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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    It Was A Trick Question

    Not Phil, It sounded an awful lot like Pigpen, but not quite. I was thinking it was a stand in or guest or something.
    I arrived at my destination and had to turn off my truck before they said anything about who was singing.

    I guess it was Pigpen, it was just a rehearsal and I suspect he showed up or tried to practice with the band. It was very good, especially Jerry's solos. Perhaps the last thing he did with the GD which is why it sounded different?

    Has anyone else heard of this? They did say it was from January or February 73.

  • DeadVikes
    Joined:
    King Bee

    Jim, Phil?

  • JimInMD
    Joined:
    I always liked Lille

    It gets an A for overall vibe.

    I did revisit 4/7, 5/11 and 5/26. First, I always held Rotterdam in the highest regard but giving a relisten to the whole show and man, start to finish it's great. So is 5/26 but unlike Oro I have tried really hard not give this too many listens. When you finally hear that suite in the second set, in it's whole it's more like a symphony than a rock and roll show. Nothing leads, nothing follows it just flows, moody, brawling, reflective, sad and hopefull from minute to minute. 5/7 is another other big favorite. I think I like 5/3 a bit more than a few. I like to listen to 5/4 with 5/3, 5/10 with 5/11, etc. It's hard to discount the final four shows of the tour too.

    I also fit in the 85 Red Rocks show the folks at the DaP 47 thread were howling about (8/7/85). A fine little show with some memorable highlights.

    I agree with the comments on 73 v 72 also. To me, when they took off in January off, they left behind the smooth continuity of 72. They had a really good show and set structure going and the new Wake and other material they brought into the fold took some time to gain it's footing.
    The beginning of the year was rebuilding, where are going to put Let Me Sing Your Blues away and You Ain't Woman Enough for example. A little of this disjointedness continued into '74. Nonetheless, '74 was the polished version of this era and direction of the band with their new Grateful Dead Records material.

    Speaking of which.. David Gans played this passage from I think January 73 on the radio a month or two ago. It was a really good performance of King Bee I had never heard before. Supposedly, it was lifted from a practice session. Any guesses to who sang vocals? I was kinda floored by it.

  • Dennis
    Joined:
    Elbow & Without a Net

    This vinyl was part of the big box "The Story of the Grateful Dead". I almost ordered it, then checked the box and there it was. So if you already have the box,,, UB set on Without a Net.

  • DeadVikes
    Joined:
    E72

    Nice work OB and Firstshow. What a feat! I am sure you both will need a break. It is quite the box. Not sure if they will ever put another box like this with a full tour.

    Go Twins. They are due. They have lost 18 straight playoff games.

  • 1stshow70878
    Joined:
    The Short Ones

    5-16-72 Lille: Lively, despite sound issues early on. Again every song played well. Energetic, these guys are durable! Classic Truckin' with Jerry going off on it. The TOO seems advanced for '72, short but completely fully developed. Some of this tour's TOOs rival Dark Stars in this regard. Best yet TOO? It's a contender. Hurts Me Too was stellar.

    5-16-72 Luxembourg: Were those first two a sound check? The treatment of Big River I could see as a regular thing but sadly no. Almost starts like the '77 intros to Jack-a-Roe, and Bob gets an interesting part not seen later. Radio broadcast maybe quickened the pace on many 1st set songs? The TOO not nearly up to the level of the other Other Ones. A short and sweet show as I'm finishing the usual NFA> GDTRFB> NFA ending now. How many kinds of radio bandwidths did Europe have back then?

    A shout out to Bluecrow who clued us in on some easy to get to petroglyphs in the front yard of his San Juan River, Utah cave up in the hills. A friend of the devil is a friend of mine. Fantastic stuff and an inspiring place for sure. I'm rejuvenated and ready to cruise through the rest of EU72.
    Cheers

  • Oroborous
    Joined:
    Good times/Bad Times

    Good, because I finished the quest on Saturday with a sit down listen to 5/26/72.
    Bad, because everything lately is a blur, so the multiple times I hit 5/24 and 5/25 are now also a blur, so I’ll try to remember some of the standouts?
    5/24: variety pack = Cold Rain and Snow, Dire Wolf, Only Black Peter, You Win Again, Rocking Pneumonia, and Lovelight. Most were good with Win Again and Hurts Me Too making the album cut!
    The second set sequence they do step it up, and I liked the shorter LL, sadly, Pigs last…
    I hadn’t heard this show before so I did hit it multiple times, though didn’t get a great listen in…
    Generally, by now, they’ve totally melded and though perhaps early on in this show you might catch a slightly passed the peak vibe, but not sure hearing it alone, out of sequence and/or casually listening you’d notice. Still mostly full on magnificent.
    Part of my problem deciphering is how much these shows do sound alike, sure their all different and have unique nuances, but after so many in a row, they all sorta roll into one…
    5/25/72: this one seemed like it took a bit to build up from good to RJ…, but certainly did!
    Of course the second set sequence was superb, and benefited from the tour unique UJB> Warf Rat> DS> Mags variety mix. Other Variety pack songs= Another awkward Promised Land, a sweet Brokedown, the aforementioned UJB and Rat, with unfortunately the last Sitting on top (another farewell to that 60s pyscho style/energy), and a sweet Sing Me Back Home! The Dark Star of course was RJ (have you ever heard a 72 DS that wasn’t lol), and a nice slightly different GDTRFB/One Mo Saturday finale. Sadly Pigs last Good Lovin, perhaps a bit abbreviated due to fatigue, and an unusual only four songs on the night…
    5/26/72: some call this the greatest Dead show ever, not sure I’d say that, but it is a beast!
    Only did one listen on this one as I’ve had it, gave it a sit down, and honestly, I’m just burned out. Both in general, which unfortunately didn’t help my tour burnout. But I’ve enjoyed every note, and this one didn’t disappoint either!
    Not so much variety, and sadly, only 3 helpings of grease, perhaps due to some being repeated at least a couple times here at the end: Promised Land, Dire Wolf, nice Cumberland, Sugaree returns after more regular play early on, same with Loser, and of course THE Dew! Another sweet Sing Me, and another OMG second set sequence that is definitely RJ! It’s all most too much, when some shows, they basically play another small set AFTER these big powerful sequences, but here they do it again, though why they had to repeat Me&My Uncle yet again I’m not sure? They just did it a year before on Skullfuck so why use up so many slots on this tour that might have made room for another, possibly THE version of something different to make it to vinyl?
    Anywho, A great show and proper fitting ending to one of the all time greatest tours! They Hit most of the usual suspects of the tour, and even managed to nail some album worthy versions, including that magnificent Dew!
    Oh, and how could I not mention the consistently hot PITBs, everyone RJ fo sho…

    Well, this was bittersweet. I’m glad I finally went for it even if the timing was poor and I didn’t feel I went as deep as I usually do when hitting a tour. But I did hit every show in order, including a few I hadn’t gotten to yet, though I did miss some of 4/7 and 4/8 which I’m going to do this week, perhaps with a couple other partial rehashes, though I really need to hear some other Dead for a much needed cleanse…
    I’ll, prolly think of more insights, but for now I’ll just comment on something I kept thinking of that DR said awhile back about post Pig Dead. After hitting all those amazing but long 73 box shows, then hitting all these amazing but long 72s,
    Pigs departure really did affect the flow and energy of those long shows. As awesome as those 73 shows are, they can sometimes be a bit monotonous, so they definitely miss not having those little Pig interludes to break things up, keep things moving, add more variety, and give an occasional energy boost. It also made me think a lot about what if Pig hadn’t checked out? By this point in their trajectory perhaps the overly long repetitive nature of LL and Good Lovin, and the old, overripe straight blues numbers, maybe needed to take a break, but think of all the sweet alternatives they were coming up with that just shown so brightly on this tour: Hurts Me Too, Mr Charlie, China Town, 2 Souls, and some old chestnuts like Lied Cheated and Big Boss Man. And who can forget the few but enjoyable Cautions, a tour highlight for me personally.
    You have to wonder what if…what if he was healthy and kept writing and growing as a writer etc?
    I think he would have had to have grown as a byproduct of just being in the band and how they kept changing etc.
    He may have transitioned from being the main focus, but there probably would have been some monumental new stuff that might even have been better, but alas we’ll never know…
    Well, hopefully we didn’t lose ole 1stshow in some unknown rural border jail lol, and he’ll fill us in on his travails.
    Until next time, keep it forward, never straight…and get yo self a shotgun and a pocketful of shells ; )

  • Elbow49
    Joined:
    Without A Net Coming To Vinyl

    I heard on the YouTube broadcast from the In Groove in Phoenix, AZ that Without A Net is coming to vinyl November 17, 2023 as a Brick n Mortar release.

  • JimInMD
    Joined:
    Hot Opener

    stMade it to the halfway point, but they started playing 10/18/74 on SiriusXM, so I hit pause. They were out of the gate with a bang. High energy opener with some Healy vocal distortion on Hey Pockey Way. Nice high energy Jack Straw too. I never made it to the Kaiser.. caught news years at the Auditorium, never the Henry J. Kaiser Convention Center.

    Man, Jerry's tone on that October 74 run, just love it.

    I'll hit the second set later this afternoon.

  • DeadVikes
    Joined:
    11/7/1987

    Enjoyed the revisit of 9/18/1987 at MSG Jim. If you ever watch any shows from 1987 you can see Jerry trying to find his form. Looking back I still can't believe how much they toured right after his coma.

    Looking at 11/7/1987 Oakland for today if there is any interest out there.

    Still think we will get a 91 show released soon. Although the talk is 1988 is coming soon.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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In reply to by bluecrow

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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In reply to by The Good Ole G…

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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In reply to by Gollum

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That’s why people say that they didn’t find the Dead, the Dead found them.

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In reply to by icecrmcnkd

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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In reply to by Vguy72

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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In reply to by Thats_Otis

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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In reply to by Thats_Otis

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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In reply to by JimInMD

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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In reply to by fourwindsblow

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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In reply to by fourwindsblow

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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In reply to by The Good Ole G…

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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In reply to by fourwindsblow

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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I’m up for that

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In reply to by Strider 808808

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.