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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #6721
    The Good Ole G…
    Joined:
    Cleaning A Garage

    Shit, I'll clean a garage if there's a shirtless Jerry having fun at a Who show picture in it.

    So you think this contest is all a hoax? a put on? a trick?

    Who's in Charge Here!?!?!

    To flash back on those UltraMatrix. I'm not sure about Pearson's mixes being any different than what we already have. But I've been comparing the new Pearson sources that Charlie has been putting out to the UltraMatrix source we had before, and from what I can tell the source / mix is the same but the difference is in the transfer. The new transfers are way better for the most part. I think Charlie has better gear, more knowledge, etc. So the new transfers tend to sound better. That's all speculation. Charlie what do you say? And You ROCK! I might be a tape geek. Never a taper, but always a collector.

    And lastly 6/21/85 is probably the weakest show in this summer run.. they give it a go, but the x factor isn't there. It'll be interesting to hear what you all think. But that's what I got again from hearing it this AM.

    But it's coming... if I remember right, it's there tomorrow. Loved that tape back in the day. Looking forward to hearing it again.

    Be Well All You Heads!

  • #6722
    Oroborous
    Joined:
    10/3/87

    Nice show Deadvikes. Nothing mind blowing but a good solid 87 outing. Always enjoy Pocky Way, and Candyman too. We got an Esau in there which some don’t get, but I always liked it because it was an unusual song and a change of pace. Bird Song and TMNS to round out the first. Loved the Maggie’s>>Cumberland. Don’t think I’ve heard that combo? Don’t think I’ve heard them do Maggie’s with just JG and Bob either? I’m Used to the big 4 vocal versions post Brent. So yeah their taking it higher untiiilllll ittttt comesss backkk downnnn with LL Rain, meh,... nice solid Terrapin with JG steady and confident, not a sizzler but we’ll played. Yes after that it’s sort status quo time to bring it home, but enjoyed Stella, and Quinn is a nice alternative to the more usual encores. All in all I nice little show.
    As far as Ultramatrix, some seem a little dull sounding to me, some too metally, or I guess that could just as well be the metal tape?, but for this show the one I listened to I thought was really good. Personally I’ll take a good matrix over a SB any day, cause sorry folks but a dry SB feed is not what it sounded like live! To me some of the old stuff folks go on about I think are hard to listen to, especially the vocals and often the bass.
    But of course compared to most Audi’s back then the SBs are a step up, and though I’m a audiophile, I’ll take a hot show via a lesser recording than a perfectly sounding dud, but that’s just me. I guess I’ve never really been a “taper” and I don’t mean necessarily someone who actually tapes. To me it’s always been sort of a click, a club, a cultural thing. And I think their mentality has sometimes biased things in a limiting way, again, that’s just me. I love Dave, and think he does a great job, but he suffers from this bias too. Sorry, not trying to be negative and didn’t mean to ramble, just say I prefer a good matrix. Although nothing beats a multitrack from most any era!
    I wonder if ULTRAMATRIX is named somehow due to the Dead/Ultra Sound relationship. Don Pearson was I believe the Meyers Ultra Sound representative with the Dead who worked closely with Healy to tweak the system etc. So I’m curious if these new Pearson matrix’s we’ve been seeing are ones he perhaps took care of some of the tape mix while Dan did his thing, or are they separate some how from Healys normal feed/mix? Definitely would love to know more about all this!
    Ok, Summers here and the time is right for some 85 Dancin’ in the streets! Woo-hoo, of to Alpine!

    EDIT: I think maybe y’all’s reading into Bolos post too much...sounds like he’s trying to Huck Finn your asses to come clean out his garage 😉

  • #6723
    The Good Ole G…
    Joined:
    10/3/87 and 6/21/85 and Contest

    Fun to watch yesterdays show as well as listen to it.
    Watched VFTV III for the first part of Set 1 & YouTube for the rest.

    I'd say it's a good show, but not great.
    They lost me with the 2nd set LLR and for me it felt pretty routine after that.

    Much better stuff earlier in the year ;)

    It might've also been that I'd listened to 8/3/02 The Other Ones for the first time earlier in the day.
    That was pretty far out!

    It makes you think what could've been..

    Speaking of LLR, 6/21/85 is playing over here and we've got a Set 1 LLR > Day Job closer. Uhh...

    Fortunately I know that Estimated is a smoker, can't really remember the rest, and therefore I will relisten.

    BTW any ideas on that there BOLO Contest?

    Minus the plagiarized lines from Raiders, I've got nothing.

    Have A Grate Day!

  • #6724
    The Good Ole G…
    Joined:
    UltraMatrix

    Hiya

    DEADVIKES - Lots to see & hear in 1987.
    The ULTRAMATRIX are essentially matrix tapes that Dan Healy made. Healy would record the crowd / ambience and blend that in with the SBD feed to create a more live sound. He was experimenting with it for awhile, but 1987 seems to be when he focused (exclusively?) on it, could be wrong on that. So most of the Tapes from the time period he was doing this, sound like a matrix tape with audience noise (sometimes way too much) and are called ULTRAMATRIX or ULTRAMIX.

    The Spring Tour of '87 unfortunately, appears to be when Healy was figuring out how much of this ambience he wanted on the tape, and IMO those tapes tend to have too much ambience making them sound more like an Audience recording than the '85 crystal clear SBDs we'd come accustom to.

    I was super stoked after Spring '87 shows to get the tapes, I wanted a dope SBD of those shows so I could see if what I thought I saw was amazing as I felt it was. So I waited and waited and waited. Never could find one, instead I had what sounded like a pretty good audience tape. Turns out it was a muddy transfer of Healy's ULTRAMATRIX recordings and the crystal clear SBD never appeared. In 2017-2019 Charlie Miller started to post some Upgrades of the ULTRAMATRIX cassette masters from I believe Joani Walker. Hopefully there's some even better transfers brewing in the Don Pearson stash that have been trickling out, I guess we'll see.

    Some love em, some hate em.. yada yada. I'm still curious about whether or not in cases where what circulates is an UltraMatrix if there is also a "clean" SBD tape as well in the Vault. It would appear that the answer would be "sometimes". For example 3/26/87 what circulates is the Healy ULTRAMATRIX but there appears to also be a straight SBD of this show, which Dave L. played on Taper's Section (BTW it was DL's first show & a Charlie Miller Fave and worth checking out!). I'd love to find out that the Vault has "clean" SBDs of all these shows in addition to the ULTRAMATRIX that circulate, but I think that's probably not the case, or we'd have heard more. It's possible though, and it's probably more of a case of they have some but not all. I guess time will tell if we live long enough.

    I've been trying to find out since '87 so yeah, don't hold your breath.

  • #6725
    DeadVikes
    Joined:
    10/3/87

    Hey Pocky Way through My Brother Esau are included as bonus footage on View from the Vault III. Great stuff.

    Bird Song is hot. Maggie's Farm Cumberland, oh yeah! Stella Blue is moving. Quinn the Eskimo finish, yes!

    Can anybody explain what an ultra matrix recording is? I am familiar matrix recordings (Dave's #8).

    Time to do some more research on 87. A lot to offer. Don't think we will ever see an 87 Dave's Picks release, but man, it would be cool.

  • #6726
    bob t
    Joined:
    Check out 10/14 & 10/15 76... Forum shows

    10/15/76 Set II Is really strong, Eyes of the World>Music Never Stopped start set II, and an ending stretch of The Other One>Comes A Time>Franklin's Tower>Sugar Magnolia... One caveat is the board ends during Comes A Time, but the audience is Betrando!!! 4 days after Oakland shows... bob t

  • #6727
    The Good Ole G…
    Joined:
    We Have Top Men Working On It Now

    Where Is The Ark?

    I thought we'd settled that.

    The Ark is somewhere very safe.

    From Whom?

    The Ark is a source of unspeakable power and it has to be researched.

    And it will be I assure you Dr. Broady, Dr. Jones.

    Bureaucratic fools, they don't know what they've got there.

  • #6728
    Gollum
    Joined:
    Bolo's clues

    Does this mean we will finally be getting the Ark 69 box?! Bolo's clues are usually much more elusive, but then again, we've all been waiting on this box a long time already....hmmm

  • #6729
    bolo24
    Joined:
    Hmm...may have to do another contest!

    I was unaware that a shirtless Jerry photo might be a rare thing, especially since lots of folks carried cameras for those outdoor shows back then.

    So, here's the contest: come on over to my house, garage, attic or perhaps my storage unit. Whoever finds the photograph can keep it.

    One caveat: you know the warehouse scene at the end of "Raiders of the Lost Ark"? Yeah, its kinda like that. Good luck!

  • #6730
    Oroborous
    Joined:
    Rocktober again it is!

    10/10/76 yesterday and 10/3/87 today.
    Another great 76 that was put in perspective from that interesting post about DOG and specifically The Who/Dead shows. (Thanks for that GOGD) But now we REALLY need Bolos pics!
    Personally these shows, and this release, just rose in status. Not only cause it’s sum good sheet mon, but because they BROUGHT it even though it sounds like they were dealing with three main things R&R bands hate:
    - getting up and playing early
    - an empty venue
    - opening for another bands fans who aren’t interested etc

    Dead Workingmen indeed! Not only that, they stick around and party, with JG dancin topless. Many bands would have been whiney beeatches, played short and shity, and took there toys and went home. No these boys were true professionals. Sure they probably were compensated well, and helps the ole BGP relationship, and they might even have asked to play first, considering Monterey. I’m sure there were plenty of heads there, and it was a nearby home show, but still, the level of playing and energy on these fine shows are only enhanced by the fact that they did so in spite of the situation. Cudos to all on a fine release. Can’t believe it took me so long to grab this one...Man I dig 76 more and more!
    10/10 was another fine show, and I dug the space. That’s a couple times now I’ve been pleasantly surprised by a 76 space! Love the 1st set Dancin>>Wharf Rat>>Dancin, had to check, thought it was into the second set and I missed something, lol. Overall though, I think I prefer 10/9 just because I’m a sucker for those awesome, tight, segways ala 7/18/76. If I didn’t have such a good CD FM? original source? copy of 7/18/76 that I got on amazon?, anyway, if I didn’t have such a good copy I’d be lobbying non stop, as that show has been a WTF since way back when. It was one of my first tapes back in 77, and being a relatively low gen FM, it was probably one of my early tapes that really sounded good. Yeah that ones a beast, but I digress.
    So, onto 10/3/87 today from the wonderful month of rocktober. I believe theres YouTube video of it so maybe I’ll wait and watch it tonight on the big screen? If not, that matrix vguy dialed up looks good. Hell maybe I’ll end up doing both ; )
    Rock on brothers and sisters, and here’s to Rocktober! But looking forward to my personal summer 85 adventure starting manana

    EDIT: duh, almost forgot. Happy Happy to the “Janes” (and I believe I missed the sixtuses too?) so happy, happy, joy, joy and many more to y’all! Also, thanks for the kind words, and I just knew KCJ would understand these predicaments, ahem, lol. Bot oh, the busted counter was in the room, the kid was in the lobby. If I would of walked into the lobby and tried that shit without a bunch of families and travelers of all ilks, I don’t things would of worked out so well. Power in numbers folks, lol

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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Submitted by Vguy72 on Sat, 05/02/2020 - 11:20

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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Submitted by Vguy72 on Sat, 05/02/2020 - 12:56

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 13:35

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 13:58

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 14:02

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Submitted by Gollum on Sat, 05/02/2020 - 14:06

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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Submitted by daverock on Sat, 05/02/2020 - 14:10

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Submitted by bolo24 on Sat, 05/02/2020 - 14:44

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Submitted by Gollum on Sat, 05/02/2020 - 15:06

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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Submitted by DeadVikes on Sat, 05/02/2020 - 17:06

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 06:41

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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Submitted by Thats_Otis on Sun, 05/03/2020 - 06:56

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 07:05

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 07:29

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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Submitted by JimInMD on Sun, 05/03/2020 - 07:54

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 08:13

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 09:48

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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Submitted by Vguy72 on Sun, 05/03/2020 - 10:33

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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Submitted by fourwindsblow on Sun, 05/03/2020 - 13:07

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 15:50

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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8 years 10 months

Submitted by The Good Ole G… on Sun, 05/03/2020 - 17:03

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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17 years 4 months

Submitted by Vguy72 on Sun, 05/03/2020 - 17:12

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Submitted by fourwindsblow on Sun, 05/03/2020 - 17:39

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 07:45

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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Submitted by Strider 808808 on Mon, 05/04/2020 - 11:20

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I’m up for that

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 13:27

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.