorder and also get the extra disc.

The 2020 subscription period is sold out.. the 2021 subscription period starts I think in early November?? and usually runs into late December, early January. ..so it's too late for this year, in fact Dave's Picks 32 (the first of four picks) is long gone already.. Thanksgiving is prime time to order.

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Get on the email list so that you will know when new releases and the DaP subscription are available.
The annoying yellow box that pops up on the lower right corner saying “get on the list” is where you sign up. If you purchase anything from this site you will probably start receiving emails that way too.

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Got 2020 Subscription - Keeping fingers crossed they get this
Volume to me since I didn't get the first one. Please send good vibes my way.
Tim

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I saw this release at work today, and was going to jump on and tell everyone how great a show it is, because I have it already, on a decent-sounding unauthorized cd boot I got off ebay or somewhere. I remember spinning it a couple of times in the car, and it always stuck in my mind because that was the venue where Tommy Bolin played his last show opening for Jeff Beck.

Alas, the illegal boot in question is 12/12/78 Jai Alai Fronton. Stellar concert, but... not this.

So I'm totally stoked to get more great sounding 70's Dead. Best decade for everything ever, the 70's. Looks pretty goddamn good these days, doesn't it?

die letzten funf:

Rival Sons - Feral Roots
Rock Candy Funk Party - We Want Groove
Al Di Meola - All Your Life (A Tribute To The Beatles)
Van Halen - Diver Down
The Animals - The Best Of Eric Burdon And The Animals

Not everyone listens to whole albums these days. The lost art of album listening.

\m/

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I agree with ICECRMCNKD. Getting a subscription has become the only way to fly. Buy it and forget-about-it. However seeing these "SOLD OUT" banners with-in the first few seconds of the on-sale day is cruel. The Dave's subscription is the equivalent of what "TicketBooks" were in the 80's. Pay one fee and your in every show of the tour. And these were great floor seats in Jerry or Phil zones or in-front-of soundboard or Tapers section, and usually next-to the the same heads every time.

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I was at these shows and have great memories especially from this Sunday show, the second night. I was a student at The University of Miami and these were the first show I went to with my brother, who turned me on to The Dead. I also remember an amusing thing from that night. Leading up to the shows, there were the usual ads on the local FM radio channel announcing the shows. On the ad, they played a few seconds of Truckin' , Sugar Magnolia and one other song. After the show, I turned to two guys behind us and said something like wow wasn't that a great show. They responded "Yeah, but they didn't play any of the songs from the commercial".
Can't wait for my copy to show up. I haven't listened to this show in a while

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I too have been on a listening binge of his stuff. Somebody who knows him used to post here at one time. One of my favs.

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...that would be me. If you haven’t listened to his new album he just released on multiple media sources. Vinyl records, CD and downloads, Tribute to the Beatles! Primo album, al been working on it for a long time now. I’m so happy and grateful to have watched & and heard all the stages of this last album come to be made & released! If your a fan of ALS music or even the Beatles , I highly Recommend seeking this new album out! Have a grateful day 🙏❤️😎

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First off, Happy Earth Day everyone, looks like the earth is getting a break this earth day, maybe the only good thing about the virus. Being a retired horticulturalist I have planted my share of trees and shrubs and flowers and this virus is not going to stop me from doing what I do every Earth Day, plant another tree. Lately I have been planting fruit trees, apples and cherry and peach, but in the past I have planted many a different kind of tree, from ornamental trees to flowering trees to oak trees, it's all good, they are the front line in keeping the atmosphere clean. I usually buy a tree from a nursery or garden center, but this year, I have started an apple tree from seed and it is now late enough in the year to take her outside and plant her with her other brothers and sisters that I have planted in the past. Yes, it's a little baby, but from this one seed, I will get a beautiful, flowering, fruit producing tree in about 7 years. Seems like a long time, but when I look back at the other trees I have planted, and enjoy the flowers and fruit from them, I know that eventually, this one will also produce flowers and fruit if not for me, for others to enjoy for years to come. It's easy to start a seed, just takes some patience to get it to the planting in the ground stage, but it is worth it when years down the road, you get to bite into that beautiful fruit.
I have had a copy of this Miami show from 74 for years, having lived in Florida for over 38 years, I have seen some shows in a Jai Alai Fronton, just not this show. I caught Little Feat with Lowell in 78 at the Fronton in Orlando, caught U2 when they were unknowns at the same Fronton in 79. The Fronton in Miami is the largest one still operating and seats about 5100 people. What a great place to see a show and I can imagine this show was a real killer. The playing area is surrounded by 3 very tall walls and the audience looks on from the side with the front of the court being to the audiences right and the back of the court to their left. The three sides of the court are padded which makes for great sound acoustics. Back in the 70's I knew some guys in the service who bet on these players and they had a system. They would watch the players, they would give "tells" of who would win and in what order by bouncing the ball in sequences like 2 bounces, then hold, then 3 bounces, etc... They had spotters in the audience that would take these ques an run with them to the betting window and place their bets, winning some pretty good sums of money. If you knew these guys, you could get in on the fix, if not, it was all just luck to pick a winner and very seldom did a novice win. How my friends did it was they would watch the audience and the betting window, usually these spotters would come up and bet at the last possible minute and if you were behind them in line, you placed the same bet as they did. Worked for my friends more than 50% of the time. Of course, that was 40 some years ago and most of those old cheaters are long gone now. It was a very fast game and it could be over before you knew it, just that fast sometimes. That ball was very hard and if it hit you, you knew it, hence the Cesta was made out of wicker and had a padded glove on the inside to take the sting out of fielding that ball. Saw a few players get hit with the ball, you could tell it hurt, it would put those guys on the ground. After a while, the sport lost it's charm for me and I quit going, but it was fun for a while. I prefered concerts in those little arenas ever since. This is a killer show, and the bonus disc is the cherry on top, and that limited edition t shirt is very nice, love the back design. This shirt will sell out in no time, along with the remaining discs. I highly recommend this show and the shirt, get them while you can.

Did Rhino find the right number of copies, or is there 74 burn-out because of the PNW Box?

Well, if that 80’s pick for DaP35 sells out right away we’ll know that it is 74 burn-out.

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